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Los 62

AFTER HAL HURST "An Arabian Girl", coloured etching, signed in pencil, 28.5 x 20.75 cm

Los 65

AFTER JAMES GILLRAY "The Valley of the Shadow of Death"-a Napoleonic satirical cartoon depicting Napoleon attacked by the British Lion, Russian Bear, German Eagle, etc., coloured etching, published September 24th 1808, 18.5 x 27 cm

Los 69

AFTER REMBRANDT HARMENSZ VAN RIJN "Joseph telling his dreams to his father and brothers", black and white etching, 11 x 8.3 cm (ILLUSTRATED)

Los 70

AFTER REMBRANDT HARMENSZ VAN RIJN "Joseph`s coat brought to Jacob", black and white etching, later impression in reverse, 11.25 x 8.25 cm (ILLUSTRATED)

Los 71

AFTER REMBRANDT HARMENSZ VAN RIJN "Return of the Prodigal Son", black and white etching, 12.5 x 15 cm (ILLUSTRATED)

Los 79

AFTER FRANK BRANGWYN "A Continental street scene with figures in foreground", sepia etching, signed in pencil, 55 x 60.5 cm

Los 83

AFTER CLAUDE MUNCASTER "Norwegian Barquentine", limited edition black and white etching No`d 11/40, signed in pencil, 12.5 x 17.5 cm

Los 111

George Vernon Stokes RBA - `Otter Hunt`, otter hounds and border terriers, black and white dry point etching, limited edition no.33/75, signed in pencil in the margin, 26cm by 33.5cm, in an ebonised frame, with inscribed title label and Barnes (Fine Art Dealers) Ltd, Bolton label to verso.

Los 112

George Vernon Stokes RBA - `Springer & Cocker Spaniels`, with a pheasant, black and white dry point etching, limited edition no. 38/75, signed in pencil in the margin, 26.5cm by 33.5cm, in an ebonised frame with inscribed title label and Barnes (Fine Art Dealers) Ltd label to verso.

Los 113

Winifred Marie Louise Austin RI RE - `Hole in the Ice`, tufted ducks on marshland, black and white dry point etching, signed in pencil in the margin, 18cm by 29cm, inscribed title label to verso; Ducks in Flight, black and white dry point etching, signed in pencil in the margin, 23cm by 30cm; a Cock Pheasant in Flight, black and white dry point etching, signed in pencil in the margin, 25.5cm by 23cm (3 - all in ebonised frames)

Los 303

Charles Walter Simpson - `A Border Angler`, black and white dry point etching, limited edition no.62/75, signed in pencil in the margin, 31.5cm by 22cm, in ebonised frame, label to verso.

Los 2

ROSA S. HOPE "Die Voortrekkus", signed and titled in the margin in pencil, etching, 11¼" x 15¼" and two further etchings by Hope, "Gustrouw", apparently purchased by the South African National Gallery Capetown and "Burgoyne" (3)

Los 8

WILL PYE A quay side view of Weymouth by the town bridge, signed in pencil to the margin with printed signature and date "96", etching, 8¼" x 12½"

Los 11

WILLIAM LIONEL WYLLIE A view of a viaduct with smoking industrial barges on the horizon, possibly Forth Bridge, signed in pencil to the margin, etching, 12¾" x 18¾"

Los 13

BERTHE MORISOT "Le Canard la du Bois de Boulogne", dry point etching, 6¾" x 5½". See illustration

Los 14

BERTHE MORISOT "L’Oie, lac de Bois du Boulogne", dry point etching, 7" x 6". See illustration

Los 15

GEORGES BRAQUE "Eros & Eurybia" (from Hesiod’s Theogonie), the reverse with authentication label from The Collectors Guild, New York, dry point etching, 14½" x 12½", See illustration

Los 20

ELISABETH FRINK "The Wife of Baths Tale", signed by the artist in pencil to the margin, titled and numbered 40/50, dry point etching, 31½" x 22½". See illustration

Los 23

BRYAN PEARCE "The Stone Boat at Newlyn", signed to the margin in pencil by the artist, dated 72 and numbered 13/30, etching, 5½" x 6½". See illustration

Los 778

PRE-RAPHAELITE SCHOOL A SEPIA CERAMIC ETCHING ` THE HARVEST` 12" X 23"

Los 28

WILLIAM LIONEL WYLLIE (1851-1931) Cityscape etching, signed on mount 15cm x 36.5cm

Los 29

WILLIAM LIONEL WYLLIE (1851-1931) Seascape with row boats Etching, signed on mount 12cm x 33cm

Los 30

WILLIAM LIONEL WYLLIE (1851-1931) Seascape with birds landing on water Etching, signed on mount 18cm x 22.5cm

Los 31

WILLIAM LIONEL WYLLIE (1851-1931) Seascape with zeplin in sky etching, signed on mount 14.5cm x 24.5cm

Los 181

JAMES McBEY (Scottish 1883-1959) Penzance, Shipping proof etching, signed on mount

Los 182

JAMES McBEY (Scottish 1883-1959) Newburgh proof etching, signed on mount and dated 1914 20cm x 30cm

Los 224

WILLIAM LIONEL WYLLIE H M S Champion, Leading the 13th Flotilla Into Action, Battle Of Jutlind 1916 etching, signed 20cm x 45cm

Los 597

REGINALD GREEN - artist`s proof etching "Minehead Church Steps" signed and titled in pencil; MARCEL AUGIS - Eglise de Loo Belgique 1916, aquatint, signed and titled in pencil and another Rouen; J DAVRIL - Rouen, aquatint, signed and titled in pencil and a small etching of Lynmouth, all unframed (5)

Los 599

WILHELM TAPPE - a sepia etching of a Continental town scene, signed and titled in pencil, 49cms x 32cms; JAMES ALPHEGE BREWER - York Minster, etching, signed, together with 3 other signed etchings, a map and a print (all framed) (7)

Los 609

LOUIS DAUPHIN - Strasbourg La Cour du Corbeau, coloured aquatint, signed and titled in pencil, 28cms x 22cms, in decorative gilt frame and together with a Hungarian etching "A Bend in the Danube, Hungary" signed and titled in pencil, 29.5cms x 38.5cms, framed (2)

Los 610

HERAN CHABANIAN - Dutch Port Scene with windmill and boats, coloured etching signed in pencil, 14.5cms x 19.5cms, framed

Los 303

Mary Anne Sloane, "The Rocking Horse", a girl in a nursery, signed, etching, 24 x 33cms, (9½ x 13"), six other etchings and dry points by the same hand, (7).

Los 330

Early 20th Century - Street scene, etching, 15" x 11".

Los 419

A quantity of decorative pictures and prints, to include five colour etching hunting scenes.

Los 423

A Charles Watson narrow street scene etching inscribed in pencil, 3 3/4" x 10 1/4".

Los 424

Minna Bolingbroke girl playing an accordion on a beach etching, signed in the margin, 7 3/4" x 5 1/2", together with two further decorative pictures (3).

Los 500

A etching of Patey`s quod, Merton College, 9" x 7 1/4".

Los 359

SALVADOR DALI (1904-1989), `King Henry VIII`, drypoint etching in colour, 45cm x 31cm, on Japanese paper, signed and numbered by the artist, framed, printed by Transworld Art, published by Bergeruen Gallery.

Los 365A

PIERRE AUGUSTE RENOIR, `Le Baigneuse`, etching, 17cm x 11cm, framed.

Los 366

FRANK BRANGWYN (1867-1956), `Old London town`, etching, 11.5cm x 14cm, signed in pencil, framed.

Los 58

"Robert Walker Macbeth RA RWS (1848-1910), after G J Pinwell, medieval figures gathered round the steps of a manor, etching, signed and inscribed by Macbeth, 41x 89cm"

Los 194

"Robin Tanner (1904-88), untitled, (Wiltshire road maker) farm worker resting by a road sign in front of a country barn, print, etching, signed in pencil, 9.5x 14.5cm "

Los 314

"Graham Clarke, Summer Passengers, etching, limited edition, No 266/400, signed in pencil, 35x 55cm"

Los 315

"Graham Clarke, Nasty Tern, hand coloured etching, limited edition, No 18/250, signed in pencil, 60x 70cm"

Los 318

"Frank Martin (1921-2005), `Carol Lombard`, c.1968, etching with aquatint, artist proof, 40x 54cm"

Los 2

* Bowles & Carver (publishers). ‘Quarrelsome Taylors or two of a Trade Seldom Agree’, n.d. c.1790, mezzotint ‘droll’ with original watercolour and gouache hand colouring, trimmed to margins, 340 x 250mm, contemp. carved frame, together with, Black Eyed Susan, n.d. c.1810, uncoloured stipple engraving, trimmed to image, lacks title and letters, 315 x 305mm, near contemp. frame, with, Bretherton (Charles), The Sailors Return from Portsmouth to London, pub. J.Bretherton, March 2nd. 1772, [but later impression], uncoloured etching, 220 x 320mm, framed and glazed (3)

Los 3

* Bunbury (Henry William). The Damnation of Obadiah, pub. W.Bunbury , 1798, etching with original hand colouring, engraved by J.Bretherton, trimmed to image, 255 x 380mm (10 x 15 inches), framed mounted and glazed. One from the series of illustrations to ‘Tristram Shandy’.Not examined out of frame. (1)

Los 4

* Cruikshank (George). The Hobby Horse Dealer, pub. G.Humphrey, July 25th 1819, etching with original hand colouring, trimmed to image and laid on later paper, 250 x 355mm, together with, Pyall (Henry), The Cut Celestial, pub. Thos. McLean, 1827, aquatint on wove after ‘M.E.’, original hand colouring, seven lines of humorous verse below image, two closed marginal tears not affecting image, 345 x 250mm, with, Mr. Mathew’s “At Home”, “I Like fun - Let’s have some fun”. pub. Thos. McLean, 1826, aquatint engraving with original hand colouring, laid an an album page, 300 x 200mm, with two others similar (5)

Los 6

* Cruikshank (Isaac Robert, 1786-1856). Johny Bull giving Boney a Pull, pub. Ackermann’s Gallery, August 7th. 1803, etching with original hand colouring, 240 x 340mm, mounted, framed and glazed, together with Gillray (James), Temperance enjoying a Frugal Meal, pub. H.Humphrey, July 28th 1792 [but later state], hand coloured etching, trimmed to image and laid on card, 355 x 280mm, mounted framed and glazed (2)

Los 11

* Rowlandson (Thomas attrib.). “How came you thus?”, n.d. c.1800, pen and watercolour drawing, signed in lower right corner, 205 x 175mm (8 x 6.75 inches), framed mounted and glazed, with caption in later brown manuscript on mount. Sold with etching on wove with early hand colouring, titled “How came you so?” inserted in sleeve on verso of frame. This image not recorded in Grego. (1)

Los 14

* Rowlandson (Thomas). A Trip to Gretna Green, pub. T.Rowlandson October 25th 1811, etching with original hand colouring, occ. spotting, two marginal closed tears, repaired, 345 x 230mm (13.5 x 9 inches), framed, mounted and glazed. A pretty young girl and an army officer are married in the open air outside the Blacksmith’s shop at Gretna Green. The elderly snaggle-toothed presiding cleric with wig askew, pince-nez and frayed top coat is in direct contrast to the very handsome couple. The drama is witnessed by a grinning coachman, who is possibly a faithful servant who has driven the eloping couple to this hurried matrimonial rendezvous. (1)

Los 16

* Woodward (G.M.). A Plan for General Reform, pub. Thos. Tegg, 1809, etching by Thomas Rowlandson, with original hand colouring, some occ. staining, 235 x 320mm (9.25 x 12.5 inches), framed, mounted and glazed (1)

Los 52

* The Duke of Rutland Alais (Alfred Clarence). Untitled shooting engraving, pub. Henry Graves & Co., January 13th. 1879, hand coloured mixed method engraving on india wove after Francis Grant, proof before title, 625 x 795mm, together with, Smith (Alfred), The Egg Gatherers, n.d. c.1870, etching before mezzotint on india wove after James Clarke Hook, proof before title, 760 x 540mm (2)

Los 197

* Turner (Charles 1773-1857). Hawking, pub. Alexander Finlay, 24th October 1816, mezzotint after J.Howe, dark impression, slight spotting and mount stained, laid on modern card, 560 x 630mm, together with a preliminary etching of the same image (2) £200-300

Los 220

* Bunbury (Henry William). A Grenadier, pub. Thos. Macklin, Sept 25th 1791, fine etching on wove with good margins and original hand colouring, very slight toning to margins, 415 x 290mm. Scarce. (1)

Los 66

MARIAN KRATOCHWIL (Polish, 1906-1997) `Don Quixote and Sancho Panza`, signed in pencil lower right and inscribed `Warszawa 1936` lower left, drypoint etching, 14 1/2" x 19 1/2" This and a dozen other prints on similar subjects were made by the artist in London 1961, from plates he had designed in Poland before the war.

Los 67

MARIAN KRATOCHWIL (Polish, 1906-1997) `Don Quixote and Sancho allowing Dapple and Rocinante to Drink`, signed in pencil lower right and inscribed `Warsaw 1936 - Printed 1961` lower left, drypoint etching, 14 1/2" x 19 1/2"

Los 68

MARIAN KRATOCHWIL (Polish, 1906-1997) `Don Quixote and Sancho Panza by Moonlight`, signed in pencil lower right and inscribed `1936 Warszawa` lower left, drypoint etching, printed 1969, 5" x 7"

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