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78472 Los(e)/Seite
![Sir Terry Frost RA, British 1915-2003, Bull Black [Kemp 124], 1991; colour etching with added hand colouring o](https://cdn.globalauctionplatform.com/762ef558-2b89-4e34-b8ab-b21b01014239/20d675bd-4a1d-4ca8-8692-b21b0106047d/468x382.jpg)
Los 460
Bob Dylan, American b.1941- The Drawn Blank Series (Mexico; Truck; Man On A Bridge; Three Chairs), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 478
Bob Dylan, American b.1941-Amusement Park Alleyway, 2016;giclée print in colours on Hahnemühle 350gsm Museum Etching paper, signed and numbered '267/295' in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 76.2 x 58.5 cm, (framed) Note: together with a certificate of authenticity issued by Washington Green Fine Art.
Los 194
Victor Pasmore CH CBE, British 1908-1998,By what Geometry....1974;etching in colours on wove, signed with initials in pencil and inscribed A/P, printed in the margin; 'By what geometry must we construct the physical world now that Euclid's gone and Newton dead?', sheet: 50 x 50 cm, (framed) (ARR)
Los 493
John Cage, American 1912-1992, Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978; colour hardground etching, softground etching, photo-etching, drypoint, sugarlift aquatint, and engraving on Rives BFK paper, signed, dated and titled in pencil, published by Crown Point Press, San Francisco, with their blind stamp, printed by Stephen Thomas, sheet: 56.6 x 75.5 cm, (framed)
Los 473
Bob Dylan, American b. 1941-The Drawn Blank series, Train Tracks (Portfolio - Set of 4), 2008;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 231/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (unframed)Note: each together with a certificate of authenticity issued by Washington Green Fine Art.
Los 463
Bob Dylan, American b.1941- The Drawn Blank Series (Sidewalk Café; Woman in Red Lion Pub; Still Life with Peaches; Motel Pool), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 138
Marc Chagall,French/Russian 1887-1985, Madame Sobakevitch, 1948; etching on wove, signed in the plate, edition of 368, from the suite of etchings Chagall produced to illustrate Nicolas Gogol's The Dead Souls, commissioned in 1927 by Vollard, published in 1948 by Tériade, plate: 27.5 x 21.3 cm, (framed)(ARR)Note: with a Goldmark Gallery label to the reverse of the frame.
Los 464
Bob Dylan, American b.1941- The Drawn Blank Series (Sunday Afternoon; Vista from Balcony; Bragg Apartment, New York City; Woman on a Bed), 2010; set of four giclée prints in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4) Note: each work together with a Certificate of Authenticity published by Washington Green Fine Art.
Los 127
Edvard Munch, Norwegian 1863-1944,The Woman with Long Hair, the Maiden with the Heart;etching on wove, signed in pencil, from an unnumbered edition sheet: 42 x 60 cm, (framed)Provenance: UK Private Collection | Ketterer Kunst auctions, Germany, 2008 | Galerie Kahnweiller, Paris Literature: Woll 54/55, Schiefler 47/48 Note: Early impressions, printed by Lemercier, feature both images printed side by side. The plate was later split in two and the images were printed separately by Felsing. It is unknown if the two images are meant to represent the same woman or two separate women, but they are both related to the story of the suffering of love. The Woman with Long Hair is understood to be a precursor to a more well-known print of his titled The Sin, which features a similar woman with a blank stare, long tresses of hair and exposed breasts. To the right sits the Maiden with the Heart, where a young woman sits with arms outstretched, holding a bleeding heart. In some singular instances of Maiden with the Heart, the blood has been coloured red, though most remain monochrome. Prints from Edvard Munch are rare, as most of his canvas works are in museums, and more than half of his known paintings contained within the Munch Museum collection. Singular versions of both the Woman with the Long Hair and the Maiden with the Heart can be seen in museums around the world, including the United States National Gallery of Art in Washington DC. In particular, this instance of the two plates printed on the same page, before they were separated, makes it an exceptional example of art produced by Munch.
Los 162
Salvador Dalí, Spanish 1904-1989,Reuben, from the Twelve tribes of Israel, 1973;etching and pochoir colouring on Arches wove, signed in pencil, and numbered 23/25 in Roman numerals, printed by Transworld art, New York, sheet: 65 x 50 cm, (unframed) (ARR)Note: Field, 72-6, together with a certificate of authenticity from Martin Lawrence Galleries, New York
Los 453
Bob Dylan, American b.1941- Man On A Bridge, 2010; giclée print in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 109/195 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 122 x 91.5cm, contained within the original grey tube, (unframed) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 458
Bob Dylan, American b.1941- The Drawn Blank Series (Bell Tower in Stockholm; Carbondale Motel; Trailer; Backstage Dressing Room; Iron Railing; Corner Flat), 2013; each giclée print on Hahnemühle 350gsm Museum Etching wove,each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (6)Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 474
Bob Dylan, American b. 1941-Train Tracks (Portfolio - Set of 4), 2012;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 207/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4)Note: each together with a certificate of authenticity issued by Washington Green Fine Art.
Los 459
Bob Dylan, American b.1941- The Drawn Blank Series (House on Union Street; Sidewalk Cafe; Bicycle; Motel Pool), 2013; set of four giclée prints in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4) Note: each work together with a Certificate of Authenticity published by Washington Green Fine Art.
Los 266
David Hockney OM CH RA (British b. 1937-), & Others The Rake's Progress;an illustrated book by Hockney and David Posner, published by Lion and Unicorn Press 1962, together with a signed etching by Bertand Dorny (22 x 15 cm), a screenprint by Anni Albers (14.5 x 12 cm) in an Olympic art poster folder, plus assorted art catalogues, (6 items)Please note the two Francis Bacon catalogues are NOT part of this lot
Los 9
Christopher Richard Wynne Nevinson ARA, British 1889-1946,Chelsea Reach, c.1919;etching with drypoint on laid paper watermarked F.J Head and Co, signed in pencil from the edition of approx. 75, annotated M13274, sheet: 33 x 41.7 cm, (framed)Note: Ref Guichard 74Provenance: Phipps and Company Ltd, Cheyne Walk, London
Los 13
etching and drypoint, pen and ink monogram 'IB', 15 x 20.5 cm, framed and glazed 46 x 50 cmA good impression of New Hollstein's first state, showing some burr.Provenance John Binmer (c.1771-1842), with his stamp (L.1410). With Faustus Galleries, London, 26 July 1976, no.E2204. Private Collection, UK.Literature Bartsch, Hollstein 67; Hind 256; New Hollstein 298. Unframed condition: laid down at all four corners. Corners stained, probably by old glue. Slightly trimed upper edge. Sheet undulating. Some light surface dirt and scattered minor foxing.
Los 22
Wenceslaus Hollar, Czech 1607-1677- Merchant's Wife from London; Irish Woman; and Bearded man with chain necklace; etchings, 10.3 x 7.6 cm., together with a collection of nine further Old Master prints, including: After Rembrandt Harmensz. van Rijn, 1606-1669, the Raising of Lazarus, with reverse signature in the plate, etching on wove paper; an interior scene with figures by Adriaen van Ostade, etching; After Abraham Bloemaert, 'Avarice', engraving, several figures by Salvator Rosa, and other hands, 24.4 x 20 cm and smaller, twelve (12). (unframed). Provenance: Private Collection, UK.
Los 260
William James Bennett, British 1787-1844- View of Carlisle; aquatint in colours, after Robert Carlyle, 44.5 x 54.7 cm.: Edward Duncan, British 1803-1882- Bow Brewery; etching with aquatint printed in colours, after Thomas Woodward, 26.3 x 32.6 cm., two (2). Provenance: Private Collection, UK.
Los 105
William Heath, British 1795-1840- Good Humour; hand-coloured etching, signed 'Wm Heath' (within the plate, lower left), 35.7 x 24.2 cm. Note: In a humorously self-referential manner, the present work depicts Arthur Wellesley, the Duke of Wellington (1769-1852) admiring caricatures of famous figures, including Wellington himself, by Heath in the shop window of Heath's publisher Thomas McLean (1788-1875).
Los 326
Paul Adolphe Rajon, French 1842/43-1888- Portrait of a guardsman in 16th-century costume, holding a pike; oil on canvas, signed 'P. Rajon' and indistinctly inscribed (upper right), 65 x 53.8 cm. Provenance: Private Collection, UK. Note: Rajon was undoubtedly particularly well-known as a printmaker, producing numerous etched portraits of fellow artists such as James Abbot McNeill Whistler (1834-1903) and Félix Bracquemond (1833-1914). Nevertheless, he also worked as a painter, training under Auguste Migette (1802-1884) between 1859-1860 in Metz, before travelling to Paris, where he studied under Isidore Pils (1815-1875), among others, at the École des Beaux-Arts. Rajon clearly had some interest in the depiction of historical military costume, as suggested by his etching of the figure of 'Pulchinello' after Ernest Meissonier (1815-1891).
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78472 Los(e)/Seite