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78472 Los(e)/Seite
Rembrandt Harmenszoon van Rijn (1606-1669). Rabbi Samuel Manasseh ben Israel portrait (Bartsch 269). Etching on laid paper, with narrow margins. Signed and dated 1636 in the print. Impression with the accidental marks that appear in this state at the bottom of the plate. The sheet approx. 11,1 cm X 14,3 cm.
An early 19th century officer’s sword of The 52nd (Oxfordshire Light Infantry) Regiment, curved flat blade 31½”, etched in plain panels on one side with crowned Royal Arms, supporters and motto, and on the other side with crown, strung bugle, “LII” and wreath (etching faint), gilt stirrup hilt with ornamental langets bearing strung bugle, crossguard, facetted knucklebow, flattened lion’s head pommel into backstrap facetted at the lower end, wirebound fishskin grip, in its steel flattened diamond section scabbard (minor dents) with 2 rings on crosslet mounts. Good Condition, the hilt retaining approximately 50% original gilt. Plate 43
A 1796 pattern heavy cavalry officer’s undress sword with special pattern hilt, broad straight shallow fullered blade 35”, with hatchet point, marked J.J. Runkel, Sohlingen on backstrap, and etched on both sides with crowned GR cypher and trophies of instruments and weapons, steel semi basket ladder pattern guard, heavy facetted pommel and backstrap, 2” deep shaped wirebound fishskin grip, in its steel scabbard (3 dents) with 2 rings. Good Condition, with a little gilt to etching. Plate 42 £400-600
An early 17th century gorget, probably German, shield shaped with roped edges and similar borders decorated with staggered rows of domed brass rivets, the neck with single row of larger rivets, etched overall with heraldic shield surmounted by a crest in the form of a barred helmet, and with two storks for supporters, the whole surrounded by scrolled foliage on a beaded background. Good Condition (the etching slightly worn commensurate with age). Plate 47
Karen Gregory (20th century): 'The Miners' Strike '84', etching, hand signed, titled & numbered 1/3 in pencil, H 23 x W 19.5 cm; together with Gustavo Monroy (Mexican, born 1959): Untitled etching, hand signed in pencil & dated '92, H 11.5 x W 17 cm. Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel gallery, from 2003-2011. During this period she met many known & up and coming artists who presented her with their works as tokens of appreciation
1835 Etching of Field Marshall Sir John Fox Burgoyne, Military Engineer Field Marshal Sir John Fox Burgoyne, 1st Baronet GCB (24 July 1782 – 7 October 1871) was a British Army officer. After taking part in the Siege of Malta during the French Revolutionary Wars, he saw action under Sir John Moore and then under the Duke of Wellington in numerous battles of the Peninsular War. He served under Sir Edward Pakenham as chief engineer during the War of 1812. He went on to act as official advisor to Lord Raglan during the Crimean War. His son, Hugh Burgoyne, born in Dublin was a Victoria Cross recipient. 14 x 11in. (35.56 x 27.94cm) P
JAMES GILLRAY (1756 - 1815) Framed, hand coloured etching on paper, 'The Loss of the Faro Bank', published by H. Humphries, New Bond Street, Feb. 2nd, 1797, together with after JAMES GILLRAY (1756 - 1815) Framed, hand coloured etching on paper, 'Pacific Overtures', published by John Miller, Bridge Street and W. Blackwood, Edinburgh, 26.5cm x 36.6cm and 32cm x 40cm, (2).
K. P. JOHNSON. Framed, signed, oil on canvas, 'Ellerbeck', together with a framed, indistinctly signed, oil on canvas, showing Highland cattle, a framed, indistinctly signed, oil on canvas, showing ducks in flight over lake at dusk and JAMES PRIDDEY R.B.S.A., F.R.S.A. (1916 - 1980) Framed, signed and titled 'King Edwards School, Fiveways, Birmingham' in pencil, etching on paper, (4).
A quantity of etchings and prints showing political caricatures to include, JOHN KEYSE SHERWIN, after WILLIAM HOGARTH , 'The Politician', 1775, THOMAS ROWLANDSON, 'Recovery of a dormant title, or A breeches maker become a lord', and 'Connoisseurs', After JAMES GILLRAY 'Making Decent,- ie- Broad-bottomites getting into the Grand Costume', hand coloured etching, WILLIAM HEATH, 'Lork what a long tail our cat has got', and two Cruikshank prints, (7).
William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) Steamers off Tyneside, signed in pencil, a black and white etching, together with two further signed etchings by the artist depicting beached fishing boats and another of tall sailed ships, 16cm by 37cm, 16cm by 37cm and 10cm by 32.5cm respectively (3)
William Lionel Wyllie RA RBA RE RI NEAC (1851-1931) Figures approaching a lighthouse, signed in pencil, a black and white etching, together with a further signed example by the same artist depicting a beached fishing boat beside a pier and a signed Harold Wyllie etching of shipping in a calm, 16cm by 37cm and 8.5cm by 29.5cm respectively (3)
Italian School (17th century) Standing classical figure with cupid and cherubs, brown pen and ink, together with a further Continental ink drawing of the deposition from the cross, a reverse engraving after Lucas van Leyden of a young man holding a skull, (Bartsch 174), a further reversed copy engraving by the same artist of Saint Jerome in the Desert, (Bartsch 113), a tondo engraving of a fisherman, and a further etching after G A Sirani ''Bacchanale d' Enfants'' , 7.5cm by 8cm, 8.5cm by 16.5cm respectively and various other sizes (6 unframed)
After Rembrandt van Rijn (1606-1669) ''Joseph's Coat brought to Jacob'', black and white etching, together with a small collection of engravings and etchings including ''Femme nue Couchee, tournee a droit'' after Renoir, ''The infant Christ and St John with three Angels after Hollar'', Hollar after Holbein ''Anne Boleyn'', Hollar after Van Dyck, ''Charles II'', Angels and Cupid after Bartolozzi and a group of modern colour lithographs depicting works after Da Vinci, F. Guardi and Rembrandt, etc, 10.8cm by 8.2cm and various other sizes (a collection)

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78472 Los(e)/Seite