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78475 Los(e)/Seite
Los 663
Herbert Thomas Dicksee RE (1862-1942) ‘His Majesty’ - Portrait of a lion’s headoriginal etching on Japan, signed artist’s proof, edition of 200, published by C E Clifford & Co., London, 1888image 59.7 x 47.7cmProvenance: The Bryan Steele Collection.Exhibited: The Royal Academy, London, 1888, number 1595;the World’s Columbian Commission, International Exhibition 1893.Condition report: The paper has discoloured to a light brown. There are some light stripes and blotches of discolouration throughout. A hard crease lower right edge and some further light creases in that area. Some scattered small dots of foxing throughout. A horizontal line of missing ink very close to the top edge of the plate. A couple of small light surface scuffs, including one just below the nose and one above the left eye close to the mane. A brown dot of ink lower left corner just outside the plate-line. Some dirt at plate edges. Not seen outside of frame.
Los 656
Herbert Thomas Dicksee RE (1862-1942)An Irish Wolfhound, recumbent original etching on vellum, signed artist’s proof, published by the Fine Art Society, London, 1889image 7.4 x 12.2cm.Provenance: From the artist’s grandson; the Bryan Steele Collection.Condition report: The vellum is only slightly discoloured. Some cockling. A paler section in the top left quarter, although the cause is unclear. Some light dirt in righthand margin, minor. Not seen outside of frame.
Los 660
Herbert Thomas Dicksee RE (1862-1942)'Clouds have a silver lining, don’t forget; Just bide a wee, and dinna fret' - a young woman and her King Charles Spaniels sitting in a window seat, hoping the rain will soon stop. Location: the inside of Penshurst Place, Kent. original etching on vellum, signed artist’s proof with blindstamp, edition of 300, published by the Fine Art Society, London, 1907image 47 x 58.5cmProvenance: The Bryan Steele Collection.Condition report: Vellum quite strongly discoloured. Obvious cockling throughout. Some light brown speckled foxing visible in margins, and a little surface dirt. Image strong. Some stains on extreme lower edge. Not seen outside of frame.
Los 654
Herbert Thomas Dicksee RE (1862-1942)A Christmas card ‘With Best Xmas Wishes from Mr & Mrs Herbert Dicksee’. original etching on paper: study of a recumbent Irish Wolfhoundimage 7.7 x 12.5cm.Provenance: From the artist’s grandson; the Bryan Steele Collection.Condition report: Paper lightly discoloured, and a little light dirt around the platemark. Some light creases scattered throughout. A couple of very tiny specks of foxing. Not seen outside of frame.
Los 659
Herbert Thomas Dicksee RE (1862-1942)‘The Little Gipsy’, a girl sitting with her terrier dog in a woodland glade, both gazing at flames under a cooking potoriginal etching on vellum, signed artist’s proof, blindstamped, edition of 400, published by Frost & Reed, 1903image 48.5 x 60.4cmProvenance: The Bryan Steele Collection.Exhibited: The Royal Academy, London, 1904, number 1310.The sitter was a family friend, a young Gladys Cooper, before she became a famous actress.Condition report: Vellum has discoloured to a light orange colour. A little very light cockling, barely noticeable. Some light speckles of foxing. A couple of small drops of glue or varnish in the printed area. Not seen outside of frame.
Los 662
Herbert Thomas Dicksee RE (1862-1942) ‘Airedale Pups’original etching on wove paper, signed artist’s proof, edition of 150, this ‘33/150’, no other state, published by Frost & Reed, 1930image 15.2 x 28cmProvenance: From artist’s grandson; the Bryan Steele Collection.Condition report: The paper has lightly discoloured. A light brown vertical line running down the paper approx one inch from right edge. Scattered throughout with light grey dots of foxing. Not seen outside of frame.
Los 665
Herbert Thomas Dicksee RE (1862-1942)‘The King Watches’, a family of African lions, after the painting by Rosa Bonheur, 1887 original etching on vellum, signed artist’s proof, edition of 350, published jointly by L H Lefevre & Son, London and T McLean, London, 1910image 45.8 x 64.8cmProvenance: The Bryan Steele Collection.Condition report: The paper has discoloured slightly. A few very small specks of ink loss in the background area. Some very pale dots of discolouration just visible in margins. Not seen outside of frame.
Los 666
Herbert Thomas Dicksee RE (1862-1942)‘Across the Desert’ - Lion, walking, gaze fixed on the horizonoriginal etching on paper, signed artist’s proof, edition of 150, published by Frost & Reed, 1930image 24.8 x 42.6cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: A very light wave to the paper. A few very light specks of foxing, only visible under close scrutiny. Otherwise good condition. Not seen outside of frame.
Los 501
Giovanni Battista Piranesi (Italian, 1720-1778)'Vestigie delle Terme d'Antonino Caracalla (the Baths of Vespasian)'etching, signed within the print 'Piranesi fe' l.l.11.5 x 17cmLiterature: Focillon 104Provenance: Christopher Mendez, 51 Lexington Street, London, W1;The Estate of Virginia Chapman, late of Debden Manor, Debden, Essex.Condition report: The image is strong. The paper has very lightly discoloured and there are a couple of very light dots of foxing. A little light surface dirt. The paper has been trimmed very close to the edge of the image. Appears to be stuck down. Not seen outside of frame.
Los 661
Herbert Thomas Dicksee RE (1862-1942)Irish Wolfhound, lying downoriginal etching on paper, signed artist’s proof, circa 1918 (different detail and plate size to a limited edition of 125 of the same subject titled ‘Waiting’ published by Frost & Reed, 1918)plate 15 x 40cmProvenance: The Bryan Steele Collection.Condition report: The paper has discoloured to a light brown, more so on the left hand side, with some lighter dots. The paper is speckled throughout with dots of foxing. Not seen outside of frame.
Los 658
Herbert Thomas Dicksee RE (1862-1942)‘Bonnie Prince Charlie’, a King Charles Spaniel, seated. original etching on satin (very rare, a rich, well-defined image), signed artist’s proof, published by the Fine Art Society, London, 1902 (on vellum paper only), plate 24.8 x 19.7cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: The satin is a light golden colour. Small scattered tiny flecks of black around the spaniel's head and in corners, possibly ink. Some pale grey scattered spots in right-hand background area and further small dots and flecks elsewhere. Not seen outside of frame.
Los 16
δ Barry Flanagan (1941-2009)Hare In The Dark (Cocteau)Etching printed in colours, 1994, signed and inscribed Artists Proof, numbered from the edition of 10 in pencil, on wove paper, with full margins, 370 x 450mm (14 1/2 x 17 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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78475 Los(e)/Seite