TREVOR SUTTON SHORT STORIES V ETCHING Signed PP 18 x 18cm FRAMED The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Condition SLIPPED
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RICHARD SMITH SIGNATURE PIECE ETCHING Signed 1997 PP2/30 57 x 45cm The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Good
RICHARD SMITH WARP AND WEFT 1 ETCHING Signed 1997 PP1/30 57 x 45cm The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Good
ANTHONY BENJAMIN WISH YOU WERE HERE ETCHING Signed 1981 2 OF 75 59 x 41cm The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Sheet Size 76 X 57 cm GOOD
TESS JARAY SERPENT & CROSS NO 9 ETCHING Signed 1993 14 OF 20 The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Sheet Size 43 X 46 cm GOOD
ANTHONY BENJAMIN PERSONAL APPEARANCES ETCHING 1974 AP of 75 59 x 44cm The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: OK
PETER RANDALL PAGE UNTITLED ETCHING Signed BAT 1994 28 x 39cm FRAMED The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced.
MICHAEL REES BONE DREAMS ETCHING Signed 25 x 29cm The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced.
*Ogilby (John). The Road from Bristol co. Glouc. to Banbury co. Oxo., circa 1680, hand coloured strip road map, a little toned, 330 x 445 mm, mounted, framed and glazed, together with, Bayly (J.), Gloucestreshire Accurately laid down in the Year 1779, hand coloured engraved map, inset vignette of The Cotham Stone, old folds, 380 x 335 mm, mounted, framed and glazed, with Rhodes (Marion, 1907-1988), Bibury, 1937, etching of Arlington Row in the Cotswold village of Bibury, captioned & signed in pencil to lower margin, plate size 17.5 x 22.3cm (7 x 8.75ins), sheet size 22.5 x 27cm (8.75 x 10.5ins), together with Rome, 1937,etching of the obelisk at Piazza del Popolo with St. Peter's Basilica in the distance, captioned, signed & dated in pencil to lower margin, plate size 21.3 x 15cm (6 x 8.25ins), sheet size 26.5 x 19.5cm (10.5 x 7.75ins), plus an etched view by Rhodes of a woodland in Buckinghamshire, plus Bolton Abbey, Wharfedale, North Yorkshire, original pen, ink & watercolour on wove (laid on card), captioned and signed to lower margin, 25.2 x 35.3cm (10 x 14ins) (6)
An early 20th century watercolour of a country scene with female figures outside thatched cottages, signed centre bottom M Lovegrove, inscribed verso Mildred Lovegrove, exhibited 1903-25, with Beckenham, Kent address details, 25 x 33 cm approx in moulded gilt frame together with a pair of oil paintings on board of extensive country landscapes, signed bottom right Valarie Chilton, inscribed verso Quiet Pastures and Horse Close, Miserden, Glos, 30 x 45 cm approx, a signed coloured print of a peaceful river scene after Alan Ingham and a coloured etching of a setter dog published 1933 by Arthur Greatorex, all framed
A signed early 20th century black and white engraving showing a panoramic view of the city of Bristol, signed bottom right Charles Bird, with Frost & Reed label verso and further label inscribed - A new and original etching of old Bristol by Charles Bird, 31 x 54 cm approx in black and gilt Hogarth type frame together with an early 20th century coloured print after Yeend King showing young women in a garden setting - Garden Blossoms, a coloured print of a river scene with cattle watering, etc
A signed coloured etching of a half length study of a female nude with striped scarf around her head, indistinctly signed bottom right N Hibbebirch (?), 43 x 33 cm approx in grey and cream frame together with a 20th century watercolour of the Spanish Steps in Rome, indistinctly signed bottom left Brumsch, 68 x 50 cm approx in wooden frame, also together with a coloured print of an early 20th centaury postcard from Paris showing the Eiffel Tower, 70 x 50 cm approx in oak frame with gilt slip
A black and white etching of a Thames scene with St Paul's Cathedral, signed bottom right Maria Eaton, 18 x 25 cm approx in black and gilt frame together with further etchings and engravings of topographical scenes including a view of Corn Street signed E Sharland, unframed, further works by Sharland, unframed, etc, together with a pencil study of boys playing cards, 17 x 23 cm approx in wooden frame, and a framed coloured print after Meissoier
Kandinsky/Pochette de Disque pour Michel Portal/signed in pencil. Lithograph. Record jacket for Michel Portal. Original colour lithograph & etching, 1987. No' 88 of 120 signed & numbered impressions on Arches wove paper. Image: 73.5 x 52.3 cm (plus matted sheet of archival acid-free museum board).
An Edwardian chromolithograph stipple print of riders in 17th Century dress, an etching with aquatint of a Venetian canal 40/70 signed Vgo Baracco watercolour landscape indistinctly signed, dated October 85, The School Cloister Oundle, limited edition colour print 774/1000, signed in pencil Jane Carpanini and a framed Ordnance Survey map of Tudeley Kent (5).
Catherine Maud Nichold RE. Roofscape etching, signed in pencil together two pencil drawings 'Kikuyu snuff seller' and another of an African woman combing another womans hair monogrammed B. P, an etching of a Burmese river boat entitled a laumg signed in pencil E. G Maccoll, two Edward Duncan colour prints etc.
A Frank Brangwyn artist's proof etching, a train station, signed See illustration Condition report Report by GH The picture measures 22.5 x 22.5 cm (excluding the mount and the frame). The total dimensions of the picture including the frame are 40 x 36 cm. The railway station in question is almost certainly Cannon Street, London.
A Frank Martin artist's proof etching, The Window, signed in pencil Condition report Report by GH Three to four small spots of slight discolouration in the main body of the image. Paper generally very slightly discoloured. Otherwise reasonably good, mount board a little dirty and frame scratched and chipped.
A Margaret Bryan artist's proof etching, People watching a storm, 4/20, signed and inscribed, an Edmund Gadsby artist's proof etching, birds, signed and dated '54, a David Gentleman artist's proof etching, May from The Shepherd's Calendar, signed and numbered 214/500, and a Leslie artist's proof etching, signed, and another artist's proof etching (5)

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