78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
Los 301
Russian School, late 20th century etching, indistinctly signed and inscribed and dated 1988, two plates each 50 x 33cm, in glazed frameGood original condition throughout - a couple of minor foxing spots but barely noticeable. I'm afraid this lot is too large for our in house packing department.
Los 114
William Lionel Wyllie (1851-1931) etching - Fishing Luggers off Dover, signed, 29cm x 44cm, in glazed frameThere are two small scraps of brown paper that have got stuck under the glass but can be easily removed. The margins have some staining to the paper and the odd foxing mark. The mount is foxed and stained. It would be instantly improved with a new mount.
Los 332
Four signed etchings, comprising - 1. Three of views of Florence, mid-20th century, signed indistinctly and inscribed, 6¼ x 8¾in (15.9 x 22.25cm), painted frames 2. A French etching, early 20th century, A figure and two cattle on a country road, signed indistinctly lower left, 11 3/8 x 9½in (28.8 x 24.1cm), Hogarth frame
Los 560
This intricately detailed set of eleven crystal drinking glasses features a lovely etched floral orchid design. The etching elegantly displays orchid flowers, often alternating with bows, within a framework of vines and small blossoms. Heisey marking. Each glass measures: 8"H x 3.5" dia. Issued: c. 1940Dimensions: See DescriptionManufacturer: Heisey & Co. Country of Origin: USACondition: Age related wear.
Los 686
A whimsical framed etching by renowned Bolivian artist Graciela Rodo Boulanger, depicting a playful child sitting atop a richly detailed elephant balancing on a colorful circus ball. Known for her charming and imaginative compositions, this piece features textured details and a dreamy background. Signed in pencil lower right, with E.A. (Epreuve d'Artiste) notation on the lower left, marking it as an artist's proof. Housed in a wooden frame with a gray mat. Sight size: 8"L x 11"H. Frame dimensions: 16.5"L x 1.5"W x 19.5"H. Artwork can be unframed and rolled for shipment. Artist: Graciela Rodo Boulanger (Bolivian, b. 1935)Issued: Mid 20th centuryDimensions: See DescriptionCondition: Age related wear.
Los 127
After Preston Cribb (1876-1937, British), etching, 'The Talbot, Chaddersley Corbett', framed, mounted, and under glass, measuring 15cm x 22cm, & 30cm x 37cm overall, together with two other etchings depicting 'The Star Inn, Alfriston' and 'Petersgate, York', and a coloured engraving of Halton Hall near Lancaster (4)
Los 52
VICTOR PASMORE (BRITISH, B. 1908-1998) - UNTITLED, 1981 Etching on paper, limited edition number 13 of 35, signed and dated lower right 28.8 x 30 cm Ownership Statement: This item is offered for sale in the name of the owner, Chin Bee Ong. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 56
ABDUL LATIFF MOHIDIN (MALAYSIAN, B. 1941) - UNTITLED, 1968 Etching, signed and dated lower right, edition 2 of 4 37.5 x 22.5 cm Ownership Statement: This item is offered for sale in the name of the owner, Chin Bee Ong. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 128
Ca. 400 BC.A gold signet ring with a thin, round-section hoop leading to a large, oval-shaped bezel. The bezel is engraved with Athena Nikephoros seated in a draped garment, wearing her characteristic helmet. A shield rests beside her, and a spear leans to one side. Her extended right hand supports a winged Nike, holding a wreath aloft. Fine etching details accentuate the textures of her attire.Size: D:17.93mm / US: 7 3/4 / UK: P; Weight: 10g.Provenance: Private UK collection; previously acquired on the German art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by full authentication report by Sami Fortune, ancient jewellery specialist.
Los 109
Nicolas Pitau the Elder (1632-1671), after Raphael, The Holy Family with John the Baptist and St Elizabeth (Madonna del Divino Amore). The Virgin sits at left looking at the Christ child who sits on her lap and blesses a kneeling St John the Baptist. Joseph stands in the background, etching and engraving (trimmed), corners laid on card, circa 1656-1671, 32x41cm (plate) 41x53cm (full card size), unframed.
Los 193
A group of pictures, to include: TATTON WINTER, coloured etching, "The Close Gate Salisbury", 39 x 26 cm, Caroline Buchanan, "Newstead Village", watercolour, Scottish School, "Loch Hourn" and Loch Tarbet", Fiona Mackenzie, mice on a sofa, watercolour, and Leesa Sandy's-Lumsdaine, limited edition print, (6).
Los 1822
DALI, SALVADOR (1904-1989), "Vénus au joueur d'Orgue (Venus und Orgelspieler)", 1971, Farbradierung/Japan, u.re. mit Bleistift von Hand signiert und u.li. mit Bleistift num. 76/120, HxB: Platte ca. 39x58 cm, Blatt ca. 55x74 cm, Außenmaße Rahmen ca. 58x77 cm. Altersspuren, leicht gebräunt. Mit verglastem Rahmen. VERSO Etikett Kunsthaus Paul Reim, Heilbronn mit Bezeichnung. LITERATUR: Ralf Michler & Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, 1995, WVZ-Nr. 484b.| DALI, SALVADOR (1904-1989), ‘Vénus au joueur d'Orgue (Venus and organ player)’, 1971, colour etching/Japan, signed by hand in pencil lower right and numbered 76/120 in pencil lower left, HxW: plate approx. 39x58 cm, sheet approx. 55x74 cm, outer frame dimensions approx. 58x77 cm. Signs of age, slightly browned. With glazed frame. VERSO label Kunsthaus Paul Reim, Heilbronn with inscription. LITERATURE: Ralf Michler & Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, 1995, WVZ no. 484b.
Los 1811
KÜNSTLER DES XVIII JH. "Hochzeitszug" 1749 Radierung, HxB: ca. 98/75 cm. Rahmen, HxB: 104/83cm. Normale Alters-und Gebrauchsspuren.Provinienz: Andreas Henn-Kunsthandel-Stuttgart.1744 wurde Herzog Carl Eugen mit 16 Jahren mündig gesprochen und mit der 12jährigen Elisabeth Sophie Friederike Markgräfin von Bayreuth-Brandenburg verlobt, die Voltaire als »sicherlich schönstes Kind in Europa« bezeichnete. 1748 fand in Bayreuth die Hochzeit statt. Anlässlich des Einzuges des Brautpaares in Ludwigsburg wurde am 9. Oktober ein opulentes Feuerwerk vor Schloss Favorite mit 3.600 Raketen abgehalten, »... und zwar ware die ganze Gegend des Fasanen-Gartens durch viele tausend Ampeln beleuchtet«, wie Wilhelm Friedrich Schönhaar in »Ausführliche Beschreibung des zu Bayreuth im September 1748 vorgegangenen Fürstlichen Beylagers Carls Herzog zu Württemberg und Elisabethe Friderice Sophie, geb. Marg-Gräfin zu Brandenburg« 1749 vermerkt. Der Publikation war die Radierung mit dem »Hochzeitszug« beigelegt, den oben eine Ansicht von Stuttgart sowie die Porträts des Herzogs und seiner jungen Frau zieren. Auch sind in der Bezeichnung verschiedene Gebäude benannt - unter anderem das seit 1746 in Bau befindliche Neue Schloss - sowie links oben »24 Canonen so auf der Gans haide gepflantzt waren zum Salutiren«.| ARTIST OF THE XVIII TH CENTURY ‘Wedding procession’ 1749Etching, HxW: 104/83 cm. (with frame) Normal signs of age and wear.Provenance: Andreas Henn-Kunsthandel-Stuttgart.In 1744 Duke Carl Eugen came of age at the age of 16 and was betrothed to the 12-year-old Elisabeth Sophie Friederike Margravine of Bayreuth-Brandenburg, whom Voltaire described as ‘certainly the most beautiful child in Europe’. The wedding took place in Bayreuth in 1748. To mark the bride and groom's entry into Ludwigsburg, opulent fireworks were held in front of Favorite Palace on 9 October with 3,600 rockets, ‘... and the whole area of the Pheasant Garden was illuminated by many thousands of traffic lights’, as Wilhelm Friedrich Schönhaar noted in ‘Ausführliche Beschreibung des zu Bayreuth im September 1748 vorgegangenen Fürstlichen Beylagers Carls Herzog zu Württemberg und Elisabethe Friderice Sophie, geb. Marg-Gräfin zu Brandenburg’ in 1749. The publication was accompanied by the etching with the ‘wedding procession’, which is adorned at the top with a view of Stuttgart and the portraits of the Duke and his young wife. The inscription also names various buildings - including the New Palace, which had been under construction since 1746 - as well as ‘24 canons planted on the Gans haide for saluting’ at the top left.
Los 1831
BARGHEER, EDUARD (1901-1979), 3 Landschaftskompositionen, 1.) Aquatintaradierung/Bütten, in der Platte signiert, darunter mit Bleistift von Hand signiert, datiert (19)72 und num. 95/100, HxB: Platte ca. 31x42,5 cm, Blatt ca. 43x65,5 cm; 2.) Aquatintaradierung/Bütten, in der Platte signiert und undeutl. dat., darunter mit Bleistift von Hand signiert und num. 103/175, HxB: Platte ca. 20x15 cm, Blatt ca. 26x20,5 cm; 3.) Farblithographie/Papier, in der Platte signiert und datiert (19)66, darunter mit Bleistift von Hand signiert und num. 3/120, HxB:Platte ca. 35x50 cm, Je Altersspuren, part. leichte Knickspuren und gebräunt. Die Blätter 2 und 3 mit verglastem Rahmen (Außenmaße bis 50x67,5 cm).| BARGHEER, EDUARD (1901-1979), 3 landscape compositions, 1.) aquatint etching/handmade paper, signed in the plate, below signed in pencil by hand, dated (19)72 and numbered 95/100, HxW: plate approx. 31x42.5 cm, sheet approx. 43x65.5 cm; 2.) aquatint etching/handmade paper, signed and indistinctly dated in the plate, signed and numbered 103/175 in pencil below, HxW: plate approx. 20x15 cm, sheet approx. 26x20.5 cm; 3.) colour lithograph/paper, signed and dated (19)66 in the plate, signed and numbered 3/120 in pencil below, HxW: plate approx. 35x50 cm, each with traces of age, some slight creases and browning. The sheets 2 and 3 with glazed frame (outer dimensions up to 50x67.5 cm).
Los 1816
STUTTGART "Ansicht der Haupt und ersten Residenz Stadt Stuttgart von der Morgenseite" kolorierte Radierung/Aquatinta von Carl Ebner, 1815, Gesamtansicht von Süd-Osten (etwa heutiger Eugensplatz) HxB: ca. 50/72 cm.Rahmen, HxB: 56/77 cm. Provinenz: Andreas Henn, Kunsthandel-Galerie.| STUTTGART “View of the capital and first residence city of Stuttgart from the morning side” General view from south-east (approximately today's Eugensplatz), colored etching/aquatint by Carl Ebner, 1815, HxW: 56/77 cm. (with frame) Provenance: Andreas Henn-Kunsthandel-Galerie.
Loading...-
78472 Los(e)/Seite