78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 78472 Los(e)
    /Seite

Los 450

Ian Westacott, Brora woollen mill, limited edition black and white etching no. 2 of 25, framed and glazed. (B.P. 24% incl. VAT)

Los 3

Rembrandt van Rijn (1606-1669) Man crying out, bust directed three-quarter to the leftEtching, circa 1630-1631, but a slightly later impression on wove paper without watermark, New Hollstein's final state (of seven), trimmed on or just within the platemark, sheet 39 x 34 mm (1 1/2 x 1 3/8 in) (unframed)Literature:Hind 41E; New Hollstein 33b vii/vii

Los 2

Rembrandt van Rijn (1606-1669) Beggar Man and Beggar Woman ConversingEtching, 1630, a richly inked but slightly later impression on laid paper without watermark, New Hollstein's third state (of three), platemark 76 x 65 mm (3 x 2 1/2 in), sheet 87 x 72 mm (3 3/8 x 2 3/4 in), one small nick in the left margin, (unframed)Literature:Hind 7; New Hollstein 45 iii/iii

Los 21

Rembrandt van Rijn (1606-1669)Self-portrait in a Velvet Cap with PlumeEtching with plate tone, 1638, a good but later 20th century impression on laid paper of New Hollstein's final state (of four), platemark 137 x 105 mm (5 3/8 x 4 1/8 in), wide margins, under glass, (framed)Literature:Hind 172; New Hollstein 170 iv/iv

Los 82

Salvador Dali (1904-1989)Pegasus (Field 68-4-A; M&L 291b)Etching printed in colours, 1968, signed, inscribed 'E.A' and numbered from the edition of 12 in pencil, an artist's proof aside from the numbered edition of 75, on japon nacré paper, as included in 'Quinze Gravures', printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, Basel, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 165

Ellsworth Kelly (1923-2015)Diagonal with Black (from Concorde Series) (Axsom 195)Etching, 1981-82, signed and numbered from the edition of 18 in pencil, on wove paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp, with full margins, sheet 867 x 743mm (34 1/8 x 29 1/4in) (unframed)Condition report:Remains of tape at three places along the upper sheet edge verso, not apparent recto, with some associated very light skinning.Handling creases to the sheet in margins, most only visible in a raking light.Otherwise in very good condition. 

Los 166

Alex Katz (b.1927)The Swimmer (Klaus Albrecht Schröder 76)Aquatint printed in colours, 1974, signed and numbered from the edition of 84 in pencil, on German etching paper, printed by Prawat Laucheron, New York, co-published by Brooke Alexander, Inc., and Marlborough Graphics, Inc., New York, the full sheet printed to the edges, 713 x 914mm (28 x 36in) (framed)

Los 127

David Hockney (b.1937) (after)An Etching and a Lithograph for Edition Alecto 1973Collotype printed in colours, 1973, numbered from the edition of 2000 in pencil, on wove paper, printed by Cotswold Collotype, published by Editions Alecto, London, the full sheet, 940 x 685mm (37 x 27in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 23

Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a very good impression of New Hollstein's first state (of three) before any rework by the Basan workshop, with some small areas with touches of brush and grey ink, printed on laid paper with partial fleur-de-lis watermark, trimmed on or just within the platemark, sheet 160 x 138 mm (6 1/4 x 5 3/8 in), sheet with carefully repaired tear running into the image from the upper centre edge and laid on to fine tissue, tipped onto 19th century collector's mount with ruled brown ink borders, (unframed)Literature:Hind 147; NH 159 i/iii

Los 152

Jim Dine (b. 1935)Begonia (Kerns 164)Etching, 1974, signed, dated and numbered from the edition of 55 in pencil, on American Etching paper, printed by Alan Uglow and Winston Roeth, published by Petersburg Press, New York, the full sheet, 1105 x 840mm (40 x 33in) (unframed)

Los 80

Salvador Dali (1904-1989)Grenade et l'ange (Field 69-11L; M&L 355e)Lithograph printed in colours with etching and embossing, 1969, signed and inscribed 'Epreuve d'artist' in pencil, an artist's proof aside from the numbered edition of 200, on wove paper, as included in 'Flordali', printed by Ateliers Rigal and Matthieu, publihed by Werbungs- und Commerz Union Anstalt, Basel, with full margins, plate 565 x 370mm (22 1/4 x 14 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 85

Salvador Dali (1904-1989)The Quest (Field 80-1E)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 19

Rembrandt van Rijn (1606-1669) Abraham Francen, ApothecaryEtching, drypoint and burin, circa 1657, a very good but slightly later impression of New Hollstein's eleventh state (of twelve) before later reworking, on buff laid paper without watermark, platemark 156 x 207 mm (6 1/4 x 8 1/4 in), sheet 168 x 218 mm (6 5/8 x 8 1/2 in) (unframed)Provenance:Anonymous blue ink stamp of 'Seine Colportage' verso, probably 19th century, [Not in Lugt]Literature:Hind 291; New Hollstein 301 xi/xii

Los 73

Salvador Dali (1904-1989)The Pagoda (Field 69-13F; M&L 379a)Etching with drypoint and handcolouring, 1969-1970, signed and numbered from the edition of 145 in pencil, on Arches wove paper, as included in 'Hippies', printed by Robbe, published by P. Argillet, Paris, with the Dali blindstamp, with full margins, plate 400 x 320mm (15 3/4 x 12 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 203

Jake and Dinos Chapman (b.1962 & b.1966)UntitledEtching with aquatint printed in colours, 2012, signed and numbered from the edition of 100 in pencil, published by Paupers Press, London, with full margins, sheet 400 x 320mm (15 3/4 x 12 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 206

Tracey Emin (b.1963)Feeling SafeEtching, 2012, signed, titled, dated and numbered from the edition of 120 in pencil, on wove paper, with full margins, sheet 417 x 585mm (16 3/8 x 23in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 93

Salvador Dali (1904-1989)Rome and Cadaqués (Field 73-21; M&L 535)Etching, 1972, signed and numbered from the edition of 250 in pencil, on Japan paper, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, with full margins, plate 445 x 598mm ( 17 1/2 x 23 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 1

Rembrandt van Rijn (1606-1669) Old beggar woman with a gourdEtching, circa 1629, but a slightly later impression on wove paper without watermark, New Hollstein's second state (of two), platemark 105 x 47 mm (4 1/8 x 1 7/8 in), sheet 115 x 58 mm (4 1/2 x 2 1/4 in) (unframed)Provenance:Unknown collector's pen and brown ink initials 'J.L.' recto, probably 19th century [Not in Lugt];Unknown collector's ink stamp of start verso, [Not in Lugt]Literature:Hind 80; New Hollstein 40 ii/ii

Los 17

Rembrandt van Rijn (1606-1669) Peasant Family on the TrampEtching, 1652, a good but slightly later impression of New Hollstein's second state (of three), before the redrawing of the outline of the woman's hat, on cream laid paper without watermark, platemark 105 x 90 mm (4 1/8 x 3 1/2 in), sheet 125 x 102 mm (4 7/8 x 4 in), some spotting and minor surface dirt, (unframed)Literature:Hind 259; New Hollstein 266 ii/iii

Los 86

Salvador Dali (1904-1989)Aspiration (Field 80-1H)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 7

Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent impression on laid paper without watermark, still printing with fine horizontal wiping scratches, New Hollstein's first state (of three) before later reinforcement of the signature, with thread margins or trimmed to the platemark, sheet 94 x 72 mm (3 3/4 x 2 7/8 in) (unframed)Provenance:Walter Francis, 5th Duke of Buccleuch (1806-1884) [L. 402]Literature:Hind 157; New Hollstein 210 i/iii⁂ The present impression compares favourably with the Clayton Mordaunt Cracherode copy held in the British Museum (see acc. no. F,6.95).

Los 88

Salvador Dali (1904-1989)Pastorale (Field 80-1K)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 81

Salvador Dali (1904-1989)La Tauramachie Individuelle (Field 72-11; M&L 153a)Etching with aquatint printed in colours, 1966, signed and numbered in roman numerals from the edition of 100 in pencil, on japan paper, printed and published by Pierre Argillet, Paris, with full margins, plate 293 x 442mm (11 1/2 x 17 3/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 10

Rembrandt van Rijn (1606-1669) The Pancake WomanEtching, 1635, a good but later 18th century impression of New Hollstein's fourth state (of seven), on cream laid paper without watermark, platemark 109 x 77 mm (4 1/4 x 3 in), sheet 119 x 88 mm (4 5/8 x 3 1/2 in), some minor brown spots, (unframed)Literature:Hind 141; New Hollstein 144 iv/vii

Los 15

Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the TempleEtching, drypoint and engraving, 1659, a good but slightly later impression on buff wove paper without watermark, New Hollstein's fifth state (of six), before later reworking, platemark 181 x 217 mm (7 1/8 x 8 1/2 in), sheet 194 x 231 mm (7 5/8 x 9 1/8 in) (unframed)Provenance:Anonymous blue ink stamp 'Seine Colportage', probably 19th century, [Not in Lugt]Literature:Hind 301; New Hollstein 310 v/vi

Los 153

Jim Dine (b. 1935)Nancy Reading (Kerns 162)Etching, 1973, signed, dated and numbered from the edition of 60 in pencil, on American Etching paper, printed by Alan Uglow and Winston Roeth, published by Petersburg Press, New York, the full sheet, 1105 x 840mm (40 x 33in) (unframed)

Los 6

Rembrandt van Rijn (1606-1669) Joseph Telling his DreamsEtching, 1638, a good but slightly later impression of New Hollstein's fourth state (of six), evenly printed before the diagonal strokes on the face of the bearded man and before further reworking, on cream laid paper without watermark, platemark 111 x 83 mm (4 3/8 x 3 1/4 in), sheet 120 x 92 mm (4 3/4 x 3 5/8 in) (unframed)Literature:Hind 160; New Hollstein 167 iv/vi

Los 208

Tracey Emin (b.1963)Bird on a Wing After DBEtching printed in blue, 2018, signed, dated, titled and numbered from the edition of 200 in pencil, on wove paper, published by Emin International, London, with full margins, sheet 460 x 450mm (18 x 17 3/4in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 84

δ Salvador Dali (1904-1989)The Heart of Madness (Field 80-1J)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)Condition report:Edition size: 165Soft handling creases to the sheet in margins, only visible in a raking light. Very slight undulation along the lower sheet edgeOtherwise in very good condition, the colours bright. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 16

Rembrandt van Rijn (1606-1669) St. Jerome Kneeling in Prayer, Looking DownEtching, 1635, a good crisp impression of New Hollstein's first state (of two), before any reworking to the plate by another hand, on cream laid paper without watermark, trimmed with thread margins or to the platemark, sheet 116 x 81 mm (4 1/2 x 3 1/4 in), minor surface dirt, (unframed)Literature:Hind 140; New Hollstein 142 ii/iii

Los 107

Joan Miro (1896-1986)Espiru - Miró (Duthuit 870)Etching with aquatint and carborundum printed in colours, 1975, signed and numbered from the edition of 50 in pencil, on Guarro wove paper, published by Sala Gaspar, Barcelona, with his blindstamp, the full sheet printed near to the edges, 1070 x 915mm (42 ¼ x 36in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 18

Rembrandt van Rijn (1606-1669) Jan Lutma, GoldsmithEtching and drypoint, 1656, a good but slightly later impression of New Hollstein's fourth state (of five), before further reworking, on thick laid paper without watermark, platemark 197 x 149 mm (7 3/4 x 5 3/4 in), sheet 212 x 164 mm (8 5/8 x 6 1/2 in), some even browning, light surface dirt particularly to lower margin in the centre, (unframed)Literature:Hind 290; New Hollstein 293 iv/v

Los 69

Massimo Campigli (1885-1971)L'Incontro II (Meloni/Tavola 8)Etching with aquatint, 1932, signed, dated and inscribed in pencil, on wove paper, with margins, sheet 258 x 199mm (10 x 7 3/4in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 71

Salvador Dali (1904-1989)Sewing Machine (Field 34-2; M&L 31b)Etching, 1934, from the edition of 60, on Arches wove paper, as included in 'Les Chants de Maldoror', with full margins, sheet 220 x 165mm (plate) (8 3/4 x 6 1/2in) (unframed) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 137

Dieter Roth (1930-1998)Triple Cage (Dobke 205)Etching with drypoint printed in bistre, 1971, signed and dated in pencil, numbered from the edition of 60, on handmade wove paper, printed by Karl Schilz, Braunschweig, published by Petersburg Press, London, with full margins, sheet 385 x 530mm (15 1/8 x 20 7/8in) (unframed)

Los 77

Salvador Dali (1904-1989)Zeus (Field 63-3K; M&L 125a)Etching with aquatint, 1963, signed and numbered from the edition of 150 in pencil, on Arches wove paper, as included in 'Mythologie', printed by Robbe, published by P. Argillet, Paris, with full margins, plate 492 x 387mm (19 3/8 x 15 1/4in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 89

Salvador Dali (1904-1989)The Golden Helmet of Mandrino (Field 80-1F)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 155

Jim Dine (b. 1935)Behind the Thicket (Carpenter 68)Woodcut, with etching and aquatint extensively hand-coloured in gouache, 1993, signed, dated and numbered from the edition of 75 in pencil, on BFK Rives paper, printed at Spring Street Workshop, New York, with full margins, sheet 502 x 687mm (19 3/4 x 27 in) (framed)

Los 92

Salvador Dali (1904-1989)Don Quichotte (Field p.237)Etching, 1975, signed and inscribed 'E.A.' in pencil, one of 40 artist's proofs aside from the unnumbered edition of 149, on wove paper, printed by Sorini, published by a German Print Club, with margins, plate 390 x 295mm (15 3/8 x 11 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 72

Salvador Dali (1904-1989)The Old Hippy (Field 69-13A; M&L 384a)Etching with drypoint and handcolouring, 1969-1970, signed and numbered from the edition of 145 in pencil, on Arches wove paper, as included in 'Hippies', printed by Robbe, published by P. Argillet, Paris, with the Dali blindstamp, with full margins, plate 400 x 320mm (15 3/4 x 12 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 4

Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's eighth state (of eight), dark and evenly printed with Lamoureux's address on thick laid paper, small margins, sheet 527 x 407 mm (20 3/4 x 16 in), faint central horizontal fold with light scraping to lower corners with some minor damage outside the image, (unframed)Literature:Hind 103; New Hollstein 119 viii/viii

Los 79

Salvador Dali (1904-1989)Passiflore (Passion Flower) (Field 68-3H; M&L 235c)Etching with drypoint and pochoir in colours, 1968, signed and numbered from the edition of 175 in pencil, on japan nacré paper, as included in 'Floradali', printed by Ateliers Rigal and Ateliers d'Art I'Ibis, published by Werbungs- und Commerz Union Anstalt, Basel, with full margins, plate 585 x 385mm (23 x 15 1/8in) (unframed)Saleroom notice: the image shown in the online listing is the correct image for this lot.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 212

Antony Gormley (b.1950)Feeling MaterialEtching printed with tone, 2014, signed and numbered from the edition of 100 in pencil verso, on Somerset cotton rag paper, housed within the original black cloth portfolio, with full margins, sheet 310 x 274mm (12 1/2 x 10 7/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 130

David Hockney (b.1937)The Buzzing of The Blue Guitar (M.C.A. Tokyo 185)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio 'The Blue Guitar', published by Petersburg Press, London and New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 94

Salvador Dali (1904-1989)Napoleon (Field 70-8; M&L 430b)Etching printed in sepia, 1970, signed and numbered in numerals from the edition of 125 in pencil, on Auvergne wove paper, printed by Ateliers Rigal, published by Werbungs- Und Commerz Union Anstalt, Basel, with full margins, sheet 395 x 295mm (15 1/2 x 11 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 76

Salvador Dali (1904-1989)Babaouo (Field 78-2; M&L 932d & 1543-1549d)The book, 1978, comprising one etching printed in colours and 7 woodcuts, numbered from the total edition of 395 on the justification, this example from the edition of 190 on Arches wove paper, with text, title and justification pages, the etching printed by Jean Capelle, Samois, the woodcuts printed by Guy Descuens, Mahan, bound as issued in the original embossed and gilded boards, together with the red slipcase, published by Le Centre Cultural de Paris, overall 395 x 295mm (15 1/2 x 11 5/8in) (vol)

Los 8

Rembrandt van Rijn (1606-1669) The Death of the VirginEtching with drypoint, 1639, a very good but slightly later impression on thick buff laid paper without watermark, New Hollstein's fourth state (of five), before later reworking, platemark 410 x 312 mm (16 1/8 x 12 1/4 in), sheet 417 x 322 mm (16 3/8 x 12 3/4 in), trimmed just within the lower edge platemark, some minor spotting and light browning (unframed)Provenance:Anonymous and largely indistinct blue ink stamp of 'Seine Colportage' verso, probably 19th century, [Not in Lugt]Literature:Hind 161; New Hollstein 173 v/vi

Los 31

Henry Moore (1898-1986)Reclining Figure; Two Reclining Figures; Reclining Figure 5 (Cramer 423, 466, 476)Etching and aquatint, and two etchings, 1976-1978, each a proof aside from the editions of 100, and one the only proof (of two) on Richard de Bas paper, each with full margins, the sheets various sizes (3) (unframed)Saleroom notice: Cramer 476 is a proof aside from the edition.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 68

Marc Chagall (1887-1985)Le Pierrot (Cramer 34)Etching, 1968, signed and numbered from the edition of 50 in pencil, on Japon nacre paper, with full margins, sheet 758 x 550mm (29 7/8 x 21 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 154

Jim Dine (b. 1935)Watercolour Marks (Kerns 163)Etching hand-coloured extensively in watercolour, 1973, signed, dated and numbered from the edition of 55 in pencil, on American Etching paper, printed by Alan Uglow and Winston Roeth, published by Petersburg Press, New York, the full sheet, 1105 x 840mm (40 x 33in) (unframed)

Los 111

Joan Miro (1893-1983) (after)Le Moulin à Café (Maeght 1701)Etching with aquatint printed in colours, 1954, signed, dated and numbered from the edition of 300 in pencil, on BFK Rives wove paper, published by Maeght Editeur, Paris, with full margins, plate 492 x 565mm (19 3/8 x 22in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 14

Rembrandt van Rijn (1606-1669) The Beheading of John the BaptistEtching and drypoint, 1640, a good albeit lightly printed impression of New Hollstein's first state (of three), before reworking by another hand, on laid paper with a foolscap watermark with seven pointed collar, trimmed to or on the platemark, sheet 127 x 103 mm (5 x 4 in), minor cockling to sheet, some spotting and minor surface dirt, small repaired nick to upper left edge, (unframed)Literature:Hind 171; New Hollstein 183 i/iii

Los 120

Pablo Picasso (1881-1973)Groupe de Trois Femmes Deux Femmes regardant un modele nu (Bloch 57; Baer 102 Vl)Etching with drypoint, 1922-23, signed and numbered from the edition of 100 in pencil, on cream laid paper, published by M. Guiot, Paris, with full margins, sheet 178 x 130mm (10 7/8 x 5 1/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 83

Salvador Dali (1904-1989)Off to Battle (Field 80-1L)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 11

Rembrandt van Rijn (1606-1669) Samuel Manasseh Ben IsraelEtching, 1636, a good but slightly later impression of New Hollstein's third state (of five), before further reworking, on cream laid paper with watermark initials 'DM', platemark 149 x 103 mm (5 7/8 x 4 in), sheet 164 x 115 mm (6 1/2 x 4 1/2 in), some spotting and minor surface dirt, (unframed)Literature:Hind 146; New Hollstein 156 ii/iii

Los 5

Rembrandt van Rijn (1606-1669) Joseph and Potiphar's WifeEtching and engraving, 1634, but a slightly later impression on laid paper without watermark, New Hollstein's third state (of four), before later reworking, platemark 91 x 114 mm (3 5/8 x 4 1/2 in), sheet 107 x 128 mm (4 1/4 x 5 in) (unframed)Provenance:Anonymous and largely indistinct blue ink stamp verso, probably 19th century, [Not in Lugt]Literature:Hind 118; New Hollstein 128 iii/iv

Los 87

Salvador Dali (1904-1989)The Spinning Man (Field 80-1D)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 20

Rembrandt van Rijn (1606-1669) The Flight into Egypt: Crossing a BrookEtching, engraving and drypoint, 1654, a good impression printing with burr in the lower left corner, on laid paper without watermark, New Hollstein's only state, before the scratch on the Virgin's lap, platemark 95 x 145 mm (3 x 2 1/2 in), sheet 102 x 151 mm (4 x 6 in), one small carefully repaired tear in the left hand quadrant, minor spotting and handling creases, (unframed)Literature:Hind 276; New Hollstein 277

Los 75

Salvador Dali (1904-1989)Sous le Pin Parasol (Field 70-10I; M&L 414a)Etching printed in colours, 1970, signed and numbered in numerals from the edition of 85 in pencil, on japan paper, as included in 'Tristan et Iseult', printed by Ateliers Rigal, published by Pamela Verlag, with full margins, plate 400 x 265mm (15 3/4 x 10 3/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 9

Rembrandt van Rijn (1606-1669) Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a very good but slightly later impression of New Hollstein's second state (of two), evenly printed with the two dots in the upper right corner on laid paper without watermark, platemark 82 x 45 mm (3 1/4 x 1 3/4 in), sheet 92 x 54 mm (3 5/8 x 2 1/8 in) (unframed)Literature:Hind 164; New Hollstein 178 ii/ii

Loading...Loading...
  • 78472 Los(e)
    /Seite

Kürzlich aufgerufene Lose