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78472 Los(e)/Seite
Los 1071
James Alphege Brewer (British 1909-1938): 'Kings School Ely' and 'Venice - the Bridge of the Rialto', two drypoint etchings signed and titled in pencil; Fritz Krostewitz (German 1860 -1913) after Jean-Baptiste-Camille Corot (French 1796-1875): Woodland Landscape, etching signed in pencil pub. 1905; and a 19th century lithograph, max 25cm x 16cm (4)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 164
A SUPERB 20TH CENTURY NICKEL ON STEEL SINGLE FULLERED SCOTTISH BASKET HILT SWORD BY WILKINSON, Pall Mall, London (No. 45424), the acid etched blade bearing the Royal Arms of George V and the badge of The Gordon Highlanders, both amid prolific swags of thistles, complete with brown leather service dress scabbard and basket liner with tassel to pommel, the shagreen grip intact. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In excellent condition throughout, the nickel plating bright, the acid etching clear and legible. The blade in first class order and the scabbard polished and in parade condition. The shagreen drip in very good order.
Los 166
A VERY SCARCE REGIMENTALLY MARKED POST 1911 (IN REALITY WWI) OFFICERS' PATTERN SWORD, with interchangeable steel ceremonial and service dress hilts, the latter incorporating the regimental badge of The Gordon Highlanders, the acid etched blade also featuring the Gordons badge together with the Royal cypher for Geo.V. maker's name Henry Wilkinson of Pall Mall London, complete with its service dress scabbard and leather sword frog. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In very good condition. The acid etching in good order, the decoration showing only minimal wear. The steel hilts intact, each fitting as it should. The leather of scabbard and frog complete with all stitching intact, the buckles present and functional. All in all, a highly desirable regimental sword.
Los 307
A VERY RARE MID 19TH CENTURY POLICE HANGER BY PARKER, FIELD AND SON, 233 HOLBORN, LONDON, the blade acid etched 'Berwick County Constabulary' with brass hilt and brass mounted black leather scabbard, the bottom chape absent, modelled on the customs hanger, the police variant is rarely found named to a specific constabulary. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Overall in very good condition, as mentioned, the bottom scabbard chape absent with minor leather loss at that point, the remaining leather dry with stitching loose. The blade quite clean with the acid etching visible. The shagreen to the grip fully intact and lacking wire binding.
Los 630
Leo Arndt (1857, Eilenburg - 1945), großformatige Originalradierung "Blick zum Magdeburger Dom"; unten links in der Platte signiert, mittig bezeichnet "Magdeburg", Plattenmaß H*B 58,5*79,5cm, Blattmaß ca. 70*100cm, verglast in schwarzem Lackrahmen (mit Altersspuren), Gesamt-H*B 84*114cmLeo Arndt (1857, Eilenburg - 1945), large-format original etching "View of Magdeburg Cathedral"; signed in the plate at lower left, inscribed in the centre "Magdeburg", plate size H*W 58.5*79.5cm, sheet size approx. 70*100cm, glazed in a black lacquer frame (with traces of age), total H*W 84*114cm
Los 631
undeutlich signiert, "Gasse in Dürnstein an der Donau", um 1900, Radierung, unten rechts signiert, links betitelt, hinter Passepartout, Ausschnitt H*B 26,5*18,5cm, leichte Lagerspuren, Gesamt-H*B 42,5*33cmillegibly signed, "Dürnstein/Donau", c. 1900, etching, signed lower right, titled left, behind passepartout, detail H*W 26,5*18,5cm, slight signs of storage, total H*W 42,5*33cm
Los 635
monogrammiert BD, "Winterliche Uferlandschaft", 1925, Radierung, in der Platte monogrammiert und datiert, unten rechts handsigniert, links bezeichnet "Orig. Radierung", unter Passepartout, Ausschnitt H*B 28*26,8cm, verglast gerahmt, Gesamt-H*B 39,5*37cmmonogrammed BD, "Snowy landscape", 1925, etching, monogrammed and dated on the plate, signed by hand lower right, inscribed "Orig. Radierung" on the left, under mount, detail H*W 28*26,8cm, framed with glass, total H*W 39,5*37cm
Los 637
Heinz Auerswald (1891, Zschopau -1974, Güstrow), "Alter Markt in Magdeburg", kolorierte Radierung, unten rechts signiert, links bezeichnet, Plattenmaß H*B 13,8*19,8cm, verglast gerahmt, Gesamt-H*B 25,3*31,3Heinz Auerswald (1891, Zschopau -1974, Güstrow), "Alter Markt in Magdeburg", coloured etching, signed lower right, inscribed left, plate size H*W 13.8*19.8cm, framed with glass, total H*W 25.3*31.3
Los 638
Max Brückner (1888, Dresden - ?), "Magdeburger Dom", 1930er Jahre, Radierung, unten rechts signiert, links betitelt, verglast gerahmt, Gesamt-H*B 32*26cmMax Brückner (1888, Dresden - ?), "Magdeburg Cathedral", 1930s, etching, signed lower right, titled left, framed with glass, total h*w 32*26cm
Los 642
Werner Tübke (1929, Schönebeck/E. - 2004, Leipzig), "Requiem", 1966, Radierung, unten rechts in der Platte signiert und datiert, darunter handsigniert und betitelt, unter einfachem Passepartout, Ausschnitt H*B 19,8*19,3cm, verglast gerahmt, Gesamt-H*B 41,7*32cm, Leiste mit AltersspurenWerner Tübke (1929, Schönebeck/E. - 2004, Leipzig), "Requiem", 1966, etching, signed and dated lower right in the plate, signed and titled by hand underneath, under a simple passe-partout, detail H*W 19.8*19.3cm, framed with glass, total H*W 41.7*32cm, strip with age traces
Los 646
A. Schmitt, "Durchblick", 2. Hälfte 20. Jh., Radierung, unten rechts handsigniert, mittig betitelt, Ex. 53/55, Plattenmaß H*B ca. 25*17cm, verglast gerahmt, Gesamt-H*B 42,3*32cmA. Schmitt, "Durchblick", 2nd half 20th century, etching, signed by hand lower right, titled in the centre, ex. 53/55, plate size H*W approx. 25*17cm, framed with glass, total H*W 42,3*32cm
Los 648
undeutlich signiert, "Mädchen bei verträumten Spaziergang", 2. Hälfte 20. Jh., Radierung, unten rechts signiert, Plattenmaß H*B 25,5*33,5cm, unter Passepartout, verglast gerahmt, Gesamt-H*B 42,5*52cmillegibly signed, "Mädchen bei verträumten Spaziergang", 2nd half 20th century, etching, signed lower right, plate size H*W 25.5*33.5cm, framed under mount, glassed, total H*W 42.5*52cm
Los 43
Signed and dated `70 in pencil in the margin, numbered 9/30, etching.plate size 47cm x 40cm (18.5in x 15.75in)Footnote: Artists` Resale Right ("droit de suite") may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.
Los 44
Signed and dated `70 in pencil in the margin, numbered 9/30, etching.plate size 47 x 40cm.; 18.5 x 15.75inFootnote: Artists` Resale Right ("droit de suite") may apply to this lot.Condition report: The print is in good, original condition. There are some minor spots of foxing across the sheet. The print is framed and glazed.
Los 463
Imperial German Leib-Garde Hussar Regiment Officers Sword, model 1889 cavalry sword with folding guard having Prussian eagle to central cartouche. Plain black composite covered grip without wire binding. Housed in a black painted steel scabbard with fixed single hanging ring and belt bar to the reverse. Straight single edged blade with etching and blue panels to both sides. Regimentally marked to the central blue panel in gothic script “Leib-Garde Husaren Regt”. No makers trade mark to the blade. The blade measures 80 ½ cms, overall 100cms. Sword shows some wear and tarnishing but still marked to one of the elite cavalry regiments of the Imperial German army.
Los 110
* Cook (Thomas, 1744-1818). Mr Garrick in the Character of Richard the IIId., after William Hogarth, etching and engraving on paper, published by G.G. & J. Robinson, December 1st 1798, some light discolouration to blank margins, 41 x 51.5 cm (16 x 20.25 ins) mount aperture, oak frame, glazedQty: (1)
Los 115
* Doyle (John, 'HB'). A collection of ten caricatures, Thomas McLean, 1829 - 31, lithographs with contemporary hand colouring, each approximately 275 x 360 mm, framed and glazed (one with cracked glass), together with Grant (Charles Jameson). Bowl'd out or the K - G & all England against the Boroughmongers, G. Tregear, April 25th 1831, etching with contemporary hand colouring, 260 x 375 mm, framed and glazed and A Picture of Futurity, G. Tregear, May 1831, lithograph with contemporary hand colouring, 265 x 385 mm, framed and glazedQty: (12)NOTESThe John Doyle caricatures comprise: San Leopoldo Matamoros, A Political Riddle, A Broad Hint, Repose, The Last of the Boroughbridges, Anticipation, The Affidavit, The Evil Counsellor, Russian Diplomacy or a Negociation a la Militaire, and The Mysterious Visit.
Los 125
* Foreign topography. A mixed collection of approximately 425 views, mostly 19th century, engravings and etching of European countries, India, North America, China and the Middle East, mostly small format but including a David Roberts 'half-plate' - Abyssinian Slaves at Korth - a damaged G. B. Piranesi plate, 'Veduta del Tempio di Giove Tonate' and Antonini (Carlo). Prospetto degli Orti Farnesiani sul Monte Palatino, circa 1800, uncoloured engraving after Francesco Panini, slight water staining and dust soiling, 470 x 675 mm, with others similarQty: (approx. 425)
Los 137
* Nicholson (Francis, 1753-1844). Landscape with trees by a river with two figures looking on a distant prospect of a town, watercolour on thin card, heavily varnished, sheet size 228 x 312 mm (9 x 12.2 ins), laid down on old card, framed and glazed, together with other various watercolours, etc., mostly later 19th & 20th century, including two 19th century watercolour landscapes by Edward Beecham Lait, both signed (with backboard stain to each), a large-scale late 19th century watercolour view of a mill with rushing river, by Tom Morton, entitled Mill on the Dorchart, Killin, a pencil and watercolour view of Hungerford, by Sidney Causer, 1951, a large-scale colour etching by Gaston Balande, an alpine mountain study in oil by F. Kilfinger, signed and dated 1964, an early 20th century watercolour of a Japanese water shrine signed Hiroshi, and two others, mostly framed and glazed, various sizesQty: (10)
Los 363
Pogany (Willy, illustrator). Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward FitzGerald, with illustrations by Willy Pogany, 1st edition, George G. Harrap & Co. Ltd., 1930, 12 tipped-in colour plates, one or two with minor crease to lower corner, top edge gilt, remainder untrimmed, original turquoise full morocco gilt, rubbed and some marks, spine faded, and rubbed, 4toQty: (1)NOTESWith original signed etching by the artist bound in as an additional frontispiece.
Los 410
Millais (John Guille). The Life and Letters of Sir John Everett Millais, 2 volumes, 1st edition, London: Methuen & Co., 1899, monochrome illustrations, some light spotting throughout, cracked front & rear gutter to volume 2, top edge gilt, publishers uniform original gilt decorated blue cloth, spines slightly rubbed with minor tears to head & foot, 8vo, together with; Leipnik (F. L.), A History of French Etching from the Sixteenth Century to the Present Day, 1st edition, London: The Bodley Head, 1924, monochrome frontispiece & 106 black & white illustrations, some light spotting to the text block, publishers original quarter cloth, spine label toned & lightly rubbed, large 4to, and other art reference & related, mostly original cloth, many in dust jackets, some paperback editions, G/VG, 8vo/folioQty: (6 shelves)
Los 125
Herbert Thomas Dicksee (1862-1942) signed black and white etching - The Last Furrow, signed in pencil lower left, published by Frost & Reed 1899, in glazed gilt frame, 31cm x 60cm Condition report: Not examined out of the frame but it doesn't appear to be stuck down as there is a ripple across the paper. There are some areas of foxing/staining, these are more noticeable on the white margin. There is water stain to the mount and dirt/bugs under the glass.
Los 175
William Heath, early 19th century hand-coloured etching - 'The Guard Wot Looks After The Sovereign', published by McLean 1829, in Hogarth frame, 35cm x 23.5cm, framed size 41cm x 30cmCondition report: Trimmed close to the edge of the margin, not examined out of the frame so difficult to determine if stuck down. Tears to the paper top right corner and two tears parallel with the head on the outer edge. Staining on the right edge as seen in the images. Perhaps some fading as the coat colour is muted.
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78472 Los(e)/Seite