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Los 419

ALFRED R. BLUNDELL. View towards a Church, pencil signed, etching, 7 1/2 x 10 in; an etching by Adam B. Thompson depicting Glen Cupal, Solway; an etching by H.A. Freeth depicting Andrew Quartermaine, 1975; two other etchings depicting `A Scottish Castle` and `A street scene with figures`; and a pencil sketch by F.H. Mason inscribed `At Robin Hood`s Bay`.six (6)

Los 449

Edmund Blampied (Jersey, 1886-1966), 'Lunchtime, Saint Sebastian ', figural study of men resting in a stable, signed in pencil lower left, dated 1927, auction label to verso, monochromatic etching on paper, W. 31 cm, H. 23.5 cm.

Los 313

JO ZALES(?) Artist signed limited edition etching `Riding the Plain` (23/26) signed in pencil 11 ¾" x 8" (29.8cm x 20.3cm)

Los 30

Mixed group of pictures - Carl Johnson - ltd ed 1/50 etching 'Eve', pencil signed to margin and dated 2000, 30 x 40 cm; H. Schrier - monochrome print, 'Summers light', signed lower right and dated '66, 33 x 18 cm; ltd ed print Yellow Sand indistinctly signed; loose abstract watercolour; framed aerial photographs; and 'Blackheaded Gull', print, all mounted and framed (6)

Los 50

Charles Cattermole (1832-1900) - 'The Recruiters', proof etching, published Luke Walmsley Blackburn 1890, pencil signed to left hand margin, 36 x 51 cm, modern frame Condition Report Good

Los 60

William Nicholson (1872-1949) - 'Bodleian Library Oxford', etching with colours, signed in ink to margin, no. 28, 33 x 30.5 cm, mounted and painted wood frame Condition Report Good

Los 488

Marc Chagall (Russian/French, 1887-1985), "Fables of La Fontaine, L`Ours et l`amateur les jardins", drypoint etching on paper, pencil-signed lower right, signed in plate lower left, ed. marked "H.C.", sight 13 1/2 in. x 10 3/4 in., framed.

Los 841

Morris Henry Hobbs (American/New Orleans, 1892-1967), "Exchange Alley and Canal Street", etching, signed lower right, sheet 13 1/4 in. x 10 1/2 in., unframed.

Los 842

Eugene E. Loving (American/New Orleans, 1907-1971), "Sunlight and Shadows, Old New Orleans", etching, pencil-signed and titled, edition of 200, image 7 in. x 5 in.; Accompanied by James Carl Hancock (American/New Orleans, 1898-1966), "Field Court, New Orleans, LA", etching, pencil-signed and titled, image 4 in. x 2 2/3 in.; and Edith Oliver (American/New Orleans, 1889-1979), "Spanish Court, New Orleans, LA", etching, pencil-signed and titled, image 5 in. x 3 1/4 in., all framed, (3 pcs.).

Los 843

Morris Henry Hobbs (American, 1892-1967), "Lafitte`s Blacksmith Shop, Old New Orleans", 1939, etching, edition of 100, pencil-signed, titled, and numbered, dated in plate, sight 6 1/2 in. x 8 1/4 in., framed.

Los 844

Morris Henry Hobbs (American/New Orleans, 1892-1967), "Alice", etching on paper, pencil signed and titled lower margin, image 7 3/4 in. x 6 in., sheet 10 in. x 7 3/4 in., unframed.

Los 870

Marc Chagall (Russian/French, 1887-1985), "Fables of La Fontaine, Le Renard et le Buste", 1927, drypoint etching on paper, pencil-signed lower right, signed in plate lower left, numbered "2/100" hors commerce, "Beverly Hills Galleries" label en verso, sight 13 1/2 in. x 11 in., framed.

Los 13

AFTER H VON ANGELI, BLACK AND WHITE ETCHING, Prince Frederic William (1831-1888), 14” x 9”

Los 21

REGINALD GREEN, SIGNED AND INSCRIBED WITH TITLE IN PENCIL TO LOWER MARGIN, ETCHING, The Star Inn, Alfriston, Sussex, 8” x 10” and SIDNEY R JONES, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, ETCHING, Street Scenes with Figures, 14” x 9” (2)

Los 54

ALFRED J BENNETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Westminster Abbey”, 7” x 5” and INDISTINCTLY SIGNED, ARTIST’S PROOF ETCHING, “Jerusalem from Mt Scopus”, 8” x 10”, both mounted but unframed (2)

Los 59

BERTRAM BUCHANAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Bridge by Moonlight, 5” x 7”, mounted but unframed

Los 68

GRAHAM CLILVERD, SIGNED AND DATED 1921 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene; together with three further Etchings by a different artist, assorted sizes (4)

Los 69

FRANK PATON, SIGNED TO BORDER, BLACK AND WHITE ETCHING, “Rough and Ready” (Dogs after a Rat), 4 ½” x 6”

Los 72

JOHN SELL COTMAN, BLACK AND WHITE ETCHING, “Sketch after Rembrandt”, (No 44 from “Liber Studiorum” Published 1838), 5” x 3 ½”

Los 86

WILLIAM WALCOT, RE, SIGNED AND NUMBERED 63/75 IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Kom Ombo 1928, 6 ¼” x 8”, mounted but unframed

Los 87

WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Hadrian’s First Entry into Salonika, 3” x 5”

Los 88

WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Wooden Temple of Jupiter, 5” x 7”

Los 89

WILLIAM DOUGLAS MacLEOD, SIGNED IN INK TO MARGIN, FIRST IMPRESSION ETCHING, “The Spanish Coast”, 8 ½” x 15”

Los 91

RUSSELL REEVE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Sandy Lane, Norwich”, 5” x 4”

Los 92

WILHELM KUHNERT, SIGNED LOWER RIGHT, BLACK AND WHITE ETCHING, Bird on a Branch, 7” x 3 ½”, unframed

Los 93

LOUISE VON SCHOICK, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (3/5), “The Five”, 7” x 10”

Los 96

* ROWLAND LANGMAID, RN, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, ARTIST’S PROOF DRYPOINT ETCHING, Rolling Down to Rio, 6 ½” x 12”

Los 97

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, SECOND TRIAL BLACK AND WHITE ETCHING, “On The Hilltop”, 3” x 7”

Los 99

ELYSE ASHE-LORD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION HAND COLOURED DRYPOINT ETCHING (32/75), Chinese Lady Sitting under a Tree with her Mandolin, 13” x 10”

Los 101

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Norfolk Wherry”, 9” x 10”

Los 103

* HAROLD WYLLIE, OBE, RSMA, SIGNED AND NUMBERED LXXXIV IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Ships at Anchor, 6” x10”

Los 104

* HAROLD WYLLIE, OBE, RSMA, SIGNED AND NUMBERED LXXXIV IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Shipping off a Coast, 6 ½” x 11 ½”

Los 221

YACOV EISENBERG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Jerusalem”, 5” x 9 ½”; together with K B, INITIALLED, WATERCOLOUR, Middle Eastern Landscape with Arabs and Pyramids, 4” x 7” (2)

Los 318

Etching James Dunn Cheltenham College Chapel another Print Cheltenham from Battledown

Los 330

Limited edition etching After by Ann Ravenscroft Wren on branch, 65/150

Los 1417

B. Taylor - `Story Hour`, coloured etching, 9/80, signed, inscribed & numbered in margin, 25.5 x 16cm approx.

Los 480

William Lionel Wylie, 1851-1931, Cowes Week`, original artists proof drypoint etching of yacht racing in squally weather, signed in pencil lower right, 18.5cm x 39cm framed and glazed with David C Brown label verso

Los 481

William Lionel Wylie, 1851-1931, Blackfriars Bridge` original drypoint etching from a limited edition of 150 and signed in pencil lower left, 22cm x 41.5cm framed and glazed with D.C. Brown and limited edition labels verso

Los 43

Paul Cézanne (1839-1906) Paysage a Auvers, Restrike etching. Dimensions: h: 5 1/4 x w: 4 1/2 in

Los 44A

Joan Miró (1893-1983) Enrajolats I, Etching and aquatint in color, Signed in pencil lower right and numbered 1/30 lower left. Image dimensions: h: 14 x w: 20 in Sheet dimensions: h: 29 x w: 34 in. Other Notes: *** Please inquire for shipping estimate prior to bidding. Shipping costs may exceed item values. ***

Los 50

Johnny Friedlaender (1912-1992) Untitled, Etching. Dimensions: h: 25 x w: 18 1/2 in

Los 53A

Ralph Woehrman (American, b. 1940) Still Life for F.G. (1971), Etching and engraving on paper, Titled lower left, numbered 23/40 lower middle and signed lower right in pencil. Dimensions: h: 23 1/2 x 17 3/4 in

Los 54

Harold Altman (1924-2003) Journey, Etching, Numbered edition of 85, titled and signed lower margin. Dimensions: h: 5 3/4 x w: 6 3/4 in

Los 56

S. Omon (19th Century) Nature Portraits, Lithographs, Both signed in pencil lower right with the other etching numbered 89/350 lower left. Largest dimensions: h: 6 x w: 4 3/4 in

Los 68

Eugene James Tily (b. 1870) Pastoral Scene, Colored etching, Signed in pencil lower right and impressed with ZPNS mark in lower left margin. Copyright of Frost and Reed, Ltd. (Bristol, England) in the United States of America. Image dimensions: h: 18 x w: 14 3/4 in

Los 15

William Lionel Wyllie (1851-1931) British. Boats in a estuary, Etching, Signed in Pencil, 5” x 13.5”.

Los 19

Yves Brayer (1907-1990) French. ‘Flamingos’, Lithograph, Signed and Numbered 131/220 in Pencil, 14” x 20.5”. together with another Rita Sharma (20th Century) British. ‘Landscape, 1969’, Colour Etching, Signed and Inscribed ‘Artists Proof’ in Pencil, 14” x 11” (2) Provenance; Lumley Cazalet Ltd.

Los 243

An 18th century coloured etching entitled The Reception of the Diplomatique and his Suite, at the Court of Pelan, 15" x 12"

Los 237

English School, mid 19th century, 'Wild Fowlers in an Estuary', * watercolour, 17 x 27cm also one other watercolour, signed A. Cuthell, and an etching (3)*

Los 299

Sydney Tushingham, etching, The round pool, signed lower right

Los 136

James Alphege Brewer. Coloured etching signed in pencil “Antwerp”

Los 134A

After Rosa Bonheur; A black and white etching by Herbert Dicksee published in 1910 by L.H. Lefèvre & Sons, signed to the margin, 47 x 65, framed and glazed.

Los 57

Contemporary British school, 'Blackfriars Bridge', London study with St Pauls beyond, signed lower right, monochromatic etching. W. 16.5 cm, H. 11 cm.

Los 204

A collection of six 20th century landscape studies to include rural watercolour examples and a limited edition etching.

Los 375

A contemporary limited edition sepia etching in the Futurist manner together with two other prints.

Los 634

W. L. Wyllie - monochrome etching, view of a harbour, signed in pencil, 9 x 14in. together with another, St. Michael`s Mount after Frank Harding, signed, 7 x 10in.

Los 299

Hedley Fitton (1959-1929) drypoint etching `The Theatre of Marcellus, Rome`, signed to the border lower right, Abraham Marshall gallery label verso dated 1914, plus an Andrew F Affleck (1874-1935) drypoint etching `Towers of Calais`, 43cm x 31cm and smaller framed and glazed

Los 287

Eugene Bejot (1867-1931) etching `Le berge du quai d`Anjou` c.1925 signed lower right, James Connel & Sons label verso, 22cm x 22cm framed and glazed

Los 60

PETER DOIG (Scottish, b.1959), 'From black palms pelican', 2004 etching and aquatint, 53cm x 38cm, signed in pencil, dated and framed. (Please note Clause 6 of Buyer's Conditions)

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  • 78472 Los(e)
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