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78475 Los(e)/Seite
Los 433
William Tatton Winter (1855-1928) by and after, a group of prints, The Canal, Market Square Salisbury, Salisbury Cathedral from St Anne's Street, The Avon at Amesbury, Harnham Bridge, published by The Museum Gallery London 1925/1926/1926/1927/1926, some signed in pencil, black and white etching, 26.5cm x 35cm/26.5cm x 35.5cm/31cm x 24cm/25.5cm x 30cm/25cm x 34cm (5)
Los 436
William Tatton Winter R.B.A., (1855-1928), by and after, three hand-coloured engravings, ‘The Water Mill at Sturry and Fordwich’ (Canterbury Series) signed, coloured etching, published by The Museum Galleries London (1927/1927), 31cm x 39.5cm/25cm x 34.5cm; and ‘Market Square, Salisbury’, (3).
Los 434A
William Tatton Winter, R.B.A., (1855 - 1928)Ploughingsigned, titled to verso, watercolour, 18cm x 28.5cm; another, The 'CID', A Scotsman Wearing a Tam O'Shanter and Smoking a Pipe, signed, inscribed and dated 1881, watercolour, 12cm x 18cm; an etching, Windswept Heath with Windmill, signed in plate, 6.5cm x 10.5cm, possibly produced for Queen Mary's Dolls' House (3)
Los 262
Kurt Meyer-Eberhardt (German, 1895-1977) Coloured etching Three animal studies to include a fox cub, foal and fawn, each signed in pencil lower right, framed and glazed, 41.5cm x 35cm (3) Condition Report Fawn - Substantial water stains, areas of fading/discolouration, browning to paper.Foal - Water stain to bottom right corner, fading/discolouration, browning to paper.Fox - Water stain to bottom right corner, fading/discolouration, browning to paper, area of foxing to right side.General wear and tear.
Los 1920
A collection of books, paintings, engravings and etchings, to include: Two folio books (as found) 'Examples of Contemporary Art Etchings from Representative Works by living English and foreign artists' (Chatto and Windus, 1878); 'Storia Della Scultura', (Prato, 1823); A group of 19th-20th century oil and watercolour studies of animals; 19th century engravings after portraits and narrative paintings and others; together with an etching from a pencil sketch of Devon by Arthur Creed Hambly with the 1st, 2nd and 3rd state of pencilled etchings of the Avon gorge with Clifton Suspension Bridge in the distance
Los 721
A SET OF EIGHT 19TH CENTURY HAND COLOURED ENGRAVINGS, CAPTAIN ROBERT GRINDLAY'S 'SCENERY, COSTUMES AND ARCHITECTURE, CHIEFLY ON THE WESTERN SIDE OF INDIA'Plates engraved and coloured, etching by one hand supplemented by engraving by another. Coloured by J.B. Hogarth and others. Printed by R Ackerman, Strand 1826. Bought by the owner at auction in c.1971.31cm x 25cm eachFramed and glazed 45cm x 48cm each. Grindlay (1786-1877) served in the Bombay Native Infantry from 1804-20, rising to Captain. Captain Robert Grindlay's "Scenery, Costumes and Architecture, chiefly on the Western Side of India", issued from 1826 to 1830 was a result of his interest in architecture especially the connection between Egyptian and Hindu architecture. A number of original sketches in the book are his own. He was given views of other subjects by Captain Charles Auber, Lieutenant-Colonel John Johnson and William Westall. Several sketches in the book were handed over to professional artists to be worked up into finished compositions: William Westall, William Daniell, David Roberts, Clarkson Stanfield, Copley Fielding and George Cruikshank.
Los 262
Giulio Carpioni (Italian, Venice, 1613-1678), Earth, represented by Cybele seated at the base of a tree with fruits of the Earth before her. A cupid with flaming torch approaches and a stag and hound approach from the left, etching laid on inner mount board, trimmed, circa 1640-1660,15x10cm, framed and glazed (UV filtering glass)
Los 504
Sheila Oliner (British, 1930 - 2020), Sunset, etching, titled lower centre, inscribed lower left A/P (Artist's Proof) and numbered X/XV (10/15), signed in pencil lower right, 74 x 57.5cm and another by the same artist, female nude in profile, etching, inscribed lower left A/P and signed in pencil lower right, 74 x 57.5cm (2)
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78475 Los(e)/Seite