78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Mortimer Luddington Menpes (1855 – 1938) The Strand on the Green & Whistlers House at Cheyne Row, two original drypoint etchings, titled in pencil within the margins, each approx 23cm x 30cm; Kenneth Holmes (1902 - 1994) Richmond Bridge, drypoint etching, very fine, edition of 60, circa 1925-27, plate 24cm x 37.5cm; and Maxine Lalanne (1826 – 1886) Richmond, etching, signed & dated 1871 within the plate, Bourcard 57, plate 18.5cm x 27cmQty: 4The collection of Joan Elizabeth Mary Streeter. Lalanne purchased Craddock & Barnard, July 1971. Holmes purchased Craddock & Barnard, October 1979.

Julian Trevelyan (1910-1988), ‘Wings of a Dove’, etching and aquatint, studio stamped, numbered 20/25, 28 cm x 24 cms framed and glazed.

James Jacques Joseph Tissot (1836 – 1902), Le Hamac, etching, signed and dated 1880 on the plate, Beraldi 37, image 28cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, August 1973.No obvious faults. Framed & glazed, ready to hang.

Sir David Muirhead Bone (1876 – 1953), Piccadilly Circus 1916, signed in pencil in the margins, plate 29.5cm x 37.5cm and Arundel, original drypoint etching, laid down on paper, indistinctly signed in the margins, image 11.5cm x 16cmThe collection of Joan Elizabeth Mary Streeter.Arundel - some creases, small tears and foxing.

Sir Anthony van Dyck (1599 - 1641) portrait of Pieter Brueghel the younger, original etching, circa 1628/32, fifth state, plate 24cm x 15.5cm and a portrait of Ioannes Van Milder, original etching, overall 24.5cm x 17cm and Arthur William Heintzelman (1890 – 1965) Pensee de Beethoven, circa 1929, etching, signed proof, edition of 75, image 25cm x 20cmQty: 3The collection of Joan Elizabeth Mary Streeter. Pieter Breughel and Beethoven purchased from Craddock & Barnard, April 1970 & September 1985 respectively.Van Milder - some water damage and repairs. Breughel with some discoloration to the paper and a small tear to the top left corner.

James Abbot McNeill Whistler (1834 - 1903), Millbank, Kennedy 71, original etching, circa 1861, on De Erven laid paper, plate 10cm x 12.5cm and Savoy Pigeons, Way 118, Levy 164, lithograph, circa 1896, butterfly mark, published by The Studio, with blind stamp, the page 28cm x 20.3cmThe collection of Joan Elizabeth Mary Streeter. Both purchased Elizabeth Harvey - Lee, January 2001 & April 2000 (The London Original Print Fair) respectively.No obvious faults.

Samuel Palmer (1805 - 1881), The Rising Moon, etching, circa 1857, initialled SP in the lower left corner of the plate, lettered Samuel Palmer and numbered 10 within the margins, plate 14.5cm x 22cm From the collection of Joan Elizabeth Mary Streeter.Outer margins slightly discoloured otherwise no obvious faults.

James Jacques Joseph Tissot (1836 – 1902), Mavourneen (known as Portrait of Kathleen Newton), original drypoint etching, monogrammed and dated within the plate 1877, early proof with artist stamp, plate 37.5cm x 20cm The collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, June 1974.Paper discoloured, otherwise no further obvious faults visible.

James Jacques Joseph Tissot (1836 – 1902), Le Croquet, etching, signed and dated within the plate 1878, Beraldi 29, plate 30.5cm x 18cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, March 1973.The etching with no obvious faults. Framed & glazed, ready to hang.

James Jacques Joseph Tissot (1836 – 1902), Soiree D’ete, etching, signed and dated within the plate 1881, Beraldi 47, image 22.5cm x 39.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, March 1974.No obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), Billingsgate, etching, signed & dated 1859 within the plate, Kennedy 47 viii, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased P & D Colnaghi & Co Ltd, June 1975Two obvious repaired tears.

Felix Buhot (French, 1847 – 1898), La Place Pigalle en 1878, etching & aquatint, Bourcard 129, image 26.5cm x 34.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, November 1984The etching with no obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Little Pool, etching, Kennedy 74v, plate 10cm x 12.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1972. The receipt with handwritten pencil inscription describing the figures within the images....No obvious faults. Framed & glazed, ready to hang.

Jozef Israels (1824 – 1911) The Old Couple, etching, circa 1870, Hubert VIII, Zilcken 7, plate 10cm x 15cm; Child in the Cradle, etching, initialed within the plate, circa 1875, Hubert XXII, Zilcken 17, plate 10cm x 15cm & Enfants sur la Plage, etching, published in the Gazette des Beaux Arts, 1879, Hubert 5, Zilcken, image 15cm x 23cmQty: 3The collection of Joan Elizabeth Mary Streeter. All purchased Elizabeth Harvey - Lee, November 1999 & June 2006All unframed, but each mounted in a card folio, attached by hinged mounting tape. Each with Elizabeth Harvey-Lee stock number in pencil.The Old Couple, printed on Arches paper, with original invoice from Elizabeth Harvey-Lee dated 2006Child in the cradle, printed on thicker discoloured paper, on the same original invoice as the above item.Enfants Sur La Plage, printed on paper with an unidentified watermark, one mount hinge broken, with original invoice from Elizabeth Harvey-Lee dated 1999.

James Abbot McNeill Whistler (1834 - 1903), Becquet (The Fiddler), Kennedy 52, original drypoint etching, circa 1860, on fine Japan paper, plate 25.5cm x 19cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee.No obvious faults.

Wenceslas Hollar (1606 – 1677) Genoa & St Juliano D’Arba & Genoa, 2 x drypoint etching, circa 1665 & 1666, Pennington 1098ii and 1097ii respectively, respectively, image 6cm x 10cmQty: 2The collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, February 2002.Tookes named erased on both. Both appear to be in good condition, with no obvious faults. Unframed.

Charles Meryon (1821 – 1868), La Tour de L’Horloge, original etching, final state, edition of 15, plate 26.5cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2007.No obvious faults.

Winifred Austin (1876 – 1964) 'Fox', etching, titled in pencil, plate 16cm x 23.5cm & 'The Doormouse', original etching, 1908, signed in pencil in the margin, edition of 50, plate 10cm x 6cm; and Jo Hallam (20th century) Cranes, artist’s proof etching, signed, dated 97 & titled in pencil in the margins, plate 26.5cm x 18.8cmQty: 3The collection of Joan Elizabeth Mary Streeter. Doormouse purchased Elizabeth Harvey - Lee, June 1998.

James Abbot McNeill Whistler (1834 - 1903), Black Lion Wharf, etching, signed & dated within the plate 1859, from the Thames set, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, The London Original Print Fair, March 2003.No obvious faults.

James Abbot McNeill Whistler (1834 - 1903), Chelsea Bridge & Church, Kennedy 95, original drypoint etching, circa 1871, possibly 4th state, on De Erven laid paper, image 10cm x 17cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2008.No obvious faults.

Julian Trevelyan (1910-1988), ‘Cretan Witches Fighting’, etching and aquatint, signed and dated 1964, numbered 27/30, 35 cm x 48 cm framed and glazed.

James Abbot McNeill Whistler (1834 - 1903), Fumette Sitting, drypoint etching, circa 1859, Kennedy 13 iv, one of the twelve Nocture etchings, plate 16cm x 10.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1985.No obvious faults. Framed & glazed, ready to hang.

Norman Wilkinson (1878-1971), 'Single Handed', signed in pencil, title label on the reverse, drypoint etching, framed and glazed, 23 x 30 cmLabel on the reverse from the Robert Dunthorpe & Son, Ltd, The Rembrandt Gallery, Vigo Street, London Overall appears to be in good condition. Possibly some very small foxing in the water (see image) and even discolouring of the paper with age. Not inspected out of the frame.

Camille Pissarro (1830 – 1903), Vachere au bord de l’eau, original etching, published in the Gazette de Beaux Arts 1904, image 19cm x 13cmThe collection of Joan Elizabeth Mary Streeter.No obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Lime Burner, etching & drypoint, signed twice within the plate & dated 1859, exhibited RA 1860, Kennedy 46i, image 25cm x 17.5cmThe collection of Joan Elizabeth Joan Streeter. Purchased Craddock & Barnard, December 1983Gradual brown discolouring to the image and mount with age. No obvious faults. Framed & glazed, ready to hang. (Not inspected out of the frame)

Rembrandt Harmensz Van Rijn (1606 – 1669), Landscape with a cow drinking, etching & drypoint, circa 1650, some staining around the edges and adhesive marks, 10.5cm x 13cm £600The collection of Joan Elizabeth Mary Streeter.Some staining around the edges, discolouration and adhesive marks, otherwise in good order. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Little Putney No1, etching, circa 1879, 2nd state, butterfly signature within the plate, Kennedy 179 ii, image 13.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, November 1996.No obvious faults, although the receipt mentions 'printing faulty'.

James Abbot McNeill Whistler (1834 - 1903), Old Hungerford Bridge, etching, one of 16 from the Thames set, signed within the plate, Kennedy 76 ii/iii, plate 13.5cm x 21cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1977. The receipt with handwritten pencil inscription describing the plate.No obvious faults. Framed & glazed, ready to hang.

Sir Henry Rushbury St Pauls from Cannon Street, 1942, etching, signed in pencil in the margins and signed and dated 1942 within the plate, plate 25cm x 37cm and William Westley Manning (1868 – 1954) The Road to the Marsh – Hythe, engraving, signed in pencil in the margins, initialled within the plate, plate 25cm x 30cmQty: 2The collection of Joan Elizabeth Mary Streeter. Both etchings purchased from Craddock & Barnard, August 1971 & October 1983No obvious faults. Both framed and glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), Eagle Wharf, etching, signed & dated within the plate 1859, plate 14cm x 21The collection of Joan Elizabeth Mary Streeter.Image darkened through light exposure, otherwise no further obvious faults.

James Abbot McNeill Whistler (1834 - 1903), Old Westminster Bridge with Houses of Parliament, etching, signed & dated within the plate 1859, image 7.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter.Some light foxing spots, otherwise in good condition.

Sachsen - Pallasch für Offiziere der Garde-Reiter Klinge mit vergoldeten Zierätzungen, Landeswappen und Chiffre auf teils gebläutem Grund, auf dem Rücken "Aug Polich, Hoflieferant Leipzig". Feuervergoldetes Bügelgefäß mit zwei Nebenspangen, Fingerschlaufe und aufgelegtem Landeswappen, Löwenkopfkappe, schwarzer Fischhautgriff mit Drahtwicklung. Vernickelte Scheide. Gesamtlänge 100 cm, Klingenlänge 82 cm.USA-Los – weitere Infos hier Saxon Guard Reiter Officer sword Maker Aug Polich. Hoflieferant Leipzig, nickel-plated blade, gilt & blued etching with Royal Crown and motto of Saxony, gilt hilt, crossguard and lions head pommel, textured grip with gilt wire wrap. Nickel silver scabbard. Overall length ca. 100 cm, blade 82 cm.USA-Los – weitere Infos hier

SCHULZE, Hans(1904 Dittersbach - 1982 Leipzig) "Janus"Radierung. Bleistiftsignatur. [19]66. Exemplar: 184/200. Platte: 48 x 38 cm. Gerahmt & hinter Glas : 69,5 x 55 cm. Deutscher Maler, Grafiker, Kunstpädagoge und Hochschullehrer. SCHULZE, Hans(1904 Dittersbach - 1982 Leipzig) "Janus"Etching. Pencil signature. [19]66. copy: 184/200. Plate: 48 x 38 cm. Framed & behind glass : 69.5 x 55 cm. German painter, graphic artist, art educator and university teacher. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHMIDT-BONN, Henriette(1873 Bonn - 1946 Willingshausen) Dörfliche WinterlandschaftRadierung in Graublau. Bleistiftsignatur. Platte: 15 x 20 cm. Gerahmt & hinter Glas : 29 x 35,5 cm. Blatt stärker stockfleckig. Deutsche Malerin und Grafikerin. SCHMIDT-BONN, Henriette(1873 Bonn - 1946 Willingshausen) Village Winter LandscapeEtching in gray-blue. Pencil signature. Plate: 15 x 20 cm. Framed & behind glass : 29 x 35.5 cm. Sheet more foxed. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HABL, Willi(1888 Egeln - 1964 Hamburg) Weiblicher AktRadierung. Bleistiftsignatur. Im Druck datiert: [19]23. Platte: 224 x 19,5 cm, Blatt: 46 x 34 cm. Etwas griffspurig, Randbereich gebräunt, verso Klebespuren. Deutscher Maler und Grafiker. HABL, Willi(1888 Egeln - 1964 Hamburg) Female NudeEtching. Pencil signature. Dated in print: [19]23. Plate: 224 x 19.5 cm, sheet: 46 x 34 cm. Somewhat grip-marked, marginal area browned, traces of glue on verso. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WASKE, Felix(*1942 Wien) "Cancama"Radierung auf Bütten. Bleistiftsignatur. 19[76]. Exemplar: 1/40. Platte: 35 x 27,7 cm, Blatt: 56 x 46 cm. Gerahmt & hinter Glas : 70,5 x 58,5 cm. Zeitgenössischer österreichischer Maler und Fotograf. WASKE, Felix(*1942 Vienna) "Cancama"Etching on laid paper. Pencil signature. 19[76]. Copy: 1/40. Plate: 35 x 27.7 cm, sheet: 56 x 46 cm. Framed & behind glass : 70.5 x 58.5 cm. Contemporary Austrian painter and photographer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PROUZA, Jaroslav(1955 - 2004) Ansicht der Karlsbrücke in PragOriginal-Radierung. Bleistiftsignatur. Exemplar: 22/80. Platte: 32 x 37 cm. Gerahmt & hinter Glas : 48 x 54 cm. Blatt gebräunt. Tschechischer Maler und Grafiker. PROUZA, Jaroslav(1955 - 2004) View of the Charles Bridge in PragueOriginal etching. Pencil signature. Copy: 22/80. Plate: 32 x 37 cm. Framed & behind glass : 48 x 54 cm. Sheet browned. Czech painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

VENNEKAMP, Johannes(*1935 Istanbul) "David + Goliath"Farbradierung auf Bütten. Bleistiftsignatur. [19]75. Exemplar: 36/200. Platte: 31,7 x 24 cm, Blatt: 57 x 44,5 cm. Deutscher, Maler, Grafiker, Illustrator und Bildhauer. VENNEKAMP, Johannes(*1935 Istanbul) "David + Goliath"Color etching on laid paper. Pencil signature. [19]75. copy: 36/200. Plate: 31.7 x 24 cm, sheet: 57 x 44.5 cm. German, painter, graphic artist, illustrator and sculptor. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Paar Art-déco-Wandlampen. Noverdy. Jean Noverdy/Dijon, um 1925, Ätzsignatur. Frankreich. Farbloses, mattiertes Glas mit violetten, grünen, orangefarbenen, weißen und rosafarbenen Pulvereinschmelzungen. H 13 cm, L 40,5 cm. Halbschalen in blattrelieferter Bronzewandhalterung. Ohne Leuchtmittelfassungen, da es sich um Lampenschirme handelt, die vor die an der Wand befestigten Lampen montiert wurden. Pair of art deco wall lamps. Noverdy. Jean Noverdy/Dijon, circa 1925, etching signature. France. Colorless frosted glass with purple, green, orange, white and pink powder fusions. H 13 cm, L 40,5 cm. Half bowls in leaf-supplied bronze wall mount. Without bulb sockets, as they are lampshades mounted in front of the lamps attached to the wall. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KÖHLER, Rainer(1919 - 1970) "Décollage imprimé"Radierung auf Bütten. Bleistiftsignatur. [19]66. Exemplar: 72/100. Blatt: 53 x 40 cm. KÖHLER, Rainer(1919 - 1970) "Décollage imprimé"Etching on laid paper. Pencil signature. [19]66. copy: 72/100. Sheet: 53 x 40 cm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) Winterlandschaft mit BergenRadierung. Bleistiftsignatur. Probedruck. Platte: 35 x 48,5 cm. Gerahmt & hinter Glas : 50,5 x 71 cm. Stark fleckig und stockfleckig. Maler und Grafiker in Weimar, studierte bei Walther Klemm in Weimar. Er erhielt 1971 den Kunstpreis der DDR. PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) Winter landscape with mountainsEtching. Pencil signature. Proof. Plate: 35 x 48.5 cm. Framed & behind glass : 50.5 x 71 cm. Heavily stained and foxed. Painter and graphic artist in Weimar, studied with Walther Klemm in Weimar. He received the art prize of the GDR in 1971. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ZickleinRadierung in Sepia. Bleistiftsignatur. Platte: 40 x 30 cm. Gerahmt & hinter Glas : 55,5 x 43,5 cm. Etwas stockfleckig, kleiner Fleck am oberen rechten Plattenrand. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) TickEtching in sepia. Pencil signature. Plate: 40 x 30 cm. Framed & behind glass : 55.5 x 43.5 cm. Slightly foxed, small spot on the upper right edge of the plate. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PRAGER, Heinz-Günter(*1944 Herne) Kinetische Komposition Farbradierung auf Bütten. Bleistiftsignatur. [19]70. Exemplar: 39/50. Blatt: 60 x 60 cm. Zeitgenössischer deutscher Bildhauer, Zeichner und Grafiker. PRAGER, Heinz-Günter(*1944 Herne) Kinetic composition Color etching on laid paper. Pencil signature. [19]70. copy: 39/50. Sheet: 60 x 60 cm. Contemporary German sculptor, draftsman and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHMOLL VON EISENWERTH, Karl(1879 Wien - 1948 Braunau am Inn) Silhouette einer Stadt am WasserRadierung in Graublau. Bleistiftsignatur. Platte: 9,5 x 7,2 cm, Blatt: 38 x 28 cm. Etwas stockfleckig. Deutsch-österreichischer Maler, Grafiker und Glaskünstler. SCHMOLL VON EISENWERTH, Karl(1879 Vienna - 1948 Braunau am Inn) Silhouette of a city on the waterEtching in gray-blue. Pencil signature. Plate: 9.5 x 7.2 cm, sheet: 38 x 28 cm. Slightly foxed. German-Austrian painter, graphic artist and glass artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HRDLICKA, Alfred(1928 Wien - 2009 Wien) "Pornographische Grenzsituation"Farbradierung. Bleistiftsignatur. 1973. Exemplar: 37/250. Platte: 24,5 x 24,5 cm. Gerahmt & hinter Glas : 62 x 42,5 cm. "Alfred Hrdlicka [...] gilt im deutschsprachigen Raum als einer der herausragenden Bildhauer, Maler, Graphiker und Zeichner des 20. Jahrhunderts, unter anderem bekannt durch das "Mahnmal gegen Krieg und Faschismus" im Zentrum von Wien." Quelle: www.alfredhrdlicka.com. HRDLICKA, Alfred(1928 Vienna - 2009 Vienna) "Pornographic border situation"Color etching. Pencil signature. 1973. copy: 37/250. Plate: 24.5 x 24.5 cm. Framed & behind glass : 62 x 42.5 cm. "Alfred Hrdlicka [...] is considered in the German-speaking world as one of the outstanding sculptors, painters, graphic artists and draftsmen of the 20th century, known among other things for the "Memorial against War and Fascism" in the center of Vienna." Source: www.alfredhrdlicka.com. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KELLNER, Georg(1874 Nürnberg - 1924 Nürnberg) Konvolut mit verschiedenen Sujets14 Radierung (teils in Sepia). Überwiegend mit Bleistiftsignatur. Anfang 20. Jh. Max. 70 x 50 cm. 3x Abzug der Platte mit schneebedecktem Nadelbaum, 3x Abzug der Platte mit Winterlandschaft, 4x Abzug der Platte mit Kruzifix, 2x Abzug der Platte mit Porträt des Künstlers - mit undeutlicher Bleistiftsignatur und Widmung "Den lieben Freunden von Georg Kellner", 1x Porträt des Künstlers, 1x älterer Herr mit Violine und Katze auf einer Bank sitzend - verso betitelt "Kellner's Onkel Hammer?". Randbereich je etwas knickspurig oder rissig, teils mit Lichtschaden. Deutscher Maler aus Nürnberger Glasmalerfamilie, der sich auf Fassadenmalerei spezialisierte - er entwarf im Jahr 1910 die Fassade der IHK am Nürnberg Hauptmarkt "Kaufmannszug mit Geleite". KELLNER, Georg(1874 Nuremberg - 1924 Nuremberg) Convolute with various subjects14 etching (partly in sepia). Mostly with pencil signature. Early 20th centuryMax. 70 x 50 cm. 3x print of plate with snow-covered coniferous tree, 3x print of plate with winter landscape, 4x print of plate with crucifix, 2x print of plate with portrait of the artist - with indistinct pencil signature and dedication "Den lieben Freunden von Georg Kellner", 1x portrait of the artist, 1x older gentleman with violin and cat sitting on a bench - verso titled "Kellner's Uncle Hammer?". Marginal area each somewhat creased or cracked, partly with light damage. German painter from Nuremberg glass painter family who specialized in facade painting - he designed in 1910 the facade of the IHK at the Nuremberg Hauptmarkt "Kaufmannszug mit Geleite". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BURGER, Fritz(1867 München - 1927 Lindau) 2 Bildnisse1 Radierung, 1 Linolschnitt. Je mit Bleistiftsignatur. Max. 41 x 29 cm. "Arth.[ur] Schopenhauer": Linolschnitt auf Japanpapier, Bleistiftsignatur, Platte: 17,7 x 13 cm, Blatt: 24,3 x 16,8 cm, stockfleckig, Ecke oben rechts knickspurig | Bildnis einer jungen Dame: Radierung, Bleistiftsignatur, Platte: 30 x 24,6 cm, Blatt: 40,3 x 28,6 cm, minimal griffspurig. Schweizer Maler und Grafiker. BURGER, Fritz(1867 Munich - 1927 Lindau) 2 portraits1 etching, 1 linocut. Each with pencil signature. Max. 41 x 29 cm. "Arth.[ur] Schopenhauer": linocut on Japanese paper, pencil signature, plate: 17.7 x 13 cm, sheet: 24.3 x 16.8 cm, foxing, top right corner creased | Portrait of a Young Lady: etching, pencil signature, plate: 30 x 24.6 cm, sheet: 40.3 x 28.6 cm, minimal grip. Swiss painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Paar Art-déco-Wandlampen. Noverdy. Jean Noverdy/Dijon, um 1925, Ätzsignatur. Frankreich. Farbloses, mattiertes Glas mit violetten, grünen, orangefarbenen, weißen und rosafarbenen Pulvereinschmelzungen. H 23,5 cm. Halbschalen an stilisiert floraler Wandhalterung aus Bronze. 2 kleine Randchips. Pair of art deco wall lamps. Noverdy. Jean Noverdy/Dijon, circa 1925, etching signature. France. Colorless frosted glass with purple, green, orange, white and pink powder fusions. H 23,5 cm. Half bowls on stylized floral bronze wall mount. 2 small rim chips. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NOLDE, Emil(1867 Nolde - 1956 Seebüll) Bildnis einer DameRadierung. Prägestempel "Emil Nolde. Bildnis". Platte: 21,5 x 17,5 cm, Blatt: 29 x 23 cm. Verso hinterklebter Rand, Randbereich knickspurig. Eigentlich Hans Emil Hansen, deutscher Maler und Grafiker des Expressionismus: "Feste ästhetische Regeln gibt es nicht. Der Künstler schafft seiner Natur, seinem Instinkt folgend das Werk. Er selbst steht überrascht davor, andere mit ihm." (Zitat: EN, kunstzitate.de). NOLDE, Emil(1867 Nolde - 1956 Seebüll) Picture of a LadyEtching. Embossed stamp "Emil Nolde. Portrait." Plate: 21.5 x 17.5 cm, sheet: 29 x 23 cm. Verso pasted margin, marginal area creased. Actually Hans Emil Hansen, German Expressionist painter and graphic artist: "Fixed aesthetic rules do not exist. The artist creates the work following his nature, his instinct. He himself stands surprised before it, others with him." (Quote: EN, kunstzitate.de). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JERNBERG, Olof August Andreas(1855 Düsseldorf - 1935 Berlin) Hirtenpaar mit SchafherdeRadierung. In der Platte signiert. Verlag von Bismeyer & Kraus, Düsseldorf. Abbildung: 24 x 18 cm. Gerahmt & hinter Glas : 39 x 30 cm. JERNBERG, Olof August Andreas(1855 Düsseldorf - 1935 Berlin) Pair of shepherds with flock of sheepEtching. Signed in the plate. Published by Bismeyer & Kraus, Düsseldorf. Image: 24 x 18 cm. Framed & behind glass : 39 x 30 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FINNEMORE, Joseph(1860 Birmingham - 1939 London ?) "Mosque of Ibrahim Agha, Cairo"Farbradierung. Bleistiftsignatur. Abbildung: 40 x 25 cm. Gerahmt & hinter Glas : 63 x 44 cm. Ansicht der Moschee Ibrahim Agha, Kairo. Britischer Maler und Illustrator. FINNEMORE, Joseph(1860 Birmingham - 1939 London ?) "Mosque of Ibrahim Agha, Cairo"Color etching. Pencil signature. Image: 40 x 25 cm. Framed & behind glass : 63 x 44 cm. View of the Mosque Ibrahim Agha, Cairo. British painter and illustrator. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KNÖPFER, Otto(1911 Arnstadt - 1993 Erfurt) "Der Innenhof mit barocker Diana"Radierung. Bleistiftsignatur. Platte: 15x 21 cm. Gerahmt & hinter Glas : 27 x 34,5 cm. Minimal griffspurig. Thüringer Maler; seit 2008 ist das Otto-Knöpfer-Haus in Holzhausen bei Arnstadt für die Öffentlichkeit zugänglich. Literatur : https://www.knoepfer.de/. KNÖPFER, Otto(1911 Arnstadt - 1993 Erfurt) "The courtyard with baroque Diana"Etching. Pencil signature. Plate: 15x 21 cm. Framed & behind glass : 27 x 34.5 cm. Minimal traces of handling. Thuringian painter; since 2008 the Otto Knöpfer House in Holzhausen near Arnstadt is open to the public. Literature : https://www.knoepfer.de/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BLOOS, Richard(1878 Brühl - 1957 Düsseldorf) 2 humorvolle Genreszenen2 Radierungen. 1x mit Bleistiftsignatur, 1x in der Platte signiert. Max. 28,5 x 46 cm. "Les pêcheurs" - Fischer an der Seine in Paris: Radierung, Platte: 12,7 x 22,7 cm, Blatt: 20,7 x 27,2 cm, in der Platte signiert | Herren im Museum: Radierung, Bleistiftsignatur, Platte: 11,5 x 28,7 cm, Blatt: 28,5 x 46,3 cm, etwas stockfleckig. Deutscher Maler und Radierer; lebte und arbeitete von 1906 bis 1914 in Paris und verinnerlichte den französischen Impressionismus. BLOOS, Richard(1878 Brühl - 1957 Düsseldorf) 2 humorous genre scenes2 etchings. 1x with pencil signature, 1x signed in the plate. Max. 28.5 x 46 cm. "Les pêcheurs" - Fishermen on the Seine in Paris: etching, plate: 12.7 x 22.7 cm, sheet: 20.7 x 27.2 cm, signed in the plate | Gentlemen in the Museum: etching, pencil signature, plate: 11.5 x 28.7 cm, sheet: 28.5 x 46.3 cm, some foxing. German painter and etcher; lived and worked in Paris from 1906 to 1914 and internalized French Impressionism. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) EisvogelOriginal-Farbradierung. Mit autorisierter Nachlass-Signatur. Platte: 27,5 x 20 cm. Gerahmt & hinter Glas : 57,5 x 47,5 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) EisvogelOriginal color etching. With authorized estate signature. Plate: 27.5 x 20 cm. Framed & behind glass : 57.5 x 47.5 cm. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: "In a Space"Farbradierung. Bleistiftsignatur. [19]87. Exemplar: 3/30, "TPL'A". Abbildung: 35 x 63,5 cm. Gerahmt & hinter Glas : 60,5 x 88,5 cm. Blatt gebräunt. Indistinctly signed: "In a Space"Color etching. Pencil signature. [19]87. copy: 3/30, "TPL'A". Image: 35 x 63.5 cm. Framed & behind glass : 60.5 x 88.5 cm. Sheet browned. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

STAEGER, Ferdinand(1880 Trebitsch - 1974 Waldkraiburg) 2 Werke: "Mozart" und "Königskinder"2 Radierungen. Je mit Bleistiftsignatur. Max. 37 x 55 cm. "Mozart": Radierung, Bleistiftsignatur, Platte: 25,5 x 31,5 cm, Blatt: 37 x 44,5 cm, [1918], unter der Abbildung mit figürlichem Randeinfall in Blau, etwas stockfleckig und griffspurig | "Königskinder", Radierung, Bleistiftsignatur, Probedruck mit Randeinfall in Blau, Platte: 24 x 26 cm, Blatt: 37 x 54,5 cm, Randbereich stockfleckig und griff- und knickspurig. Deutscher Maler, Grafiker und Illustrator. STAEGER, Ferdinand(1880 Trebitsch - 1974 Waldkraiburg) 2 works: "Mozart" and "King's Children"2 etchings. Each with pencil signature. Max. 37 x 55 cm. "Mozart": etching, pencil signature, plate: 25.5 x 31.5 cm, sheet: 37 x 44.5 cm, [1918], under the figure with figurative marginal incursion in blue, some foxing and traces of grip | "King's Children", etching, pencil signature, proof with marginal incursion in blue, plate: 24 x 26 cm, sheet: 37 x 54.5 cm, marginal foxing and traces of grip and crease. German painter, graphic artist and illustrator. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROGGE, Cornelius Johannes(1874 - 1936) "Stille Nacht"Radierung in Graublau. Bleistiftsignatur. Abbildung: 20 x 24,5 cm. Gerahmt & hinter Glas : 31,5 x 41,5 cm. Blatt stark gebräunt, stockfleckig. Deutscher Maler und Grafiker. ROGGE, Cornelius Johannes(1874 - 1936) "Silent Night"Etching in gray-blue. Pencil signature. Image: 20 x 24.5 cm. Framed & behind glass : 31.5 x 41.5 cm. Sheet heavily browned, foxing. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ElchRadierung in Sepia. Bleistiftsignatur. Platte: 29,3 x 36 cm, Blatt: 42,3 x 51,5 cm. Minimal stockfleckig. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) ElkEtching in sepia. Pencil signature. Plate: 29.3 x 36 cm, sheet: 42.3 x 51.5 cm. Minimal foxing. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BOCK, Robert Jakob(1896 Darmstadt - 1943 Pirmasens) "Geiger"Radierung auf Bütten. Bleistiftsignatur. Platte: 34 x 25,5 cm, Blatt: 64 49,5 cm. Rand knickspurig. Deutscher Maler, Zeichner und Grafiker. BOCK, Robert Jakob(1896 Darmstadt - 1943 Pirmasens) "Geiger"Etching on laid paper. Pencil signature. Plate: 34 x 25.5 cm, sheet: 64 49.5 cm. margin creased. German painter, draftsman and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FUCHS, Ernst(1930 Wien - 2015 Wien) Ohne TitelFarbradierung auf Bütten. Bleistiftsignatur. Künstlerexemplar: 11/24 E.A., Blindstempel "HW". Platte: 12,3 x 19,7 cm. Gerahmt & hinter Glas : 22 x 31,5 cm. Österreichischer Maler, Grafiker, Bildhauer, Philosoph und Visionär; Mitbegründer der "Wiener Schule des Phantastischen Realismus". FUCHS, Ernst(1930 Vienna - 2015 Vienna) Without titleColor etching on laid paper. Pencil signature. Artist's copy: 11/24 E.A., blind stamp "HW". Plate: 12.3 x 19.7 cm. Framed & behind glass : 22 x 31.5 cm. Austrian painter, graphic artist, sculptor, philosopher and visionary; co-founder of the "Viennese School of Fantastic Realism". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.