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78475 Los(e)/Seite
Los 1053
Thomas Rowlandson (1756-1827) hand coloured etching, The Rival Candidates, published W. Humphrey 1784, 24 x 35cm, together with 6 other Rowlandson etchings including A Sleepy Congregation, Procession of the Cod Company from St Giles to Billingsgate, The Parody of Mother Cole and Loader, The Champion of the People and Rural life etchings. (7)
Los 274
I Townsend (early 20th century British school) - Still life with fruit and blossom, watercolour and bodycolour on paper, signed, 28 x 43cm approx, together with a coloured nursery print of fairies after Molly Brett, 44 x 52.5cm, a further nursery print after Margaret Tarrant, an unusual collage picture in the form of a pair of gloves created from vintage scraps, 30.5 x 30.5cm,, a signed limited edition screen print - Two Bumble Bees, signed Rob, dated 85, further signed limited edition etching signed J Whiteford - Patterned Pebbles, etc, various sizes, all framed (8)
Los 286
A collection of pictures and prints including four early 20th century coloured prints of early 19th century style military subjects, a British Columbian signed print by Stan Hunt of Kwa-qudeh moon, signed black and white limited edition etching Alexander R Caroll - Sex Ed 4/20, further signed limited edition etching, black and white photographs, etc, various sizes framed and unframed
Los 310
John McGrath (20th century school) - St Tropez, black and white signed limited edition etching, 48/200, 25.5 x 22.5cm approx, together with a framers label from David Bendann's Fine Art Rooms Baltimore, also together with a pair of sepia coloured etching after Joseph Mallord William Turner from the Liber Studiorum series showing Little Devils Bridge and Drawing of the Clyde, 29 x 40.5cm approx sheet size, both mounted and further prints and engravings including botanical subjects, etc (9)
Los 587
* TOM MACKENZIE (SCOTTISH 1947 - 2018), ON CIOCH coloured etching on paper, signed, titled and numbered artist's proof from an edition of 50 image size 50cm x 40cm, overall size 76cm x 66cm Mounted, framed and under glass. Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
Los 183
FREDERICK CLIFFORD DIXON (1902-1992) - OFF TO CHURCH Property from an Emerald Hill shophouse, the home of the interior designer behind ‘Galerie Cho Lon' Copperplate etching, late print from the original etched plates by Martin Ridgwell R.E in 2013, by permission of the artist's estate, numbered 17/50 21.5cm x 17cm without the frame Condition: No obvious condition issues
![Antique etching depicting foreign town cobbled alley. Signed in pencil by the artist. [Frame 42x32cm]](https://cdn.globalauctionplatform.com/8872a794-6182-4daa-9fc8-add300d6ea6b/5e47c79a-572d-47b2-95bc-add400ae99fc/468x382.jpg)
Los 286
After Giovanni Battista Piranesi (1720-1778), 'Arco di Settimio' (The arch of Septimus Severus, with the church of S. Martina on the right), etching, 37.5cm x 59.3cm, stuck down on paper, unframed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 288
Three monochrome prints; J W King (act. 1855-1965), 'Broad Street Oxford', lithograph, signed and titled to lower margin, 17.3cm x 19.8cm, George Huardel-Bly, High Street, Oxford, etching, signed to margin lower right, 12.5cm x 20cm and Featherstone Robson (1818-1936), 'Brasenose Collage, Oxford', collotype, title and artist's signature to mount, 21.3cm x 13.5cm, all framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 289
Three coloured intaglio prints; Jean-Joseph Chabridon (19th and 20th century), Pantheon, Paris, etching, signed to lower right margin, 10cm x 6.3cm, William Renison (1866-c1940, Continental scene, figures beside a church, etching, signed to lower right margin, 45cm x 27.5cm and one other aquatint of the Matterhorn, indistinctly signed, 18.5cm x 12.5cm, all framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 321
Kate McLauchlan (20th/21st Century British), 'White Horses', monoprint, 49cm x 54cm, purchased from her HND show in 2005, and Jackie Halder (20th/21st Century British), 'Bits and Pieces, Hastings Beach', colour etching, signed and titled to mount, 22cm x 30cm, purchased from the Bourne Hall exhibition in 2003. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 325
Dawn Brooks (20th/21st Century British), 'Transient', etching, artist's proof, signed, titled and dated '09 to lower margin, 19.5cm x 16cm, framed and glazed, purchased from the Arts Forum auction in 2013. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 326
Natasha Morland (20th/21st Century British), 'Kung-Fu Bandstand', etching, signed lower left, 48cm x 54cm, purchased from the City and Guilds London Art School Degree Show in 2007. www.natashamorland.com. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 333
Heather Hookey (20th/21st Century British), 'From Stirling Castle', coloured etching, signed titled, numbered 6/50 and dated '88 to lower margin, 22.2cm x 30cm, framed and glazed. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 334
Robert Wilson (20th/21st Century British), 'Shattered', coloured etching, artist's proof, signed, dated '99 and titled to lower margin, 22cm x 29.5cm, framed and glazed, purchased from the Stables Gallery in 2004, and another monochrome etching by the same artist 'Still Life', signed numbered 10/25, dated 2002 and titled to lower margin, purchased from the Arts Forum Gallery auction in 2009. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Los 116
GRAHAM SUTHERLAND etching - semi-abstract / landscape, entitled verso on Mercury Gallery label 'Clegyr-Boia 1 (landscape in Wales) 1938', 21.5 x 16cms Provenance: private collection north Wales Comments: good clear impression without problems, framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)The etching is not signed or numberedThere is a Mercury Gallery label on verso.
Los 119
BEN PRITCHARD limited edition (1/24) aquatint etching - four film-strips of figures, titled 'Which Way?', signed and dated 2004, 27 x 34cms Provenance: private collection Cardiff Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
Los 127
JOHN PIPER limited edition (30/70) etching with aquatint - 'Gothic Folly, Stowe', signed in pencil, published by Marlborough Fine Art, 1985, signed in pencil, 38 x 47cms Provenance: private collection Cardiff Comments: framed and glazed, good condition, age discolouration to mount Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)There is foxing to the top section and the whole print is starting to yellow.There is a lot around the bottom mount line.
Los 130
GEORGE CHAPMAN etching - scene at Merthyr Tydfil, entitled 'Graveyard and Monkey Puzzle Tree', circa 1962, signed fully in pencil, 67 x 46cms Provenance: by descent from the artist Comments: framed and glazed, in excellent condition Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
Los 131
GEORGE CHAPMAN working proof of an etching and aquatint - figure on steps in south Wales valleys town, entitled 'Maerdie' 32 x 26cms Provenance: by descent from artist Comments: produced on grid paper as a preliminary step to producing a print, framed and glazed, surface mark (possibly artist's paint) Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)Later Note: It’s one of a set of 6 etchings commissioned by Camberwell School of Art but after a change of staff at the college the project was not seen through. This proof has been squared up so that the artist could transfer the composition to a canvas to make a painted version.
Los 132
GEORGE CHAPMAN limited edition (4/25) etching and aquatint - south Wales valleys street scene with Trojan 200 bubble-car on the road, figures, railway signals, advertising for Guinness and a circus, circa 1963-64, signed, 52 x 52cms Provenance: by descent from the artist Comments: mounted not framed, excellent condition, clear edition Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire) Later Note: from a set of prints called "The Rhondda Suite” commissioned and published by Robert Erskine of St George’s Gallery, London 3rd August 1960. Titled “The First Building” and shows the fist open air gents lavatory on entering the Rhondda Valley at Treherbert. A 1980s re-strike from the plate.
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78475 Los(e)/Seite