** Rembrandt van Rijn (1606-1669)The Flight into Egypt: Crossing a BrookEtching with drypoint, 1654, a good impression of New Hollstein's only state on laid paper without watermark, printing with the surface tone marks along the lower margin, before the scratch on the Virgin's lap, and with numerous areas of burr visible throughout the foliage and lower section, sheet 95 x 145 mm (3 3/4 x 5 3/4 in), trimmed to or just within the platemark, some scraping verso, corners reinforced verso (unframed)Literature:New Hollstein 277** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
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** Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later a well inked impression of New Hollstein's fourth state (of five) on laid paper with indistinct watermark, before further reworking, sheet 200 x 150 mm (7 7/8 x 5 7/8 in), trimmed to or just within platemark, edges reinforced verso, small restoration to splits in the upper right corner and both lower corners (unframed)Literature:Hind 290; New Hollstein 293 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669) & Philip Gilbert HamertonEtching & EtchersBound volume, first edition complete with text and 35 original etchings, including Rembrandt's Three Oriental Figures, a good but later impression, full margins, and others by Potter, Dujardin, Callot, Daubigny, Haden, Palmer et al, original blue morocco and brown cloth boards, gilt, spine rubbed and very worn, 4to, MacMillan & Co., London, 1868Literature:cf. New Hollstein 190 ii/ii
Old Master Print from Chatsworth.- Salvator Rosa (1615-1673)Diogenes casting away his bowlEtching with drypoint, circa 1661-62, a very fine impression of the second state (of two), printed with light plate tone on laid paper with watermark of two concentric circles surrounding a Fleur-de-Lys with initials 'NA', platemark 460 x 272 mm (18 1/8 x 10 3/4 in), sheet 530 x 370 mm (20 7/8 x 14 1/2 in), minor handling creases, surface dirt, spotting, mainly marginal (unframed) Provenance:Collection of Chatsworth House, DerbyshireChristie's, Old Master Prints from Chatsworth, 5th December 1985, lot 155Literature:Bartsch 5; Wallace 103
δ David Hockney (b.1937)Sunflowers II (MCA Tokyo 348)Etching with aquatint, 1995, signed, dated and numbered from the edition of 80, printed by Maurice Payne, Los Angeles, published by Lococo Mulder Inc. and the artist, on Arches paper, with full margins, 689 x 571mm (27 x 22 1/2in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Salvador Dalí (1904-1989)Rout at San Germano (Field 72-10)Etching, 1972, signed in pencil, numbered from the edition of 150, on BFK Rives paper, with full margins, sheet 750 x 1050mm, (29 ½ x 41 3/8 in.) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** δ Salvador Dalí (1904-1989)Mythology. Narcissus (Field 63-3-H)Etching printed in colours, 1960-64, signed in pencil, numbered from the Roman numeral edition of C, on japon nacre paper, with full margins, sheet 770 x 579 mm, (30 1/4 x 22 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** δ Salvador Dali (1904-1989)Lancelot (from Shakespeare II) (Field 71-1-O; M & L 396b)Etching printed in colours, 1979, signed and numbered from the edition of 250 in pencil, on japan, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, the full sheet, 449 x 313mm (17 5/8 x 12 1/4in) (unframed)Dali. Lancelot. Col.etching. From La Quête du Graal, 1975. One of 249 sign.numb. on Arches. ML789d (Misleading!). Field 75-9L, page 108.Est. 3-400. Res. 250.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good dark impression of New Hollstein's fifth state (of six) with strong contrasts, on laid paper without watermark, platemark 261 x 217 mm (10 1/4 x 8 1/2 in), sheet 268 x 225 mm (10 1/2 x 8 7/8 in), small repaired tear in the upper centre with rust spot visible verso, other minor marginal nicks, not affecting the image (unframed)Literature:New Hollstein 125 v/vi
** δ Salvador Dalí (1904-1989)Vision de Paradis (Field 73-1-K)Etching with aquatint printed in colours, signed and inscribed E.A. in pencil, an artist's proof aside from the edition of 250, as included in the portfolio La Vie est un Songe, on Richard de Bas handmade wove paper, with full margins, sheet 580 x 784mm, (22 7/8 x 30 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** δ Léonard-Tsuguharu Foujíta (1886-1968)Femme Endormie (Buisson 30.07)Etching with aquatint printed in colours, 1930, signed in pencil, numbered from the edition of 100, on chine appliqué supported on a sheet of imperial Japan paper, with margins, sheet 325 x 400mm (12 ¾ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Man Ray (1890-1976)Decouvert. From. Electro-Magie (Anselmino 40A)Etching with aquatint, 1969, signed and numbered from the edition of XXV in pencil, on BFK Rives paper, with full margins, 283 x 225mm, (11 1/8 x 8 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a very good impression of New Hollstein's first state (of 3), before any later re-work, on laid paper with watermark of double-headed eagle with letters "ID" and crozier, [cf. Hinterding's subvariant C.a.a], platemark 157 x 135 mm (6 1/8 x 5 1/4 in), upper edge reinforced verso with archival tissue, small repair to perforation within centre of window door, and small abrasion to the lady's face, further expert repair to small loss at lower right edge (unframed)Literature:New Hollstein 159 i/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Joan Miró (1893-1983)La Bague d'Aurore (Dupin 126)Etching with aquatint printed in colours, 1957, signed in pencil, numbered from the edition of 60, on wove paper, with full margins, sheet 377 x 282mm (14 5/8 x 11 1/8 in), (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)La Biche (Bloch 336, Baer 583/II/B/a)Etching with aquatint and drypoint, 1938, a fine impression, signed in red crayon, from the edition of 47, on Montval laid paper, with full margins, 415 x 317mm., (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Peintre et Modèle (Bloch 1381)Etching with aquatint, 1966, signed in pencil, numbered from the edition of 50, on BFK Rives paper, with full margins, sheet 410 x 500mm (16 1/8 x 19 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Homme et Femme (Bloch 1210)Etching with aquatint and drypoint, 1965, signed in pencil, numbered from the edition of 50, on Richard de Bas handmade wove paper, with full margins, sheet 330 x 445mm (13 x 17 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Hockney (British b.1937)'He Enquired After the Quality'Artist's etching and aquatint Signed and dated '66 in pencilLimited edition numbered 26/7534.5 x 22cm (image size)****Artist's resale rights may apply to this lot*** CONDITION REPORT: Some discolouration / yellowing, could do with re-framing, signature is clear
* Roussel (Theodore, 1847-1926). French-born English Painter and Graphic Artist. An autograph autobiographical account of his own life, circa 1920, describing his artistic beginnings and later professional life from his birth up until at the mid-1880s, with references to his picture The Reading Girl [1886] and ending with the sentence 'It is through one of those exhibitions I was speaking above, at the Dowdeswell, that in the later part of the winter of 1885 I have known Whistler', written with numerous crossings out and corrections in his hand on rectos of 10 leaves with concluding page in pencil on verso of final leaf, together with a separate one-page start of an autobiographical account from when he came to England [1878], 'forty-five years ago', this leaf browned, all 4to, together with an unsigned pen and ink sketch of trees, 6 x 14.5 cm, and a pen and ink sketch of a man in a kilt (?), 12 x 9.5 cm, both attributed to Roussel; plus a small thumbnail pencil study of a woman's head on a plain postcard, initialled by Roussel, 'Th R'; plus an etching of a Breton woman, 9 x 7 cm, with signed presentation inscription from W. Lee Hankey to lower margin; plus an autograph letter signed from Roussel, St. Leonard's on Sea, 11 September 1919, to Annie [his sister?], 3 pp., 4to, plus 3 small photographs of Roussel, including 2 identified as with [Agnes] Ethel, circa 1920, each 10 x 6 cm; plus a manuscript draft of Roussel's will from 1924 in an unidentified hand, a solicitor's letter concerning Roussel's affairs after his death addressed to A[gnes] E. McKay, an invoice from James J. Brett for a monument erected in Crowhurst Churchyard to the memory of the late Theodore Roussel, made out to Miss [Agnes Ethel] McKay, 25 May 1927, 2 receipt letters from the British Museum to Miss [Marion] Melville and Miss Agnes McKay for the gifting of 70 proofs of etchings by Theodore Roussel, 23 March 1927, a certified copy of Ethel Roussel's death certificate, 30 March 1917 and a Goupil & Co. Catalogue of Colour Etchings by Roussel, July 1899, with some manuscript price insertions, 8voQty: (16)NOTESProvenance: Acquired from the sale of the estate of Marion Melville (1903-). Marion was the daughter of the artist Arthur Melville (1855-1904) and Ethel Constance Melville (died 1917). Theodore Roussel had first married Frances Amelia Smithson Bull but after her death he married Melville's widow Ethel in 1914. Marion was therefore Roussel's step-daughter. Roussel also had a daughter, Ivy (born c. 1900), with his mistress Hetty Pettigrew. Agnes Ethel Mackay (1889-1980) was a poet and critic by vocation. She was the niece of Roussel’s second wife, Ethel, and cousin to Marion Melville. After Ethel’s death, Agnes moved to St Leonards-on-Sea to take charge of the household, which comprised Roussel and the 13-year-old Marion Melville. Agnes acted as studio assistant and companion to Roussel until his death in 1926. She then moved with Marion to Upper Cheyne Row, London, and then to France in 1937. An interesting and apparently unpublished account of the early part of Roussel's artistic life up until his significant first meeting with Whistler. A transcript of the autobiographical text is available on request.
Cardonnel (Adam de). Picturesque Antiquities of Scotland, 4 parts in 2 volumes, London: printed for the author, 1788-93, 101 etched plates, volume II extra-illustrated with each etching duplicated, tinted and pasted above opposite explanatory text leaves (a few chipped), a little minor overall spotting, all edges gilt, contemporary red morocco gilt, small split to volume I lower joint, 8vo, together with The Tour of the Duke of Somerset and the Rev. J.H. Michell, through Parts of England, Wales and Scotland, in the Year 1795, 1845, inscribed "To the Marquis of Breadalbane, with the kind regards and best wishes of the Duke of Somerset, Christmas Day 1848'Qty: (3)
A GROUP OF ASSORTED PRINTS to include `Jacob's Ladder` and `The Sacrifice of Isaac` by A. Collaert after Johannes Bol; `Vesper` by/after Jan van de Velde II; `Sleeping Shepherd` by C. Bloemaert after Abraham Bloemaert; `Veue du Chasteau de Fontainebleau` by Israel Silvestre after Jacques Callot; View of Wolfenbuttel, Dutch 17th Century, no credits; and a modern etching of poultry, initialled EB, various sizes (7) ++ Mixed condition; fair only
•EUSTACE PAIN ELLIOTT NASH (1886-1969) A GROUP OF WORKS ON PAPER comprising watercolours of a Dorset (?) landscape, signed and dated 1943, 30 x 46cm.; another similar, 35.5 x 51.5cm.; `The Approaching Storm`, signed, 19.5 x 29cm.; a coastal scene, signed and dated 09, 21 x 31.5cm.; two life drawings, both signed, one dated 11.12.29; and an unsigned etching, four framed (7) ++ Three watercolours with some foxing and fading
AFTER ROWLAND LANGMAID “Battleship”, black and white etching, signed in pencil to the margin, size including frame approx 24.5 cm x 36 cm, together with a framed and glazed photographic study of “Shamrock 16th Dec 1899”, in full sail (a gaff cutter owned by Sir Thomas Lipton and designed by William Fife III, built by Thorneycroft & Co. of Chiswick, launched 1899, competed but did not win America’s Cup), size including frame 38 cm x 44.5 cm (image with spotting and damage)
AFTER JOHN BRUNSDON "Gladstone Pottery by moonlight" Artist's Proof 1/20, signed, titled and No'd in pencil image size 31 cm x 13 cm together with AFTER JOHN BRUNSDON "Gladstone Pottery" Artist's Proof 2/20, coloured etching, signed, titled and No'd in pencil image size approx. 13.5 cm x 31 cm together with EDITH LEWIS "Tratower (brecs)" landscape study with sheep in field in foreground, oil on board, signed lower right and inscribed on label verso image size 60 cm x 81 cm together with various other paintings, prints and etchings
A George VI Royal Engineers officer's dress sword with acid etched blade marked for Alkit of Cambridge Circus, wired shagreen grip and brown leather scabbard. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots). Condition report: major loss of leather to scabbard, blade has light pitting and rust towards the tip. Bullion loop almost gone. blade etching still good and blade is straight with no visible damage. Shagreen with light wear but otherwise good.
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