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Los 136

δ Robert Couturier (1905-2008)UntitledEtching with aquatint printed in colours, 1976, signed and inscribed from the edition of 45 in pencil, an artist's proof aside from the edition of 100, on wove paper, printed by Ateliers Georges Visat, Ateliers Lacourière et Fréaulat and Ateliers Crommelynck, published by Georges Visat, Paris, with full margins, plate 255 x 196mm (10 x 7 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 14

NO RESERVE δ John Hewitt Big Race WinnerEtching with aquatint, 1987, signed, dated, titled and numbered from the edition of 48 in pencil, on cream wove paper, published by the Royal College of Art, London, the full sheet, 306 x 306mm (12 x 12in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 62

δ Emilio Greco (1913-1995)Ommagio a MichelangeloEtching printed on a coloured ground, 1975, signed and numbered from the edition of 200 in pencil, on wove paper, printed by Schneider, Berlin, published by Foundation Bruckmann Stiftung, Munich, the full sheet, 800 x 700mm (31 1/2 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 19

NO RESERVE δ John Hewitt (b.1955)RaftEtching, 1996, signed, dated and numbered from the edition of 100 in pencil, on wove paper, published by the Royal College of Art, London, the full sheet printed to the edges, sheet 575 x 758mm (22 5/8 x 29 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 141

δ Elle Krystufek (b.1970)It's EnoughEtching, 1995, signed, dated and numbered from the edition of 50 in pencil, on Hahnemuhle paper, from the Stutz Mappe portfolio, sheet 500 x 400mm (19 5/8 x 15 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 167

NO RESERVE δ Stefan Hirsig (b.1966)Fahrenkamp's RasterEtching, 1995, signed, dated and numbered from the edition of 50 in pencil, on Rives paper, from the Stutz Mappe portfolio, sheet 510 x 380mm (20 x 15in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 104

Jim Dine (b.1935)Kali The book, 1999, comprising 15 etchings with aquatint, with title, text and justification pages, this copy signed on the title page and numbered from the edition of 30 in pencil on the justification, published by Enitharmon Press, London, all bound (as issued) within the original blue cloth covered boards with matching slipcase, together with a separate untitled etching, on wove, signed, dated and numbered from the edition of 30 in pencil, the full sheet loose as issued within a separate wallet, overall 245 x 187mm (9 5/8 x 7 3/8in) (vol) (16)

Los 1

Giovanni Battista Piranesi (1720-1778)Ponte Trionfale (Triumphal bridge)Etching, circa 1760 but a slightly later impression, with good margins, from "Opere Varie di Architecttura", platemark 160 x 220 mm (6 1/4 x 8 3/4 in) (framed)

Los 166

NO RESERVE δ Walter KranzDie Schwestern VeronalEtching printed in colours, 1995, signed, dated and numbered from the edition of 50 in pencil, on Hahnemuhle paper, from the Stutz Mappe portfolio, with full margins, sheet 400 x 480mm (15 3/4 x 17 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 20

NO RESERVE δ Freya Payne (b.1968)BruiseScreenprint, lithograph and etching printed in colours, 1996, signed, titled and numbered from the edition of 100 in pencil, on wove paper, published by the Royal College of Art, London, with full margins, sheet 758 x 575mm (29 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 494

Pencil Etching - 1816 a delightful pencil drawing of ladies' in period dress in black + gold frame, artist name unknown. 21.1/2 x 15.1/2 approx

Los 496

Pencil Etching - Horse's by Herman Laiar 194.11.C3C5 8/50, nicely framed in darkwood, 15 x 11.1/2 inch approx

Los 1332

AR Dame Elizabeth Frink (1930-1993) “The Reeves Tale” etching, signed, inscribed and numbered 17/70 in pencil to lower margin 27 x 30cm

Los 453

S. AUGUSTUS-MITCHELL, BANK OF BALTIMORE, HAND COLOURED ETCHING, 1860, 29 X 25CM AND A FRAMED SET OF CONFEDERATE BANK NOTES

Los 3591

Local Interest - Caricatures, Derby Election, April, 1859, Published by Bemrose & Sons, composed of 13 full-page lithographs of political satires and cartoons, original wrappers, oblong 4to; Isaac Cruikshank (1764-1811), by and after, A Flight Across the Herring Pool, showing William Pitt the Younger and Henry Dundas, 1st Viscount Melville, by the shore of the Irish Channel encouraging the flight of Irish MPs across the sea, Pub: by S.W. Fores, 50 Piccadilly, [London], June 20th 1800 [...], monochrome etching, 26cm x 41cm; William Heath (1795-1840), by and after, Don't You Remember the 5th of November, Pub by T McLean, 26 Haymarket [...], [London, n.d.., 1800], monochrome etching, 30.5cm x 42.5cm, [3]

Los 3662

Binding - Burton (John Hill, D.C.L., LL.D.), The Book-Hunter etc., A New Edition with a Memoir of the Author, numbered limited edition 87/1000, William Blackwood and Sons, Edinburgh and London 1882, pp: [vi], x, civ, 427, [i], portrait frontispiece etching of the author by William Brassey Hole RSA (1846 - 1917), further full-page lithographic plate of a library, woodcut borders, vignettes, head and tail pieces and initials, full contemporary red crushed morocco gilt, by Zaehnsdorf, stamped, the covers with a triple-fillet and flowerhead bosses to angles, the spine with six compartments tooled with Pliny's doves in scrolling foliate compartments, titled in the second and dated in the seventh compartments with gilt-lettered green morocco labels, further gilt scroll cross dentelles, marbled endpapers, top edge gilt, contemporaneous ink MS gift inscription to front free endpaper dated 1889, thick 8vo

Los 391

Boucher 1703 -1770, soft ground etching depicting cherubs and naked figure

Los 1070

Minna Bolingbroke, etching, the hen house, signed in pencil, plate size 7.5" x 8.5", framed

Los 1102

Pierre Bonnard (1867 - 1947), etching, Sainte Monique, signed in the plate, 12.5" x 9.5", framed

Los 1104

Norman Wilkinson, etching, fisherman, signed in pencil, plate size 8" x 10.5", framed

Los 1124

Etching, circa 1900, portrait of girl, indistinctly signed in pencil, plate size 10.5" x 8.5", unframed

Los 1127

Gordon House, colour etching, abstract fish, artist's proof, signed with monogram, plate size 12" x 12", unframed

Los 1128

Gordon House, coloured etching, dragon, trial proof, 1981, signed in pencil, plate size 3.5" x 6.5", unframed

Los 1129

Gordon House, coloured etching, abstract geometric, signed in pencil, dated 1950, artist's proof, plate size 11" x 15", unframed

Los 1158

Tilopa Monk, etching, abstract, signed in pencil, plate size, 12" x 15.5", unframed

Los 1248

Erich Wolfsfeld, etching, circa 1910, komischer alten, image 12" x 9.5", framed

Los 1307

Glen Mingham, coloured etching, florette, signed in pencil, no. 16/100, plate size 7" x 5.5", framed

Los 1309

Gilbert Browne, etching, Kilchurn Castle, signed in pencil, image 17" x 13.5", framed

Los 7

ENGRAVING AFTER FILIPPO MORGHEN - 'ALL' ECCELLENTISS. COLLEGIO REALE DI MEDICINA DI EDINBURGH', together with a soft etching of a woodland scene by Jos. Farington 1790 and an engraving by J. Mason after T. Smith - 'A View in Newstead Park belonging to the Rt. Hon. The Lord Byron', laid down (3)

Los 406

‡ENOCH FAIRHURST. (1874-1948)The Cordwainer, lithograph,pencil signed, inscribed and numbered 37/50 in the lower marginPl. 13 1/4 x 11 in; and a signed etching by C. Batoul depicting an engraver at work; two (2) The artist lived in Bolton for most of his life. He was elected a member of Manchester Academy and of the RMS in 1932

Los 175

Williams (Charles). The Female Agent, published Walker, March 1809, etching with contemporary hand colouring with eighteen lines of verse below the caricature, small margins, 330 x 230 mm, mounted, together with Williams (Charles). Mother Carey's Chickens.These birds have lately been seen hovering above the Horse Guards, circa 1808, etching with contemporary hand colouring, slight marginal fraying, 250 x 385 mm (Qty: 2)Both caricatures show Mrs. Mary Ann Clarke, the one time mistress of Frederick The Duke of York. The scandal revolved around the alleged involvement of the Duke of York, the king's second son and commander-in-chief of the army, in the sale of army commissions by his former mistress with the implication that this had taken place with the Duke's tacit approval. . Mrs Clarke had been dropped by the Duke in 1805 but her silence had been purchased with an annual pension paid by the Duke - out of the civil list - but he stopped the allowance in 1808. In an act of revenge Mrs. Clarke freely admitted to having trafficked in military appointments in return for money, and arguing that the Duke had been complicit in these transactions. An attempt by Gwyllym Wardle - a radical M.P. - to lauch an inquest into the case and ultimately to bring down the Duke failed but the case became increasing complex when it was revealed that Mrs. Clarke had been paid £10,000 and given an annuity of £400 by the government in return for the Duke of York’s love letters and the destruction of her prepared memoirs. In a final act of revenge Clarke managed to persuade an upholsterer, Francis Wright, to sue her chief prosecutor, Wardle, for non-payment of a bill for furniture for her new London house. The case came before Kings bench on 3rd July 1809,and it emerged for the first time that Wardle had probably bought Mrs. Clarke’s hostile testimony against the duke with a promise to pay for the furnishing of her house. The jury found for Mrs Clarke and Wardle was ordered to pay £1,095 for the furniture and £1,194 in legal costs. The public scandal led to Wardle's downfall and he eventually had to flee to the continent to escape his creditors.

Los 165

Gillray (James). Inspecting a Volunteer Corps in Hyde Park, Published H. Humphrey,1803, etching with contemporary hand colouring of Charles Earl of Harrington, good margins, 260 x 200 mm, together with Heroes Recruiting at Kelsey's - vide St. James on the 4th June, published James Miller, Edinburgh, [1824 - 1827], etching with contemporary hand colouring and supplied with two pages of contemporary descriptive text, large margins, 280 x 200 mm (Qty: 2)

Los 166

Gillray (James). Preliminaries of Peace! - or - John Bull and his little friends "Marching to Paris", published H. Humphrey, 1801, etching with contemporary hand colouring, 245 x 350 mm, mounted, framed and glazed (Qty: 1)

Los 461

Knickbocker (Diedrich) . A Humourous History of New York, from the beginning of the World , to the end of the Dutch Dynasty;..., new edition, 1820, printed for W.Wright, black & white engraved frontispiece, some spotting throughout, contemporary gilt decorated full calf, boards & spine slightly rubbed, hinges cracked, 8vo, together with Cromek (R.H.) , Reilques of Robert Burns;..., 1808, printed for J. McCreery, contemporary inscription to head of the title page, some light spotting, contemporary tree calf, boards & spines rubbed to head & foot, lacking spine labels, 8vo, and Wyman & Sons [publisher] , Royal Album of Arts and Industry of Great Britain, 1887, colour portrait frontispiece, numerous black & white illustrations, all edges gilt, minor marginal toning, original gilt decorated red morocco, boards & spine rubbed, large 4to, plus other mostly 19th century literature, history & reference, including Etching Club, circa 1840, 40 monochrome etchings, original decorative binding, The Rural Cyclopedia ,..., 4 volumes, by John M. Wilson, 1847, all leather bindings, many gilt decorated, some odd volumes, condition is generally good/very good, 8vo/folio. (Qty: 6 shelves)Approximately 110 volumes.

Los 162

Cruikshank (George). The Battle of Vittoria, published T. Tegg, July 7th. 1813, etching with contemporary hand colouring, 240 x 350 mm, together with Heath (William). At home again, Abroad [and] At home, published Thomas McLean, circa 1830, three etched images on one sheet, all with bright contemporary hand colouring, 260 x 370 mm, with Cruikshank (Isaac). He would be a soldier, or the History of John Bull's Warlike Expedition, [published S. W. Fores, 1793], etching with contemporary hand colouring showing a sequential series of seven figures, some staining and soiling, trimmed to plate mark with loss of publication line, 285 x 385 mm (Qty: 3)

Los 172

Rowlandson (Thomas). The Contrast, 1792, British Liberty [and] French Liberty, Which is Best, 1792, uncoloured etching of two allegorical medallions, occasional marginal closed tears, one with slight loss, 265 x 375 mm, together with Volunteer Wit or not enough for a Prime, published Thomas Woodward, circa 1808, etching with contemporary hand colouring, occasional marginal closed tears, 240 x 345 mm, mounted (Qty: 2)

Los 164

Gillray (James). French Volunteers, Marching to the conquest of Great Britain, published H. Humphrey, 1803, etching with contemporary hand colouring, slight staining and creasing, 220 x 605 mm, mounted, framed and glazed (Qty: 1)

Los 174

West (Temple, attrib.). John Bull teazed by an Ear-Wig!!!, published Wm. Holland, 1813, etching with contemporary hand colouring, 340 x 235 mm, mounted, framed and glazed, together with Holland (William, publisher). John Bull clipping the Corsican's Wings!!, 1803, etching with contemporary hand colouring, 345 x 240 mm, mounted, framed and glazed (Qty: 2)

Los 173

Rowlandson ( Thomas). The Sign of the Four Alls, circa 1810, etching with contemporary hand colouring, thread margins, 230 x 330 mm (Qty: 1)

Los 251

Herbert Thomas Dicksee (1862-1942) : Forgotten, etching, signed in pencil, published by Frost & Reed, 1923, 28 cm x 39 cm, framed. CONDITION REPORT: Unexamined out of frame. A good impression.

Los 252

Cecil Aldin : I`m not allowed on this sofa, drypoint etching, numbered 72/100, signed in pencil, with margins, 20 cm x 32 c, framed. CONDITION REPORT: Unexamined out of frame. Very slight staining/foxing. A good inky impression.

Los 277A

Salvator Rosa, 1615 - 1673 Etching: "The Rescue of the Infant Oedipus," 73cms x 48.5cms (28 3/4" x 19") etching with dry point Second State of Two, a very good impression, signed 'pinxit' in recent hogarth frame. (1)

Los 411

AR Anthony Gross (1905-1984), "Valentine's Fortune", black and white etching, signed, numbered 66/75 and inscribed with title in pencil to lower margin, 32 x 23cm

Los 412

Gillian Lawson, signed and dated 81, limited edition (18/175), coloured etching and aquatint, "Gone Fishing", 37 x 43cm

Los 681

AN EARLY 20TH CENTURY ETCHING 'Stinsford Church, Hardy's Mellstock', a watercolour of a cottage and topographical prints

Los 684A

MICHAEL BLAKER, R.E: 'Rainy Evening in London', etching

Los 616

A collection of pictures and prints including an 18th century black and white engraving after Sir Joshua Reynolds of the Duke of Gloucester as a boy, a gouache of a Brittany street scene by Ken Kernick, an oil on canvas of a bull fighting scene, a coloured etching of Mullion Cove signed Francis Wells, a poster from the Museum of the City of New York exhibition of the works of George and Ira Gershwin, 1968 and a folder of various screen prints, watercolours, etc (8)

Los 624

D C Sturgess (20th century British) - Study of an elderly woman, black and white etching, signed in pencil, 20.5 x 25cm, together with two late 19th century reverse paintings on glass both showing landscape subjects with figures, ruins, etc, 40 x 60cm, one in burrwood frame, further burrwood framed 19th century engravings and prints including Shakespearean subjects, The Marine Palace at Brighton with Queen Victoria, etc, together with a pair of relief moulded panels showing a Cornish fisherman and a Cornish fishwife, various sizes all framed (19)

Los 647

Tim Buhner (20th/21st century) - Cartoon on a yacht racing theme, watercolour on paper, signed, 17.5 x 13.5cm, a signed coloured limited edition etching of a cricketing caricature by the same artist, a signed black and white caricature print of - Retirement Age Protest by Matt, 25 x 17.5cm, a coloured print after an 18th century engraving of the Venetian lagoon, etc, all framed (6)

Los 1020

Donald MacKenzie, etching ' Still Life with Pepper Plant ', No. 1 of 50, signed and dated '74, 9.75ins x 7ins, in a silvered frame

Los 1132

E. Owen Jennings signed etching, entitled 'Sand Cart Sienna ', unframed, 11ins x 13ins

Los 467

William Walcot (British 1874-1943)/Segovia Bridge, Madrid/signed/etching, 15cm x 34.5cm

Los 503

M Welch/Companions in a Landscape/pencil, 13cm x 18cm/William Walcot (1874-1943)/Middle Eastern Scene/etching/and another picture

Los 452

Arthur Henderson Hall, Gathering Sticks, signed and titled, etching, 12cm x 10cm; another by the same hand, The Tired Woman, 11.5cm x 15cm. (2)

Los 453

English school, A Kitten, indistinctly signed in pencil, etching with drypoint, 24cm x 33cm.

Los 462

O Branson, watermill door, signed in pencil, etching, 27cm x 19cm; after Boydell, King Henry The Sixth, hand coloured stipple engraving; engraving of Priory Gate Kenilworth; contemporary print of Hogarth's Roundabout; and a photographic print. (5)

Los 628

A 20th century etching, indistinctly signed and titled, 20 x 27cm

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