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78475 Los(e)/Seite
BRISTOL: A COLLECTION OF PRINTS to include an aquatint of the devastating 1831 fire after C. H. Walters; and nine others in various media after J. C. Bourne, J. Hassell, J. Skelton, W. H. Bartlett and other hands, all circa 1800-1850, various sizes; and an etching of Temple, London, circa 1741. (11) Some faults but satisfactory overall; Temple with worm damage and mould
A Belgian nickel plated 6 shot 9mm open frame DA PF revolver, 10½” overall, round barrel 5¾”, Liege proved, scroll engraved decoration to frame and cylinder, plain ebony grips, lanyard ring to butt cap. GC (action requires attention, loading gate and ejector rod missing), with an ingenious and well made later knife/bayonet which fits over the muzzle and clips onto a lug beneath the barrel, blade 6½”, with ebony grips to match the butt. GC (some artificial etching to blade) Plate 6
* Piranesi (Francesco). Avanzi degl' aquedotti Neroniani che si volevano distruggere per la loro vecchiezza, ma per ordine di Nro. Sigre. Papa Clemente XIV. sono restati in pieti, b&w etching, small circular calcografia stamp to lower right-hand corner, image size approx. 49 x 70,5cms., framed and glazed. (1)
* Rossini (Giacchino). Veduta di porzione degli avanzi dell'Ambulacro del piano terra nel Colosseo, Rome, 1821, b&w etching, image size approx. 36.5 x 39 cm, with margins, together with Terza Veduta della rovima della gran Basilica di S. Paolo fuori le mura, e principalmente del muro della gran mave di mezzo quasi tutto atterrato dalle fiamme, dell'incendio accaduto li 15 luglio 1823, Rome, 1823, b&w etching, trimmed to top and bottom margins (just touching image at top), approx. 49 x 56.5 cm, plus two large etched plates of Piranesi's Carceri d'Invenzione, bears initials E. D. (?), prob. early to mid- 20th-c., image size approx. 42 x 54.5 cm. (4)
* Palmer (Samuel, 1805-1888). Sunset, or The Herdsman's Cottage, b&w etching, The Published State, image size approx. 10 x 7.7 cm, wide margins, together with The Willow Tree, b&w etching, early 20th c. edition of The Published State, by Frank Short, Martin Hardie and F. L. Griggs, signed with the initials of all three, impression size approx. 11.5 x 8 cm, with margins. (2)
Russell (Gyrth, 1892-1970). Boats Moored by the Quay & Drying Nets in the Back Yard, together two etchings, each signed in pencil, approx. 13 x 21 cm and 16 x 18.5 cm respec., mounted on card, together with Osborne (Malcolm), Walter Hargreaves Brown, 1926, etching, signed in pencil, image size approx. 30 x 25 cm, plus a mezzotint portrait of Francis Pember by Glyn Philpot, signed in pencil. (4)
* Short (Sir Frank, 1857-1945). Gathering in the Corn, 1904, uncol. mezzotint, signed in pencil by the artist, approx. 21 x 30 cm., together with Macleod (W. Douglas), 'Sunset North Mist', sepia etching, signed in pen by the artist, approx. 23 x 38 cm., framed and glazed, plus Govier (James Henry), Portrait of a Young Woman, 1936, uncol. etching, signed and dated in pencil by the artist, approx. 10 x 8 cm., framed and glazed, with five other framed etchings, by S. Tushingham, Ian Fleming, A.H. Haig, Kenneth Steel and Marmaduke Miller. (8)
* Wilkinson (Henry, b.1921). Six etchings of dogs, including Labrador with Pheasant, Cocker Spaniels, Golden Setter with Teal (hand coloured), English Setter with Pigeon, Cocker and Woodcock, Lurcher and Rabbit, each approx. 110 x 95 mm, all signed in pencil and limited to 250 copies, together with Janes (John C.), Boxer, etching, approx. 205 x 150 mm, and others including a pencil drawing of Deer by Beresford Hill and colour botanical prints, mostly framed and glazed. (12)
* Woollard (Dorothy E.G.). St. Mary Redcliffe, Bristol, early 20th c. uncol. etching, signed, approx. 30 x 16 cm., together with Popple (C.), Langdale Pikes, uncol. drypoint etching, signed and titled by the artist, approx. 15 x 20 cm., framed and glazed, (no. 42/150 copies), with two other signed etchings. (4)

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78475 Los(e)/Seite