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Lyon & Turnbull
Los 227

§ Sandra Blow R.A. (British 1925-2006) Upward Movement, 2006 (Basford 47) signed in pencil (lower right), etching and aquatint on Hahnemtühle paper, printed by Richard Kimmerling, published by the Strand GalleryDimensions:37cm x 37cm (14 1/2in x 14 1/2in)Note: This is a rare signed example of Upward Movement, as an edition of 20 were to be signed but Blow passed away before she was able to do so. It was originally commissioned by the Strand Gallery for a planned black and white exhibition of her work in 2007.

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Lyon & Turnbull
Los 286

§ PAULA REGO R.A. (BRITISH/PORTUGUESE 1935-2022) Captain Hook and the Lost Boy, 1992 (Rosenthal 80) signed and numbered 31/50 in pencil (in the margin), coloured etching and aquatint on paper, from the Peter Pan series, printed by Paul Coldwell at Culford Press, London, published by Marlborough GraphicsDimensions:sheet 61.5cm x 50.8cm (24 1/4in x 20in)

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Lyon & Turnbull
Los 44

§ Gerald Leslie Brockhurst (British 1890-1978) La Tresse, 1926 (Fletcher 56) signed in pencil (in the margin lower right), and inscribed in pencil (in the margin to the lower right edge), etching on paperDimensions:plate 21.2cm x 18.7cm (8 3/8in x 7 1/4in); sheet 36cm x 24.6cm (14 1/4in x 9 3/4in), unframed

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Lyon & Turnbull
Los 361

§ Sir Antony Gormley O.B.E., R.A. (British 1950-) Feeling Material, 2006 signed, dated and numbered 34/250 in pencil (in the margin), etching on wove paper, published by Sadler's Wells, London Dimensions:sheet 75cm x 57cm. (29 1/2in x 22 1/2in)

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Lyon & Turnbull
Los 254

§ † Bob Law (British 1934-2004) Kiss and Crosses, 2000 complete set of eight, comprising Double Cross; Cross for Me - Kiss for You; Kiss for Me - Cross for You; Double Kisses; A Cross to Bare; Cross and Broken Double Cross; Double Double Crosses; Two Crosses, each signed and numbered PP1 in pencil (in the margin), published by artHester in 2003, printed by Stoneman Graphics, in an edition of 30 with 5 Artist's Proofs, together with silkscreened box and title pageDimensions:each etching 28.5cm x 37.5cm (11 1/4in x 14 3/4in)Provenance:LiteratureAnna Lovatt, Jo Melvin et al., Bob Law - A Retrospective, Ridinghouse, London, 2009, p. 214-5, illustrated in colour

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Lyon & Turnbull
Los 289

§ PAULA REGO R.A. (BRITISH/PORTUGUESE 1935-2022) The Baker's Wife I, 1989 (Rosenthal 31) signed and numbered 19/75 in pencil (in the margin), etching and aquatint on Somerset paper, printed by Paul Coldwell at Culford Press, London, published by Marlborough GraphicsDimensions:sheet 33.5cm x 26.3cm (13 1/8in x 10 3/8in)Note: This print was used to illustrate a programme for The Baker's Wife, a play produced in London in 1989.

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Lyon & Turnbull
Los 285

§ PAULA REGO R.A. (BRITISH/PORTUGUESE 1935-2022) Tiger Lily on Marooners' Rock, 1992 (Rosenthal 87) signed and numbered 34/50 in pencil (in the margin), coloured etching and aquatint on paper, from the Peter Pan series, printed by Paul Coldwell at Culford Press, London, published by Marlborough Graphics Dimensions:sheet 62cm x 50cm (24 3/8in x 19 5/8in)

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Lyon & Turnbull
Los 3

§ Sir Terry Frost R.A. (British 1915-2003) Arbole, Arbole (Tree, Tree), 1989 (Kemp 107) signed and numbered 67/75 in pencil, etching and aquatint with hand-colouring on paper, from the Lorca SuiteDimensions:sheet 55.3cm x 37.3cm (21 3/4in x 14 3/4in)

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Lyon & Turnbull
Los 46

§ Gerald Leslie Brockhurst (British 1890-1978) Adolescence (Kathleen Nancy Woodward), 1932 (Fletcher 75) signed in pencil (in the margin lower right), from the unnumbered edition of 90, etching on wove paper Dimensions:plate 26.5cm x 37cm (10 1/2in x 14 3/4in); sheet 33.6cm x 45.6cm (131/4in x 17 7/8in), unframed Note: Adolescence is the most famous and virtuoso image of Brockhurst’s career and is widely considered a masterpiece of twentieth-century printmaking.Having shown early promise and commitment to his studies, Brockhurst enrolled at Birmingham School of Art aged just twelve years old. He later entered the Royal Academy Schools in London in 1907. Brockhurst’s trajectory to success was set early on, as in both schools he was awarded many of their highest accolades. After travel in France and Italy before the outbreak of World War One, followed by a five-year period spent living in Ireland, Brockhurst eventually re-settled in the English capital. Over the course of the 1920s he made his name in artistic circles, foremost as an outstanding printmaker at this point in time, while his reputation as a painter of extraordinary skill would come to fruition a decade later.Adolescence is rightly regarded as a significant artistic achievement. In 1924, Hugh Stokes encapsulated the artist’s technique as follows: ‘What…[Brockhurst]…is gradually attaining… is a soft and velvety richness of quality in which line disappears, although the form is based upon line.’ It is a startling process which results in a remarkable level of finesse. Brockhurst’s ability to convey such an extraordinary variety of texture and tone in Adolescence make it a prized work among collectors, as too does its period elegance and subtle sensuality.As with many of history’s great artworks, the backstory can add as much appeal for collectors as can the aesthetics of the image itself. Adolescence is one such example of this. Brockhurst had attracted scandal (with the added benefit of renown) due to his affair with Kathleen Woodward, a 16-year-old life model for whom he subsequently left his wife and former muse Anaïs Folin. In the manner of his friend Augustus John, Brockhurst re-christened Kathleen ‘Dorette’, and she came to feature in many of his most successful and notable portraits. In Adolescence, Dorette is depicted seated nude on her bed, assessing herself in a dressing-table mirror, lost in her interior world. It is an idealisation of young womanhood, a subject that preoccupied much of Brockhurst’s career, but it is also a study of nascent sexuality. It remains Brockhurst’s most overtly sensual image.

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Lyon & Turnbull
Los 288

§ PAULA REGO R.A. (BRITISH/PORTUGUESE 1935-2022) Sewing on the Shadow III, 1992 (Rosenthal 96) signed and numbered 2/25 in pencil (in the margin), coloured etching and aquatint on Somerset paper, from the Peter Pan series, printed by Paul Coldwell at Culford Press, London, published by Marlborough Graphics Dimensions:sheet 61.8cm x 50.5cm (24 3/8in x 19 7/8in)

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Lyon & Turnbull
Los 2

§ Sir Terry Frost R.A. (British 1915-2003) Canción de Jinete (Rider's Song), 1989 (Kemp 99) signed and numbered 67/75 in pencil, etching and aquatint with hand-colouring in red gouache on paper, from the Lorca SuiteDimensions:sheet 55.2cm x 37.3cm (21 3/4in x 14 5/8in)

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Bridport Auctions
Los 121

Etching of an Italian town scene with tower, monogram P.D.

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Hansons Auctioneers and Valuers
Los 100

A vintage mid 20th century Knights Templar commanders sword, by C.E.Ward Co New London. Gilt on white metal cross guard, pommel, and langet, the latter with red infilled enamel detail. Black japanned grip with inset white metal cross. 70cm blade, with etching to both sides, featuring crusades scenes, religious symbolism, and a memento mori skull. Makers mark etched to the ricasso. Complete with gilt on white metal scabbard, with 3 suspension rings, and moulded decorative bands along the length, some with red enamel infills. Some of the scabbard bands are marked ‘54’. Notes: the gold wash to the hilt and scabbard would indicate that the sword belonged to a commander. Total length in scabbard approximately 91.5cm. Condition: generally very good and solid. Some very minor service wear to the high points of the gilt finish, revealing the white base metal below. Minor red enamel losses in a couple of places, but overall these are not detrimental. Blade is clean and bright, with clear etching,

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Hansons Auctioneers and Valuers
Los 107

A fine quality 19th century Victorian 1827 pattern Rifles Officers sword, with fire gilded blade. Gothic steel guard with integral crowned rifles badge and curled quillon. Fish skin grip with copper wire binding. Part chequered backpiece with stepped pommel. Very slightly curved single edged blade, with flat spine and single fuller. Profusely etched blade, with foliage, cartouches, the VR royal monogram and crown, plus the Rifles Regimental badge. Proof mark to the ricasso, plus the remains of another mark to the other side, this was possibly the makers mark. Interestingly, both the guard and blade have gilded, with a good proportion of the original gilt finish remaining to the blade. Approximately 96cm length. Condition: generally very good. Steel guard intact, with darkened patina to the steel, and traces of the gilded finish in places. The fish skin grip is intact, but a couple of the copper wire bindings have become loose. The blade is good, with minor service wear, and clear etching. The gilding to the blade remains approximately 90% intact.

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Lyon & Turnbull
Los 49

§ Paula Rego R.A. (British/Portuguese 1935-2022) The Voices III, 1996-98 (Rosenthal 143) signed in pencil (lower right), inscribed Proof (lower left) and dedicated Colette / Christmas 1998 - Happy New Year / love hand-coloured etching with aquatintArtist's Proof aside from the edition of 25Unframed Dimensions:29cm x 19.5cm (11 1/2in x 7 3/4in) [plate]; 50.3cm x 35.6cm (19 3/4in x 14in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descentLiterature T. G. Rosenthal, Paula Rego - The Complete Graphic Work, Thames & Hudson, London, 2012, p. 274, cat. no 143

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Lyon & Turnbull
Los 19

§ † Eduardo Chillida (Spanish 1924-2002) Ze II - Que, 1969 (Koelen 69017) signed in pencil (lower right) and numbered 19/22 (lower left) etching on Chiffon de Mandeure paperEdition of 22, plus some Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.7cm x 8.7cm (3 1/2in x 3 1/2in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic works, Chorus Verlag, Mainz, 1999, cat. no. 69017

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Lyon & Turnbull
Los 50

§ Paula Rego R.A. (British/Portuguese 1935-2022) Untitled signed in pencil (lower right) and inscribed unique print / with love (lower left) etching with hand-colouring on wove paperUnframed Dimensions:49.5cm x 37cm (19 1/2in x 14 1/2 in) [plate]; 75cm x 57cm (29 1/2in x 22 1/2in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present owner

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Lyon & Turnbull
Los 54

§ Paula Rego R.A. (British/Portuguese 1935-2022) Accordion, c.2000s (Rosenthal 279) signed in pencil (lower right), numbered A/P and dedicated Happy Birthday dearest Colette (lower left) etching on Somerset Satin paperArtist's proof aside from the edition of 25Printed by Paul Coldwell at Culford Press, London Published by the Artist with Marlborough Graphics, LondonUnframed Dimensions:20.5cm x 19.5cm (8in x 7 3/4in) [plate]; 40.5cm x 33cm (16in x 13in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present ownerLiterature T. G. Rosenthal, Paula Rego - The Complete Graphic Work, Thames & Hudson, London, 2012, cat. no 279

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Lyon & Turnbull
Los 20

§ † Eduardo Chillida (Spanish 1924-2002) Ze III - Que, 1969 (Koelen 69018) signed in pencil (lower right) and numbered 42/50 (lower left) etching on Chiffon de Mandeure paperEdition of 50, plus approximately 14 Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.7cm x 8.7cm (3 1/2in x 3 1/2in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic Works, Chorus Verlag, Mainz, 1999, cat. no. 69018

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Lyon & Turnbull
Los 53

§ Paula Rego R.A. (British/Portuguese 1935-2022) Woman and Dog Inscribed in pencil For dear Colette / a very happy New Year from Paula (lower centre) hand-coloured etching on paperArtist's Proof - possibly uneditionedUnframed Dimensions:17cm x 20cm (6 3/4in x 8in) [plate]; 30.5cm x 25.5cm (12in x 10in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present owner

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Lyon & Turnbull
Los 18

§ † Eduardo Chillida (Spanish 1924-2002) Ze I - Que, 1969 (Koelen 69016) signed in pencil (lower right) and numbered 38/50 (lower left) etching on Chiffon de Mandeure paperEdition of 50, plus approximately 14 Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.8cm x 8.3cm (3 1/2in x 3 1/4 in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic Works, Chorus Verlag, Mainz, 1999, cat. no. 69016

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Ewbank's
Los 1139

Charles Bartlett (British 1921-2014), Evening tide, colour etching with aquatint, signed lower right, inscribed lower centre, numbered 14/60 lower left, 40 x 55cm. Framed and glazed.Condition Report: Under glass, generally good appearance.

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Ewbank's
Los 1115

Bella Brisel (1929-1982) Bird and Face, limited edition etching, marked Epreuve dArtiste and signed in pencil lower right, numbered 15/20, plate size 14 x 19.5cm.; Together with another, Marie Rooney (20th century), View of a house and garden, etching, signed and dated 1977 lower right. 18 x 22cm (2).

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Ewbank's
Los 1145

Allin Braund (1915-2004), Moor, Mist & Sunlight, etching with aquatint, signed, dated 1959 and numbered 1/30 lower right, inscribed lower left, 37 x 53cm. Framed and glazedCondition Report: Under glass, paper slightly discoloured.

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Forum Auctions
Los 140

Italy.- Piranesi (Giovanni Battista) Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche laterali di detta Basilica, etching and engraving, a very good impression of Hind's first state (of four), on laid paper with watermark of fleur-de-lis [Cf. Hind watermarks, no. 1, "found in early states"], platemark 400 x 540 mm (15 3/4 x 21 1/4 in), sheet 525 x 735 mm (20 5/8 x 29 in), central drying crease and faint crease to left quarter, minor spotting and surface dirt, unframed, [Hind 9], 1749

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Forum Auctions
Los 145

Italy.- Piranesi (Giovanni Battista) Avanzi del Tempio detto di Appollo nella Villa Adriana vicino a Tivoli, etching and engraving, on thick laid paper, a good impression of Hind's first state (of four), platemark 470 x 625 mm (18 1/2 x 24 1/2 in), sheet 500 x 740 mm (19 3/4 x 29 1/8 in), faint drying crease, some surface dirt and browning, hinged into mount, unframed, [Hind 85 i/iv], 1768; together with Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli, etching and engraving, Hind's second state (of four), platemark 460 x 580 mm (18 x 22 3/4 in), wide margins, hinged into mount, minor surface dirt, hinged into mount, unframed, [Hind 90 ii/iv], 1768 (2)

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Forum Auctions
Los 143

Italy.- Piranesi (Giovanni Battista) Vue des restes du pronaos de l'édifice que l'on peut considérer comme le Collège des Anfictions, plate 5 from "Différentes vues de Paestum", etching and engraving, on thick laid paper with watermark of Strasbourg lily within two concentric circles, platemark 500 x 680 mm (19 3/4 x 26 3/4 in), central vertical fold, faint exposure lines outside the image, minor browning, unframed, [1778].

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Forum Auctions
Los 146

Italy.- Piranesi (Giovanni Battista) Veduta degli avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli, etching and engraving, a good impression of Hind's first state (of 3), on thick laid paper with indistinct Strasbourg lily watermark, platemark 465 x 625 mm (18 1/4 x 24 1/2 in), sheet 530 x 740 mm (20 7/8 x 29 1/8 in), minor surface dirt and light browning, unframed, [Hind 83 i/iii], 1761; together with Veduta di un Eliocamino per abitarvi l'Inverno, il quale era riscaldato dal Sole che s'introduceva per le Finestre, and with the title page to Piranesi's "Views of Rome", etchings and engravings, both hinged into mounts, unframed, circa 1775-1778 (3)

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Forum Auctions
Los 147

Italy.- Piranesi (Giovanni Battista) Veduta dell interno del Anfiteatro Flavio detto il Colosseo, etching and engraving, a good impression of Hind's third state (of five), on laid paper with watermark of Strasbourg lily, platemark 460 x 695 mm (18 x 27 1/2 in), sheet 560 x 805 mm (22 x 31 3/4 in), central vertical fold, minor surface dirt and light browning, hinged into mount, unframed, [Hind 78 iii/v], 1766.

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Forum Auctions
Los 142

Italy.- Piranesi (Giovanni Battista) Veduta del Romano Campidoglio con Scalinata che va dalla Chies d'Aracel, etching and engraving, Hind's second state (of five), on thick laid paper with watermark of Strasbourg lily within two concentric circles, platemark 410 x 550 mm (16 1/8 x 21 5/8 in), sheet 560 x 690 mm (22 x 27 1/8 in), central vertical fold with minor splitting to extreme edges, marginal nicks, some surface dirt, hinged into mount, unframed, [Hind 38 ii/v], [circa 1775].

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Forum Auctions
Los 144

Italy.- Piranesi (Giovanni Battista) Veduta del Monumento eretto dall'Imperador Tito Vespasiano per aver ristaurati gl' Aquedotti..., etching and engraving, a good impression of Hind's first state (of three) on thick laid paper with watermark not visible, platemark 490 x 705 mm (19 1/4 x 27 3/4 in), sheet 525 x 760 mm (20 3/4 x 29 3/4 in), central vertical fold, some spotting, browning and surface dirt, unframed, [Hind 119 i/iii], [1775]

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Forum Auctions
Los 105

Europe.- Keller (Heinrich) Aussicht vom Weissenstein auf dem Jura, Cant. Solothurn, panorama, etching and aquatint with hand-colouring, 190 x 1880 mm (7 1/2 x 74 in), two folding flaps, folding concertina-style into contemporary boards, publisher's printed label to upper cover, slightly worn, 8vo, 1818; together with 3 further folding maps, including C. Smith's 'A Physical and Topographical Map of France', 1824, William Gell's 'Rome and its Environs', and a folding map from the Survey of India, centered on the North West provinces including the districts of Almora and Garhwal, various sizes, all folding into boards, 8vo, 19th century (4)

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Forum Auctions
Los 141

NO RESERVE Italy.- Piranesi (Giovanni Battista) Veduta interna del Sepolcro di S. Costanza..., etching and engraving, Hind's third state (of six) on thick laid paper with double encircled fleur-de-lis, platemark 420 x 550 mm (16 1/2 x 21 3/4 in), sheet 530 x 730 mm (20 7/8 x 28 3/4 in), wide margins, central vertical fold, small split to upper section, numbered in ink '22' in the upper right marginal corner, unframed, [Hind 37], [1774]

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Thomson Roddick Auctioneers & Valuers
Los 145

ALBUM OF ANTIQUE ENGRAVINGS, ETCHINGS & PRINTS.   All loose mounted in the album (some backed with card) and incl. Jaques Callot, De Droeve Ellendigheden van den Oorlogh, oblong. eng. title & 17 plates, n.d. but c.1730; others by Callot; lge. engraving Le Prince, Parte Bell Antica, Via Appia; portrait & character etchings & engravings; 18 etchings of knights & other figures; etching, Weirotter, Paysages; 7 others by Weirotter, various sizes; sepia print by Angelica Kauffman, 1770; portrait by Trautmann; 9 etched portraits, Castiliorus; man with turban, man in high fur hat & others after Rembrandt;  4 engravings, D. Geyn, biblical figures; 8 small port. engravings, J. Spilsbury; lge. engraved landscape/rustic scenes by Ruisdael & Dietrich; etchings of beggars & rustic figures by Van Vliet, & others; 4 port. etchings by Thomas Worlidge; peasant group by Berghem, & many others. Approx. 130 in a lge. quarto album, half morocco, marbled brds. & edges. Pencil ownership inscription "Cowper Rose", poss. the early 19th cent. author and "languid traveller".

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Clarks Auction Rooms
Los 496

Richard Bawden limited edition etching titled 'Honesty', no. 25/75, 20.5in x 16in

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Lay's Auctioneers
Los 10

Bryan PEARCE (1929-2006) Two Boats, 1995 Etching, signed and dated '95, numbered 66/75cm, plate size 18 x 25cm, framed 37 x 43cm

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Lay's Auctioneers
Los 285

Bernard Howell LEACH (1887-1979) Hakone Lake, Also Known as Hakone  Etching, stamp signed by Janet Leach, numbered 24/25, plate size 25 x 25cm, sheet size 37 x 36cmThere is no foxing present. There are a few marks present along the left hand side of the piece (please see additional images).

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Lay's Auctioneers
Los 278

Karl WESHCHE (1925-2005) The Egyptian Suite - Palm Tree Etching, artist's proof III/V, signed and inscribed, studio stamp to verso, plate size 30 x 23cm, sheet size 38 x 27cm.

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Lay's Auctioneers
Los 412

Follower of REMBRANDT VAN RIJN (1606-1669) Portrait Etching, signed and dated 1644 within the plate, plate size 10 x 7cm. Frame size 27 x 26cm.

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Lay's Auctioneers
Los 101

Karl WESCHKE (1925-2005) Fire Eater, 2004  Etching/aquatint, signed, dated and numbered 59/200, plate size 31 x 21.5cm, framed 71 x 56.5cm.The Artist's Estate (stamp verso)

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Mitchells
Los 123

Limited edition coloured etching "The Road to Buttermere" by Simon Bull, dated 1986, limited edition 94/200

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JS Fine Art Auctioneers & Valuers
Los 637

KARL FRID DAHMEN 20thC ETCHING PROPORTION HORIZONTALPENCIL SIGNED NUMBERED DATED 197 68cm x 52cm

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JS Fine Art Auctioneers & Valuers
Los 682

A DOYNE-DITMAS 20thc ETCHING SPACE AND LIGHT NUMBERED AND SIGNED IN PENCIL DATED 1998 TOGETHER WITH A QUANTITY OF DECORATIVE PRINTS (16)

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JS Fine Art Auctioneers & Valuers
Los 612

CELIA JOHNSON ETCHING OF CHRIST FIGURE, SIGNED LOWER LEFT, DATED 1992, NUMBER 1 OUT 4

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JS Fine Art Auctioneers & Valuers
Los 626

ETCHING OF ANTWERP CATHEDRAL INDISTINCTLY SIGNED TOGETHER WITH VARIOUS SIGNED AND UNSIGNED PRINTS (7)

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JS Fine Art Auctioneers & Valuers
Los 702

M HUNTER 20thC ETCHING AUTOLYCUS (A WINTER'S TALE) PENCIL SIGNED 8cm X 10cm TOGETHER WITH FOUR OTHER WORKS AND PRINTS BY DIFFERENT HANDS (5)

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JS Fine Art Auctioneers & Valuers
Los 664

JO TAYLOR 20thC SIGNED ETCHING THE YOUNGSTER TOGETHER WITH VARIOUS FRAMED AND UNFRAMED ETCHINGS AND PRINTS (26)

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Gerrards Auction Rooms
Los 909

Rembrandt Van Rijn (Dutch 1606 - 1669 Manner of) Antique Etching - Self Portrait With Plumed Cap, 5 inches (13cms) x 4 inches (10cms) approx. image size, oval, bears signature and date of 1634; possibly the work of Chevalier Ignace Joseph de Claussin (1766 - 1844); no further provenance, but an interesting item

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British Bespoke Auctions
Los 342

Four Rowland Langmaid (1897-1956) etching Cuttysark; Temeraire and Victory; Victory under Sail; HMS Victory, all signed in pencil, approx 22 x 33 cms. (*cr)Condition ReportA horizontal brown mark over the etching and mount of Cuttysark

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Truro Auction Centre
Los 120

A coloured limited-edition etching - "Ancient Parishes in the Lands End Peninsula - No. 2 Zennor from Poniou" limited-edition 51/100, signed in pencil Ian McNeil Cooke 1992, framed and glazed

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Truro Auction Centre
Los 135

A coloured artist's proof etching "Cotswold Barn", signed Michael Chaplin and one other black and white artist proof etching "French Village" signed Michael Chaplin (2)

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Truro Auction Centre
Los 104

A coloured etching "Low Petergate, York.", signed in pencil Claude Rowbotham, framed and glazed

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Cheffins
Los 635

§ Salvador Dalí (1904-1989) Adam and Eve; from the suite New Mythological Suitesigned 'Dali' (lower right); numbered 135/150etching with drypoint75 x 56cm

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Cheffins
Los 604

§ Stanley William Hayter CBE (1901-1988) Rideausigned and dated 'SWHayter 77' (lower right); numbered 66/75etching and soft-ground69.5 x 48.5cm

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Cheffins
Los 643

Roberto Matta (1911-2002) Hom'meresigned with monogram (lower right); numbered H/Cetching and aquatint54 x 42cm

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Cheffins
Los 613

§ Richard Bawden RWS, NEAC, RE (1936-) Bath Timesigned 'Richard Bawden' (lower right); numbered 14/85etching and aquatint44.5 x 62cm

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Cheffins
Los 647

§ Johnny Friedläender (1912-1992) Bird Flagsigned 'Friedlaender' (lower right); indistinctly inscribed (lower left)etching and aquatint69 x 61cm

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Cheffins
Los 648

Arthur Boyd AC, OBE (1920-1999) Landscape with Adam, Eve and angelsigned 'arthur boyd' (lower right); artist's proofetching68 x 55cmFramed dimensions: 88 x 73cm. Not examined out of the frame. Some foxing to upper margins and to the top third of the print, otherwise in nice, clean condition.

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Cheffins
Los 555

§ George Chapman (1908-1993) Terraced houses, Wales signed ‘George Chapman’ (lower right); numbered 10/50 etching and aquatint48.5 x 57cm

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Cheffins
Los 593

§ Sir Eduardo Paolozzi CBE (1924-2005) Untitledsigned and dated 'E Paolozzi 1976' (lower right); A/Plithograph55 x 17cm;together with an untitled etchingsigned 'E Paolozzi' (lower right)25.5 x 34.5cm (2)Provenance:From the estate of Freda Paolozzi (née Elliott)

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