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Los 365

Gillray (James, 1756-1815) Mrs. Gibbs the Notorious Street Walker & Extorter, etching with original hand-colouring on laid paper without watermark, platemark 262 x 202 mm. (10 1/4 x 8 in), sheet 285 x 225 mm. (11 1/4 x 8 3/4 in), minor surface dirt and handling creases, unframed, 1799Literature:BM Satires 9443⁂ Scarce portrait of Jane Gibbs, 'who was tried twice in the autumn of 1799 for falsely accusing men of robbing her. After making many similar attempts, being recognized, assaulted by the mob, and protected by constables, she was at last found to be insane'.

Los 366

Legal satire.- Williams (Charles, d. 1838) Catalanian attack on a Chance-seller, Lord Eldon in his Chancellor's robes is stacked by a savage cat dressed to represent the opera singer Angelica Catalani, etching with original hand-colouring on wove paper without watermark, sheet 253 x 340 mm. (10 x 13 3/8 in), trimmed to platemark, some handling creases and surface dirt, unframed, [BM Satires 10919], published by Thomas Tegg, 1807; together with Counsellor Nodee, or, a brow-beater badger'd [BM 11980], Qualms of conscience - or - the lawyers exit; pro bono publico [BM 11149], and four others, including a court room scene after Woodward published by Allen & West in 1796, Richard Cooper's The Country Justice [BM 6878], and an early anonymous woodcut satire and poem about William Marriot, 'Marriot the Lawyer', circa 1652 but probably a 19th century impression [not in BM Satires], and French caricature La Consternation published by Martinet, all with hand-colouring, various sizes, all unframed, mainly early 19th century (7)

Los 367

Cruikshank (George) The Hombourg Waltz, with Characteristic Sketches of Family Dancing! a ballroom scene satirising the marriages of the royal princes and princesses, centering on a very plump Princess Elizabeth dancing with the Prince of Hesse-Hombourg, etching with original hand-colouring, 250 x 355 mm. (9 3/4 x 14 in), under glass, minor browning and surface dirt, [BM Satires 12996], framed, George Humphrey, 1818; together with three others, including Charles William's 'A Dandy' [BM 13071], Thomas Howell Jones' 'King's Colledge to wit- a practical essay' [BM 15696] showing Wellington and Winchilsea duelling in Battersea, and the French caricature 'La Parisienne à Londres' from the series 'Caricatures &c; Le suprême bon ton' [BM 9957], etchings with hand-colouring, v.s., all under glass, 1818-1829 (4) .

Los 369

Heath (Henry, fl. 1822-1842) Amorous Ladys, or tete-a-tete ex strachnary, satire on the relationship between Lady Strachan and Lady Warwick, with Lord Warwick walking in on the two ladies emabracing, etching with original hand-colouring, 230 x 320 mm. (9 x 12 1/2 in), under glass, some faint pencil annotations in lettered margin, framed, [BM Satires 14074], E. Brooks, 1820; together with three others, including Heath's 'Contriving a trip to Baring's straits, with a man of war convoy' [BM 14704], Piercy Roberts' 'A Lady's Agility' after Woodward [BM 10193], and Charles William's 'A sleeping partner. In a late York commission warehouse. Dreaming of mischief' [BM 11232], ], etchings with hand-colouring, v.s., all under glass, 1809-1824 (4)

Los 371

Rowlandson (Thomas, 1756-1827) The Bishop and his Clarke, or a Peep into Paradise, satirising the scandal of Mary Ann Clark, the mistress of the Duke of York, himself titular Bishop of Osnabruck, selling commissions and bishopricks to persons she favoured, etching with original hand-colouring, 350 x 240 mm. (13 3/4 x 9 1/2 in), under glass, handling creases, slight surface dirt, framed, [BM Satires 11227], Thomas Tegg, 1809; together with four other caricatures by Rowlandson including 'Accomodation Ladder' [BM 11809] and 'The York March' [BM 11240], and two after Woodward 'Female Politicians' [BM 11465], and 'Military Orders' [BM not described], etchings with hand-colouring, v.s., all under glass, Thomas Tegg, 1807-1809 (5)

Los 436

Scotland.- Clerk (John) A Series of Etchings Chiefly of Views in Scotland, engraved portrait, 57 etched and lithographed plates (comprising 55 numbered and 2 unnumbered), many with multiple images, some tinted, occasional foxing, mostly restricted to margins, bookplate of the Earl of Ancaster to pastedown, original cloth with paper label to upper cover, rebacked and recornered in modern red morocco, covers a little rubbed and marked, folio, Edinburgh, Lizars for the Bannatyne Club, 1855.⁂ Fine series of landscape etchings by one of Scotland's finest amateur artists - the significantly extended second edition. Clerk practised draughtmanship from an early age but was certainly encouraged to draw topographically by his friend Robert Adam, the eminent architect who became his brother-in-law. Through Adam he was introduced to Paul Sandby, the English painter and printmaker in the late 1740s, and the three men would often take drawing trips together around the region. Clerk began the practice of copper-plate etching around the 1770s and went on to produce over one hundred impressions by 1778.

Los 10

Catherine Maud Nichols, RE (1848-1923), A marshland scene, black and white etching, signed in pencil to lower right margin, 12 x 25cm

Los 14

Hugh Paton (1853-1927), Broadland scene, black and white etching, signed in pencil to lower right margin, further presentation inscription dated 1914 to lower left margin, 18 x 25cm

Los 16

Edward Cherry (20th century), Tower Bridge, black and white etching, signed in pencil to lower left margin, together with four further similar etchings by the same artist, 13 x 10cm, (4)

Los 17

Alfred Hartley (1855-1933) River scene with figures on a bridge, black and white etching, signed in pencil to lower right margin, 30 x 22cm

Los 19

J S C Simpson (20th century), "The Rose and Crown", black and white etching, signed in pencil to lower right margin, 20 x 11cm

Los 22

John Crome (1768-1821), "At Bawburgh", black and white etching circa 1812, 14 x 18cm

Los 23

John Crome (1768-1821), "Composition", black and white etching, circa 1812, 17 x 16cm

Los 24

John Crome (1768-1821), "Near Hingham", black and white etching, circa 1813, 16 x 16cm

Los 24A

John Crome (1768-1821) & Samuel David Colkett (1806-1863), 'Fullers Hall, St Martins St, Norwich', black and white etching, 25 x 18cm unframed

Los 3

Phillippe Zilcken (1857-1930) , Couple, sepia etching, signed in pencil to lower right margin, 50 x 33cm

Los 34

Henry James Starling, ARE, (1895-1996), "A Millers Yard, Quayside, Norwich", black and white etching, signed in pencil to lower right margin, 17 x 25cm, together with a further etching by the same artist

Los 36

Henry James Starling, ARE, (1895-1996), "Marlingford Mill, Norfolk", black and white etching, signed in pencil to lower right margin, 22 x 27cm

Los 37

Henry James Starling, ARE, (1895-1996), "Ber Street, Norwich", black and white etching, signed, numbered 6/100 and inscribed with title in pencil to lower margin, 14 x 16cm

Los 41

Joseph Kirkpatrick (1872-1936), "An Old English Garden", black and white etching, signed in pencil to lower right margin, 18 x 25cm, mounted but unframed

Los 42

After William Lionel Wyllie, Shipping scene, black and white etching, 33 x 43cm, unframed

Los 47

After James Gillray (1757-1815), "The Loyal Address", hand coloured etching and aquatint, published by H Humphrey, Oct 20th 1808, 23 x 38cm, together with three further etchings after Gillray, all unframed (a/f) (4)

Los 49

Charles Henry Baskett (1872-1953), "The road to the Uplands", black and white etching and aquatint, signed and inscribed with title in pencil to lower margin, 20 x 35cm, together with a further aquatint "The Dawn Wind" by the same artist, both unframed (2)

Los 5

Henry Wilkinson (1921-2011), Two Setters in a landscape, coloured etching, signed and numbered 172/250 in pencil to lower margin, 25 x 35cm

Los 50

Charles Henry Baskett (1872-1953), "The Dawn Wind", etching and aquatint, signed in pencil to lower margin, 34 x 50cm, unframed

Los 56

W A Norbeth (20th century), "The Towers of St Dean, Caen", black and white etching, signed in pencil to lower margin, 17 x 30cm, together with a further etching by the same artist, both unframed (2)

Los 60

Sir Frank Short, RA (1857-1945), "The Temple of Jupiter in the island of Aegina" (after JMW Turner) sepia etching and aquatint, signed in pencil to lower right margin, 19 x 27cm, unframed

Los 62

Sir Frank Short, RA (1857-1945), Hunt party in wooded landscape (after JMW Turner), sepia etching, signed in pencil to lower margin, 18 x 25cm, unframed

Los 235

A framed and glazed etching Venetian scene, signed H. J. Starling. 49x44cm.

Los 256

A contemporary etching of a seated greyhound, indistinctly signed and dated 2009 in pencil, 51 x 32cm

Los 69

G.E MACKLEY (XIX/XX) A framed and glazed etching 'Pat Reeve House, Tonbridge' pencil signed. Together with a print of an etching of the Gate, St Mary's, Thetford (2)

Los 212

Sir Lawrence Alma-Tadema (1836-1912) - 'The Goldfish Pool' etching, signed in pencil and blind stamp to the margin, 7" x 15" (image size), in a glazed, gilt frame

Los 380

TREVOR PRICE "Synergy I", artist's proof No.d 2/15, coloured etching, titled and signed lower right, together with "Synergy II", "III" and "IV", limited edition etchings, all numbered, titled and signed Sizes approx. 48cm high x 38cm wide

Los 401

AFTER A.M. WERNERIN "Zephire et Flore" 18th Century etching (approximately 40cm x 25cm) together with "Neptune" 18th Century etching (approximately 38cm x 24cm)

Los 433

A R "Estuary landscape with fishing barges in foreground" oil on canvas, unidentified signature AR in lower left, together with AFTER WILLIAM WALCOT "The Mersey" (Liverpool) black and white etching signed in pencil to margin and AFTER G CHAMBERS "The Port of Liverpool taken from Seacombe, Cheshire ..." hand coloured engraving by James Carter

Los 6

Graham Dudley Page FRSA The Greenland Fishery Kings Lynn . Etching with hand colouring. Dated, titled and signed in pencil. 7 1/2 x 5 inches excluding frame.

Los 7

Graham Dudley Page FRSA The Custom House Kings Lynn . Etching with hand colouring. Dated, titled and signed in pencil. 7 x 6 inches excluding frame.

Los 8

Gwyn Jones The Customs House Kings Lynn . Hand coloured etching. 8 x 11 inches

Los 418

VIEW OF FORE STREET EXETER ETCHING SIGNED HAYMAN AND DATED 1942

Los 1014

Fritz Feigler (1889 - 1948), etching, farm cart, signed in pencil 1920, no. 29/30, image 10.5" x 16", framed, and William Lee Hankey, pencil drawing on paper, old Hastings, framed (2)

Los 1039

Sheila Oliver, coloured etching, Cornish Irises, signed in pencil, no. 42/185, plate size 16" x 11.5", framed

Los 1051

Peter Partington, artist's proof coloured etching, Teal, signed in pencil, image 7.5" x 11", framed

Los 266

A Percy Lancaster Signed Etching, No.3 of Series, Fruit Stall in Market, 20 x 17cms

Los 483

Edmund Blampied (1886-1966), 'Sea Breeze' etching, framed and glazed, internal dimensions, 21cm x 16cmcondition notelight staining to etching around the mount. No foxing, slightly sunken in the mount. Signed to border in pencil verso with paper label from previous frame 

Los 484

Hester Frood (1882-1971), 'Cottages in the Camargue' etching, framed and glazed, internal dimensions, 23cm x 9.5cm

Los 235

PABLO PICASSO 'Rapt Avec Celestine, Ruffian, Fille Et Seigneur Avec Son Valet',etching on paper, signed in pencil, 78cm x 72cm, framed. (Subject to ARR - please see Buyers Conditions)

Los 10

Joseph Simpson (1879-1939), Young Footbaler, black and white etching, signed in pencil to lower margin, 28 x 25cm, unframed

Los 12

English School (20th Century), Woolbridge Manor, Dorset, black and white etching, 22 x 19cm, together with 3 further etchings by various artists (4)

Los 66

AR Charles Mayes Wigg (1889-1969), Broadland Scene with Windmill, black and white etching, 22 x 25cm, trimmed

Los 7

Andrew F Affleck, RSE (1874-1935), 'Palazzo, Loredan', black and white etching, signed in pencil to lower right margin, 37 x 29cm

Los 8

H R Wilson (20th Century), Continental Mountain Landscape, black and white etching, signed in pencil to lower left margin, 51 x 40cm

Los 9

AR Edmund Blampied (1886-1966) "A Jersey Shore" black and white etching, signed and numbered 99/100 in pen to lower margin, 19 x 27cm Provenance: Alex Reid & Lefevre Ltd, 1a King Street, St James, London

Los 424

Ian Strang (1886-1952), Les Baux de Provence, etching 1937, signed, titled and dated, plate 213, edition of 100 proofs, 22cm x 37cm

Los 57

A SURREALIST ETCHING TOGETHER WITH OTHER MIXED MEDIA

Los 1738

Stewart Robertson: a framed etching depicting a river, bridge and city - signed in pencil

Los 1760

†J. Boucher: a gilt framed watercolour depicting a mountain lake landscape - sold with another depicting a farmstead, a framed etching, an engraving, etc.

Los 1803

Beth Altabas: a framed coloured print view of Seaton, Devon - sold with a framed monochrome etching of Durham Cathedral by Sir. Henry Rushbury

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