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78472 Los(e)/Seite
Los 1
A collection of late 19th and early 20th century prints comprising Gants de Sude (Levy 40), 1890, lithograph by J.A.M. Whistler; three etchings of architectural views by John Taylor Arms; three etchings by A. Legros; one etching of a street scene with Westminster Abbey by William Walcot; The Prodigal Son (Binyon 10), etching, 1882, by William Strang; two etchings of landscapes by H. Moore; one etching of weary workers by R. Schwabe; Coaching, lithograph by W. Nicholson, The Stone-breaker and his family, lithograph by K. Lawson; and five etchings and one lithograph by unidentified artists, in varying conditions S. 370 x 535mm. (and smaller) (20)
Los 1
Augustus John (1878-1961) The Old Haberdasher (Campbell & Dodgson 36) etching, 1903, on laid paper, numbered 25/25, with margins, a small crease at the extreme upper left sheet corner, very pale discoloration at the extreme left sheet edge, otherwise in good condition, framed P. 175 x 152mm., S. 278 x 233mm.
Los 1
Augustus John Old Scott etching and drypoint, on laid paper, signed in pencil, titled, inscribed 'Plate no. 33' and numbered 25/25 in ink (faded), with margins, pale light-staining, discoloration at the sheet edges, minor paper loss at the extreme upper right sheet corner, a fox mark in the left margin, backing staining to the reverse, otherwise generally in good condition, framed P. 127 x 127mm., S. 285 x 225mm.
Los 1
Augustus John A Man Etching (Self-portrait) (C&D. 136) etching, 1919, on laid paper, signed in pencil, second (final) state, from the edition of 50, with margins, occasional soft creasing and surface dirt in the margins, remains of old tape to the reverse at the upper sheet edges, otherwise in good condition, framed P. 150 x 98mm., S. 285 x 225mm.
Los 1
Christopher Richard Wynne Nevinson (1889-1946) Le Pont Royal, Paris etching and aquatint, 1934, on wove paper, signed in pencil, dark mount-staining, pale light-staining, a little remains of old glue in the upper left margin, soft creasing at the left and right sheet edges, remains of old tape and backing staining to the reverse, otherwise in good condition, framed P. 275 x 425mm., S. 380 x 555mm.
Los 1
Samuel Palmer (1805-1881) The Homeward star, from An English Version of the Ecologues of Virgil (Lister 16) etching, on laid paper, second state (of four), published in 1884, with margins, pale light-staining, remains of old glue to the upper sheet edge on the reverse, otherwise in good condition, framed P. 132 x 190mm., S. 217 x 320mm.
Los 1
Pierre-Auguste Renoir (1841-1919) Femme nue couche (Delteil 14) etching, 1906, on laid paper, a posthumous impression, with margins, dark mount-staining, otherwise in good condition, framed P. 167 x 110mm., S. 233 x 165mm.; and Sur la Plage, a Berneval (D. 5), etching, on laid paper, a posthumous impression (2)
Los 1
James Abbott Mcneill Whistler Old Putney Bridge (K. 178IV) etching and drypoint printed with tone, 1879, on laid paper, fourth (final) state, signed in pencil, published by the Fine Art Society, London, with irregular margins, a vertical printer's crease in the right of the image, pale mount-staining, a little rippling at the left sheet edge, otherwise in good condition, framed P. 200 x 294mm., S. 235 x 320mm.
Los 1
A collection of early 20th century prints comprising Atom, etching and aquatint by Harry Sternberg; The artist's daughter, etching and drypoint by [J. Kohl]; an engraving of a country road by John F. Greenwood; a lithograph of an armaments factory by Sir George Clausen; Les Amoures du Rossignol et de la Rose, engraving by [Roger Hieillared]; two engravings and six lithographs in green by [Fritz Eudell] depicting designs on Greek and Etruscan mirrors of mythological scenes, and two other engravings by the same hand; a lithograph of two women on a beach by an unidentified artist; all of the above signed in pencil; and Fa Marhali, a lithograph with re-working in ink and white paint, by F. Staeger, in varying conditions S. 515 x 385mm. (and smaller) (17)
Los 1
Jean Arp Vers le Blanc Infini, La Rose des Vents, Lausanne and Paris, 1960 (A. 405-412) the set of eight etching and aquatints, on Rives, with title, text and justification, signed by the artist on the frontispiece, number 166, from the edition of 499 (there was also an edition of 100 numbered in Roman numerals), with full margins, in very good condition, loose in a grey paper-covered card folder and slipcase, foxing on the spine, unobtrusive handling marks to the slipcase, otherwise in good condition (portfolio)S. 385 x 290mm. (overall)
Los 1
Georges Braque Le Nid (Oiseau IX) (V. 102) etching and aquatint, 1955, on wove paper, signed in pencil, inscribed 'H.C.', aside from the numbered edition of 25 on japon and 30 on Auvergne, published by Maeght, Paris, with margins, apparently in good condition, unexamined out of the frame P. 225 x 330mm.
Los 1
Alexander Calder (1898-1976) One plate, from Santa Claus etching printed with tone, 1974, on wove paper, signed in pencil, numbered 43/175, published by Editions de l'Herne, with full margins, pale light-staining, soft creasing, surface dirt at the sheet edges, remains of old glue and foxing to the sheet edges on the reverse, otherwise in good condition P. 350 x 475mm., S. 515 x 665mm.
![Marc Chagall [Visage] linocut, on wove paper, with stamped signature, numbered 14/18, with blindstamp 'Linogravure Origina](http://lot-images.atgmedia.com/SR/10058/2307177/71-6-10058_468x382.jpg)
Los 1
Marc Chagall [Visage] linocut, on wove paper, with stamped signature, numbered 14/18, with blindstamp 'Linogravure Originale Atelier Marc Chagqall', with margins, apparently in good condition, unexamined out of the frame B. 240 x 175mm.; and Plate 11, from Les Ames Mort (C. 17), etching and drypoint (2)
Los 1
Paul Drury (1903-1988) Ancient Stones in a Landcape etching and aquatint, 1961, on wove paper, signed and dated in pencil, inscribed 'State', with margins, apparently in good condition, unexamined out of the frame P. 275 x 375mm.; and Stones in Landscape No. 2, etching and aquatint, 1963, signed in pencil, inscribed '3rd State' (2)
Los 1
After Rene Magritte (1898-1967) Le Prtre Marie (Kaplan & Baum 13) etching and aquatint in colours, 1968, on japon nacr, with stamped signature, numbered 3/150 (there was also an edition of 150 on Rives, a total of 50 hors commerce copies and a few artist's proofs), published by G. Visat, Paris, with full margins, a very soft and unobtrusive crease in the upper left margin, otherwise in very good condition P. 95 x 140mm., S. 275 x 218mm.
Los 1
Marino Marini (1901-1980) Rappresentazione, from Imagines (Guastalla A114) etching printed with tone, 1970, on BFK Rives, signed in pencil, numbered 17/40 (there was also an edition of twenty on japon numbered with Roman numerals), published by Propylaen Verlag, Berlin, with full margins, two handling marks in the upper margin, otherwise in good condition P. 410 x 275mm., S. 648 x 497mm.
Los 1
Marino Marini Apparizione, from Imagines (G. A 106) etching printed with tone, 1970, on BFK Rives, signed in pencil, numbered 17/40 (there was also an edition of twenty on japon numbered with Roman numerals), published by Propylaen Verlag, Berlin, with full margins, in very good condition P. 410 x 295mm., S. 650 x 495mm.
Los 1
Marino Marini Bagnanti, from Marino Marini Gravures (G. A28) etching printed with tone, 1950, on BFK Rives, signed in pencil, numbered V/XV, aside from the numbered edition of 65, published by Crommelynck Frres, Paris, 1970, with full margins, in very good condition P. 327 x 247mm., S. 535 x 430mm.
Los 1
Marino Marini Plate I, from Marino from Goethe (G. A225) etching and aquatint in colours, 1979, on Rives, signed in blue crayon, inscribed XXIV/L, aside from the edition of 125, published by ZWR, London, with margins, time-staining in the margins, three minor creases at the left sheet edge, otherwise apparently in good condition, unexamined out of the frame P. 630 x 485mm., S. 905 x 630mm.
Los 1
Joan Miro One plate, from L'issue drobe (Dupin 707) etching and aquatint in colours, 1974, on Arches, one of the five refused etchings from the de Luxe edition, signed in pencil, inscribed 'H.C.', one of twenty hors commerce copies aside from the de Luxe edition of 50 (there was also a standard edition of 150), published by Maeght, Paris, printed to the edges of the full sheet, remains of tape on the reverse, otherwise in very good condition P., S. 330 x 500mm.
Los 1
Joan Miro Untitled, from Eric Satie, Poems and Songs etching and aquatint in colours, 1969, on wove paper, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing, otherwise in good condition P., 140 x 355., S. 380 x 548mm.
Los 1
Joan Miro Untitled, from Eric Satie, Poems and Songs (D. 523) etching and aquatint in colours, 1969, on Arches, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing in the margins, otherwise in good condition P., 140 x 355mm., S. 380 x 548mm.
Los 1
Joan Miro Untitled, from Eric Satie, Poems and Songs (D. 522) etching and aquatint in colours, 1969, on Arches, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing in the margins, otherwise in good condition P., 140 x 355mm., S. 380 x 548mm.
Los 1
Joan Miro Plate IV, from Fundacio Palma etching and aquatint in colours with carborundum, 1985, on Guarro, with stamped signature, inscribed H.C., one of fifteen hors commerce copies, aside from the edition of 80, published by Sala Gaspar, Barcelona, printed to the edges of the full sheet, soft creasing at the extreme left sheet edge, otherwise in good condition L., S. 1055 x 695mm.
Los 1
Henry Moore Stonehenge (C. 202, 203, 207-223) the complete portfolio, 1972-1973, deluxe edition with the additional lithograph and two etchings, comprising title, text, justification and the suite of sixteen lithographs and three etchings (including the title page etching), each signed and numbered in pencil, published by Ganymed Original Editions, 1974, loose in original vellum covered box, with title, in cloth-covered slip case, in very good condition(portfolio)S. 454 x 584mm.
Los 1
Henry Moore Plate 7, from Mother and Child (C. 707) etching and aquatint in sepia, 1983, on wove paper, signed in pencil, inscribed HC 10/10, a hors commerce copy aside from the numbered edition of 50 (there were also fifteen artist's proofs), published by Raymond Spencer Company Ltd., Much Hadham, with wide margins, apparently in very good condition, unexamined out of the frame P. 95 x 123mm., S. 375 x 320mm.
Los 1
Henry Moore Plate 6, from Mother and Child (C. 706) etching and aquatint in sepia, 1983, on Arches, signed in pencil, inscribed HC 10/10, a hors commerce copy aside from the numbered edition of 50 (there were also fifteen artist's proofs), published by Raymond Spencer Company Ltd, Much Hadham, with wide margins, apparently in very good condition, unexamined out of the frame P. 123 x 100mm., S. 375 x 320mm.
Los 1
Henry Moore Plate 2, from Mother and Child (C. 702) etching and aquatint in sepia, 1983, on Arches, signed in pencil, inscribed HC 10/10, a hors commerce copy aside from the numbered edition of 50 (there were also fifteen artist's proofs), published by Raymond Spencer Company Ltd, with wide margins, apparently in very good condition, unexamined out of the frame P. 95 x 123mm., S. 375 x 320mm.
Los 1
Henry Moore Turning Figure No. 2 (C. 176) etching in grey and black, 1971, on Rives, signed in pencil, numbered 35/50 (there were also ten artist's proofs), published by Fisher Fine Art, London, with full margins, pale light-staining, discoloration at the sheet edges, otherwise in good condition, framed P. 233 x 137mm., S. 436 x 306mm.
![Ben Nicholson (1894-1982) [Untitled] etching printed with tone, 1967, on wove paper, signed and dated in pencil, numbered](http://lot-images.atgmedia.com/SR/10058/2307177/170-6-10058_468x382.jpg)
Los 1
Pablo Picasso L'Atelier (Bl. 80; B. 121b) etching, 1927, on wove paper, with signature in red ink, with numbering 149/150, with full margins, a dark stain at the upper right sheet corner away from the image, mount-staining, a pale moisture stain in the lower margin, occasional pale foxing, otherwise generally in good condition P. 350 x 395mm., S. 410 x 475mm.
Los 1
Graham Sutherland Hatching II etching and aquatint in colours, 1977, on wove paper, signed in pencil, numbered 25/40 (Tassi calls for an edition of 50 with a smaller plate dimension), with full margins, minor creasing and a few pale fox marks in the margins, a light mark to the upper right sheet corner, otherwise in good condition P. 398 x 310mm., S. 670 x 488mm.
Los 1
Graham Sutherland Bee Keeper, from The Bees (T. 190) etching and aquatint in colours, 1977, on wove paper, signed in pencil, numbered 49/66 (there were also fourteen numbered in Roman numerals and twenty hors commerce copies), published by Marlborough Fine Art Ltd., London and 2RC Editrice, Rome, with full margins, a small vertical mark at the upper left sheet edge, pale discoloration in the right margin, otherwise in good condition P. 400 x 315mm., S. 565 x 449mm.
Los 1
Julian Trevelyan Ischia etching and aquatint in colours, on wove paper, signed and titled in pencil, inscribed Artist's Proof, with margins, occasional pale foxing at the edges of the plate, very pale discoloration in the right margin, otherwise in good condition P. 345 x 473mm; with The Plough and Thames, etchings and aquatints in colours, each signed and titled in pencil, inscribed 'Artist's Proof' (3)
Los 1
Jacques Villon after Fernand Leger Femme a la Cruche (G&P E657) etching and aquatint in colours, 1928, on Arches, signed in ink (faded), numbered 147/200, published by Galerie Bernheim-Jeune, Paris, with wide margins, light- and mount-staining, the signature very faint, a very small moisture stain at the lower left sheet corner, remains of old tape to the sheet edges on the reverse, otherwise generally in good condition P. 475 x 315mm., S. 650 x 495mm.
Los 1
Frank Auerbach (b.1931) R.B. Kitaj, from Six Etchings of Heads (Marlborough 10) etching in grey and black, 1980, on Arches, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Fine Art, London, with full margins, in very good condition P. 150 x 135mm., S. 400 x 345mm.
Los 1
Frank Auerbach Julia, from Six Etchings of Heads (Marl. 14) etching, 1981, on Arches, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Graphics, London, with full margins, pale light-staining, otherwise in good condition P. 135 x 150mm., S. 390 x 335mm.
Los 1
Frank Auerbach Joe Tilson, from Six Etchings of Heads (Marl. 9) etching, 1981, on wove paper, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Graphics, London, with full margins, a very soft crease to the extreme upper left sheet corner, a little surface dirt at the lower sheet edge, otherwise in good condition P. 155 x 140mm., S. 405 x 340mm.
Los 1
Eduardo Chillida Ulertu (K. 73018) etching, 1973, on japon mounted on BFK Rives, signed in pencil, inscribed 'H.C.', one of seven hors commerce copies aside from the edition of 50 (there were also seven artist's proofs), published by Maeght, Paris, with wide margins, the full sheet, in very good condition P. 140 x 100mm., S. 450 x 355mm.
Los 1
A collection of prints by Gisele Celan-Lestrange (b.1927) comprising fourteen etching, a few with aquatint, 1966-77, on wove paper, each signed and numbered in pencil, with minor blemishes, otherwise generally in good condition P. 375 x 520mm., S. 505 x 565mm. (and smaller); and a watercolour, 1979, signed in black crayon (15)
Los 1
Stanley William Hayter (1901-1988) Feu sous l'eau (Black and Moorhead 221) etching, engraving and screenprint in colours, 1955, on BFK Rives, signed, dated and titled in pencil, numbered 35/50 (there were also ten artist's proofs), published by La Jeune Gravure Contemporaine, Paris, with full margins, a little surface dirt and unobtrusive soft creasing in the left margin, two tiny ink stains in the right margin, otherwise in good condition P. 262 x 178mm., S. 447 x 318mm.
Los 1
Stanley William Hayter Nageuse (B&M. 241) etching and aquatint in colours, 1958, on BFK Rives, signed, dated and titled in pencil, numbered 1/50 (there were also five artist's proofs), with margins, a pressure mark at the extreme left sheet edge, a small fox mark in the upper margin, minor surface dirt in the margins, otherwise in good condition P. 406 x 325mm,. S. 685 x 505mm.
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78472 Los(e)/Seite