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78472 Los(e)/Seite
Los 643
Simon March and Simon Lucy Signed Etchings and Prints Set This collection features two finely detailed black and white etchings or prints displayed in elegant copper-tone frames with matted borders. Each frame measures 9 inches by 12 inches with internal dimensions of 8 inches by 5 inches. The first piece, titled "Ferry Steps, Salcombe" by artist Simon March, presents a meticulously rendered scenic view leading to a body of water populated by sailboats, capturing the charm of an urban waterside setting. The second artwork, by Simon Lucy, is a limited edition print numbered 18 of 25, titled "Ships over the roofs." This etching portrays a serene scene with rooftops and chimneys in the foreground, giving way to a picturesque landscape of trees, hills, and a bustling body of water, similarly filled with small sailboats. Both artworks are distinguished by their compositions and the precision of their perspective, making this set a notable acquisition for collectors of fine prints and etchings.
Los 11
Boyd (Julia) edit. Bewick Gleanings: Being Impressions from Copperplates and Wood Blocks, Engraved in the Bewick Workshop …. Newcastle-upon-Tyne, Andrew Reid, 1886, numbered Large Paper copy [of 250 copies], signed by Julia Boyd, quarto in twos, xxiv, [ii], 108, [2], 104 pages, frontispiece (an original etching, only present in the large paper edition), portrait plate, Chillingham Bull plate, facsimile letter, lacking portrait at p. 75, thirty-four of the other fifty-three plates only, top edge gilt, original morocco binding (spine rubbed); Another copy, with frontispiece (etching), two portrait plates, Chillingham Bull plate, and facsimile letter, thirty-four of the other fifty-three plates only, original morocco binding (spine worn); Another copy, loose sheets from the work, together with prospectus, not collated, housed in leather-backed folder. [lot sold not subject to return].
Los 433
Topographical views - Sam & Nath Buck - Two early 18th century circa 1734 etching on paper views of Cornwall. The lot to include ' The North East View of Pendennis Castle, in the County of Cornwall ' etching, together with ' The East View of St Michael's Mount, in the County of Cornwall ' etching. Both framed, St. Michael's Mount also glazed. Each measures approx. 27cm x 45cm.
Los 423
William Lionel Wyllie (1851-1931) - ' Rowen ' - A late 19th century / early 20th century artist's proof etching on paper painting. Signed bottom left in pencil. Mounted, framed & glazed. Label to verso for Thomas Wood & Sons, Fine Art Gallery, Darlington. Measures approx. 18cm x 39cm excluding frame.
Los 400
Rembrandt Harmensz Van Rijn (Dutch, 1606-1669) The Angel Departing from the House of Tobit (B. Holl. 43; H 185) Original etching. 3rd state of IV. A late 17th century impression, signed and dated 1641 on plate. Measures approx. 15cm x 10cm. During the year 1641, Rembrandt made several etchings involving biblical subjects. The style he used at this time broke new ground for him in that the lines and spaces pointed to a far more liberated technique. The idea of finishing the etching as if a painting was discarded by the artist and a completely new effect was found by the means of more agitated lines. In this etching Rembrandt created the idea of a very active and dramatic moment. This has been achieved by the shading surrounding the central group being set at angles to each other. The flow of the composition is thereby naturally broken up. The flight of the angel across the face of the control group leaving a path from bottom left to top right completes this effect. The theme of the etching had been drawn from the Old Testament Book of Tobit. Tobit had been punished for acts of charity towards his own countrymen and was made blind by his grief for being scared to continue those acts after he had incurred the wrath of the local kings. Tobias, his son, was sent to collect money from a distant relative and the Lord sent an angel to guide him. Through his journeys the Angel helps Tobias and returns to Tobit. When the old man meets them at the door, Tobias restores Tobit's sight by means of gall which the Angel had told him to keep. The Angel then tells Tobit that his good works in the town and his courage in the face of the wrath of the kings has caused him to be healed. The family give thanks to the Lord and the Angel departs. Rembrandt chose this last moment to depict Tobit kneeling with his wife Sarah behind him. Tobias kneels in the centre of the group with his head inclined towards the departing Angel. It was a familiar subject in Dutch art. Rembrandt's master. Pieter Lastman had painted it, also Hercules Seghers had painted Tobias and the Angel. Rembrandt had etched Tobit as a blind man some years before and had made several paintings of Tobit and Anna. It was his Old Testament work which made Rembrandt so divorced from commercial success in the decades of the 1640s. In fact, it remains some of his greatest work. Rembrandt's oil painting of the same subject matter (The Archangel Raphael Leaving Tobias' Family, 1637) is kept in the Louvre Museum, Paris. Provenance: Acquired by current owner at Faustus Galleries, Jermyn Street London on 1st September 1975. Original sales invoice present. Revaluation letter from Faustus Galleries as at 21-07-1977 present. All correspondence letters between current owner and gallery regarding a Rembrandt exhibition organised in Geneve in 1978 present, with also original catalogue of the exhibition.
Los 122
Canada.- Edy (J.W.) View of the Falls of Niagara, North America, after George Bulteel Fisher (1764-1834), etching with aquatint, full vibrant hand-colouring with watercolour and gouache, on wove paper without watermark, sheet approx. 395 x 610 mm (15 1/2 x 24 in), trimmed to image, lacking lettered margin, minor spotting and surface dirt, framed, [circa 1800]
Los 271
ANNIE FARRER (B. 1950) "Stems and tendrils", colour print, signed in pencil and dated 2002 lower right, as two pictures, 79 cm x 30 cm, together with a collection of seven 20th Century watercolours, possibly textile designs and AFTER WILLIAM JAMES SMITH (1893-1979) "Relief of Apollo", colour etching, signed and No'd 22/22, bears RIBA stamp, together with four others similar and a pencil sketch study of a stage set, unsigned, inscribed verso "William James Smith Scottish Artist" (14)
Los 274
AFTER RICHARD BEER "Magdalen" limited edition colour print No'd 52/100, titled and signed in pencil to the lower margin, 55 cm x 66 cm, "Magdalen College" black and white etching, published by Dickinson & Foster, London April 2nd 1891 bearing two indistinct signatures to margins and blind studio stamp, 42 cm x 54 cm, AFTER G WOOLLISCROFT RHEAD "Eton College Chapel interior" etching, 48.5 cm x 34.5 cm (3)
Los 180
Antique original etching on paper entitled Paris-Notre Dame by French artist Leopold Robin who represents the back view of the Gothic cathedral seen from the river Seine. Signature in plate and in graphite on lower right: Leopold Robin. Housed in a gilt frame with a hunter green mat. Sight size: 3.75"L x 6"H. Frame size: 9.25"L x 11.75"H x 0.75"W. Artist: Leopold Robin (French 1877-1939)Issued: c. 1920Country of Origin: FranceCondition: Age related wear.
Los 48
Rabbinical Scholar is an original etching on beige paper by Realist artist Samuel George Cahan who represents an intimate view of a seated Rabbi engrossed in reading the Torah. Dedication in graphite on lower part of plate: Rabbinical Scholar presented to Robert Levy from Samuel Cahan. Housed in a wooded frame with green painted borders. Sight size: 9"L x 10"H. Frame size: 11"L x 12"H x 0.75"W. Artist: Samuel George Cahan (Russian-American 1886-1974)Issued: c. 1950Country of Origin: Russia-United StatesCondition: Age related wear.
Los 182
Original etching on paper by German-Israeli artist Hermann Struck who depicts a Jewish scholar engrossed in reading the Torah. This etching is based on Struck's 1900 drawing A Scholar in Vilna. Signature in graphite on lower left: Hermann Struck. Edition number on lower right: 114/125. Artist: Hermann Struck (German-Israeli 1876-1944)Issued: c. 1913Dimensions: 9.75"L x 12.75"HEdition Number: 114 of 125Country of Origin: Germany/IsraelCondition: Age related wear.
Los 178
Antique original color etching on paper by French artist Germaine Tailleur entitled Square in Bruges, Belgium. She depicts the Medieval building and square with a soft glow in a partially sunny day. Label on verso with artist's name, technique, and title. Also states that the etching was imported from France and is a genuine artwork made completely by the artist's hand. Signature in graphite on lower right: G. Tailleur. Triangle trade stamp and edition on lower left: SZL, Epreuve de Presentation. Housed in a recessed wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 26.75"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Melanie Germaine Tailleur (French 1881-1964)Issued: c. 1920Dimensions: See DescriptionEdition Number: Exhibition ProofCountry of Origin: FranceCondition: Age related wear.
Los 50
Large original etching on paper featuring a group of men in business suits walking decisively on a nondescript plaza as sunrays strike extreme shadows. Signature and date in graphite on lower right: illegible 1976. Title on lower left: L' Oro ? Edition number on lower center: 8/50. Housed in a very heavy brushed steel frame with a white mat. Artwork dimensions: 17.75"L x 13"H. Frame size: 28.50"L x 23"H x 0.75"W. Issued: 1976Edition Number: 8 of 50Condition: Age related wear. Creasing on lower right of paper.
Los 179
Antique original etching on paper of a side view of the Moorish palace Alhambra in Granada Spain with two female figures in a garden. Housed in a gold metallic frame with a beige mat. Sight size: 7"L x 5.50"H. Frame size: 12.75"L x 11"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: c. 1910Dimensions: See DescriptionCondition: Age related wear.
Los 51
Original color etching on paper entitled Going to the Fair that American artist Irving Amen made with expressive black lines and a range of yellow to represent a woman side saddled on a prancing horse. Signature in graphite on lower right: Amen. Edition number and title on lower left: 31/200 Going to the Fair. Artist: Irving Amen (American 1918-2011)Issued: c. 1970Dimensions: 12.75"L x 16"HEdition Number: 31 of 200Country of Origin: United StatesCondition: Age related wear.
Los 53
Large original etching on laid paper that represents a Lioness that the artist engraved with outmost observational and realistic details. Signature in plate in ink on lower left: W. Thoman ? Edition number on lower right: 20/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 20 of 250Condition: Age related wear. Browning of paper and white spots on upper right side.
Los 430
Pictures to include Auguste Jean Vyboud (1872-1944) - signed drypoint etching of a nude, 12cm x 24cm mounted in glazed gilt frame; a framed Crystoleum , and a selection of woodcuts and signed prints (10), a Deighan signed artist proof print of studies of various boxers, a print of a US Army recruitment poster and othersLocation: GIf there is no condition report shown, please request
Los 205
MIXED GROUP OF COLLECTABLES & EPHEMERA including original etching by Ronald Ossory Dunlop, 'The Shepherd', signed and titled in pencil, 21 x 18cms (unframed), album of cigarette cards, Cricketers 1938 (incomplete), various WWII publications and other itemsProvenance: private collection Conwy
Los 593
A PORTFOLIO OF DRAWINGS AND ETCHINGS, to include nude figure study drawings by Warwick Lendon (1883-1971) dating from 1940's-1950s, portrait sketches and landscape etchings by the same hand, a Garrick Palmer (1933-2023) woodblock print 'Farm Machines', Lilian Hocknel etching 'Lorna and Basil', Albert Besnard etching dated for August 1885 depicting a mother and child, a Douglas Ettridge watercolour of Kingston upon Thames bridge dated June (19)56 (bottom third cut and taped back together) a small number of work by unknown artists and Lendon's record of sales book
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78472 Los(e)/Seite