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78472 Los(e)/Seite
Los 807
A 1796 pattern infantry officer’s sword, fullered blade 28½” (slightly shortened), etched on one side with scroll “Warranted” and 1801-16 R Arms, and on the other with crowned GR cypher and infantryman, all with flourishes, regulation copper gilt hilt, double shell guard, the inner turning down, quillon, knucklebow, urn shaped pommel, simulated silver wirebound grip. Basically GC, the hilt retaining approx 60% gilt, traces of gilt to blade etching (obscured by dark patina).
Los 329
§ Salvador Dali (Spanish, 1904-1989) Taurus, from the artist's series of twelve Signs of the Zodiac numbered 63/250 lower left and signed lower right in pencil etching and aquatint 37½ x 26cm (14 x 10in) Provenance: Galaria Surrealista, Barcelona; The Eton Art Gallery, Eton, Berkshire, where purchased by the present owner in 1987 Other Notes: With letter of authenticity from the Eton Art Gallery verso Condition in general is good. A little surface dirt and fading to the paper, some minor creasing to the lower right corner of paper. Some dirt under the glass. Frame is generally in good condition.
Los 328
Keiko Minami (Japanese, 1911-2004) Church with steeple by the sea signed lower right "Keiko Minami" and numbered 20/50 etching and aquatint 33 x 31cm (13 x 12in) Other Notes: Keiko Minami was a Japanese artist, aquatint engraver and poet. After the war, Minami moved to Tokyo to create children's books, and it was there that she met her future husband, the mezzotint artist Yozo Hamaguchi. Minami and Hamaguchi moved to Paris in 1953 where Minami began studying under Johnny Friedlaender, a pioneer in aquatint etching. Some browning around the edges.
Los 454
*Evans (Merlyn Oliver, 1910-1973). Cheiromorph - No. 1, 1966, monochrome etching on thick wove paper, signed lower right, titled and numbered Artist's Proof 2/5, plate size 500 x 600 mm (19.7 x 23.6 ins), sheet size 730 x 820 mm, 28.75 x 32.3 ins, frame and glazed with Redfern Gallery label to verso (1)
Los 364
*Ploos van Amstel (Cornelis, 1726-1798). Marine Landscape off the Dutch Coast, after P. Cooper, 1777, etching with hand-colouring on laid paper, 110 x 220 mm (4.25 x 8.7 ins), with pencil and monochrome wash vignette to verso and faint early inscription, together with Luyken (Jan, 1649-1712), Feldschlacht der Kaiserlichen mit den Franzosen, copper engraving on laid paper, some marks, plate size 270 x 340 mm (10.7 x 13.5 ins), with narrow margins, mounted on backing card, plus other various Old Master prints & engravings, including an engraving of Christ carried to the tomb, bearing Durer's monogram AD, and the biblical quotation 'sicut in adam omnens moriuntur ita et in Christo omnes vivificabuntur' (not by Durer), an engraving by Marcantonio Raimondi after Raphael, re-issued by Giovanni Giacomo Rossi in 1610, several later impressions of Rembrandt prints, an engraving by Paulus Pontius after Van Dyck, a Bartolozzi stipple engraving after Richard Cosway, a Dighton caricture of Lieutenant-General MacDonald, 1812, etc., various sizes (42)
Los 508
*Griggs (Frederick Landseer, 1876-1938). Meppershall Chapel, 1915, etching on laid paper, one of 30 impressions of the third state, signed in pencil, some light toning, sheet edges with some tears and loss to edges (caused by previous mounting and glue), encroaching particularly to the lower right corner of the image (but with some margin on all sides), plate size 131 x 116 mm (5.2 x 4.5 ins), sheet size 210 x 185 mm (8.3 x 7.2 ins), with margins shorter in several places Comstock 13, iii/iii. (1)
Los 491
*Strang (Ian R.E., 1886-1952). The Site of Devonshire House, 1925, etching and drypoint on pale cream laid paper, signed, dated, inscribed to David Strang, and marked Pattern Proof by the artist in pencil, additional signature of David Strang imp., plate size 276 x 340 mm (10.9 x 13.4 ins), framed and glazed with CCA Galleries label to verso (1)
Los 523
*Robins (William Palmer, 1882-1959). Shoreham, Sussex, 1925, etching on laid paper, signed and dated lower edge, title and edition to lower margin, plate size 158 x 253mm (6.25 x 10ins), sheet size 217 x 319mm (8.5 x 12.5ins), together with The Hundred-Foot Cut, 1928, etching on wove paper, signed, dated and titled in pencil to lower margin, some scattered spotting, plate size 248 x 363mm (9.75 x 14.3ins), sheet size 311 x 433mm (12.25 x 17ins) (2)
Los 482
*Cameron (David Young, 1865-1945). Cathedral Window, etching with drypoint on thin wove paper, signed in pencil, plate size 392 x 282 mm (15.5 x 11.1 ins) with margins, framed and glazed, together with another signed etching with drypoint by D.Y. Cameron of a panoramic estuary with distant outline of mountains beyond, signed in pencil, plate size 112 x 318 mm (4.4 x 12.5 ins), framed and glazed (2)NB: The Cathedral Window is on fine laid paper, not wove. The width of the plate is 182 mm not 282 mm.
Los 503
*Frelaut (Jean, 1879-1954). Cour de Ferme, 1925, etching with drypoint on pale cream laid paper, 10th (final) state, signed and numbered 34/40 in pencil, plate size 129 x 178 mm (5 x 7 ins), together with 5 other etchings by Jean Frelaut: Le Grand Chene de Luscanen (grande planche), 1904, Chapelle de Saint-Ave, Tete de Mendiante, 1921, Le Grand Chene de Luscanen (petit planche) & Fontaine sous un Arbre, each signed in pencil, plate 140 x 180 mm (5.5 x 7 ins) and a little smaller, all in matching frames, glazed (6)
Los 486
*@Nevinson (Christopher Richard Wynne, 1889-1946). Barmouth Estuary, etching and drypoint on pale cream wove paper, signed in pencil lower right, plate size 145 x 194 mm (5.7 x 7.6 ins), with good margins, framed and glazed, with CCA Galleries label to verso A similar composition in watercolour by Nevinson, titled The Estuary at Barmouth, North Wales, was sold at Christie's South Kensington on 23rd March 2011, lot 26 (with the composition in reverse). (1)
Los 490
*Strang (Ian R.E., 1886-1952). The Demolition of the Empire Theatre, 1927, etching, a rich dark impression, signed with inscription 'To David Strang from Ian Strang', and marked Pattern Proof, aside from the published edition of 75, plate size 341 x 289 mm (13.5 x 11.4 ins), framed and glazed, with CCA Galleries label to verso (1)
Los 363
*Piranesi (Giovanni Battista, 1720-1778). Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli (from the Vedute di Roma) 1774, etching on heavy laid paper, the first state (of 3), plate size 441 x 576 mm (17.3 x 22.7 ins), wide margins, antique-style black and gilt wood frame, glazed Hind 112, i/iii. Wilton-Ely 245. Focillon 831. A view of the so-called Hall of the Philosophers (now considered to have been a library) at Hadrian's Villa, Tivoli. (1)
Los 495
*Bauer (Carl Josef, 1897-1989). Potiphar's Wife, etching with drypoint on thick wove paper, some spotting, mainly to margins, signed in pencil to lower margin, plate size 275 x 270mm (10.75 x 10.6ins), with margins, together with another colour etching by the same artist, signed in pencil, plus an etching of a female guitarist by Robert Jakob Bock (1896-1943), signed in pencil, plus other similar English and continental etchings, variuos (10)
Los 518
*Mesquita (Samuel Jessuren de, 1868-1944). Fantasy: Elongated Figures and Heads in Profile (Fantasie: langgerekte figuren met aan weerszijden profielkoppen), 1922, etching on cream wove paper, a very good impression, printed with plate tone, signed in pencil lower right, plate size 156 x 300 mm (6.2 x 11.8 ins), with margins, framed and glazed Van Es D92. (1)
Los 453
Dickson (Jennifer Joan, 1936-). The Trysting Place, Athelhampton, etching with watercolour on paper, signed, titled and numbered 21/30 to lower margin, image size 275 x 411mm (10.9 x 16ins), mount aperture 361 x 489mm (14.25 x 19.25ins), The City Gallery label to verso, framed and glazed (1)
Los 427
Sulpis (Emile, 1856-1943). Album containing 30 coloured chalk or pastel studies of young women by the seaside, circa 1905-1920, mostly signed and some dated, a few inscribed Riva Bella [near Ouistreham in Normandy], sheet size 210 x 125 mm (8.25 x 4.9 ins) and smaller, all contained in green cloth-bound album, rubbed and soiled with spine missing, and upper cover detached, small oblong 4to (195 x 260 mm), together with a signed etching by the same artist (31)
Los 476
*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (plate 41 from La Suite Vollard), 1933, etching on heavy laid paper, watermarked Picasso, from the edition of 250, signed in pencil lower right, pencil inscription to verso HMP 7/68 302/41, some pale time-staining at the sheet edges below the mount, plate size 193 x 265 mm (7.6 x 10.4 ins), sheet size 338 x 405 mm (13.3 x 16 ins) Bloch 149. Picasso produced 100 untitled etchings for the Paris art dealer Ambroise Vollard between 1930 and 1937 called The Vollard Suite, the printing of which was completed by Roger Lacouriere in 1939. Owing to Vollard's unexpected death in a car accident in the summer of 1939 their sale and distribution was delayed until after the war, when the edition was acquired by the dealer Henri Marie Petiet. (1)
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78472 Los(e)/Seite