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78472 Los(e)/Seite
Los 221
Rosamund C Jones (20th century), `Janes Cockerel` and `Rougemont Cockerel`, two coloured etchings, signed and inscribed with titles and numbered AP and 18/75 respectively in pencil, plate 27 x 43.5cm and 24.5 x 39.5cm, and Sally Winter (20th century), `Fowl Play`, a coloured etching, signed and numbered 58/150 in pencil, 20 x 15cm
Los 388
Tom Phillips, British b.1937- “A Humument”; screenprint in colours, signed and numbered in pencil, 65x42cm: Tom Phillips, British b.1937- “The Composer Schoenberg”; lithograph with screenprint in colours, signed and numbered 4/75 in pencil, 47.5x52.5cm: Anthony Deigan, Irish b.1945- “III”; dry point etching with aquatint printed in colours, signed, dated '69 and numbered 47/75 in pencil, 9x25.5cm (oval plate): Riko Debenjak, Slovenian 1908-1987- Untitled abstract; etching with aquatint printed in colours, signed, dated '61 and numbered 57/95 in pencil, 31x49cm: Terry Wilson, British b. 1948- “Torso and Progressive States”; mezzotint printed in colours, signed, titled and numbered 4/20 in pencil, 45x33cm: together with two further etchings with aquatints by the same hand entitled “Dance Position I” and “Dance Position II”, ea. signed and numbered 47/50, ea.61.5x36cm, (7), (may be subject to Droit de Suite)
Los 390
Robyn Denny, British 1930-2014- “Graffiti 12”; etching printed in colours, signed, dated '77 and numbered 18/18 in pencil, 45.5x40.5cm, (unframed), (may be subject to Droit de Suite) CONDITION REPORT: full sheet with margins stuck down on corners to mount support some superficial scuffs centre left some mottling to the lower centre there is a dent to the reverse of the card support which has an associate raised area lower centre right within the centre of the lowest rectangular L-shaped motif some slight grubby marks within the margins otherwise overall very good condition
Los 403
Tiffany McNab RE, Australian 1964-2010- "Leopard"; etching with aquatint printed in colours, signed, titled and numbered 6/50 in pencil, 9.5x27.5cm: together with fifteen further etchings with aquatints printed in colours by the same hand entitled, "Barn Owl", "Two of a Kind", "Orang-utan", "Head Above the Rest", "Night Owl", "Sunflowers", "Benseiken Warriors", "Norse Wardens", "Benseiken Warriors", "Clerical Effigies", "Effigy of an Armed Figure", "Put Away Childish Things- Sea", "Put Away Childish Things", "Isnik Mugs", "Isnik Jugs", ea. signed, titled and numbered in pencil, various sizes, (unframed), (15) Note: Tiffany McNab was born in the rural, Western District of Victoria. She completed a Bachelor of Arts in Painting and Printmaking and a Graduate Diploma in Printmaking at the Royal Melbourne Institute of Technology during 1982 to 1985 before leaving Australia to work overseas. In 1987, Tiffany moved to England with a view to gaining greater knowledge of her field. She acquired considerable experience as a freelance etching editioner, working primarily for the artist Brenda Hartill between 1988 and 1993. Tiffany then established her own studio in a Victoria warehouse in Southwark, South London, working exclusively on her own prints and watercolours. At the end of 1996, Tiffany returned to Melbourne. McNab has exhibited at the Royal Academy of Arts’ summer exhibition, the Royal Society of Painter-Printmakers open print exhibition, the Royal West of England Academy autumn show and the Federation of British Artists’ national print exhibition. In 1999, she was elected a fellow of the Royal Society of Painter-Printmakers.
Los 406
Arati Reddy-Devlin, Croatian, late 20th century- "In the Pit"; linocut printed in colours, signed, titled, dated '8/18 in pencil, 23x18cm: together with six further linocuts printed in colours entitled "Power", "Neighbours", "A BLind Man's Wisdom", "Exhibitionist", "Bear Dance" and "Motherhood", ea. signed, titled, dated and numbered in pencil, various sizes: Linda Hill, British, late 20th/early 21st century- "Love at First Sight..."; screenprint in colours, signed, titled and numbered 57/175 in pencil, 37.5x44cm: together with five further screenprints in colours, entitled "Love at First Sight...", "One in a Million", "Feng Shui Fish", "One in a Million" and "Love at First Sight...", ea. signed, titled and numbered in pencil, ea. 57x175cm: Harriet Brigdale, Dutch/British, late 20th/early 21st century- "The Put"; etching with aquatint printed in colours, signed, titled and numbered 62/100 in pencil, 4.3x4.7cm: together with ten further etchings printed in colours by the same hand entitled "Bowled Out", "No Fishing", "Squash", "Special Day", "Slimmer of the Year", "The Heart Throb", "Mixed Doubles", "The Streaker", "Wavin Goodbye" and "Only Two Can Play", ea. signed, titled and numbered in pencil, various sizes, (24), (unframed), (may be subject to Droit de Suite)
Los 408
Paul Drury PRE, British 1903-1987- "Carel Weight" 1938, one of six etchings from The Paul Drury Portfolio, publ. Garton & Co, Roundway House, Devizes, Wiltshire, May, 1994, printed posthumously; etching, signed within the plate and numbered A6/25 in pencil, with publishers blindstamp, with letterpress titled wrap and accompanying letterpress booklet with biographical information by Michael Blaker, 7.2x12cm, (unframed), (may be subject to Droit de Suite)
Los 409
Kevin Wright, British, late 20th/early 21st century- "Side Canal Venice"; etching printed in colours, signed, titled and numbered 11/30 in pencil, 24.5x14.5cm: together with fourteen further 20th/early 21st century prints by various hands, examples to include works by Kevin Wight, Richard Wardle, Paul Bisson, Rob Roberts, Ashly Bolch and D Wilkinson, various techniques, various sizes, (unframed), (14), (may be subject to Droit de Suite)
Los 417
M C Scholten, German School, early 20th Century- Bride and Groom; etching with aquatint, signed, dated 54' and numbered 3/20 in pencil, 30x35.5cm: together a quantity of prints, watercolours and drawings by various hands, examples to include works by B Goodwin, June Berry, Peter Standen, W J Collins, P Adlington, Lewis, Amelia, Muriel Rose, P B Renninson, J M Kenna, Joyce Spencer, various sizes, (part unframed), (alot)
Los 547
Thomas George Cooper, British 1836-1901- Goats grazing; etching, signed within the plate, 18x22.2cm: together with two etchings of sheep by the same or similar artist: Theophile Narcisse Cheuval, French 1831-1910- "La hutte, forêt de Fontainebleau", after Theodore Rousseau, printed Francois Lienard, published in 'L'Art', 1876; etching, 25x30cm, (4) (unframed)
Los 600
Graham Evernden, British b.1947- "The Roller Hill"; etching with aquatint printed in colours, signed, titled and numbered 136/200 in pencil, 39.5x29.5cm: together with a quantity of further etchings with aquatint by the same artist, including "Hayfield", "Barras Nose", "Forgotten Lane", "Shaded Pool", "Winters Track", "Church Bells", Waters Edge", "Millers Ford", "The Roller Hill", "Rabbit Wood", "Daisy Lake", "Field Poppies", some multiples, various sizes, (17), (unframed) (may be subject to Droit de Suite)
Los 620
Boris O'Klein, French 1893-1985- "'Zut!... ils nous l'ont Grillagé"; etching with hand colouring, signed and titled in pencil, 20.5x33.5cm: Boris O'Klein, French 1893-1985- "Chacun son Tour"; etching with hand colouring, signed and titled in pencil, 17x44.5cm, (2), (part unframed), (may be subject to Droit de Suite)
Los 627
Graham Evernden, British b.1947- "Cloud Lilies"; etching with aquatint printed in colours, signed, titled and numbered 232/350 in pencil, 30x40cm: together with a quantity of further etchings with aquatint by the same artist, including "Hayfield", "The Roller Hill", "Dappled Way", "Church Bells", "Millers Ford", "The Roller Hill", "Summer Meadow", "Daisy Lake", "Field Poppies", some multiples, various sizes, (15), (unframed) (may be subject to Droit de Suite)
![LOUIS ICART [1888-1950], ETCHING & AQUATINT, 1929, 16" X 21", `LES HORTENSIAS`: Or "Hydrangeas", p](http://lot-images.atgmedia.com/SR/33875/2910694/2092-201471517366_468x382.jpg)
Los 2092
LOUIS ICART [1888-1950], ETCHING & AQUATINT, 1929, 16" X 21", `LES HORTENSIAS`: Or "Hydrangeas", pencil signed lower right; inscribed upper left margin "Copyright 1929 L. Icart, Paris", with windmill blind stamp, under glass, matted and framed. Louis Icart, French, 1888-1950. 16 1/2" X 21".
Los 343
Ebenezer Newman Dawnard (British, 1829-1894), an anthropomorphic study of a monkey in a turban sitting with cats, signed lower right, blind-stamped lower left, etching on paper. H.41cm W.32cm Together with one other Lilian Cheviot (British 1876-1936), a photogravure of a bulldog with kittens 'he's alright when you know him'. H.34cm W.41cm
Los 709
An early 20th century signed coloured etching of the interior of Burgos Cathedral, signed in pencil left and right J Alphege Brewer and Henry C Brewer, inscribed Burgos Cathedral and further inscribed with a location to the gilt mount, 7 2 x 47 cm in moulded gilt frame together with a small oil painting on canvas of a white washed farm house, a small watercolour of a lake scene with castle, etc
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78472 Los(e)/Seite