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78475 Los(e)/Seite
Los 1485
Josep Guinovart (Spanish, 1927-2007), L'Espelema, etching, printed in colours on wove paper, signed, dated '89, numbered 67/75, 57 by 21cms; and another by the same artist Cap I Camp, signed, dated '89, numbered 67/75, 21 by 57cms (2).Please note that this lot is subject to VAT on the hammer
Los 577
William Lionel Wyllie RA (British, 1851-1931): London Bridge, with a flock of sea gulls, dry point etching on paper, signed in pencil lower left margin, with title lower right, 30 by 22cm, framed size 49 by 36cm.Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
Los 576
William Lionel Wyllie RA (British, 1851-1931): a dry point etching on paper, depicting a tug boat towing seven fishing boats into harbour, in the distance a large steamer heading out to sea, with a lighthouse on the headland, with various other sailing vessels on the water, signed in pencil lower left W L Wyllie, 16 by 37.5cm, mounted, glazed and framed, 34.5 by 54.5cm.
Los 1186
After Giovanni Battista Piranesi (1720-1778) Italian Palazzi di Campidoglio black and white reproduction, together with two further Italian architectural prints including ''Verduta della Piramide di C. Cesstio'' and another, an etching after Battista Pettoni, Interior of the Colosseum and a coloured charicature ''The Westminster Seceder on Fresh Duty'' after Williams (5)
Los 1228
Percy Robertson ARE (1868-1934) ''Windsor Castle'', signed, inscribed with the title, etching, unframed, together with five other etchings entitled ''Godalming and Tewkesbury'', ''Godalming'', ''Bry O'Balgownie'', ''Hampton Court'' and another view of Hampton Court by the same artist, 22.5cm by 29.5cm, 19.5cm by 23cm, 20cm by 26cm, 20cm by 26cm, 19.5cm by 26cm and 26cm by 33cm respectively (sh) (6) unframed
Los 1227
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape, 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8) Born in Bellagio, Italy in 1868, he was the son of the watercolourist Charles Robertson. Educated at Charterhouse School he won the Leech prize for drawing in 1884. Percy was a watercolourist and etcher. In 1887 he was elected to the society of painter-etchers and engravers (The Royal Society of print makers), in 1908 he was awarded a full scholarship. In 1905 Percy moved to London where he concentrated on London streets and the Thames. He frequently exhibited at all major exhibition halls showing 166 works at The Royal Society of Painters and etcher and engravers and 33 in the RA.
Los 1184
Lionel Arthur (Sir) Lindsay (1874-1961) Australian Classical Temple and ruins, signed in pencil, etching, together with a vignette scale signed William Walcot etching possibly of a London bridge, a further unframed etching by Mortimer Menpes depicting Stratford Guild Chapel and a small maritime watercolour initialled O.M and inscribed ''Rade de Bress'', 17cm by 25cm, 6cm by 13cm, 38cm by 25cm and 11cm dia. respectively (4)
Los 20
'Lady Palmer's Cottage, Runswick', signed artist's proof etching by Willie Rawson, 'Runswick', after Frank Greenwood, 'Fish Market & Quay, Whitby', colour print after Marjorie C Bates titled in pencil and 'Runswick Bay, watercolour by P Hardman dated 1927 max 20cm x 14cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
Los 305
Eliab George Earthrowl (1878-1948)'Noon Day Rest, Duclair Normandy'Original drypoint etching, signed in pencil, 23 x 27cm, together with six other signed etchings by the same artist including 'Diepps Harbour', 'The Mill, Winchester', 'Bucklers Hard, Hampshire', 'The Old Houses, Divan', 'The Old Courtyard, Divan', 'Ely Cathedral' and another signed etching by a different hand 'Old Houses, Torrig' (8)
Los 498
Palmer (Samuel, 1805-1881). Christmas, or Folding the Last Sheep, 1850, (Lister E4), etching on pale cream wove paper, the 4th state (of 5), with printed title to lower margin '"Christmas" From Bampfylde's Sonnet', plate size 124 x 102 mm (4.9 x 4 ins), sheet size 290 x 210 mm (11.4 x 8.25 ins), as issued in (and included with) Samuel Palmer, A Memoir by A.H. Palmer, Fine Art Society, 1882, some scattered spotting to text, original morocco-backed cloth gilt, heavily rubbed and scuffed to spine, with some wear to joints, 4to (30 x 22.5 cm) Provenance: George Richmond (1809-1896); thence by descent. Author's presentation copy, inscribed to front pastedown 'George Richmond Esq. R.A. with A.H. Palmer's kind regards 1 May 1882', with subsequent inscription below 'Anthony W. Richmond - May 1922 from Daddy'. With two autograph letters signed by A.H. Palmer to George Richmond loosely inserted, relating to this publication, dated 16 September 1881 and November 14, 1883. The earlier letter refers to A.H. Palmer's preparations for the book, and for a future edition of Samuel Palmer's letters, requesting the use of any that George Richmond may have in his possession, and also asking if he owns any of Samuel Palmer's original work for the forthcoming Palmer exhibition to be held at the Fine Art Society in London in the autumn of 1882. The letter is written on 4 sides of a single folded sheet, and finishes in mid-sentence on the last page, indicating that a further leaf is missing. The second letter thanks George Richmond for his kind comments on the published Memoir, referring with approval to the publisher Richmond Seeley, 'a man of unusually refined literary & artistic taste'. He also asks for George Richmond's further assistance in describing the early period of Samuel Palmer's life involving William Blake and Shoreham, which he intends to publish as the opening part of the life and letters of Palmer [published in 1892], proposing 'to call upon you some morning that I might read you what I have written; & that you might kindly correct the errors of ignorance, with any further information you might think advisable, about those delightful old days.' The volume also includes a pencil annotation to the first page of text by George Richmond, giving the name of Samuel Palmer's nurse (Mary Ward), whose love of the bible and Paradise Lost was an important early influence on the artist. An important association copy of this work. (4)
Los 450
*Rowlandson (Thomas, 1756-1827). Easter Monday or the Cockney Hunt, published July 14th, 1811, etching with contemporary hand colouring, 345 x 245 mm, BM 10813, together with A Mistake at New-Market, or Sport and Piety, published Thos, Tegg, 1807, etching with contemporary hand colouring, some mount staining, 245 x 335 mm, BM 10920 Two sporting caricatures. The first shows an elderly gentleman about to part company from his horse with a hunting 'Diana' boldly clearing the jump and laughing at her companions predicament. The second shows an elderly Methodist woman talking at cross-purposes with a jockey outside a pub in Newmarket. (2)
Los 393
*Gillray (James, 1757-1815). Mamlouk et Hussard Republican - General result of Buonaparte's attack upon Ibrahim Bey's rear guard, published H. Humphrey, 1799, etching with contemporary hand colouring, large margins, adhesion marks on verso, slight creasing to upper border, 265 x 375 mm This is one of the six images that relate to the Expedition to Egypt, all published with the same date. Here a French hussar on a worn out horse flees from a well-mounted Mameluke. This print probably satirizes a passage from a letter on the retreat of Ibrahim Bey from Cairo to Syria. BM 9360. (1)
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78475 Los(e)/Seite