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78475 Los(e)/Seite
Los 537
Catherine Maude Nichols RE (British, 1847-1923): 'Brancaster Staithe', a study of the coastline, etching, signed in pencil lower right margin, with legend verso, 15 by 38cm, framed, 37 by 61cm, together with Fred Newman (British, 20th century): 'The Tower of London', etching, signed in pencil lower margin, 16 by 11cm, glazed and framed, 25 by 18cm. (2)Note: Nichols was one of the first Lady Fellows of the Royal Society of Painter - Etchers, elected in 1882, and a member of the Norwich Art Circle.
![Julius Komjati A.R.E [Hungarian, 1894-1958] - Refugees, watercolour signed and dated 1946 Buda in ink, with a personal dedica](https://cdn.globalauctionplatform.com/31392247-f8e9-47cf-81c6-a99f0081e68e/f3548182-0ce2-4ff3-a9bb-a9a200e35526/468x382.jpg)
Los 377
Julius Komjati A.R.E [Hungarian, 1894-1958] - Refugees, watercolour signed and dated 1946 Buda in ink, with a personal dedication to Miss Fell, also titled, signed and dated 1946 verso, 10in x 7½in (25.5cm 19.5cm) together with two other watercolours, and thirteen small etchings rural and religious subjects, various sizes, signed and mostly dedicated to Miss Fell or Miss Braithwaite, all loose (16) Biography. Komjati lived most of his life in his native Hungary. However the ten year period he spent in London, 1928-1938, had a profound impact on the course of British etching. He studied under Malcolm Osborne at South Kensington and during his stay in England produced 74 works published by H.C. Dickens, each in editions of 75. He was elected a member of the Royal Engravers and the Society of Painters & Etchers. Provenance: gifts from the artist, and then by family descent to the current owner.
Los 198
ELLIOT, COASTAL SCENE, watercolour, signed, 18cm x 21cm, framed and under glass; along with an early 20th Century book illustration, ink on paper, unsigned, 30cm x 23cm, framed and under glass and Oswald Clough, Lindores Abbey, watercolour, 25.5cm x 36cm, framed and under glass; along with an etching of Sweetheart Abbey (4)
Los 422
A framed limited edition etching by F WAITE, a framed oil on canvas of a railway worker entitled verso 'Tren Bach yr Wyddfa', a watercolour by DAVID RANDAL DAVIES entitled 'Study for Egyptian Worker' & an oil on canvas 'New Lights' lake scene (parcel of four being sold on behalf of Shelter Cymru) Condition Report: please request via email. Condition reports not stated with descriptions in this auction
Los 1173
WILLIAM STRANG RA, RPE (SCOTTISH 1859-1921) MUSIC Etching, signed and inscribed "David Strang imp.", signed and dated 1910 (in plate), 30.5 x 25cm (12 x 9 3/4") Condition Report: Light foxing evident around the area of the inscription on the left and around the area of the signature on the right in the bottom margin. A small area of light grey spots are evident over the garment of the seated figure in in the middle foreground.
Los 1203
•DAME LAURA KNIGHT RA, RE, RWS (BRITISH 1877-1970) BANK HOLIDAY Etching and aquatint, signed, 26.5 x 21cm (10 3/8 x 8 1/4") Condition Report: On close inspection there is a slight yellow discolouration around the margins next to the edge of the mount. Otherwise good condition with no significant issues.
Los 1214
•Attributed to MARGARET DE COURCY LEWTHWAITE DEWAR (SCOTTISH 1878-1959) JEANNE D'ARC Ink and watercolour with gold on vellum, signed initials 'CD', 9 x 6cm (3 1/2 x 2 3/8") MERMAID Etching, indistinctly signed, 19.5 x 6cm (7 5/8 x 2 3/8") LOVE BIRDS IN BAGHDAD Ink and charcoal, signed initials, 14 x 8.5cm (5 1/2 x 3 3/8"), (3) Condition Report: JEANNE D'ARC:. The Vellum has a moderately wavy appearance.
Los 1223
REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) CHRIST AND THE WOMAN OF SAMARIA Drypoint etching, signed and dated 'Rembrandt f. 1634' (in plate, top right) and small indistinctly inscribed pencil letter (bottom right hand corner in margin), 12.2 x 10.8cm (4 7/8 x 4 1/4") MANNER OF REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) OLD MAN WITH A BEARD Etching, bearing small stamp 'R . D' encased in an oval at centre, in the bottom margin at the edge and marginally over the plate line, 17 x 14.5cm (6 3/4 x 5 3/4"), (2) Condition Report: CHRIST AND THE WOMAN OF SAMARIA:. Margins trimmed in appearance with foxing discolouration over margins and plate, noticeably in the top right hand quarter section, in the top left hand area of the figure Christ and in the area on the buildings above the figures of Christ and the woman of Samaria. Paper floated within mount and appearing quite flat. . .
Los 1225
•ANTHONY GROSS CBE, RA (BRITISH 1905-1984) WOMAN AND OXEN: CAFE CAMBRILS: LA FOULE, PRAIRE DES FILTRES: FISHING AT DOVER: LA CHARCUTERIE: SUNDAY-CAMBRILS: LARGE PINE FOREST Etching, signed, inscribed title and numbered 8/50, 33 x 44.5cm (13 x 17 1/2"), signed, inscribed title, 17 x 24.5cm (6 3/4 x 9 5/8"), signed, inscribed title and numbered 22/40, 15 x 30cm (6 7/8 x 11 3/4"), signed artist's proof, inscribed title and dated 1941, 20 x 33cm (7 5/8 x 13"), signed, inscribed title and numbered 10/40, 19.5 x 29cm (7 3/4 x 11 1/2"), signed, inscribed title and numbered 31/50, 17 x 24.5cm (6 3/4 x 9 5/8"), signed, inscribed title and numbered 3/50, 35 x 50 (13 3/4 x 19 5/8") (7) Condition Report: On inspection there is slight discolouration on all margins and all are reasonably sized, and with the exception of ''Women and Oxen' and 'Large Pine Forest' the top margins are all more heavily stained with 'Fishing at Dover' bearing tears to the top margin also.
Los 1228
WILLIAM WALCOT RBA, RE (BRITISH 1874-1943) INTERIOR OF ST. PETER'S, ROME: NEWCASTLE Drypoint etching, signed, 5.25 x 7.75cm (6 x 7"), 9 x 14cm (3 1/2 x 5 1/2") (2) Condition Report: INTERIOR OF ST. PETER'S ROME:. Very slight discolouration around the margins and one foxing mark apparent in the top left area of the margin. . NEWCASTLE:. Three very small foxing marks located at the edge of the plate mark but outside the image, top left, top right and bottom left. Two slight indentation marks in the paper in proximity to the top left hand corner, one in the image edge and one within the plate, outside the image edge. Unglazed.
Los 1231
MARIUS ALEXADER JACQUES BAUER (DUTCH 1867-1932) PALACE AT DEHLI: FUNERAL IN CAIRO Drypoint etching, signed and inscribed 'No 11' and 'No 52', respectively, 17 x 12cm (6 3/4 x 4 3/4"), 21.5 x 27cm (8 1/2 x 10 1/2") SIR DAVID YOUNG CAMERON RA, RE, ROI, RSA, RSW, RWS (SCOTTISH 1865-1945) OLD LAROCHE Drypoint etching, signed, 21.5 x 25.5cm (8 1/2 x 10") (3) Alex. Reid & Lefevre Ltd, T. & R. Annan & Sons, T. & R. Annan & Sons, labels, respectively, verso Condition Report: PLACE AT DEHLI:. On close inspection there is a moderately heavy degree of foxing in places in the plate, disguised slightly by darker areas of shading, and one or two light touches in the margins. . FUNERAL IN CAIRO:. Heavy yellow brownish colouration in the paper to the edges of the margins. Unglazed. . OLD LAROCHE:. Touches of light foxing over the image, more so in the area of the sky, and around the margins. There is a vertical brown line possibly resulting from oxidisation, approximately one centimetre in length, in proximity to the top left hand corner. .
![Boxing.- Anonymous (active 1769-1780) [Portrait of John 'Buckhorse' Smith], running through Covent Garden, holding his hat in](https://cdn.globalauctionplatform.com/2bd0514c-2503-487c-bb62-a98800b53ee8/d18ac8a5-397c-4e70-b0d0-a988011ba86c/468x382.jpg)
Los 204
Boxing.- Anonymous (active 1769-1780) [Portrait of John 'Buckhorse' Smith], running through Covent Garden, holding his hat in his right hand and carrying sticks, St Paul's Church behind to the right, etching on laid paper with watermark of a fleur-de-lis, sheet 318 x 200 mm. (12 1/2 x 7 7/8 in), inset at edges onto mount, minor spotting and toning to sheet, unframed, published by Thomas Bowen, [ca. 1769-1780] § Bowles (Carington, publisher, 1724-1793) Upon Lady Granny in / Her (supposed) Grandure, portrait possibly of Abigail, Baroness Masham, after Marcellus Laroon the Younger (1679-1772), etching and engraving, on laid paper with watermark of a fleur-de-lis, sheet 284 x 185 mm. (11 1/8 x 7 1/4 in), minor surface dirt and toning to sheet, unframed, [ca. 1714-1734] (2). ⁂ Both scarce. John 'Buckhorse' Smith was a former boxer who reportedly allowed anyone to strike him in the face with one of his sticks for a small sum of money.
Los 188
Virginia Woolf's family.- Duckworth (Stella, half sister of Virginia Woolf, married John Waller Hills, 1869-97) 12 Autograph Letters signed to her mother, Julia Stephen (philanthropist, married first Henry Duckworth, second Leslie Stephen, 1846-95) & 1 to Lisa Stillman, artist, 43pp., 8vo, 22 Hyde Park Gate, Talland House, St Ives, Cornwall & elsewhere, 18th April 1884 - 7th November 1896, 6 letters in French, on riding, living with her grandmother and 1 to Lisa Stillman announcing her engagement to John Waller Hills, "I am very happy happier than I ever thought I should be again... we were talking about you last night you know how much he likes you. I told him of an episode in the billiard room at St Ives wh I know made you dislike him, he remembered nothing of it in fact was sure it never could have happened" § Hills (John Waller, politician and angler, 1867-1938) 5 Autograph Letters signed to Stella Duckworth and 1 to his mother, Anna, 29pp. & 5 envelopes, 8vo, Corby Castle, 29 Wimpole Street & elsewhere, 26th August 1896 - 3rd February 1901, "Garet caught a salmon, 16 lbs, at last, I shall have a try this afternoon... Florie is very worthy, but she is dull, & her aimless chatter gets on my nerves", and taking Virginia Woolf & Vanessa Bell to Queen Victoria's funeral, "I went to the funeral yesterday: it was extraordinarily impressive. I took Vanessa & Virginia & we got very good seats in Oxford & Cambridge Terrace, though they cost a small fortune... . The coffin was covered with a piece of plain cloth satin with very little embroidery: the crown, the sceptre & the ball were simply laid on the top... . Then came the King, the German Emperor [Kaiser Wilhelm II] & the Duke of Connaught... the Emperor looking about & then evidently talking on everything..."; and a small quantity of other letters to Stella Duckworth and her mother, including: a letter from George Smith, of the publishing firm of Smith, Elder & Co., discussing discussing whether Leslie Stephen should resign as editor of the DNB due to ill health; ALs from Julia Stephen to Stella Duckworth, "Beloved Female"; ALs from the artist Norman Wilkinson to John Waller Hills concerning an illustration he has commissioned and including a proof of the etching; Stella Duckworth's bank book, 16 photographs of members of the Stephen/Duckworth family (including a few of Virginia Woolf, some very faded) etc., folds, v.s., v.d. (qty).⁂ Stella Duckworth (1869-97), married John Waller Hills [1867-1938, politician and angler ] in 1895. "Shortly after the marriage Stella was taken ill with peritonitis, and she died in July 1897." - Oxford DNB.
Los 275
Lane (Theodore, 1800-1828) [Law gorging on the spoils of fools & rogues & honest men among folly & knavery producing repentance & ruin. Or the fatal effects of legal rapacity], watercolour, pen and brown ink, 370 x 500 mm. (14 1/2 x 19 3/4 in.), a few old neat repairs, laid on board, unframed, ca. 1827⁂ The original watercolour for the equally large etching with aquatint titled as above, signed "designed and engraved by Theodore Lane" and published by Thomas McLean, c. 1827. The print is rare; it is not in the BM Satires Catalogue but an example has since been acquired by the BM (acc. no. 2002, 0728.70). It was advertised in The Literary Gazette for 1828, the year Lane died prematurely after falling through a skylight."A large, clever design [which] exhibits a considerable deal of wit and satire. The sketch represents the high road to law - leading to ruin, through various toll gates - namely, the opinion of counsel, injunction, filing the bill, consultation, procrastination, &c." (Pierce Egan, writing in 1831)
Los 203
William Hogarth.- O'Neale (After, Jefferyes Hamett) The Bruiser Triumphant. A Farce, etching on laid paper without watermark, sheet 324 x 205 mm. (12 3/4 x 8 1/8 in), trimmed within the platemark to all sides apart from the lower edge, minor spotting and browning, unframed, published by Edward Sumpter, [ca. 1763] § Marks (J., publisher) The Times Taken from an Original Character which appear'd at the Masquerade at Lincoln Decr the 21st 1769, etching and engraving, with several annotations in pencil in lettered margin, sheet 368 x 272 mm. (14 1/2 x 10 3/4 in), lower corners trimmed, several small repairs to nicks and splits, unframed, 1769 (2) Literature:(O'Neale) BM Satires 4085(Marks) BM Satires 4315⁂ Satire on Hogarth's attack on Charles Churchill, "The Bruiser" [Paulson 215].
Los 200
Shaving machine.- Dubois (J., publisher) A Perspective View and Section of an Engine Propos'd to be Built by Subscription, which will Shave Sixty Men a Minute, also Oyl Comb and Powder their Wigs, broadside advertisement, engraving and etching on laid paper with watermark of fleur-de-lis, engraved by Booth, platemark 250 x 400 mm. (9 7/8 x 15 3/4 in), sheet 285 x 430 mm. (11 1/4 x 16 7/8 in), small nick in right hand margin, rough edges and minor surface dirt and light toning, unframed, 1749.⁂ Scarce. ESTC records one other held in the British Library, but their copy is dated 29th November 1745.
Los 238
Algeciras campaign.- Brenton (After Vice-Admiral Jahleel, British admiral born in Rhode Island, British North America, 1770-1884) Five companion plates illustrating the First and Second Battle of Algeciras, the set of five dedicated to Sir James Saumarez, by Joseph Constantine Stadler and P. Hubert, aquatints with etching and engraving, excellent richly inked impressions on cream wove paper, two with watermark dates of '1801', platemarks each approx. 535 x 685 mm. (21 x 27 in), sheets each approx. 590 x 890 mm. (23 1/4 x 25 in), the full sheets untrimmed, the first plate with minor damp-stain to upper margin, other light surface dirt and minor handling creases, unframed, Edward Harding, 1802 (5) Literature: Parker, Harry, Naval battles, no. 157 c ⁂ Includes: First Plate, '... the gallant attack of the French Squadron under the batteries of Algeciras'; Second Plate, '... representing the ships under [Saumarez's] command returning from the attack of the French squadron warpd aground under the batteries of Algeciras'; Third plate, '... representing the condition of the British Squadron, on the morning of the 12 July 1801, at the time the Ceasar, hauled out of Gibraltar Mole, to pursue the enemy's fleet, under way off Algeciras'; Fourth plate, '... representing the British Squadron, consisting of five two deck'd ships, on the afternoon of the 12th of July, 1801, consisting of 10 sail of the line, viz. two of 112 guns, 1 of 94, three of 80, four of 74, frigates gun boats, &c &c.'; Fifth plate, '... representing the capture of the St Antonie, of 74 guns, under French colours, & the blowing up of the Real Carlos & San Hermenegildo, Spanish, carrying, 112 guns & 1200 men each of whom 30 only were saved on the nigh of the 12 of July 1801.'
Los 199
Sir Robert Walpole.- Huggonson (J., publisher, fl. 1707-1743) The Night-Visit, or the Relapse: With the Pranks of Bob Fox the Jugler, while Steward to Lady Brit[annia], display'd on a Screen, satirical broadside, with large illustration depicting a screen extending across a room containing twenty scenes, each described metaphorically in the text below, mainly relating to instances of corruption and maladministration in Walpole's career, etching and engraving with four columns of letterpress text below, on laid paper with large "Pro Patria" watermark, sheet 294 x 338 mm. (11 5/8 x 13 1/4 in), small nicks and minor repairs, notably to the lower right corner and upper right corner, faint central fold with small repairs, unframed, 1742. Literature: BM Satires 2559⁂ Scarce. ESTC records one other copy held in the Bodleian Library. The British Museum also hold another impression.
Los 198
Strongman.- Toms (William Henry, fl. 1724-1765) Representation of Thomas Topham the Strong Man, after C. Leigh, etching and engraving on laid paper with countermark 'IV', platemark 286 x 204 mm. (11 1/4 x 8 in), sheet 369 x 262 mm. (14 1/2 x 10 1/4 in), some spotting and browning, with minor surface dirt and stains, unframed, published by the engraver, 1741.⁂ Rare. Thomas Topham was a strongman born around 1710 in London, where he was known as "The British Samson". His strongman career started in his own pub, where he used to entertain the crowd by performing various feats of strength; in one instance it was purported that he lifted up a 100 pound (45 kg) table with his teeth and kept it horizontal for some time. He is buried in the Church of St Leonard's, Shoreditch.The present engraving shows the feat Topham performed on 28th May 1741, a celebration for the taking of Porto Bello by Admiral Edward Vernon. In the presence of the admiral and numerous spectators the strong man stood on a wooden stage and lifted three "Hogsheads" of water via a harness. Recorded weights of the "Hogsheads" vary between 1,386 and 1,836 pounds (606 to 832 kg). Not listed in ESTC, but the British Museum holds one copy.
Los 201
Anonymous (mid-18th century) A piece of antiquity painted on the wall adjoining to the kitchen of Winchester College, emblematic portrait of a trusty servant, with the head of a boar, padlocked lips and the tools of his profession, etching on wove paper with Whatman watermark and date of '1891', platemark 370 x 255 mm. (14 1/2 x 10 in), sheet 420 x 278 mm. (16 1/2 x 10 7/8 in), some browning and fine splitting into image, other nicks and tears, unframed, 1749 [but later].Literature:BM Satires 3045
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78475 Los(e)/Seite