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Preisdatenbank abonnierenRobert Scott, after Alexander Carse - 'The Landing of King George IV at Leith Docks, 15th August 1822', 19th century engraving with etching, aquatint and hand-colouring, 47cm x 81cm, within a gilt composition frame with acanthus leaf moulding.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Russell Birch, after Jan Griffier - 'The Great Fire of London in the Year 1666', stipple engraving with etching and hand-colouring, published by Birch 1792, 29.5cm x 39.5cm, within a Hogarth style frame, together with three 19th century aquatints of London interest including, 'The Opening of Waterloo Bridge, on the 18th June 1817'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Richard Evans (publisher) - 'His Royal Highness, the Prince Regent, of Great Britain', etching with later hand-colouring, published by Evans 1815, 22.5cm x 33cm, within an ebonized and gilt frame, together with seven 18th and 19th century portrait engravings of Georgian Regency interest.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Stanley Anderson - The Stone Breaker (What's Life But Full of Care and Doubt with all its Fine Humanities, Hood), engraving with etching on wove paper, signed in pencil, published by Colnaghi 1940, 20cm x 15cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
David John Payne - 'Mitre Peak, Milford Sound' (New Zealand), 20th century etching, signed and titled in pencil, 19.5cm x 24cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Lionel Wyllie - Tower Bridge and the Pool of London, late 19th/early 20th century etching, signed in pencil, 31.5cm x 55.5cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Bruce - 'Interior of the New Market-Place' (Brighton), engraving with aquatint and later hand-colouring, published circa 1830, 14cm x 24cm, together with an etching with aquatint by Frederick Lewis after Augustus Pugin, 'Gallery, Pavilion Brighton', published circa 1838, 24cm x 31.5cm, and a quantity of other prints of Brighton interest, the majority within frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Laura Knight - Stella (Profile Portrait of a Lady), early/mid-20th century etching with aquatint, signed and editioned 3/50 in pencil, 31.5cm x 25.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Francesco Bartolozzi, after Guercino - Five Boys in a Landscape with Musical Instruments, engraving with etching, published circa 1766, 22cm x 33.5cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A German Third Reich K98 Bayonet, 25cm blade bearing etching to one side '3 SS Panzer Division Totenkopf' and 'Meine Ehre heißt Treue', ricasso stamped 71577 and 358, stained wooden grip, terminal of grip also with etched SS runes, in blackened steel scabbard with leather frog and silver bullion portapee, scabbard stamped '571 f' at mouth.
A COMMEMORATIVE NAVAL HANGER FOR THE BATTLE OF THE NILE, 19TH CENTURY the 13¾in. curved steel blade with remnant gilt etching comprising trophy of arms and signed in cartouche for 'T. Gill. Gun and Sword Manufacturer 83 St. James' Street London,' pierced oak leaf guard with quillons, cast brass alligator grip, contained within engraved brass mounted leather scabbard of issue countersigned on chape -- 20in. (51cm.) overall
Klaudio Vidal (Chile, b.1964) - Two prints to include: 'De La Serie Bestiario', Artist's proof engraving on paper, signed and titled in pencil below, 25 x 35 cm; together with untitled dry point etching, signed, dated '1993' and numbered 2/10 in pencil below, 29 x 44 cm, both framed and glazed (2)
Group of prints and tapestries to include: After Robert Kammerer (1870-1950), two lithographs in colours of Venice and Naples (early 20th century), 38 x 49 cm each, framed and glazed; Alice Barnwell - 'Silver Birchwood', colour etching with another colour etching indistinctly signed, both with Rembrandt Artist's Proof Guild blindstamps; and three tapestries of different subjects, all framed and glazed (7)
Graham Clarke (b.1941) signed limited edition etching - Tilly's, 171/300, 33cm x 40cm, in glazed gilt frameAlthough the work has not been removed from the frame it does not appear to have been stuck down. The glass is dusty and dirty but the image is in good condition. The artists blindstamp partially hidden lower left corner. Frame scuffed and marked in places.
A Carton to include five bronze medallions comprising national rifle association 1860, 48mm, Elkington case. Astor county cup 1860, 38mm, Elkington case. Royal horticultural society, bust of sir joseph banks, undated, 38mm, John Pinches case, Heriot-watt college Edinburgh, process etching line and intaglio session 1912-13, awarded to Frederick J Morison 48mm, Internationale Landbouwtentoonstelling Amsterdam 1884, 48mm cased qty 5
ERNEST ZACHAREVIC,IT'S A SIGN,Archival pigment print on 350 gsm, 100% cotton Hahnemuhle etching paper.signed and numbered,Edition of 180Ernest “ZACH” Zacharevic is a Lithuanian-born artist combining fine art techniques with a passion for creating art outdoors. Experimentation lies at the heart of Ernest's style, with the only constant being the dedication to his ever-changing concepts. With ideas leading the way, he removes the restriction of artistic boundaries, moving freely between the disciplines of oil painting, stencil and spray, installation and sculpture; producing dynamic compositions both inside and outside of the gallery space. Ernests primary interest is in the relationship between art and the urban landscape, with concepts often evolving as part of a spontaneous response to the immediate environment, the community and culture.
YOK & SHERYO,GM PARADISE, Archival Pigment Print on 310 gsm, 100% a-cellulose Hahnemuhle German Etching paper, signed and numbered,Edition of 80Yok & Sheryoʼs artwork is symbiotic with their life of travel and adventure. Their art exists in “Yeahnahnesia,” a fictional tropical island with rich, made-up tales of mythology, deities, philosophies, religion, animals and landscapes and a ton of archaeological treasures yet to be found. They weave their unique brand of cultural syncretism into irreverent, riotous, mixed-media paintings, murals and sculptures. Most recently, they have been creating frivolous “temples” and “shrines” that provide humorous commentaries on societyʼs mercurial lifestyles. Originally from Australia and Singapore, and NY-based for 10 years with street art roots, the duo has exhibited and painted in various countries around the world
TOMMY FIENDISH,KNIGHT (STAIRCASE #3),Giclee on Hahnmuhle German Etching 310 gsm, signed and numbered,80cm x 74cm,Edition of 25London based artist Tommy Fiendish aka Thomas D Wright creates a constantly evolving world, bold and often experimental. It's a dystopian social commentary with a twist of macabre drollery.
MASON STORM,MONKEY PARLIAMENT 2022,Giclee print on Hahnemuhle Museum Etching 350 gsm,56cm x 80cm,AP Test printBritish artist Mason Storm is known for provocative works that poke fun at the hypocrisies within modern society. In his compositions—which reference canonical paintings by Caravaggio, Johannes Vermeer, and Norman Rockwell—Storm inserts elements from movies, TV, and pop culture to create clever juxtapositions that speak to contemporary issues. Like Banksy, Storm works anonymously, hiding his identity behind a designer balaclava. Self-taught, Storm claims to have a background in martial arts, security, and intelligence.
TOMMY FIENDISH,ENUCLEATE WITH ASSISTANCE (SURGICAL),Giclee on Hahnmuhle German Etching 310 gsm, signed and numbered,64cm x 83cm,Edition of 25London based artist Tommy Fiendish aka Thomas D Wright creates a constantly evolving world, bold and often experimental. It's a dystopian social commentary with a twist of macabre drollery.
§ Pablo Picasso (Spanish 1881-1973) Meurtre, Avec Spectateurs, 1966 (B. 1436; Ba. 1466) 44/50, artist's stamped signature and numbered in pencil (in the margin), etching, printed by Crommelynck, published by Galerie Louise Leiris, Paris, on wove paperDimensions:22.4cm x 32cm (8 7/8in x 12 5/8in)
§ Ben Nicholson O.M. (British 1894-1982) forms in a landscape, 1966 36/300, numbered in pencil in the margin (lower left), etching on paper, from the edition of 300 numbered, but unsigned, prints published by Kestner Gesellschaft, aside from the signed edition of 50 (ref. Lafranca 15) Dimensions:sheet: 31.5cm x 31.5cm (12 3/8in x 12 3/8in)
§ David Hockney O.M., C.H., R.A. (British 1937-) Cushions, 1968 (S.A.C. 64) 52/75, signed, dated and numbered in pencil (in the margin), etching on paperDimensions:38.5cm x 35cm (15 1/8in x 13 3/4in)Provenance:Provenance:Redfern Gallery, London, 1970;Collection of the Late Sir Richard Shepherd, MP.
Chitrangada Krishna, (Indian, 20th-21st Century)Composition, Etching with hand colouring, Editioned 'A-P' lower left, titled 'Composition' lower centre and signed 'Chitrangad Krishna' lower right, Artist's ProofImage: 19.4 x 16.5 cm. (7 ⅝ x 6 ½ in.)Folio: 38.2 x 27.4 cm. (15 x 10 ¾ in.)Provenance: The Surya Collection: Property from Mrs Ute RettbergPlease refer to department for condition report
Alfred Grahame (19th century)An extensive landscape, with solitary figure on a pathSigned, watercolour, and another similar by the same hand, 24cm by 37cm; together with an etching by J Alphege Brewer, "Nave looking East Rheims Cathedral", signed and inscribed, a Chinese watercolour on silk, depicting cranes, and a reproduction oleograph after Frank Moss Bennett (1874-1952) (5)
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