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78472 Los(e)/Seite
A PAIR OF ETCHINGS BY ERNST NEIZVESTNY (RUSSIAN B. 1925)comprisinga) Hand, 1976, etching on paper, size of plate: 15.5 x 12.7 cm (6 1/8 x 5 in.), signed and dated lower right, illegibly titled on versob) Scream, 1976, etching on paper, size of plate: 15.5 x 12.7 cm (6 1/8 x 5 in.), signed lower right, signed and dated lower right, illegibly titled on versohttp://www.shapiroauctions.com/media/wysiwyg/Brenner_Essay.pdfPROVENANCECollection of Lili and Michael BrochetainTHIS LOT IS BEING SOLD WITHOUT RESERVE.
EVGENY ABEZGAUZ (RUSSIAN-ISRAELI B. 1939)Little Israel Wandered and Wandered throughout Russia in Search of Happiness, 1977watercolor over etching on paperplate size: 33.5 x 48.5 cm (13 1/8 x 19 1/8 in.)signed and dated lower right, numbered 6/21 lower leftPROVENANCEAcquired directly from the rtistsPrivate Collection, U.S.LOT NOTESEvgeny Abezgauz, a legendary figure of the Russian underground, hand-painted this series of etchings with watercolor. A similar work from the same series was on loan from the collection of Norton and Nancy Dodge to the Zimmerli Museum of Russian and Soviet Nonconformist Art in New Brunswick, New Jersey.THIS LOT IS BEING SOLD WITHOUT RESERVE.
An Edwardian chromolithograph stipple print of riders in 17th Century dress, an etching with aquatint of a Venetian canal 40/70 signed Vgo Baracco watercolour landscape indistinctly signed, dated October 85, The School Cloister Oundle, limited edition colour print 774/1000, signed in pencil Jane Carpanini and a framed Ordnance Survey map of Tudeley Kent (5).
William Ashton (1853-1927), Egyptian Scene, etching, signed in pencil to the margin, lower right, 30.5cm x 20cm, framed and glazed *Subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Edward Julius Detmold (1883-1957), Peacocks with sun setting over hills in the distance, etching, signed in pencil to lower right, 32cm x 41cm, framed and glazed *Subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
After Graham Culverd, St Bartholomew's Church London, an etching, signed by the artist in pencil to the margin (27cm x 20cm) glazed in ebonised frame, together with a signed wood cut after Alison McKenzie, entitled 'The Four Friends' from Aesop's Fables, 7/50 (12cm x 12cm) glazed in an ebonised frame.
WILL BARNET (AMERICAN, 1911-2012) ETCHING, C. 1936, H 9 3/4", W 11 3/4", "THE TAILOR"Edition 10. Approximately 9.8" x 11.8". Pencil signed. Associated American Artists. Also called "The Jew". From the estate of Dr. John M. Rainey, Jr. Grosse Pointe Park, Mich.Good condition jw- For High Resolution Photos visit Dumouchelles website.
PERCY ROBERTSON (1869-1934); black and white etching, Dutch river landscape with mills and boats, signed in pencil lower right, initialled to plate, 14 x 18cm, RUBEN WARD BINKS (1880-1950); black and white etching "Pennine Primadonna Winner at Crufts 1935", signed in pencil lower right, 16 x 25cm and a further etching, landscape with bridge, 22 x 32cm, all framed and glazed (3).
ELYSE LORD (1900-1977); a pair of drypoint etchings "The Philosopher" and "Cymbals", each signed in pencil lower right and numbered lower left 33/100 and 43/100 respectively, titled and signed on Horner Galleries label verso, 19 x 17cm and 24 x 19cm, in chinoiserie frames and glazed. (D) CONDITION REPORT: Etchings are not mounted. They are in good condition but one corner of the backing card on one etching has water damage. Appear to be on paper, stuck to card. Quite a few small scuffs and nicks to both frames, especially to top of Philosopher. Water damage to backing card , bottom right on Philosopher. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
PAUL NASH (1889-1946); signed and inscribed black and white etching, "Rocks, Zennor", inscribed "To Dorothy" and signed lower right, the image 24.5 x 31.5cm, framed and glazed. It is believed that the inscription to Dorothy is for John Nash's wife, Dorothy. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
HELEN BRADLEY (1900-1979); signed limited edition coloured print "September", signed in pencil lower right, bearing blind stamp lower left and inscribed on Renoir Galleries Ltd label verso, 38 x 56cm, framed and glazed and a decorative coloured etching by A. ARNOLD; coastal landscape, framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Julian Trevelyan (British, 1910-1988) Villa Gamberia, 1965-66 (Turner 185) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 47.5cm x 35cm, unframed. Provenance: From the collection of the publishers.
Julian Trevelyan (British, 1910-1988) The Procession to the Temple, Puri, Orissa, 1968 signed and dated (lower left), inscribed (to reverse) oils on canvas 49.4cm x 59.3cm. This art work was also made into a etching and aquatint for the India Suite in 1968 in an edition of 75 with 14 artist's proofs.
Margaret Kroch-Frishman (German, 1897-1972) Street & Trees and Flowers in a vase, 1965 epreuve d'artiste, each initialled, dated and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 65cm x 50cm and 45.5cm x 39.8cm, unframed (2). Provenance: From the collection of the publishers.
David Hockney (British, b.1937) Kaisarion with All His Beauty, 1961 signed and dated in pencil (in the margin lower right) etching and aquatint printed in black and red from the edition of approximately 50 copies printed by Ron Fuller and Peter Matthews at The Royal College of Art, London 49.4cm x 27.3cm. Provenance: Bear Lane Gallery, Oxford, 1963.
John Hewitt Raft, 1996 30/100, signed, numbered, titled and dated in pencil etching from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 56.5cm x 76cm, unframed and Freya Payne (b.1968), Bruise, 30/100, signed, numbered and titled in pencil (in the margin), screenprint, lithograph and etching, 47.5cm x 69.5cm, unframed and Kate Whiteford (b.1952), In the Eye of the Beholder, screenprint, 58cm x 45.5cm (3).

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78472 Los(e)/Seite