78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Selection of Louth pictures inc St James from Chequergate by John M Brookes, etching of Louth Church 1812 by B Hewlett, St James Westgate by D Cuppleditch 103/150 and J W Turner engraving of Louth

Henry Moore (1898-1986) 'Two Reclining Figures' (Cramer 204) Etching, 1970-72, signed and numbered 11/50 in pencil, published by Gerald Cramer, Geneva, on wove paper with Henry Moore watermark, with full margins sheet 45.1 x 37.7cm, framed and within linen bound box, with 'No. 204' stamped on both box label and back of frame *Artist's Resale Right may apply to this lot.

After Thomas Worth (published by Currier & Ives, 115 Nassau Street, New York 1878 copyright) Two colour prints "The 'Sports' Who Lost their 'Tin'" and "The Boss of the Road", 28cm x 40cm and 20cm x 32cm, both in rustic frames Fred Judge(?)Etching "Squally Weather, Dartmoor", 16cm x 21cm (3) 

A framed and glazed etching, Norwich street. signed H. J. Starling. 46x38cm.

A framed and glazed etching, harbour view, signed H. J. Starling. 47x43cm.

Robert Friedrich Karl Scholtz (1877-57), etching, Trees in a landscape, signed in pencil, 59 x 46cmCONDITION: Even buff tone to the paper, good condition, modern green frame.

After Salvatore Rosa (1615-1673), etching and drypoint, 'Glaucus & Scylla", 1661, second state, printed on chain laid paper with fleur de lys circle watermark, 35 x 23cmCONDITION: Cropped close to margin, not framed, tatty card mount.

Carolyn Stafford, two oils, Flower painting and landscape, both signed, 61 x 51cm and 51 x 105cm, together with an etching of goldfishCONDITION: All in untouched condition, flower painting with artist's label verso. Landscape with stained label looking rather dirty with some of the board showing through the paint. Etching in good condition.

PICTURES AND PRINTS ETC, to include William Palmer Robinson etching 'Ely from the Meadows', signed to lower margin, pen and watercolour of flowers and foliage by Gwen Rayner, oil on board 'Selling the Catch', by W.Garritley, watercolour of a Welsh stream by Ann Tomes, two watercolours attributed to Clifford A.Bayley, watercolours by Roger Blackwood, together with other assorted watercolours and prints etc (one box and 14 loose)

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Baigneuse debout, a Mi-Jambes". Medium: Original etching. Date: Composed c1906. Printed later. Dimensions: Overall size: 14 13/16 x 11 3/8 in. (376 x 289 mm). Image size: 6 3/4 x 4 5/16 in. (171 x 110 mm).Lot Note(s): Cream wove paper. Full margins. Very good impression. Fine condition. Literature/catalogue raisonne: Delteil 23; Stella 23. Comment(s): During the second half of the nineteenth century, France was experiencing a printmaking renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plein air. However, Renoir learned the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Impressively, he was able to develop his own style of etching independent of his development as a painter [courtesy Masterworks Fine Art]. [2646-3-300]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Equinoccio". Medium: White line color etching with aquatint. Date: Composed 2007. Dimensions: Image size: 11 3/16 x 15 3/4 in. (284 x 400 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition. Two zinc plates utilized. Printed by Emilio Payan in Mexico City. Literature/catalogue raisonne: James Orr's provisional catalogue number PR156. Provenance: Private collection, Kentfield, California. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17913-0-400]

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue couchee, tournee a droite, 2e Planche". Medium: Original etching. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 11 1/8 x 14 7/8 in. (283 x 378 mm). Image size: 5 5/16 x 7 11/16 in. (135 x 195 mm).Lot Note(s): Cream wove Arches paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 14; Stella 14. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $3,450 at Swann Galleries (Works of Art on Paper, Sale #1877) - 11/09/2000 - lot #376. Image copyright © Artists Rights Society (ARS), New York. [2648-3-300]

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "La chapeau epingle [3e Planche]". Medium: Original etching. Date: Composed c1894. Printed later. Dimensions: Overall size: 12 x 9 3/8 in. (305 x 238 mm). Image size: 4 5/8 x 3 1/4 in. (117 x 83 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Full margins (deckle edges). Good impression. Fine condition. Literature/catalogue raisonne: Delteil 8. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $10,000, set at Sotheby's, New York (Prints, #8344) - 09/26/2007 - lot #171. The models are Julie Manet, the daughter of Berthe Morisot and niece of Eduard Manet, and her cousin, Paulette Gobillard. Image copyright © Artists Rights Society (ARS), New York. [1397-2-300]

Artist: Jose Guadalupe Posada (Mexican, 1852 - 1913). Title: "La Pobreza Reinante". Medium: Relief etching. Date: Composed 1912. Dimensions: Overall size: 11 13/16 x 7 7/8 in. (300 x 200 mm).Lot Note(s): Edition unknown. Cream "thick" "Papel Revolucion" newsprint paper. Full margins. Fine impression. Good condition. Provenance: Estate of Estela Ogazon. Comment(s): Double-sided, small format broadside. Printed by A. Vanegas Arroyo. [24481-2-150]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "Sketch on the Embankment". Medium: Original etching. Date: Composed 1886. Dimensions: Overall size: 3 3/16 x 7 1/4 in. (81 x 184 mm). Image size: 1 3/4 x 5 3/8 in. (44 x 137 mm).Lot Note(s): Only state. Cream laid paper. Ample margins. A very good, well inked impression. Very good to fine condition; pale light staining and pencil annotations lower margin, else fine. Literature/catalogue raisonne: Kennedy 260; Glasgow 268. Provenance: Swann Auction Galleries, New York City. Comment(s): A rare Whistler print. "Gordon's Print Prices" lists only five sales in the past 35 years, the last sale being in 2010. This etching is sometimes titled "Chelsea Embankment". [30083-1-1200]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Fuego". Medium: Color etching with aquatint. Date: Composed 2005. Dimensions: Overall size: 25 1/4 x 19 1/2 in. (641 x 495 mm). Image size: 15 1/2 x 11 11/16 in. (394 x 297 mm).Lot Note(s): Signed and dated in pencil, lower right; titled in pencil, lower center; numbered in pencil, lower left. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition; two zinc plates utilized; printed by Emilio Payan, Mexico City. Literature/catalogue raisonne: James Orr's provisional catalogue number PR102. Provenance: Private collection, Santa Fe, New Mexico. This print was included in the one woman exhibition “Karima Muyaes: Retrospectiva, 1985-2007,” at the Museo de Arte Regional (Azcapotzalco), Mexico City, March-May, 2007. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [10512-0-500]

Eugene Bejot, (French 1867 - 1931) La petit de la Siene - St Michel, Paris, Etching, signed in pencil, in glazed frame, numbered to 60 copies, 19 x 22cm

After William E. Norton - Fishing boats, etching by A Gravier, pencil signed to the margin by both artist and etcher, 53 x 39cm

After Rembrandt - Portrait etching, 7 x 6cm; assorted pictures and prints to include topographical engraving; John C Webb - Unloading the Catch colour mezzotint etc

Contemporary school - Landscape scene, acrylic; together with The Shambles, York, etching; and a reproduction oleograph (3)

Linda Sutton (b.1947) - Leda and the Swan, etching, 4/100; Orpheus and Eurydice, etching, 4/20; Goodbye, etching, artists proof, each signed and titled, further numbered in pencil to the lower margin, each full sheet dimensions 76 x 56cm (3)

Fred Burridge (1869-1945) - Alder bushes, etching, signed in pencil to the margin, 14.5 x 21cm

Assorted pictures and prints, to include continental etching, pair of oleographs etc

English school (19th century), Watercolour on paper, Two horses and jockeys riding a steeplechase, Monogrammed with entwined 'CB' and dated 1876 lower right, 17cm x 34cm, Framed and glazed, With Charles Philip Slocombe (1832-1895), Hand tinted etching on paper, 'In Summer Woods', Signed lower right and dated '1881', Framed and glazed (2)

M. Taylor, "The Road to Bargoed, (S.Wales)", limited edition etching, 2/30, 27cm x 38cm

Roderick Barrett, "The bluebird", pencil signed etching, 15/25, 21cm x 19cm

Artist: Edouard Manet (French, 1832 - 1883). Title: "Charles Baudelaire de Face III". Medium: Etching. Date: Composed 1865. Printed later. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm). Image size: 3 13/16 x 3 1/4 in. (97 x 83 mm).Lot Note(s): Signed in the plate, lower right. Inscribed with the artist's and printer's names, lower margin. Cream wove paper. Very wide margins. Fine impression. Excellent condition. Literature/catalogue raisonne: Harris 61; Guerin 38iv. Comment(s): Manet was one of the first 19th-century artists to paint modern life and was a pivotal figure in the transition from Realism to Impressionism. [17720-2-225]

Artist: Edouard Vuillard (French, 1868 - 1940). Title: "Interieur au Canape ou soir". Medium: Etching. Date: Composed c1930. Printed later. Dimensions: Overall size: 10 1/2 x 11 7/8 in. (267 x 302 mm).Lot Note(s): Signed with the initials in the plate, lower left. Edition unknown, presumed small. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM62. Comment(s): According to 'Gordon's Art Reference' the auction record for this print is $2,003 (Hotel Drouot, Paris, 1995). Image copyright © Artists Rights Society (ARS), New York. [25688-2-400]

Artist: Wenceslaus Hollar (Bohemian-English, 1607 - 1677). Title: "Javelin Throwing". Medium: Etching with drypoint. Date: Composed c1654. First edition, printed 1654. Dimensions: Image size: 12 3/16 x 7 5/8 in. (310 x 194 mm).Lot Note(s): Signed in the plate "W. Hollar fecit". Edition unknown, presumed very small. Tipped at corners to cream laid (18th century?) support sheet. Trimmed to the platemark. Very good impression. Letter-press verso, as called for by Pennington. Literature/catalogue raisonne: PE297A (Paste-on Slip for P297). Provenance: Ex-collection Seymour Hacker, Hacker Art Books, NYC. Comment(s): Re: the paste-on slip, Pennington states "A slip of paper was etched by Hollar for pasting over the lower margin of P297 in the earliest states." Pennington locates an impression in the Bodleian Library, Oxford. The paste-down is on the second state of P297. No auction records located in the past 25 years. From "Scenes from Virgil.". [24616-3-100]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-225]

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Artist: Paul Cezanne (French, 1839 - 1906). Title: "Tête de Jeune Fille". Medium: Original etching with roulette. Date: Composed 1873. Printed later. Dimensions: Overall size: 13 11/16 x 9 7/8 in. (348 x 251 mm). Image size: 5 3/16 x 4 1/4 in. (132 x 108 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Very wide margins. Very fine, well-inked impression. Fine condition. Literature/catalogue raisonne: Cherpin 4; V1160. Comment(s): Michel Melot, "The Impressionist Print" (Yale University Press, 1996) says, "The most elaborate of Cezanne's etchings is the 'Head of a Girl', with the shadow in the background worked over with a roulette. Whereas the landscapes are presented without any reworking, this simple, regular face, seen in close up and head on against quite a strong back light with its attendant shadows, has been made more dramatic: the hair is a tangle of lines, there are acid spots everywhere and the eyes are black dots.". [6946-2-600]

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "Vauxhall Bridge". Medium: Original etching. Date: Composed 1861. Dimensions: Overall size: 7 x 10 7/16 in. (178 x 265 mm). Image size: 2 3/4 x 4 9/16 in. (70 x 116 mm).Lot Note(s): Signed and dated in the plate, lower right. The second state of two (II/II), after the addition of the date in the plate. Cream laid paper. Wide margins. A fine, richly inked impression. Overall very good condition; tape remains verso. Literature/catalogue raisonne: Kennedy 70; Glasgow 75. Provenance: Swann Auction Galleries, New York City. [30078-2-800]

Garry Courtnell (British Contemporary): Evening Landscape, acrylic on board signed, dated 2012 verso, Abstract Rural Landscape, artists proof etching, 'Ship of Fools', woodcut both indistinctly signed, John Frederick Lewis 'Jocko', 19th century etching and one other max 48cm x 62cm (5)

Richard Beer (British 1928-2017): Lincoln' Cathedral ltd.ed etching with aquatint No.54/150 signed and titled 54cm x 42cm and Edwin La Dell (British 1914-1970): 'Iris Pseudacorus', ltd.ed etching and aquatint No.12/50, signed and titled 56cm x 78cm (2)

English School (19th century): Barge Along a Canal with Horses, watercolour indistinctly signed 36cm x 51cm and 'The Angelus', etching hand coloured after John-Francois Millet signed J Fazauo 24cm x 31cm (2)

•AR John Austen (1886-1948), "The Angel of St Matthew", etching, signed in pencil to lower centre, 12 x 10cm

•AR Geoffrey Heath Wedgwood (1900-1977), Roman Siesta, black and white etching, signed, dated 27 and inscribed with title in pencil to lower margin, 13 x 19cm, unframed

•AR John Nicolson, RBA, ARE, RSW (1891-1951), "Evening, Loch Lomond", black and white dry point etching, signed in pencil to lower left margin, 17 x 28cm, unframed in original presentation folder (With the Compliments of Balding & Mansell Ltd)

•AR Andre Sureda (1872-1930)l, Antelopes amongst trees, black and white etching, signed in pencil to lower left, numbered 35/100 lower right, 17 x 14cm, unframed

•AR Jean Emile Laboureur (1877-1943), "La Peche a la Ligne", black and white etching, signed lower left, numbered 32/68 in pencil to lower margin, 22 x 25cm, unframed

•AR Emiko Aida (20th century), "By the deep end", coloured etching, signed, numbered 20/120 and inscribed with title in pencil to lower margin, 22 x 15cm

•AR Phil Greenwood (born 1943), "Wicken Fen", coloured etching and aquatint, signed, dated 82, numbered 27/350 and inscribed with title in pencil to lower margin, 38 x 44cm

William Lionel Wyllie, 1851-1931, HMS President on the Thames, etching, signed in pencil, 20 x 40cm

A black and white limited edition etching "Bethesda Hills St Ives", signed Eric Ward, framed and glazed

A framed and glazed monochromatic etching of Place Dauphine Paris, 24 x 61.5cm

M. S. Escher framed and glazed monochromatic etching titled Waterfall, 51 x 40cm

A framed Japanese polychromatic etching of a Geisha, signed top and bottom to the right, 36.5 x 24.5cm

London.- Stadler (Joseph Constantine) View of London, Taken from Albion Place, Blackfryars Bridge. Vue de Londres, Prise d'Albion Place, Pont de Blackfryars, view of London from Blackfriars Bridge, etching and aquatint printed in colours, on wove paper without watermark, sheet 570 x 890 mm (22 1/2 x 35 in), trimmed to image, significant repairs to lettered margin, with splitting repaired verso, small loss to upper left corner, numerous handling creases, some spotting, browning, rubbing and scuffs, unframed, N.R. Black, 1802.

London.- Mawman (Joseph), printer. London and Westminster, 1669, distant panorama from rural Chelsea to the Tower, etching and aquatint printed in sepia, on wove paper without watermark, sheet 227 x 850 mm. (8 7/8 x 33 1/2 in), trimmed to platemark at left and right edges, old folds as issued, unframed, 1821.

NO RESERVE Prints & Drawings.- Avercamp (Hendrick, 1585-c. 1663), Manner of. Frozen river landscape with figures drawing sleds, point of the brush and brown ink with watercolour, on laid paper without watermark, ruled brown ink border, bears artist's monogram in the lower left, sheet 200 x 300 mm (7 7/8 x 11 3/4 in), trimmed at left edge, handling creases, minor nicks and tears, some spotting and surface dirt, unframed, [probably 18th century or later]; together with a group of 10 Dutch old master prints, including Johann Gottlieb Prestel's etching and aquatint of Saint Barbara after Albrecht Altdorfer, 8 etchings of animals by Jan van den Hecke the Elder, from the suite of 12 published circa 1656, and an etching and engraving by Le Bas after Teniers of peasants dancing, all unframed, 17th century and later (11)

NO RESERVE Caricatures.- Bretherton (James, fl. 1750-1799) A Tour to Foreign Parts, large satire after Henry William Bunbury, illustrating a scene in the courtyard of a French posting inn with a young gentleman on a Grand Tour accompanied by his clergyman, etching on laid paper without watermark, sheet 395 x 510 mm. (15 1/2 x 20 1/8 in), trimmed to image and remargined, old folds, minor surface dirt, publication date partly burnished out, unframed, [BM Satires 4732], [1787 or slightly later]; together with a slightly compromised impression of The Kitchen of a French Post House, La Cuisine de la Poste, [BM 4764], and A Family Piece, after Bunbury, from an edition published aside from William Dickinson's series, etching and stipple with original hand-colouring on wove paper, platemark 260 x 350 mm. (10 1/4 x 13 3/4 in), sheet 295 x 405 mm. (11 5/8 x 15 3/4 in), marginal loss to upper left corner, surface dirt and minor handling creases, unframed, [BM 5921], [circa 1780s] (3)

Caricatures.- Gillray (James) Company shocked at a Lady getting up to Ring the Bell, etching with original hand-colouring on wove paper without watermark, sheet 255 x 378 mm (10 x 14 3/4 in), trimmed to outer borderline, a few small nicks, some handling creases, surface dirt, and minor toning ,unframed, [BM Satires 10303], Hannah Humphrey, 1804; with an impression of Gillray's A Decent Story, etching with original hand-colouring, 210 x 262 mm (8 1/4 x 10 1/4 in), trimmed to outer borderline, some browning and surface dirt, unframed, [BM 8753], Hannah Humphrey, 1795; and together with a mixed group of 12 other caricatures, including an early impression of Samuel Lyne's A Parish Feast, humbly Inscrib'd to the Church-Wardens, Vestrymen, Questmen, and Parish Officers..., a pair of Scottish satirical prints, The Caledonian Voyage to Money-Land, and The Caledonians Arrival in Money-Land, and others by Isaac and George Cruikshank, others published by Fores, Laurie & Whittle etc., various sizes, all unframed, 18th century and later (14)

Caricatures.- Heath (William) A sketch of the Row in Parliament Street, inscribed copy to 'Sir Robert Gardiner', etching with original hand-colouring on wove paper without watermark, 260 x 370 mm (10 1/4 x 14 1/2 in), good margins, minor handling creases and surface dirt, unframed, 1829; together with another duplicate impression and 4 others by Heath, The Old Proprietors Advice, A Comfortable Thing to be King of Greece, The Guard Wot Looks Arter the Sovereign, and Dipping a Rush Light, and a trimmed impression of We Have the Exhibition to Examine, etchings, all with original hand-colouring, various sizes, good margins, unframed, circa 1827-1830 (6)

Caricatures.- Williams (Charles) Finding of Arms or a Midnight Domiciliary visit to the Boarding School, etching with original hand-colouring on wove paper with watermark date of '1818', plateamark 250 x 350 mm (9 3/4 x 13 3/4 in), good margins, top margin unevenly trimmed, surface dirt and handling creases, unframed, [BM Satires 13291], Thomas Tegg, 1812 [but slightly later]; together with a slightly trimmed impression of Thomas Rowlandson's The Wooden Leg; or, Careful Landlady, on wove paper watermarked '1803' [BM 11466], small loss to right edge; and with a good group of over 20 other caricatures, including a trimmed impression of "Giles Grinagain's" Wish in one hand, Laurie & Whittle's Country Life, contrasted with the Pleasures of Town, [BM 10945], George Cruikshank's Le traiteur chez Very - Madame Very's coffe house-Paris, [BM 14314], and others, various sizes, all unframed, 18th century and later (c.30) .

Caricatures.- Woodward (George Moutard) A deputation from one of the popular societies of France endeavouring to persuade John Bull that he can do better without a head than with one!!, etching with original hand-colouring on wove paper without watermark, sheet 310 x 430 mm (12 1/4 x 17 in), trimmed to borderline, handling creases and surface dirt, unframed, [BM Satires 8490], S.W. Fores, [1794]; together with six others after Woodward, The Road to London or the Countryman and the Quakers!, The Exciseman and the the Countryman, A Consultation of Doctors on the case of Sir Toby Bumper, A Tender Parting at the Grand Junction Canal, The Beauties of War!!, Who's Afraid or the Effects of an Invasion; and three others, two by Charles Williams, Is not She a Spunky one; or, The Princess and the Bishop, and The Fathers Darling, with a copy after Gillray's A keen-sighted politician warming his imagination, etchings with hand-colouring, various sizes, all unframed, 19th century (10)

Caricatures.- Barbers, Wigs and shaving.- Holland (William) The Chevening Barber; or, Shaving a Whig and Shaving a Tory, etching with original hand-colouring, platemark 250 x 350 mm (9 3/4 x 13 3/4 in), small margins approx. 3 mm, mounted on paper support, unframed, 1811; together with Isaac Robert Cruikshank's A sketch at St Albans-or-shaving the new maid dutchess!!!, [BM 15455], Henry Bunbury's The Village Barber L.M./ L'Inghilterra, [BM 4757], and Robert Dighton the Elder's A Fashionable Lady in Dress & Undress, [BM 10807], various sizes, early 19th century; and with a good group of 12 others, including a slightly trimmed but early hand-coloured impression of Sayer & Bennett's The Return from Scotland, or Three Weeks after Marriage, [BM 4625], a gody copy of Spooner's mezzotint after Hogarth, Night - La Nuit, three Dighton portraits, two Miller edition Gillrays, and others, various sizes, all unframed, 18th century and later (16)

John Piper (British, 1903-1992)Alpilles (Levinson 425) Etching and aquatint printed in colours, 1989, on Arches, signed and numbered 55/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with full margins, 405 x 610mm (16 x 24in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

John Piper (British, 1903-1992)Dahlias and Ferns (Levinson 391) Etching and aquatint printed in colours, 1987, on Arches, signed and numbered 7/100 in pencil, printed by Kelpra Studio, published by CCA Galleries, with full margins, 405 x 550mm (16 x 21 2/3in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com