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Preisdatenbank abonnierenCarlo Maratta, Italian 1625-1713- The Holy Family with Angels; etching on laid paper, bears inscriptions 'Carol. Marata.' (lower left) and '1499d' (lower right), bears indistinct inscriptions verso, 17.4 x 12.9 cm. (unframed / mounted). Provenance: Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- The artist's mother with her hand on her chest; etching on wove paper, probably the fourth state of six, faint traces of signature and date 'RL 1631' (within the plate, lower centre), bears inscription 'La mére de l'artiste' and numbered '5/27' verso, 9 x 6.8 cm. Provenance: Private Collection, UK. Note: Rembrandt regularly used his mother, Neeltgen Willemsdr. van Zuytbroeck (c.1568–1640), as a model for his prints and paintings, with the present composition recalling that of a painting entitled 'An old Woman called 'The Artist's Mother'', now in the Royal Collection, displayed at the Cumberland Art Gallery in Hampton Court [RCIN 405000]. The dramatic chiaroscuro of the present work, contrasting the sitter's bright, well-lit skin with her thick, dark hood, is a typical feature of Rembrandt's etchings.
Bartolomeo Biscaino, Italian 1629-1657- Saint Margaret and the Dragon; etching on laid paper, inscribed 'Daman. ex.' (within the plate, lower right), 24 x 18.1 cm. (unframed / mounted). Provenance: Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).
Barrie (JM). Peter Pan and Wendy, with illustrations by Mabel Lucie Atwel, published by Hodder and Stoughton, London, together with Dowd (JH) and Spender (Brenda E) People of Importance, published by Country Life 1941, and Modern Masters of Etching Frank Brangwyn, number I, published by The Studio Limited, London 1924. (3)
An early 19th c drawing room album, n.d. [c 1820-30], [90]ff, recto illustrated only, including 19 watercolour studies overall, three of which are of native Indian figures, 20.5 x 15cm, two smaller studies of a northern cardinal and a parrot, five little studies of butterflies, and the rest North European topographical studies, a bound-in pencil sketch picked out in sepia, loosely-inserted mixed media sketch of a botanical specimen, trimmed 19th c engraved ticket - New Musical Fund by Louis Legoux, [1787-1817], another ticket for the 1822 Consecration of St Pancras New Church by Stalker, an early chromolithograph of a Swiss Alpine scene, an Old Master etching, 19th c engravings after Old Master paintings, engraved view of North Gibraltar, further prints, principally engravings, but some aquatints, of genre scenes, clippings of periodical illustrations, Bartolozzi, genre scenes, etc., contemporary quarter-calf over marbled boards, slightly rubbed, starting to split, yet holding, folio (33.5 x 27cm)
Miscellaneous pictures and prints, late 17th century and later, including Christiaan Hagen (1635-1707) - De Maren Kerck, [Leiden], n.d. [c. 1675], engraving, 27 x 31cm; views of London; an indistinctly signed early 20th c etching of Siena, an off-set in a large Flemish frame, etc (7) Mixed condition, mostly good.
Old Master Prints. Georg Philipp Rugendas II (1666-1742) - Equestrian, Hunting, and Martial Tableaux, seventeen, lettered in parallel Latin and German, Aug[usta] Vind[elicorum], s.n., n.d. [Augsburg: Georg Philipp Rugendas I, 1720], mezzotint engravings, some outlined by etching, 55 x 76cm, (17) Mostly rich impressions with good tone. Each with margins, some of them chipped - but never affecting the image within the plate-mark. Some affected by mixed degrees of old water staining.
Hardy (Thomas), Jude the Obscure, first edition in book form, London: Osgood, McIlvaine and Co., 1896 [1895], etching of The "Christminster" of the Story by Henry Macbeth-Raeburn, full-page map of Wessex, original publisher's green cloth gilt, light wear, rear pastedown with stable gutter split and sign of a former library label, 8vo; idem, The Well-Beloved: A Sketch of a Temperament, first edition in book form, London: Osgood, McIlvaine and Co., 1897, etching of The "Isle" of the Story, full-page map of Wessex, original publisher's green cloth gilt, some wear, front pastedown with Indian retailer's stamp: Thacker & Co., Ltd, Bombay, and with a contemporary ink MS ownership inscription: A.K. Donald, Bombay, XVII X MCMV, 8vo, (2)
Caricatures. Caricaturist Unknown, early 19th century - A Bill of Fare, s.l., s.n., n.d. [c. 1815], etching, with contemporary hand-colouring, 28.5 x 23cm; Robert Dighton (1752-1814) - Lord Dashalong Bent on driving, signed within the plate, identified as Lord Sefton (William Molyneux, 2nd Earl) in contemporary manuscript, [London]: Published by Dighton, Charing Cross, November 1801, etching, with contemporary hand-colouring, 24.5 x 19cm, platemark; Robert Dighton Junior (1786-1865) - Views of the Blues, army officers in their uniforms, signed within the plate, identified as Captains Packe & Fenwick in contemporary manuscript, [London], 1805, etching, with contemporary hand-colouring, 28 x 20.5cm; Henry Richard Cook (fl. 1802-1849) after 'M. Egerton' - How Much! - Seven & Eight pence!, a man is presented with his tavern bill, signed within the plate, [London]: Published by T. Gillard, Strand, May 1827, etching, with contemporary hand-colouring, 25 x 19.5cm (4) Good, mixed condition. Unexamined out of their mixed frames.
Twenty-one friendship albums and books, early-mid 20th c, typically inscribed in manuscript with sentiment, verse and wit, illustrated with approx. 60 original watercolour, pen-and-ink, &/or pencil illustrations and drawings, including First World War caricatures and cartoons, pen-and-ink of Kaiser Wilhelm II of Germany and Ferdinand I of Bulgaria, "Shun" - a sepia study of a sergeant commanding attention, a watercolour cartoon of an English lady and a newspaper headline viz. Lord Kitchener and his New Army, others, a leopard, further flora and fauna, etc., some ephemera in places, including a loosely-inserted English etching of a cottage, etc., mixed bindings and sizes, (21)
Walter Richard Sickert A.R.A. (British, 1860-1942) Noctes Ambrosianae (Bromberg 122)etching with aquatint, c.1906, on J Whatman laidsigned and titled in the plate22 x 25cm Looks to be in good untouched condition, paper undulation so not laid down, paper evenly discoloured to a dark cream tone, oldish card mount and glazed wooded frame with Leicester Gallery Exhibition label for 1959.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Norman Ackroyd (British, 1938-2024) ‘Dock’ (East India Dock) 1962etching and aquatint printed in colours, on wovesigned in pencil, 72/7547 x 62cm PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Joseph and Potiphar's Wifeetchingsigned and dated 1634 in the plate9 x 11cm In the Old Testament story Joseph was bought by Potiphar, the Egyptian captain of Pharaoh's guard, who appointed him as overseer of his household. Potiphar's wife took a liking to him, and made several attempts to seduce him, though the virtuous Joseph always refused her advances. On one such occasion, he fled the house leaving behind his cloak, so the rejected lady thought to retaliate by accusing him of attempted violation, using the garment as evidence. Upon hearing this, Potiphar sent Joseph to prison. Evenly discoloured ground paper showing some undulation with a hint of foxing around the margin, visible sheet 11.5 x 15.2cm, old gilt card mount and glazed gilt frame, no labels versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Giovanni Battista Piranesi (Italian, 1720-1788) Carceri D'Invenzione: title pageetching and engravingsigned in the plate55 x 41cm Honest untouched condition, evenly discoloured ground paper with one or two small fox marks, measurement is for the plate, visible sheet is 57 x 473cm, not removed from the frame, modern card mount and glazed wooden frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
John Hoyland RA (British, 1934-2011) Reverieetching and aquatint on BFK Rives paper, 1983signed in pencil and dated '83, AP 2/1069 x 49cm Good clean condition, strong colours, no faults noted, visible sheet 78 x 55cm, stepped card mount, plain white frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
John Hoyland RA (British, 1934-2011) Fly Awayetching with aquatint and carborundum printed in colours, 1981signed in pencil and dated '81, AP 9/1056.5 x 71cm Good clean condition with bright colours but for some small spotting marks at the edge of the margin near 6 o'clock, visible sheet 66 x 77cm, modern white card mount, most dirt marks are on the glass not the work, plain white framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
George Housman Thomas, after, Troops For the War. - Royal Marines. - Drawn From Life, By George Thomas for The Illustrated London News, 18 March 1854, hand coloured etching, 36 x 24cm Charles Stadden, after, A Soldier of the Duke of York and Albany's Maritime Regiment of Foot (The Lord High Admiral's Regiment) 1664, colour print, 29 x 20cm; others - A Private Sentinel of Prince George of Denmarks Maritime Regiment of Foot, 1687; An Officer of Marines, 1755; Officer, Royal Marine Artillery, 1844; A Corporal of the Royal Marines, 1845; Private, Royal Marines Light Infantry, 1865; Colour-Sergeant Royal Marine Artillery, 1910; Bugle Major, Royal Marines, 1967
â–² John Brunsdon (1933-2014) 'Storm at Sea, Southwold' etching and aquatint in colours, signed 'John Brunsdon' in pencil l.r., inscribed with title and numbered '2/50'plate 60 x 45cmExhibited: The John Russell Gallery, Ipswich, 'John Brunsdon Retrospective Exhibition', 2002.Condition ReportFramed: 86 x 69.5cmAcid discolouration to the edges of the margins caused by the mount. The printed area presents well overall. Not viewed out of glazed frame.
â–² Barbara Rae RA (b.1943) 'Kylesku Hillside'etching in colours, signed and dated 'Barbara Rae 88' in pencil l.r., inscribed with title and numbered '1/10'plate 16 x 24.5cmCondition ReportFramed: 35 x 42cmSlight rippling. Very faint brown marks to the upper margin. Not viewed out of glazed frame.
â–² Graham Sutherland OM (1903-1980) 'Clegyr-Boia 1, Landscape in Wales', 1936etching and aquatintplate 20 x 15cm, unframedProvenance: The Estate of Stanley Jones MBE RE.Condition ReportSheet: 29 x 22cmTime staining. Light handling creases to the margins. The corners are a little bent. There is some bloom in the upper right corner which corresponds to spotting on the reverse.
▲ Augustus John OM RA (1878-1961) Girl’s Head, 1919 (Campbell Dodgson 135)etching, signed 'John' in pencil l.r., final state from an edition of 50plate 15 x 10cmProvenance: With William Weston Gallery Ltd., London.Condition ReportFramed: 38 x 30.5cmTime staining. A little discolouration to the edges and corners caused by the mount and small pieces of tape applied to the reverse. Very slight cockling to the top edge. Not viewed out of glazed frame.
â–² Pedro Escalona (Spanish, b.1949) White doveetching, signed 'Escalona' in pencil l.r., inscribed and dated 'P/A 22.04.89' l.l.plate 35 x 24cm,and an unframed copy of the same print (2)Condition ReportFramed print: framed size 52 x 41.5cm Cockling to the paper with dirty marks to the bottom margin, please see images.Unframed print: Rolled in a tube, a few light stains.
▲ Elizabeth Morris RA (contemporary) ‘The Multitude of Fishes. John 21' etching and aquatint in colours, signed 'Elizabeth Morris' in pencil l.r., inscribed with title and numbered '49/100'plate 44.5 x 58cmCondition ReportFramed: 58 x 72cmFoxing and discolouration to the margins. The printed area appears to be in good condition. Not viewed out of glazed frame.
â–² Leon Underwood (1890-1975) 'Wendy' etching, signed and dated 'Leon Underwood/1922' in pencil l.r., inscribed with title and numbered '2/20' sheet 23.5 x 18cm, unframed Provenance: With Thomas Agnew & Sons Ltd., London; the Collection of David and Sandy Fuller. David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years. Condition ReportTime staining. Discolouration and staining to the margins. A small piece missing in the the lower left corner. Small nicks and tears to the edges. The printed area presents well overall. Please see additional images.
â–² David Hockney OM CH RA (b.1937) 'Old Rinkrank Threatens the Princess', 1969etching and aquatint, from the story 'Old Rinkrank' for the portfolio 'Six Fairy Tales from the Brothers Grimm', from the unsigned edition of 400, published by the Petersburg Press in association with the Kasmin Gallery, 1970plate 23.5 x 27.5cmCondition ReportFramed: 49 x 51cmThere is are some small black spots of printing ink along the right edge and in the upper right corner. Appears to be in otherwise good condition and presents well overall. Not viewed out of glazed frame.
TWO PAIRS OF CHANEL MIRRORED SUNGLASSES Including a pair of rimless aviators with gold mirrored lenses, a lightweight metal bridge, and hammered metal temples with CC branding (Ref. 711588); the other a shield design with a single wraparound smoked grey lens, accented by quilted etching (Ref. 71307) Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
OASIS - BE HERE NOW LP (UK ORIGINAL - 'MIKES-THE EXCHANGE' - CRE LP 219). A beautiful original UK LP pressing of Oasis' third studio album Be Here Now (CRE LP 219, 1997 UK pressing on Creation Records. A-4-1-1/ B-3-1-1/ C-3-1-1/ D-3-1-1 matrix. All sides have MIKE'S-THE EXCHANGE etching. Labels are bright and clean. This version has the two printed card inner sleves, both in Ex+ condition, no splits of tears. The records are superb Ex+ condition. The gatefold sleeve is also in superb Ex+ condition. A brilliant example.
A QUANTITY OF MODERN LATER 20TH CENTURY PICTURES AND PRINTS ETC, to include a June Stapleton unframed mixed media landscape, approximate size 21cm x 21cm, T.H.W. Ashby pastel study of rocks in Cornwall, approximate size 38cm x 54cm, an oil on board landscape signed A. Todd '80, Edith Lowe-Hopper watercolour landscapes, unframed Ian Fenelley watercolours, an unsigned floral study, an indistinctly signed etching of leaves and berries on a tree, together with a small number of prints etc
Presenting a captivating crystal cube sculpture by renowned Lithuanian-American artist Ray Lapsys. This piece is number 10 in a limited edition of 50. This meticulously crafted sculpture showcases Lapsys' expertise in engraving, carving, and etching fine crystal. The cube features intricate geometric patterns and optical clarity, with vibrant prismatic effects created by its precise angles and embedded dichroic glass accents. The artist's signature and edition number are etched onto the piece, enhancing its collectible appeal. A perfect addition for art collectors or as a statement display piece. Artist: Ray Lapsys (Raimundas Lapsys)Issued: c. 2000Dimensions: 4"HCondition: Age related wear.
A set of four Waterford Crystal Westhampton Double Old Fashioned glasses, featuring an elegant cut design with a faceted base. Each glass showcases Waterford's signature craftsmanship with a brilliant sparkle and refined detailing. The set includes four glasses, each marked with the Waterford etching on the base, ensuring authenticity. Perfect for whiskey, cocktails, or as a sophisticated addition to any barware collection. Issued: 20th centuryDimensions: 4"HCountry of Origin: IrelandCondition: Age related wear.
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![An early 19th c drawing room album, n.d. [c 1820-30], [90]ff, recto illustrated only, including 19 watercolour studies o](https://cdn.globalauctionplatform.com/6abfac2d-222e-4bd4-8f53-b29100c4c94e/4cc3580f-ecff-49ef-a537-b29100c905d6/468x382.jpg)
![Hardy (Thomas), Jude the Obscure, first edition in book form, London: Osgood, McIlvaine and Co., 1896 [1895], etching of The](https://cdn.globalauctionplatform.com/6abfac2d-222e-4bd4-8f53-b29100c4c94e/0986b8ac-c045-4fd1-95f9-b29100ca60b9/468x382.jpg)
![Caricatures. Caricaturist Unknown, early 19th century - A Bill of Fare, s.l., s.n., n.d. [c. 1815], etching, with contemporar](https://cdn.globalauctionplatform.com/6abfac2d-222e-4bd4-8f53-b29100c4c94e/f0a2d11b-29bd-4417-8238-b29100caf95f/468x382.jpg)
