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78472 Los(e)/Seite
Los 260
Pamela Townshend (British, b. 1920) 'In Petty Cury Lane', mixed media, 50 x 36cm; 'A View in Cambridge', signed, mixed media, 35 x 49cm; Richard Sell (British, 1922 - 2008) 'King's Parade From Senate House', numbered 20/68, lithograph, 36 x 40cm; Pamela Hughes (British, 1918 - 2002) 'Edge of the Wood, Holkham', numbered 9/25, etching (4)
Los 1
Solesio (Faustino, publisher) Four sheets of uncut playing cards, with full-length figure cards, coins, swords, clubs, and a decorative publisher's cartouche, each numbered, etching and engraving, on wove paper, each platemark approx. 405 x 360 mm. (16 x 14 1/4 in), with wide margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions], (4).
Los 10
Solesio (Faustino, publisher) Seven sheets of uncut playing cards, with full-length figure cards, coins, swords, clubs, antique vases, and a decorative publisher's cartouche, each numbered, three duplictaes, etching and engraving, on wove paper, each platemark approx. 410 x 310 mm. (16 1/8 x 12 1/4 in), with good margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions], (7).
Los 2
Solesio (Faustino, publisher) Three sheets of uncut playing cards, with full-length figure cards, coins, vases, swords, batons, and a decorative publisher's cartouche, each numbered, etching and engraving, on wove paper, each platemark approx. 405 x 360 mm. (16 x 14 1/4 in), with good margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions]; together with two sheets of uncut double-ended court cards, working proof plates lacking suits, etching and engraving, platemarks approx. 405 x 360 mm. (16 x 14 1/4 in), unframed, probably Faustino Solesio, [20th century impressions], (6).
Los 25
Anonymous (possibly Italian, late 19th century) Six duplicate uncut sheets with double-ended court cards, 12 cards per sheet, working proof plates without suits, engraving and etching, well inked impressions, on various machine-made wove papers, without watermarks, each platemark approx. 395 x 190 mm. (15 1/2 x 7 1/2 in), sheets approx. 420 x 300 mm. (16 1/2 x 11 3/4 in), light cockling to edges, minor spotting and surface dirt, all unframed, [20th century impressions], (6).
Los 27
Liberty & Beef (publisher) Four uncut sheets of playing cards, 8 cards per sheet, with double-ended court cards, and decorative publisher's cartouche, working proof plates without suits, two duplicate sheets, etching and engravings, with plate tone, on machine-made wove paper, without watermarks, each platemark approx. 200 x 270 mm. (7 7/8 x 10 5/8 in), good margins, minor handling creases, all unframed, [20th century impressions]; together with two further sheets of double-ended court cards in the same format, all unframed (6).
Los 75
Anonymous (18th century) The Times. Pl. 2, broadside satirising Lord Bute, blaming him for the murder of William Allen, etching of a satirical allegory showing Lord Bute riding a zebra which has the head of King George III, with three columns of text below, sheet 320 x 240 mm. (12 1/2 x 9 1/2 in), trimmed in places within the platemark, some small nicks and tears to extremities, minor spotting and surface dirt, unframed, [1768].Literature:BM Satires 4243
Los 88
Playing cards.- Rowlandson (Thomas, 1756-1827) How to pluck a goose, etching with hand-colouring on wove paper, platemark 255 x 320 mm. (10 x 12 1/2 in), sheet 267 x 408 mm. (10 1/2 x 16 in), publisher's details and date have been scraped form the sheet, otherwise minor handling creases to margins, some light spotting and browning, [originally published by Thomas Williamson, 1802].Literature:Grego II 36, 397⁂ The British Museum does not appear to hold a copy, but one can be found in The Met, New York.
Los 89
NO RESERVE James Christie.- Dighton (Robert, 1752-1814) The specious orator./ Will your ladyship do me the honor to say £50-000 \ - a mere trifle - a brilliant of the first water. \ an unheard of price for such a lot, surely', etching with hand-colouring on wove paper without watermark, platemark 205 x 155 mm. (8 1/8 x 6 1/8 in), sheet 350 x 250 mm. (13 3/4 x 9 7/8 in), minor spotting and surface dirt, unframed, 1794.Literature:BM Satires 8526
Los 324
An 1828 Pattern Scottish Basket Hilt Broadsword by Henry Wilkinson, Pall Mall, London, the 89cm double edge steel blade with later silver plating, bearing traces of etching and maker's mark, the back edge numbered 34313, with HW poincon, the nickel-plated hilt with wire bound fishskin grip, cushion fluted pommel with remains of red tassel, with scarlet baize and buckskin liner, the plated scabbard with twin ring suspensions, 108.5cm. The later silver plating to the blade has partially obscured the etched decoration and the maker's mark, there is slight wear in parts. Otherwise good.
Los 295
A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard . Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.
Los 296
A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard. Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.
Los 488
After Piranesi (Giovanni Battista, 1720-1778) 'A View of St.Andrews Church della Valle at Rome' hand-coloured etching in carved gilt frame, 26 x 41cm, together with 'A View of Panfilius's Palace, Spain', after 'Le Geuy Del'? hand-coloured etching in matching gilt frame, 26 x 41cm (both trimmed)
Los 495
Camille Pissarro (1830-1903), 'Port De Rouen,' with figures unloading boats at a quayside with buildings beyond, etching and aquatint on paper, mounted glazed and framed. Believed to be one of less than 20 original unpublished pulls before the plate was destroyed, mounted , glazed and framed, 11x13cm, With original gallery purchase receipt.
Los 418
Folio Society. The Wind in the Willows, by Kenneth Grahame, Illustrated by Charles van Sandwyk, centenary edition, 2008, original mounted copper etching, signed and numbered in pencil by the artist, 16 tipped-in colour plates, numerous black & white illustrations and decorations, top edge gilt, original vellum-backed pictorial boards gilt, corners with vellum tips, original cloth drop-back box, folio Limited edition 153/1030 total copies. (1)
Los 420
Folio Society. Travels into Several Remote Nations of the World, in Four Parts..., by Lemuel Gulliver, [by Jonathan Swift], Newly Illustrated by Peter Suart, 2011, original mounted etching, signed and numbered in pencil by the artist, 17 tipped-in colour illustrations, top edge gilt, original vellum-backed boards, vellum-tipped corners, front cover with illustration in colour and gilt, gilt-lettered spine, contained in original publisher's drop-back box, folio Limited edition, 332/1030 total copies. (1)
Los 424
Folio Society. Just So Stories for Little Children, by Rudyard Kipling, Introduced by Michael Morpurgo, Illustrated by Niroot Puttapipat, 2012, original tipped-in etching, signed and numbered in pencil by the artist, 14 tipped-in colour plates, black & white illustrations, top edge gilt, original vellum-backed pictorial boards gilt, corners with vellum tips, original cloth drop-back box, folio, (limited edition 427/1030 total copies), together with Buffon (Comte de, Georges-Louis LeClerc), All the World's Birds, Buffon's Illustrated Natural History General and Particular of Birds, 1st U.S. edition, New York: Rizzoli, 2008, facsimile colour plates, original cloth, dust jacket, spine with some pale discolouration, matching slipcase, folio, plus Raemaekers (Louis), The Great War: A Neutral's Indictment, One Hundred Cartoons by Louis Raemaekers, with an Appreciation by H. Perry Robinson and Descriptive Notes by E. Garnett, 1916, signed by the artist in pencil beneath a photographic plate of himself, colour and black & white mounted plates, text leaf to plate I with some insect damage to lower margin, top edge gilt, original half cloth gilt, contained in original drop-back box, worn with some loss, large folio, (limited edition one of 1050 total copies, of which 1000 were for sale), and 28 others similar, including: The Holy Land, and Egypt and Numbia, from Drawings Made on the Spot by David Roberts R.A., 3 volumes, New York: Rizzoli, 2000; The Country Scene, in Poems by John Masefield, and Pictures by Edward Seago, 1937; Peter and Wendy, by J.M. Barrie, Illustrated by Debra McFarlane, Folio Society, 2007; The New Temple Shakespeare, with Engravings by Eric Gill, 19 volumes only (of 40), mixed editions, dust jackets, 1934-1957 (31)
Los 448
Miles (Henry Downes). Pugilistica. The History of British Boxing, 3 volumes, published John Grant, Edinburgh, 1906, additional half title, numerous uncoloured plates and illustrations, later ownership stamp to front endpaper, some old adhesion scarring to front pastedowns, slight spotting to front and rear of each volume, top edge gilt, fore-edge uncut, publisher's decorative brown gilt cloth, very slight wear to extremities, 8vo, together with Henning (Fred), Fights for the Championship. The men and their times, 2 volumes, published Licensed Victuallers Gazette, circa 1900, additional half title, volume one lacking front endpaper, numerous illustrations throughout, hinges cracked, contemporary red cloth, spines faded, worn at extremities, 8vo, with other volumes similar relating to boxing and prize fighting, plus an aquatint portrait by W. M. Fellows of Thomas Cribb and an etching of two prize fighters (Gregson & Gully), both framed and glazed, with other reproduction prints of juvenile boxing, plus a set of Jane Austin novels published by the 'Folio society' (1 carton)
Los 501
Mattingley (John R.). When Men Were Animals and Animals Were Men, a study of the graphic work of David Itchkawich, The Angelica Press, New York, 1976, limited edition 66/520, signed to the limitation page, monochrome etching tipped into frontispiece, signed by the artist and limited 66/100, monochrome illustrations, original faux red quarter morocco in slipcase, 4to, together with Carroll (Lewis), The Hunting of The Snark, An Agony in Eight Fits, 1876, 9 monochrome illustrations by Henry Holiday, some light spotting, original illustrated brown cloth, rear boards, marked with red ink, minor loss to head and foot of spine, 8vo, and Murakami (Haruki), Norwegian Wood, 2 volumes, Harvill Press, 2000, signed to the limitation card, original wrappers in stainless steel box, 8vo, plus other early 20th century and modern private press, illustrated and juvenile, poetry and fiction, including Damon Runyon, Eric Ambler, Roger Hargreaves, many original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4to (3 shelves + a carton)
Los 526
Dugdale (William). The Antiquities of Warwickshire Illustrated.., 2 volumes, facsimile edition, Manchester, 1973, publisher's uniform original gilt decorated brown leatherette, folio, together with Bone (James), Edinburgh Revisited, 1911, monochrome etching frontispiece, plus 75 illustrations by Hanslip Fletcher, minor toning, original gilt decorated black cloth, boards and spine lightly rubbed, 4to, and Shore (W. Teignmouth), Kent, 1st edition, 1907, 73 colour illustrations, period inscription to front endpaper, some minor toning, original illustrated green cloth, spine lightly rubbed to head and foot, 4to, plus other early 20th century and modern UK topography reference, including publications by A. & C. Black, Oxford, Victorian History of the Counties of England, some leather bindings, mostly original cloth, G/VG, 8vo/folio (6 shelves)
Los 539
*Barry (Claude Francis, 1883-1970). City of Carcassone-Evening Light, 1935, aquatint with etching, signed and dated lower right, plate size 44 x 50.5cm (17.25 x 20ins), framed and glazed, together with a mixed collection of engravings including Stanley Angus, Wast Water, drypoint, plus Corfe Castle, portrait on an elderly man etc (7)
![*[Dodgson, Charles Lutwidge, 'Lewis Carroll']. A medley of Alice in Wonderland and Through the Looking Glass characters after](https://cdn.globalauctionplatform.com/49328683-6a05-4b15-be23-a9a800a8a0bc/f43ee510-9396-493e-86b8-a9a80132d39a/468x382.jpg)
Los 642
*[Dodgson, Charles Lutwidge, 'Lewis Carroll']. A medley of Alice in Wonderland and Through the Looking Glass characters after John Tenniel, by Ellen Whitehead, [1886], circular etching, showing a collection of named characters, including Alice, the White Rabbit, the Cheshire Cat, the Mad Hatter, the Lobster, Tweedledum and Tweedledee, etc., toned and a few fox spots, diameter 21cm (8.25ins), mounted, framed and glazed A rare piece of Carrolliana; we know of only one other copy sold at auction (2017: Thomas Schuster Collection). The etching was used to advertise an operetta by Henry Savile Clarke, with music by Walter Slaughter, entitled 'Alice in Wonderland: A Musical Dream Play', which was performed at the Prince of Wales's Theatre in 1886: 'Shortly before the production of the play, a Miss Whitehead had drawn a very clever medley-picture, in which nearly all Tenniel's wonderful creations - the Dormouse, the White Knight, the Mad Hatter, &c. - appeared. This design was most useful as a "poster" to advertise the play.' The production was both a critical and financial success, and went on to tour the provinces. (Stuart Dodgson Collingwood, The Life and Letters of Lewis Carroll, T. Fisher Unwin, [1898], p.254) (1)
Los 434
A Cutler, a pair of oils depicting old gentlemen with musical instruments, each signed and dated 1922 lower left, oil on canvas, 46 x 20cm, together with an etching of pointers on the hill signed Binks, a landscape oil, a mezzotint of a young lady and two further prints, all by different hands.
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78472 Los(e)/Seite