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Los 1

walter Spradbury (1889-1969) Downham Mill, Ely signed lower right Walter Spradbury etching 31 x 24cm walter Spradbury (1889-1969) The Cobblers Shop, Church Lane, Walthamstow the first signed lower right Walter Spradbury woodblock in colours 18 x 21cm; and 20 x 23cm (2); and olive Baylis and Vera Duxson Two other etchings; and v Timkiss (British, 20th Century) Marksburg signed lower right V Timkiss etching 41 x 30cm (6) marksburg Castle is the only hill castle on the Rhine that has never been destroyed. Rising above the town of Braubach, the castle has been lived in for over 700 years in which time it has served as a state prison and is now the home of the German Castles Association

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captain Baillie after Rembrandt the Three Trees etching first state; and another, a later state each 21 x 28cm; and david Lucas after Constable landscape with Windmill mezzotint, and eleven other various pictures and prints, sizes vary (14)

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william Walcot (1874-1943) Newcastle signed lower right W Walcot etching 13 x 17cm

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douglas Portway (British, 20th Century) Abstract signed lower right Portway and numbered 38/50 etching 38 x 48cm

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valerie Thornton (British, 1931-1991) Amboise signed lower right Valerie Thornton and numbered 46/150 etching 58 x 75cm

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valerie Thornton (British, 1931-1991) Siena signed lower right Valerie Thornton and numbered 7/100 etching 30 x 38cm

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h Bunbury (19th Century) a Hail Storm, coloured etching caricature 13 x 18cm signed in the plate; and j L Marks (Publisher) richard Turpin surprised at the sight of a Gibbett coloured aquatint, 1836 18 x 29cm (2)

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a G Coxhead (British, 20th Century) Harvest Chariot signed lower right A G Coxhead and numbered 3/40 etching 25 x 25cm

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charles Chaplin (British, 1907-1987) Night signed lower right Charles Chaplin 1946 etching 29 x 40cm exhibited: royal Academy, 1946 (letter refers); and the Lane, Mundon signed lower right C H A Chaplin 1931 etching 17 x 21cm; and r B Allen (British, 20th Century) Rickmansworth, 1947 signed lower right R B Allen etching 18 x 23cm (3) charles Chaplin (1907 - 1987) was an English artist, engraver, and printmaker. You teach me a little about engraving and I will teach you a little about art was the remarkable offer made by Robert Austin to his new student, Charles Chaplin. Austin, an eminent engraver himself, had become Chaplins tutor at the Royal College of Art in September 1947. Chaplin, a mature student, was a printers commercial engraver; he was also an amateur artist whose prints had already received some recognition and had been hung at the Royal Academy Summer Exhibitions. He had, however, had little formal education or art training. Austins encouragement was a major influence on Chaplins subsequent career as an artist. The years before the Second World War cover Chaplins birth into a large working-class family, his early love of drawing, the accident which left him with only one eye, and his apprenticeship in a large printing works. After the war, he enrolled as a Saturday student at the Royal College of Art and, thereafter, his style developed significantly. Following his retirement from the printing industry, his prolific output continued unabated, encouraged by new contacts in Sweden and Canada. A shy man who loved the countryside and recorded its trees, lakes, its farmyard, his family life is revealed in the detail of his work. his favourite technique was line engraving on copper, although he used several techniques during his career

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christopher Richard Wynne Nevinson A.R.A (1889-1946) Barmouth Estuary etching, signed and titled below in pencil 14.5 x 19cm

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pALMER, Samuel, The Minor Poems of John Milton with illustrations, London 1889 4to, twelve plates as listed, some staining to outer margins of the plates, untrimmed in somewhat worn cloth gilt; PALMER, A.H., Samuel Palmer A Memoire, London: The Fine Art Society 1882 with original etching frontispiece, title and plates as listed (gutta percha perished), foxing, in worn binding; LISTER, Raymond and A.H. PALMER, The Life and Letters of Samuel Palmer, 1972 and another (4)

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dOBSON, Austin, (Poet and essayist). First state proof etching by William Strang of Christ comforting three figures, inscribed by the artist below to Dobson, 24 x 18.5cm (rather spotted); A pen and ink design for a bookplate by Hugh Thomson for Robert Baker, 19 x 16cm; and BEERBOHM, Sir Max. The Poets Corner, Heinemann 1904, folio, with 20 coloured litho caricature plates (covers rather soiled, spine damaged) (3)

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Figures in a town street, Etching, inscribed, "Tindall's Wynd", signed Richard Winter and two pencil Sketches, a Watercolour, landscape and a wool work of a boy, (5).

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ANTHONY OSLER, SIGNED WATERCOLOUR, 'Moonlight at Pinmill', 10" x 8" and AIDAN KIRKPATRICK, SIGNED AND DATED 1988 TO MARGIN, BLACK AND WHITE ARTIST'S PROOF ETCHING, 'Xylonite before the wind', 11" x 7" and one other unframed, (3)

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ANTON LOCK, FOLDER: FOUR DRAWINGS, ETCHING etc, equestrian subjects

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HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (55/75), 'Pulls Ferry, Norwich', 9" x 12"

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HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Norwich Cathedral', 10" x 8"

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After James Nelson ?, an etching of the Camel Corps Mesopotamia

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A Norman Janes Artist's Proof Etching, Ships at Low Tide, signed

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A blown glass jug with primitive etching, 17.5cm (7.5") high and another jug, 17.5cm (7") high

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FRANK H MASON (1876-1965) Scarborough Harbour with sailing and steam vessels, etching, signed, 6" x 9 1/2"

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WILLIAM LIONEL WYLLIE (1851-1931) A dry point etching, 'Hunting the U Boat', label verso stating that the impression was limited to 150, signed in pencil, 4" x 13"

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THOMAS BUSH HARDY (1842-1897) Sailing vessels leaving harbour, etching, signed, 13 1/2" x 12"

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A 19TH CENTURY COLOURED PRINT of Isonomy after Harry Hall and an etching signed Robinson Macbeth (2)

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(SHACKLETON/EXPLORATION INTEREST) A mounted etching of a steam ship with signatures of Ernest H Shackleton, M G Edwards, J Buckingham, Elsie M C Edwards, George Keppel-Stephenson, Reginald Palmer and others together with a photographic postcard of Shackleton

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Stanley Anderson (1884-1966) The Stone Breaker Etching Signed in pencil 18cm x 14cm

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William Walcot (1874-1943) The Quadrangle St Bartholemew’s Hospital Etching Signed in pencil 15cm x 25cm

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William Lionel Wyllie (1851-1931) Warships Etching Signed in pencil 10cm x 22cm

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French School - Coloured etching - “La Porte Bleue” - View of an archway, 25ins x 20ins, Edition No. 41/100, indistinctly signed, in gilt, painted moulded and swept frame and glazed £200-300

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BEJOT: Etching, "Quai Henry IV, Paris” signed in pencil, 10.25” x 8”, framed. ILLUSTRATED.

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EUGENE BEJOT. Etching, "Pont Royal, Paris”, signed in pencil, 6” x 7.5”, framed. ILLUSTRATED.

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*Green Daffodil etched vase with etching to base, contemporary scent bottle and Caithness 'congratulations' paperweight

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Headley Fitton, (British 1859-1929), Via del Capaccia, Florence, etching signed in pencil, title and attribution verso 36 x 19.5cm

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Lancaster Percy, watercolour on paper, grey rainstorm across the moors, 22 x 37cm and a Bertram Buchanan etching

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ROBIN TANNER (ENGLISH, 1904-1988) AUGUST IN WILTSHIRE Etching, signed, inscribed and dated 1976 23.7cm x 29.5cm Note:Published by Garton and Cooke, 1982 Edition of 12

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ROBIN TANNER (ENGLISH, 1904-1988) THE OLD ROAD: ELEGY FOR THE ENGLISH ELM I Etching, signed, inscribed and dated 1977 30cm x 23.7cm Note:Published British Etchers 1850-1940 by KM Guichard, Robin Garton 1977

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ROBIN TANNER (ENGLISH, 1904-1988) FLOWERS OF MAY Etching, signed and inscribed 27cm x 18.6cm Note:Published by Penn Print Room 1974 Edition of 50 Garton and Cooke 1982, Edition of 12

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ROBIN TANNER (ENGLISH, 1904-1988) WREN & PRIMROSES Etching, signed, inscribed and dated 1975 9.3cm x 11.3cm Note:Published: British Etchers 1850-1940 by KM Guichard, Robin Garton1977

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ROBIN TANNER (ENGLISH, 1904-1988) LESSER CELANDINE Etching, signed, inscribed and dated 1944 11.6cm x 13.7cm Note:Published Woodland Plants, Robin Garton Ltd 1981, Edition of 50, Garton and Cooke 1984, Edition of 12

Los 1

WILLIAM LIONEL WYLLIE R.A. (ENGLISH, 1851-1931) DOWNSTREAM FROM LONDON BRIDGE Etching, signed 28cm x 19cm and two other etchings (3)

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ERNEST STEPHEN LUMSDEN R.S.A., R.E. (BRITISH, 1883-1948) GUNGA Etching, signed, signed and dated 1920 in the plate 45cm x 35cm and another by the same hand (2)

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JAMES ABBOT MCNEILL WHISTLER (AMERICAN, 1834-1903) BILLINGSGATE Etching, signed and dated 1859 in the plate, seventh state of eight 15cm x 23cm Note:Kennedy 47

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JAMES ABBOT MCNEILL WHISTLER (AMERICAN, 1834-1903) THE RAG GATHERERS Etching, signed and dated 1858 in the plate, fifth state out of five 15cm x 8.5cm Note:Kennedy 23

Los 1

JAMES ABBOT MCNEILL WHISTLER (AMERICAN, 1834-1903) VAUXHALL BRIDGE Etching, signed and dated 1861 in the plate, second state of two 6.5cm x 11cm Note: Kennedy 70

Los 1

ROWLAND LANGMAID (BRITISH, 1897-1858) H.M.S. VICTORY Etching, signed and inscribed 15.2cm x 18cm and another by Arthur Briscoe, 'Up Channel', 12.2cm x 17.5cm (2)

Los 1

ROBERT HOUSTON R.S.W. (SCOTTISH, 1891-1942) EDINBURGH EVENING WITH THE CASTLE IN THE BACKGROUND Etching, signed 20cm x 15cm and another two by the same hand (3)

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PIERRE-AUGUSTE RENOIR (FRENCH, 1841-1919) FEMME COUCHEE, TOURNE A DROITE, 1906 Etching 13cm x 19cm Note:Delteil 13

Los 1

PAUL CEZANNE (FRENCH, 1839-1906) PORTRAIT DE PENTRE A. GUILLAUMIN AU PENDU, 1873 Etching 15cm x 10.5cm

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Bernard Leach (1887-1979) A scene in Hota village Bishiu Japan Etching Signed in pencil within the margin lower right Titled and signed within the block P. 14.5cm x 18.5cm

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Chris Orr RA (b. 1943) New Rockshima or Buried Alive Etching in colours Signed in pencil lower right and 13/60 Titled lower left P. 71cm x 54cm; Andrew Holmes (British contemporary) Blue Nights Seven colour silkscreen print Titled with name date (19)80 and 5/100 Image 34cm x 53cm

Los 1

Antony Gross, St. Ouen, street scene, etching, signed in pencil to the margin and dated 1924, together with a river scene with a town, signed in pencil to the margin 'Smith' (2).

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Alfred R. Blundell, A Norfolk Mill, etching, signed, titled and dated 1915, 25 x 31 cm.

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Anton Lock, Horse and handler crossing a field, etching, pencil signed and another Roberts, seated Tiger, etching, pencil signed (2).

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Ian Macnab (1890 - 1967), A Zeeland Port, wood-cut print, 22 x 26.5 cm; C. W. Nichols, Norwich woodland scene, etching, signed and titled, 25 x 17.5 cm, and a hand-coloured print of a Spanish domestic scene (3).

Los 1

After Francesco Piranesi 1758-1810- 'Presso L 'AutoreA Strada Felice Vicino Alla Trinita'; etching, 55x41cm

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Jacques Villon, French 1875-1963- Untitled abstract composition; drypoint etching, signed and dated 51 within the plate, signed and numbered 285/300 in pencil, 26x33cm

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Attributed to Paul Baudier 1881-1964- Reclining woman; Etching with aquatint, signed, 43x87cm

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Walter H Nessler 1912-2001- 'Save For Victory'; gouache, signed, Circa 1944, 23x15cm: Manner of Henry Moore 1898-1986- Figures in an industrial landscape; lithograph printed in black, 30x22cm: Francis H Dodd 1874-1949- 'Sir Muirhead Bone'; drypoint etching, signed in pencil, (3) (part unframed)

Los 1

Allen Gwynne-Jones 1892-1982- 'Spring Evening Froxfeild'; etching in the first state, circa 1926; signed in pencil, bears label for 'Thomas Agnew & Sons Ltd' attached to the reverse, 33x39cm

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