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78472 Los(e)/Seite
Los 181
This is an outstanding black & white etching after Fauvist (Wild Beast) artist Maurice de Vlaminck who has depicted the famed Parisian street Rue de la Glaciere from a low ventage point that emphasizes the open sky. Vlaminck used decisive black ink lines that crisscross to enliven the street scene that went through multiple urban developments in the XIX and early XX centuries. Signature in the plate on lower right: Vlaminck. Artist: After Maurice de Vlaminck (French, 1876 - 1958)Issued: c. 1937Dimensions: 13.75"L x 16.50"HCountry of Origin: FranceCondition: Age related wear.
Los 179
Antique original color etching with aquatint on brown paper by Ferdinand Mitchl from his portfolio The Song of the Earth. Entitled The Drinking Song of Earth's Sorrows, this etching (plate 1) illustrates a poem by Chinese Tang Dynasty Poet Li Bai (Li T'ai Po.) Signature in graphite on lower right: F. Mitchl. Title on lower left side: Das Trinkleid. Artwork dimensions: 14"L x 18"H. Artist: Ferdinand Mitchl (Czechoslovakian 1877-1951)Issued: 1923Dimensions: See DescriptionCountry of Origin: Czech RepublicCondition: Age related wear. Upper center scape with loss of color. Edges are worn.
Los 229
Finely executed hand colored etching by British satirist William Heath from the series Sketches of the Kennel. It represents British lawyer and politician John Copley, Baron Lyndhurst that Health nicknamed Chance, the favorite Setter, as a dog/human hybrid holding reading glasses with one paw. On the lower right: Pub. Nov 16 1829 by T. McLean. Signature on lower left: William Heath. Sight size: 13.40"L x 9.10"H. Mat size: 17.50"L x 13.50"H. Artist: William Heath (British, 1795-1840)Issued: 1829Country of Origin: EnglandCondition: Age related wear. Some foxing on lower right.
Los 222
Limited edition original etching on paper of world renowned Russian composer and conductor Igor Stravinsky with his name in cursive below his portrait. Name and date in plate on center right: illegible 1926. Edition number in pencil on lower left: 1/100. Signature in graphite on lower right: illegible. Artwork dimensions: 9.50"L x 12"H. Mat size: 11"L x 14"H. Artwork can be unframed and rolled for shipment. Issued: 1926Dimensions: See DescriptionEdition Number: 1 of 100Condition: Age related wear. Soiling on mat.
Los 227
Limited edition original etching on paper of world renowned German composer and conductor Richard Strauss with his name in cursive below his portrait. Name and date in plate on center left: illegible 1926. Edition number in pencil on lower left: 1/100. Signature in graphite on lower right: illegible. Artwork dimensions: 9.50"L x 12"H. Mat size: 11"L x 14"H. Artwork can be unframed and rolled for shipment. Issued: 1926Dimensions: See DescriptionEdition Number: 1 of 100Condition: Age related wear. Minor soiling on lower right side of plate and on mat.
Los 182
Original etching on paper by American artist and printmaker Michael Biddle who depicts a multitude of individuals in a park where some interact, sunbath, or appear to be dead. Biddle's works are held at the Metropolitan Museum of Art, the New York Public Library, the Boston Public Library, the Library of Congress, the Walter Chrysler Museum, and many others collections. Edition in pencil on lower left: Proof. Signature in graphite on lower right: Michael Biddle. Artwork dimensions: 18.75"L x 13.75"H. Artist: Michael John Biddle (American 1934-2013)Issued: c. 1960Dimensions: See DescriptionEdition Number: ProofCountry of Origin: United StatesCondition: Age related wear. Minor soiling on upper right edge. Small area of browning on center right.
Los 180
The Napoleonic Battle of Pul-Tusk is a very detailed satirist etching that depicts the Russo-Prussian army as anthropomorphic bears and the French forces as monkeys with pliers trying to remove the fierce teeth from the bears. It includes proto-bubbles with inscriptions to guide the reader through the chaotic battling field that resulted in an indecisive battle. Under the paper sheet signature: A. P. Chalon ? Sight size: 11"L x 11"H. Mat size: 17"L x 14"HArtist: Charles Williams (British, 1797-1830)Issued: 1807Country of Origin: EnglandCondition: Age related wear. Small tear on the lower left side of the print.
Los 228
Antique original etching on thick laid paper entitled The Minogoat, attributed to 18th century British cartoonist and political commentator William Austin. Inscribed in plate below title: Come & purchase poor Taff's dainty cakes, & fine fruit, Hur will give you Lies, Noise, News, & Nonsense to boot. Artwork dimensions: 14"L x 12"H. Mat size: 17"L x 13.25"H. Artwork can be unframed and rolled for shipment. Artist: William Austin (British 1821-1820)Issued: c. 1780Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Los 226
Small edition original etching on paper of world renowned Spanish cellist, composer, and conductor Pablo Casals with his name in cursive below his portrait. Name and date in plate on center right: illegible 1926. Edition number in pencil on lower left: 1/100. Signature in graphite on lower right: illegible. Artwork dimensions: 9.50"L x 12"H. Mat size: 11"L x 14"H. Artwork can be unframed and rolled for shipment. Issued: 1926Dimensions: See DescriptionEdition Number: 1 of 100Condition: Age related wear. Soiling on mat.
Los 181
A collection of 16th- to 18th-century engravings comprising: an engraved profile portrait of Bias of Priene [one of the "Seven Sages of Greece"], 170 x 123mm; Genealogia Duplex...[a genealogy of the early history of Rome], 22.5 x 28.5cm; Circus Maximus [ancient Roman chariot-racing stadium], 22.5 x 29cm; Eleonore de Gonzague [Empress of the Holy Roman Empire], after Balthasar Moncornet, 178 x 131mm; Roma Vetus et Nova...[Ancient and Modern Buildings of Rome], after Giacomo Lauro, 22.5 x 28.5cm; Le Prix de l'Agriculture, aquatint, 30.5 x 40cm; A River Landscape with Child on Bridge, etching by Francois Boucher, 1759, 23 x 36.5cm; a pair of battle scenes depicting King Philip and Perseus, 29 x 35cm; a map of Cadiz, by Gabriel Bodenehr, 18 x 28cm; four small Italian architectural views, 7 x 11cm. Condition varied, sold with all faults. NB. All measurements are for the sheets rather than the plate-marks (14)
Los 97
Tracey Emin (British 1963-), 'Closed', 2013, etching on Somerset soft white paper, signed, titled, dated, and numbered from an edition of 200 in pencil; sheet: 38 x 36.5cm (framed)ARR sheet: 38 x 36.5cm (framed) In very good condition No visible knocks, tears or creases to the sheet Deckled edges in good condition This work has been framed in a wooden frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Los 99
Tracey Emin (British 1963-), 'You Forgot Who You Are', 2013, etching on Somerset soft white paper, signed, titled, dated, and numbered from an edition of 200 in pencil; sheet: 37 x 40cmARR sheet: 37 x 40cm In very good condition No visible knocks, tears or creases to the sheet One very minor mark to the upper edge of the sheet, potentially from the time of production Deckled edges in good condition This work has been framed in a wooden frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Los 572
800 silver trophy cup engraved "VI Section Jubilaums-Pferde-Ausstellung Wien 1898 Gespendet Von Julius von Kwizda Korneuburg" (Section VI Jubilee Horse Exhibition Vienna 1898 Donated by Julius von Kwizda Korneuburg) with inlaid carved shell cameo of Minerva. The trophy cup of lidded goblet form with ornate etching and repousse work. Marked on the underside of the lid and at the base with Austrian Dianakopf for .800 1872-1922 and A for Vienna, and marker's mark W&C.Height: 11 1/2 in x diameter: 5 1/2 in. Gross weight: 454.4 g.Condition: Finial loose. Some tarnishing and accretions to recessed areas. Some separation from base, see photos. Some minor dents.
Los 126
Set of two artworks on paper. One etching depicts the interior ambulatory of Chartres Cathedral with signature in graphite on lower right and name in plate : illegible. The second print is a collotype of the 14th century ivory sculpture La Vierge au Berceau (The Virgin Breastfeeding Jesus.) Chartres dimensions: 11"W x 15"H. Virgin sheet dimensions: 9"W x 12.50"H. Issued: c. 20th centuryCountry of Origin: FranceCondition: Age related wear. Chartres: Rip on center top edge and worn edges. Virgin: soiling on center right.
Los 256
Robert Walker Macbeth RA (1848-1910) - 1901 Etching. Ferry Crossing/boarding. FARWELL. Gypsies on a cambridgeshire Ferry. Signed in pencil by the artist to the lower left. Framed and Glazed. Etching size; 44cm x 27cm. Printed letterpress [small, lower margin] London August 1st 1901. William R. Howell & Co
Los 123
Walcot (William, 1874-1943). Architectural Water-colours & Etchings, with an Introduction by Sir Reginald Blomfield, 1st edition, 1919, colour frontispiece and black & white plates, original etching with pencil signature of the artist slipped in, preliminary leaves, original brown cloth gilt, folio, Limited edition of 275 copies, this copy numbered 123. A few chips to the cloth spine, with 4pp order form tipped into the front
Los 268
A British 1821 Pattern Artillery Officer's Sword to the 1st Newcastle Volunteer Artillery, the 83.5cm single edge fullered blade etched with regimental badge and with original owner's monogram, by W.W.White, Francis St., Woolwich, with Proved poincon, the silver plated three bar hilt with wire bound fishskin grip, with leather sword knot and wood service scabbard lacking its leather covering, 101cmBlack patching to blade with very faint etching. Some black pitting to hilt and wear to plate. Scabbard lacking its leather covering and with splits to the shoe.
Los 276
A Victorian 1827 Pattern Infantry Officer's Sword to the Wolsingham Rifles, the 83cm fullered steel blade crisply etched with the Royal cypher, regimental badge and scrolling foliage, the ricasso etched J.P. DOLPHIN, 17TH D.R.V., the steel gothic hilt pierced and engraved with the Royal cypher, with wire bound fishskin grip and steel scabbard, 101cmBlade good with crisp etching. Rust pitting and black patching to hilt and scabbard.
Los 457A
A collection of prints / engravings comprising AFTER SPY "Vanity Fair print of a house" and another "Oxford Circuit", AFTER F MACKENZIE "Ante-chapel of Jesus College", published London November 1st 1814 at 101 Strand for R Ackerman's History of Cambridge, a further black and white etching "Col Jisu Apud Cantabrigzenses" and AFTER T UNWINS "Doctor in Physik" and "Doctor in Divinity in Convocation", published R Ackerman's History of Oxford (6)
Los 478
A set of six 19th Century black and white engraved and later coloured book plates of various ornithology including one depicting various pheasant breeds including peacock, golden pheasant, Lady Amherst pheasant, turkey etc plate No. XXIII, 28 cm x 37 cm and various others (6), together with three boxes of assorted books to include J ARTHUR THOMSON "The New Natural History Vols I-III" published George Newnes Ltd London, edited J A Hammerton "Wonders of the Animal World Vols I-IV", KIRKMAN & JOURDAIN "British Birds", J LEWIS BONHOTE "Birds of Britain", CASSELL'S "The Pageant of Nature Vols I-III", together with various other volumes(including first editions), a cased set of thirteen books by TENNYSON published Henry S King & Co. London 1877 etc, together with FRANK RINDER "D.Y. Cameron - An illustrated catalogue of his etched work with introductory essay and descriptive notes on each plate" published James Maclehose & Son, Glasgow 1912 No'd 32 of 700 (the etching "The Lion and Unicorn" has been cut out of the volume and is not present)
Los 378
A Victorian Naval Officer's sword, with a shagreen handle, and lion mask pommel, with an etched blade, lacking a scabbard, blade 78cm 92.5cm overallShipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportThe etching to the blade with rubbing. Lettering indistinguishable. with knicks to the point of the blade.
Los 13
James McNeill Whistler (American, 1834-1903). Etching and drypoint on laid paper titled "Billingsgate" depicting crowds gathered around sailboats, ca. 1859. Signed and dated in print along the lower center. With a certificate of authenticity from Merrill Chase Galleries; numbered C25602.Provenance: Merrill Chase Galleries; Private Minnesota Collection.Reference: Kennedy 47.Plate; height: 6 in x width: 9 in. Sheet, sight; height: 6 3/4 in x width: 9 1/2 in. Framed; height: 17 3/4 in x width: 21 3/4 in x depth: 1 1/4 in.Condition: The sheet is toned. There is a spot of foxing in the lower margin. There are no visible tears, creases, losses, or restorations. Slight undulation to the sheet. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Los 17
Etching on paper titled "Varenna Lago di Como" depicting a canal off of the famous Italian lake, 1994. Pencil signed and dated along the lower right. Inscribed "A/P" (Artist Proof) along the lower center. Titled along the lower left.Height: 21 1/4 in x width: 28 in.Condition: There are areas of toning and foxing throughout, mainly in the margins. Undulation to the sheet. Some areas of rubbing and small tears along the margins. Small creases along the margins. There is a deeper crease running vertically through the right third. The work is not framed.
Los 109
Marcelo Bonevardi (Argentinian, 1929-1994). Etching on zinc on paper titled "Facade," 1966. Pencil signed and dated along the lower right; numbered 31/100 along the lower left. Blind stamp N.Y.G.W. along the lower left. In a folder titled "Greetings 1967" from Galeria Bonino, New York.Height: 11 in x width: 8 in.Condition: There are no major losses, tears, creases, or signs of restoration. Light wear to the deckled edges. There is a pink smudge along the lower left margin. There is light soiling throughout the verso. The work is not framed. There is toning, foxing, a small tear along the upper edge of the folder. The number 1 is written over the printed number 2 in the interior of the folder.
Los 114
Wayne Thiebaud (American, 1920-2021). Etching and aquatint on paper titled "Freeway Curve" depicting a busy highway curving from the lower edge to the left edge, 1979. Pencil signed and dated along the lower right; numbered 16/50 along the lower left. With labels from B.R. Kornblatt Gallery and Rentail Gallery Baltimore Museum of Art affixed to the verso.Sight; height: 20 in x width: 23 in. Framed; height: 30 in x width 36 1/4 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Los 10
Salvador Dali (Spanish, 1904-1989). Color etching on paper titled "Pegasus" depicting the mythical winged horse in pinks and yellows, ca. 1968. Pencil signed and numbered 192/250 along the lower margin.Sight; height: 10 in x width: 8 in. Framed; height: 21 in x width: 18 in x depth: 1/2 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restoration when viewed under UV light. There is a slight undulation to the sheet. Housed under an acidic mat. Framed under plexglass; light wear to the frame. Not inspected out of frame.
Los 94
Emile Gilioli (French/Italian, 1911-1977). Etching titled "Lanciers" depicting intertwined black lines against a gray background. With a poem of the same name by Jean Follain (French, 1903-1971).From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) height: 15 1/4 in x width: 11 1/2 in.Condition: No tears, losses, or restorations. Light handling marks along the edges. Some toning to the poem. Not framed.
Los 7
Eduard Wiiralt (Estonian, 1898-1954). Copperplate etching on paper titled "Kabaree (Cabaret)" depicting an intense surrealist view of a crowded club, 1931. Ink signed along the lower right; inscribed "Cabaret - eau forte 1931" along the lower left. Inscribed in pencil along the verso "19 III 1948 Soome Paber."Reference: Kangilaski 59.Height: 23 in x width: 26 in.Condition: The sheet is toned, more so along the perimeter of the image, likely due to a previous framing. There is a crease in the lower left corner and a small loss to the extreme edge of this corner. There is a loss to the upper right corner and a crease. There is a clear piece of tape along the center edge of the etching which covers a tear. There is a smaller tear just to the right of this piece of tape. There is a tear along the upper center edge which extends from the edge of the sheet down to the edge of the image. Signs of moisture exposure to the upper left edge and the lower edge. Undulation to the sheet throughout. Along the verso there are a few areas of skimming corresponding to old areas of tape. One piece of old framer's tape along the lower left corner. Three pieces of clear tape corresponding to tears. Areas of moisture exposure running horizontally through the center of the work and along the lower edge. The work is not framed.
Los 118
David Rathman (American, b. 1958). Etching and aquatint on paper titled "It's Just My Rough Habits, I Guess." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Titled along the top edge of the print.Sheet; height: 17 1/4 in x width: 15 in. Matted; height: 28 in x width: 22 in.Condition: The colors are bold and deep. The sheet is slightly toned. There are no visible tears, losses, or restorations when viewed under UV light. Some areas of soiling throughout the margins of the mat. The work is not framed.
Los 8
Eduard Wiiralt (Estonian, 1898-1954). Copperplate etching on paper titled "Porgu (Hell)" depicting an intense surrealist rendition of hell, with figures melding into each other in contorted positions, 1930. Ink signed along the lower right; inscribed "Porgu - eau forte ja vaselige 1930" along the lower left. Additionally signed in print along a creature in the lower left of the image. Inscribed in pencil along the verso "122 III 1948."Height: 22 1/2 in x width: 25 1/4 in.Condition: The sheet is toned unevenly - more so around the perimeter of the image. Some light wear along the extreme edges of the sheet. Some evidence of moisture exposure along the lower edge of the sheet - the lower edge is slightly discolored. A few small pieces of old tape affixed to the edges of the verso. There are few areas of light skimming likely corresponding to now lost pieces of tape. The work is not framed.
Los 93
Todd Norsten (American, b. 1967). Etching on paper depicting a whirlpool. It is signed and dated 1997 along the lower right; inscribed "Trial Proof" along the lower left.Sight; height: 16 3/4 in x width: 12 1/4 in. Framed; height: 26 1/2 in x width: 22 in x depth: 3/4 in.Condition: The colors are bold. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
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78472 Los(e)/Seite