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78472 Los(e)/Seite
Los 339
WILLIAM LIONEL WYLLIE (1851-1931) 'WINDY DAY, COWES WEEK', racing yachts in full sail, signed in pencil to lower margin, mounted, framed and glazed, approximate size 17cm x 39cm, together with assorted prints including Bubbles by John MillaisCondition Report This is dry point etching from the original plate, it is not a lithographed print, frame damaged. We estimate it will come up around 12 midday
Los 24
Beautiful etching/drypoint of Billingsgate by James Abbott McNeill Whistler. Etching is signed and dated "Whistler 1859" in the plate lower right. Appears to be the final state. With original margins. Published on Japan paper. Overall size: 15 1/2 x 18 in. Sight size: 6 x 9 in. Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 402
Titled "The Seaweed Harvest" 1936. Etching, pencil signed. Edmund Blampied was one of the more eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 16 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze. O: 23 3/4 x 26 3/4 in. S: 12 x 14 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 403
Etching / aquatint signed in pencil - "Going Home" Overall size: 13 x 16 1/2 in. Sight size: 8 1/4 x 10 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 404
"Fake Thieband" Color etching signed and numbered in the lower left. A similar work is in the collection of the Fine Arts Museum, San Francisco. California artist Jeanne Gantz was esteemed for her skill in complex and delicate 'a la poupee' color printmaking. Overall size: 12 x 11 in. Sight size: 11 1/4 x 10 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 409
"Japanese Tea Garden" Golden Gate Park San Francisco, signed by the artist. Harriet Gene Roudebush was known during the 1930s and 1940s for her etchings of the San Francisco Bay Area, which were sold in tourist shops and art galleries at Fishermen's Wharf. She and her husband moved to Pacific Grove (a well-known California artists' colony) in 1972. She discontinued printmaking and etching, and instead became a watercolorist, painting watercolors of the Monterey, Carmel, and Pacific Grove areas, until her death Overall size: 15 x 11 3/4 in. Sight size: 9 x 5 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 410
Etching depicting a country road, pencil-signed and numbered 6/50. Frederick M. Polley was an Indiana painter, printmaker, illustrator, writer and teacher. He studied at Indiana University, Corcoran Art School, Washington, DC. Teachers included James R. Hopkins and William Forsyth. His work is contained in the collections of the National Museum, Washington, DC, Herron Art Institute, Iowa State University, University of Pittsburgh. Overall size: 15 3/4 x 19 3/4 in. Sight size: 8 1/2 x 10 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 412
Etching of Johann Strauss Wolfhaus by Berta Bindtner, Austrian artist from Vienna. Titled in the margin lower left and signed in the margin lower right Overall size: 16 1/2 x 20 1/2 in. Sight size: 10 1/2 x 13 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 420
This etching of Enkoping Harbor in Sweden is signed and numbered. Overall size: 20 3/4 x 24 1/2 in. Sight size: 13 1/2 x 17 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 81
Etching by Arthur Briscoe entitled "Bending the Foresail". No other British etcher has celebrated the world of the sailing ship with more understanding than Arthur Briscoe. Briscoe portrayed not just sailing vessels and the sea itself but, in particular, he delighted in portraying seafaring men whilst at work. Briscoe's original prints are now generally acknowledged as the finest marine etchings of the 20th century, for Arthur Briscoe’s bold etched works display both the artist’s intimate knowledge of the sea and his innate mastery of the etching needle. In particular, Briscoe had the ability to convey the motion of the sea itself and the varied effects of light and shade with extraordinary economy of line - a feat which has been the ultimate goal of the etching purist since the time of Whistler and the beginning of the British Etching Revival. Signed in the plate and in the margin, dated 1928, 49/75. Overall size: 14 3/4 x 18 3/4 in. Sight size: 7 x 11 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
![OLEG TSELKOV (RUSSIAN B. 1934)Demonstration, 1976 etching 30 x 21 cm (11 3/4 x 8 1/4 in.)[plate] signed, dated and inscribed](https://cdn.globalauctionplatform.com/222b2347-2dfd-4794-93bb-abf2003049da/e56d9b0f-5348-4c16-bd79-abf200734c01/468x382.jpg)
Los 401
OLEG TSELKOV (RUSSIAN B. 1934)Demonstration, 1976 etching 30 x 21 cm (11 3/4 x 8 1/4 in.)[plate] signed, dated and inscribed with edition 90/100 CONDITIONObserved in frame, the work appears in overall excellent original condition. Minor waviness apparent to the sheet. Very light scattered foxing overall. Otherwise, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 453
SALVADOR DALI (SPANISH 1904-1989)Jeremiah, from Our Historical Heritage, 1975 etching on Arches paper plate mark: 56.5 x 40 cm (22 1/4 x 15 3/4 in.) signed lower right, inscribed with edition number 302/400 lower left LITERATUREMichler & Lopsinger 7521; Field 75-4-K CONDITIONObserved in frame, crisp impression. Even and light overall toning. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 55
CHRISTIAN GOTTLOB HAMMER (GERMAN 1779-1864)View of St. Isaac's Bridge, the Admiralty and the Winter Palace, St. Petersburg hand colored etching 36 x 54 cm (14 1/8 x 21 1/4 in. )CONDITIONObserved in frame, the work is in overall good age-appropriate condition. Areas of foxing and discoloration are visible throughout. Minor tear in lower right corner.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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78472 Los(e)/Seite