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78472 Los(e)/Seite
Los 580
Glyn Thomas (b.1946) - Cornish farmyard, etching in colours, signed, titled and numbered 46/100 in pencil to the lower margin, visible sheet dimensions 17 x 24.5cm; and one other by the artist - Three gates, etching in colours, signed, titled and numbered 96/150 in pencil to the lower margin, visible sheet dimensions 14 x 19cm (2)
Los 197
Rowland Langmaid (British 1897-1956): 'Billingsgate from the Pool', drypoint etching signed in pencil, titled verso on Abbey Gallery Westminster SW1 label 20.5cm x 25cm DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Los 198
William Lionel Wyllie (British 1851-1931): Fort Blockhouse at the entrance to Portsmouth Harbour, dry point etching signed and numbered No.LXlll in pencil 18cm x 38.5cmDDS - Artist's resale rights may apply to this lot Condition Report Very good condition. Good colour, no foxing Click here for further images, condition, auction times & delivery costs
![Cristofoli, Adriano; Valesi, Dionisio Anfiteatro Detto L'Arena di Verona. Francesco Masieri, [c.1750]. Copper engraving on tw](https://cdn.globalauctionplatform.com/db6b26b8-b86f-48f9-a1c6-a92900aa3753/2a9f2041-688e-4e40-9029-04e2c47b45c1/468x382.jpg)
Los 148
Cristofoli, Adriano; Valesi, Dionisio Anfiteatro Detto L'Arena di Verona. Francesco Masieri, [c.1750]. Copper engraving on two folio sheets, joined at the middle, after drawings by Veronese architect Adriano Cristofoli, framed. The plate depicts the amphitheatre at Verona (apparently inspired by the style of Ludovico Dorigny's 1695 etching, published by Valentine Masieri) surrounded on three sides by architectural details with a key at the bottom. The amphitheatre is shown in lively activity with performers and audience. with Veduta del Celebratissimo Campanili di Pisa in Toscana. Presso Gio Sardi Livorno, [n.d.]. Engraved, framed.Fading at join with occasional evidence of small tears off the join neatly restored.
Los 3540
An interesting folio of early 18th century and later engravings and prints, including Wenceslaus Hollar (1607 - 1677), by and after, Dormanskirch and Rindorp, first state, engraving, 9.5cm x 18cm, Pennington 840; Pietro Aquila (c. 1630-1692), after Annibale Carracci (1560 - 1609), Jacobus de Rubeis formis Romae ad Templ. S Marie de Pace au priu S. Pont, [Rome, n.d., c. 1675], engraving, 42cm x 51.5cm; after Salvator Rosa (1615 - 1673), A River God and Sleeping Warrior, early 18th century, etching, 46cm x 34cm, (faults); Peter Schenk the Elder (1660 - 1711), by and after, a set of seven, views of Formal Gardens, [third to fourth quarter, 17th century], engravings, 17.8cm x 20cm, (7); after David Teniers the Younger, a set of three, Senses: Hearing, Smelling and Tasting, 18th century, line engravings, 18cm x 12.5cm, mounted, (3); John Faber Jr (1684 - 1756), by, The Right Honble Philip Lord Hardwicke Lord High Chancellor of Great Britain, Sold by J. Faber at the Golden Head in Bloomsbury Sqaure, [London] 1737, mezzotint, 40cm x 29cm; Francesco Bartolozzi RA (1727 - 1815) and William Woollett (1735 - 1785), after Philip James de Loutherbourg RA (1740 - 1812), Tom Jones afsisting (sic) Molly Seagrim In The Churchyard and Repelling her Adversaries, [Published by Victor Marie Picot, London, n.d. 1776], engraving and etching, 40.5cm x 37cm; Thomas Major (1720 - 1799), after B. Peters (Dutch Old Master, 17th century), [Figures Rowing Over a Lake to a Keep], [...] from an Original Painting [...] in the Collection of the Right Rev:D Father in God, William Lord-Bishop of London Derry (sic, Londonderry, Ireland), Published by [T. Major, London] 1749, engraving, 27cm x 32cm; other Old Master and later engravings and prints; (collection)
Los 3560
V.L. Focillon (fl. late 19th century), after Walter Dendy Sadler (1854 - 1923), The Morning Gossip, Published by Messrs. Arthur Tooth & Son, London 1898, etching, with touches of hand-colouring, 45cm x 57cm; Frederick Christian Lewis (1779 - 1856) and Charles Lewis (1786 - 1836), after, A View in Smithfield on a Friday Afternoon, Published by J. Moore, London, later lithograph with some hand-colouring, 52cm x 61cm, [2]
Los 339
English School (20th Century)The Peaceful Mooringsigned, dated '93, watercolour; Tony Slater, Windmill, signed, watercolour; others, limited edition prints; William Monk, Rouen, etching, signed in pencil; Dutch School (Early 20th century), Windmills, gouache; another, MM Summers, a Quiet Waterway; Prints and Pictures - assorted birds, comical, landscapes; pewter charger; quantity
Los 1416A
George Elmslie Owen (1899-1964) Fish, lithograph, 9/20, 26cm x 31cm, Kenneth H. Oliver, From Gretton Hill, Gloucestershire, artists proof, Paulus Potter, white horse, etching, N. Ward, etchings Retyred, and another moped, a wood cut of a goose and chicks, monogrammed JB, signed indistinctly , numbered 8/25 and dated 1926. (6).
Los 1661A
Derek W. Sallis Benney, A.R.C.A., F.S.S The Royal Pavilion, Brighton, ink and wash, signed, 29cm x 37cm, Exhibited at the Summer Exhibition, Royal Academy 1948 No. 1014, On his Blindness transcribed on vellum, Ernest Alfred Sallis Benney, landscape, watercolour, signed 17cm x 23cm and a watercolour drawing of a gnarled tree, 12cm x 16cm together with an etching the Old Pump 10cm x 14cm (5).
![* Robert O. Lenkiewicz [1941-2002]-Moi Wong with The Painter,:-lithograph, signed, inscribed and numbered 149/45057 x 40cm, u](https://cdn.globalauctionplatform.com/63e853f7-3944-4a64-a194-a92d00f7fbf8/cdcbae7a-a190-4e38-b395-d6719466a244/468x382.jpg)
Los 30
E. Hedley Fitton (1859-1929) A view of London Bridge Signed Etching 36.5 x 38.5cm; 14¼ x 15¼in With a further etching of Old St. Etienne interior by D. Y. Cameron and one of Chateau de Blonay by Alfred Hartley (3) ++1. Some fox marks particularly in sky and an area of more marked foxing and possibly a little staining upper left; 2 & 3. as viewed
Los 65
POGANY, Willy (illus.): Rubaiyat of Omar Khayyam; The First and Fourth Renderings in English by Edward Fitzgerald. Harrap, 1930, Signed Limited Edition, No. 289 of 750 for UK. With 12 tipped-in colour plates Plus an extra etching SIGNED in pencil by Pogany. Original full crushed morocco gilt. Spine and part of covers faded; 2- Dulac, Edmund: Rubaiyat of Omar Khayyam. Hodder & Stoughton [1909]. With 20 tipped-in colour plates. 4to. Original cream and gilt pictorial cloth; little rubbed. (2)
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78472 Los(e)/Seite