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Los 912

LEONARD ROBERT BRIGHTWELL The Dansant, signed, etching,27 x 39cm Condition Report:Available upon request

Los 927

SIR DAVID YOUNG CAMERON RA, RSA Paisley Abbey, signed, etching, 21 x 25cm,three watercolours and two views of Old Glasgow (6) Condition Report:Available upon request

Los 939

ALEXANDER P. THOMSON (SCOTTISH 1887-1962), Paisley Abbey, etching, signed lower right, 22 x 29cm Together with similar etchings of Paisley, Paxton House and Liverpool (6) Condition Report:Available upon request

Los 712

'The Universal Magazine of Knowledge and Pleasure with Essays Literature Arts and Sciences', Vol LVI and LVII, with etchings and plates to include a rare 18th century etching, 'A View of The City of Boston, Capital of New England', original fold-out book insert, original drawing by Gov. Pownal, painted by Pugh, and engraved by PC Canot, dated in pen to the top 1804, indistinct writing to one side, insert 20 x 33cm.Condition Report: There is a poor condition map of North America (see additional images)All items appear to be in the two volumes

Los 832

Frank Vernon Martin (British 1921-2005), 'Promenade', signed limited edition aquatint etching, 50/150, plate size 54cm x 35cm, signed and numbered in pencil to margin, framed and glazed, 85cm x 67cm.

Los 294

Axel Haig (1835-1921). Capella Galatina Palermo, etching, artist's proof, signed, 68cm x 46cm.

Los 410

Two C19th hand coloured etchings of a civet, together with a black and white etching print of elephants and other animal subjects

Los 454

M SHAFER, pair, of gilt framed and glazed watercolours, labelled to gilt mount, "Arras & Louvrain" signed lower left "Louvring Belgium Shafer, and the other arras France; and Quantity of framed and glazed black and white lithographs, prints etc of architectural interest; and an Antique style map, "Hertford", AND a quantity of unframed black and white etching prints of architectural buildings and landscapes and another modern print

Los 484

Three equestrian etching prints

Los 527

George Vernon Stokes 1873-1954, English and Irish Setters, Limited Edition Colour etching, ?/75 signed and numbered in pencil, together with a copy of the artists biography, published by British Sporting Art Trust; An early C19th watercolour on paper

Los 533

A coloured etching print of the Great Eastern Steam Ship, and a Jack Goddard C20th watercolour harbour scene

Los 619

Waning van, Gijsbertus MWF (Martin) (The Hague 1889-1972) "Sand path with trees", signed in full in pencil left and monogram in the plate left, etching/paper, h 26.5 x w 20 cm. Here is a lithograph of v. Rosmalen "Owl", tot. 2x.

Los 679

Hommerson, Joep (Alkmaar 1947) "Shipwreck", signed in full in pencil bottom right, etching/paper no. 13/30, h 22 x w 32 cm.

Los 38

SALEROOM NOTICE: Please note this work is a drypoint etching after Frank Brangwyn and the cataloguing has been ammended.a train station, possibly in London, Drypoint etching, framed, glazed and mounted, frame size 58cm x 74cm

Los 505

Collection of Four numbered 1-4 Engravings entitled "A trip to Brighton" original Etching dated 1824 by Charles Laurie.  Condition commensurate with age, frames intact measuring approximately 24" x 7" overall.

Los 655

[Thomas Rowlandson (English, 1756-1827)]. Secret Influence Directing the New P-l-t, uncoloured etching on J. Whatman wove paper, London: William Humphrey [1784]. This satirical caricature depicts the meeting of the new Parliament and is an 'interesting indication of the persistence of the legend of Bute's secret influence' [BM 1851,0901.275]. 25cm by 35cm (plate-mark)

Los 229

James Gillray (English, 1756-1815) ‘’Farmer Giles and his wife showing off their daughter Betty to their Neighbours on her return from school’’,etching with original hand-colouringpublished by Hannah Humphrey, 1809, unframed, trimmed within the plate mark, 315 x 470mm. BM Satires 11444***CONDITION REPORT***The caricatures tipped-in to one side each of two early 19th century blue paper folio album leaves.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 248

James Gillray (English, 1756-1815) ‘’Mary of Buttermere, Sketch’d from Life, July, 1800’’, dated 1802, 320 x 240mm. hand-coloured etching, published by Hannah Humphrey andAn untitled etching of a Mounted Officer, undated, but possibly 1799, 204 x 224mm. See BM 1851.0901.1139.,published by Hannah Humphrey (2)***CONDITION REPORT***Each etchings tipped-in to one side of an early 19th century blue paper folio album leaf.etching of a Mounted Officer - trimmed to image edgePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 365

§ § Sir Terry Frost (British, 1915-2003) 'Newlyn Rhythm'etching, 1995signed in pencil, titled and numbered 2/8055 x 35cm***CONDITION REPORT***Very good clean condition with no faults noted, sheet overall 77 x 56cm, under glass in a slim silvered wood frame, Flowers Gallery label number 1407 verso, along with a related bill of sale dated 2014.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 73

A Chinese proto-celadon tripod ritual vessel, ding, Western Zhou dynasty/Spring & Autumn period (1046 - 476 BC.) the compressed globular body incised with bands of pinpricks interspersed by two fins, the shoulder applied with a pair of twisted loop handles, on three tapering feet, the coiled construction visible on the interior, unglazed patch to the base, 22cm wide, 13.5cm highProvenance - the vendor bought this vessel in the 1990s from a dealer while living in Hong Kong.***CONDITION REPORT***Etching and fine crazing to the glaze, remnants of earth to pin prick decoration on sides consistent with age and archaeology.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 74

A Chinese Longquan celadon fluted brush washer, Yuan dynasty, crackle to the glaze all over, burnt orange to the unglazed base, 11.3cm diameter, kintsugi style repair***CONDITION REPORT***Kintsugi style repair to a large section of the rim extending towards the foot. Some etching to the glaze, possibly from a shipwreck.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 35

Kathleen Caddick - ' Through the Park ' - a late 20th century signed limited edition etching. The painting depicting a tree lined park with a manor in the background. A limited edition, being No. 5 of 250, signed in pencil lower right hand corner. Framed and glazed. Measures approx. 32cm x 25.5cm, 57cm x 51cm to include frame.

Los 162

Sam Garratt (British, 1864-1946)- Ffwd Grech Falls - an early 20th Century etching on paper depicting the Ffwdgrech Falls in the Brecon Beacons, Wales. Framed and glazed. Measures approx. 20cm x 17cm, 45cm x 35cm.

Los 92

Of Bath Local Interest - Two Victorian 19th Century signed etching on paper by local artist E. Sharland. Both depicting different views of Bath cathedral. Framed & glazed. Together with an E. Sharland watercolour on paper painting depicting a harbour scene with boat in foreground. Largest measuring approx. 68cm x 83cm.

Los 138

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'El de la Rollona'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 139

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Linda Maestra!' (Pretty Teacher!). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 140

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Ruega por ella'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 141

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 142

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Hasta la Muerle' (Until he dies). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 143

Francisco Goya (Spanish. 1746 – 1828. Three etchings from Los Caprichos (The Caprices). Including 'Dónde va mamá?' Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 144

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Lo que puede un Sastre'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 145

Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Alla va esco'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Los 241

Jane Joseph (German b. 1942). Etching. Edition of 20. This one is numbered 4/20. Signed bottom right and titled 'Kew Palace from Brentford'. H.47 x W.59 cm.

Los 246

Jane Joseph (German b. 1942). Etching. Edition of 20. This one is numbered 16/20. Signed bottom right. H.37 x W.39 cm.

Los 257

Annalisa Colombara (Italian b. 1953). 'Book of the Moonfish'. Etching signed and titled. Framed and glazed. H.45 x W.64 cm.

Los 266

Etching titled 'Capricorn'. Signed indistinctly by the artist and numbered 29/30. Framed and glazed. H.41 x W.31 cm.

Los 276

Etching. Signed in pencil by the artist. Framed and glazed. H.40 x W.50 cm.

Los 305

Hand coloured etching. Signed indistinctly by the artist lower right. Framed and glazed. H.50 W.49 cm.

Los 223

A framed and glazed Etching, Ubique meant, Charles Johnson Payne 'Snaffles'

Los 309

Mixed Lot: a mid-century wall mirror, tapestry picture of a rural scene, and an etching of Norwich Castle

Los 1884

Robert Charles Goff (1837-1922), etching, 'Boats on the river Thames, Charing Cross', signed in pencil, label verso, 27 x 18cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 1902

Henry Wilkinson (1921-2011), artists proof colour etching, Gun dog with game, pencil signed, 28cm x 25cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Los 181

After Joseph Mallard William Turner. Etching, The woman and Tamborine, plate 3 from Liber Studiorum. Signed in pencil lower right and dated 1911. Framed and mounted. Overall including frame 35x45cm

Los 21

Four miniature works on paper, including Attributed to Thomas Sidney Cooper (1803-1902) watercolour, cattle and tree, 7.5 x 10.5cm, together with pen and ink in the manner of Rowlandson of three figures, 4 x 7cm, pencil marine study in the manner of E W Cooke, 6 x 4cm, and etching by Henry Ninham (1793-1874) of a river scene after Bonington, all in glazed frames. (4)

Los 63

Percy Robertson R.E, British 1868-1934. Etching, initialed and titled titled lower left “The National Gallery & St Martin’s, 1925”. In black ebonised frame. Overall including frame 31x26cm

Los 64

Percy Robertson R.E, British 1868-1934. Etching, named lower left and titled titled lower right “Westminster Abbey, 1916”. In black ebonised frame. Overall including frame 26x31cm

Los 65

Percy Robertson R.E, British 1868-1934. Etching, initialed and titled titled lower left “Greenwich, 1926”. In black ebonised frame. Overall including frame 27x31cm

Los 66

Percy Robertson R.E, British 1868-1934. Etching, initialed and titled titled lower left “St Paul’s Cathedral, 1921”. In black ebonised frame. Overall including frame 31x26.5cm

Los 39

Elizabeth Rooney (1929-2016) From Obelisk, 1979 signed and dated etching 14 x 30cm

Los 47

Jenny Pery (British, Contemporary School) Three Chinese views each signed and inscribed woodcuts the largest 14 x 16cm (sight); together with another woodcut, the Great Wall, indistinctly signed M... Meller; and a signed etching by Laurie Rudling, Brixham Trawlers (5)

Los 48

*Liz Elmhirst (British, Contemporary School) Trees at Kew signed and inscribed to lower margin limited edition colour etching 20.5 x 29.5 (plate); together with a 20th-century lithograph of a horse and musician, signed Otto Gesler, on laid paper, 29 x 39cm (sight)

Los 1247

A Shelley Sunburst cake plate, a large Danbury Mint German Shepherds display plate, a water jug having fern leaf etching, five mini countryside ceramic pictures and an assortment of small teapots etc.

Los 37

Registration - UTV 445HChassis No - AASAS630387AM.O.T. - ExemptOdometer - 42,400In common with Ford’s ubiquitous Cortina, the BMC multi-badged 1100/1300 model was once a top seller in the UK yet, according to the popular website ‘How Many Left’, there are currently only 314 Austin 1300 examples left in the UK, just 170 of which are licenced, of which ‘UTV 445H’ is one. Its vendor informs us that the car has recently been treated to a considerable degree of restoration and a full respray, and it certainly presents well with its fresh brown paintwork being complemented by tan leatherette upholstery. According to the driver’s door footplate the Austin was supplied new to its first keeper by Morkel and Carnill Ltd of Nottingham, and it was first registered on July 14, 1970. There have been a further five keepers since that time, but the vendor is satisfied that the total displayed mileage of 42,328 is correct, and presently considers the A Series engine, four-speed manual gearbox, four-door bodywork, paintwork and upholstery to all be in ‘excellent’ order. The car is now on offer complete with refurbished brake system, window etching, and stainless-steel wheels trims Owing to the overt success of the Mini, it made eminent sense to employ the same designer to create a successor for the larger Austin A40 and Riley 1.5. Codenamed ADO16, the newcomer launched with a Morris badge in August 1962 was therefore penned by Alec Issigonis, and echoed the Mini in having an ‘A’ Series engine mounted east-west up front, driving the front wheels. Its technical innovations included single-piston swinging caliper disc front brakes and a ‘Hydrolastic’ interconnected fluid suspension system. The appealing styling was the work of Carrozzeria Pininfarina which, with minor adjustments, went on to wear not only Morris but Austin, MG, Riley, Wolseley and Vanden Plas badges during the model’s 13-year reign, over which 2.1million examples were sold. In summary:A six-owner example currently displaying a credible 42,328 milesRecently treated to a degree of renovation and full resprayAll windows etched with the car’s registration number

Los 4031

J R Hutchinson (Early 20th century): Durham Cathederal from the Weir, etching signed in pencil 48cm x 34cm

Los 4101

Herbert Thomas Dicksee (English 1862-1942): 'Stealth' - A Leopard, drypoint etching signed in pencil, initialled and dated 1914 in the plate 50cm x 71cm

Los 4104

Percy Robertson (British 1869-1934): Liberties Department Store London at Dusk, etching signed in pencil 23cm x 32cm and Willie Rawson (British early 20th century): 'Silverdale', limited edition etching signed in pencil titled verso 27cm x 19cm

Los 408

Pierre Alechinsky signed mixed media print with etching and watercolor ||ALECHINSKY PIERRE (° BRUSSEL 1927) print in gemengde techniek met ets en aquarel n° 2/45 : "Abstracte compositie met rood" - 73 x 61,5 getekend

Los 459

Roger Raveel signed etching ||RAVEEL ROGER (1921 - 2013) ets n° 11/60 : "Zonder titel" - 37,5 x 56 getekend

Los 628

twice a 20th Cent. Edgar Tytgat plate signed etching ||TYTGAT EDGAR (1879 - 1957) tweemaal ets : "Twee heiligen" - 19 x 14,5 getekend in de plaat

Los 1092

Belgian etching - signed Jef Van Grieken and dated 2000 ||VAN GRIEKEN JEF (° 1950) ets genummerd LXXX/C : "Industrieel gebouw reflecterend in het water" - 28 x 44 getekend en gedateerd 2000

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