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78475 Los(e)/Seite
Los 279
Frank Paton (1856-1909) - Etching - Fox hunting scene with dogs crossing the railway, 9.75ins x 15.75ins, signed in pencil to margin, in oak frame and glazed, and - Colour engraving - “Bristol” - “Bird’s eye view of Bristol and Clifton Hills from the spire of St Mary Redcliffe” surrounded by eight other vignettes showing views in Bristol, 14ins x 20ins
Los 441
* Thomas Rowlandson 1756-1827- "Political Terriers hunting for new Taxes", publ June 23 1806 No 1 James S Adelphi; hand-coloured etching, 24x34.5cm: James Gillray 1757-1815- "Meeting of Unfortunate Citoyens", publ May 12th 1798 by H Humphrey 27 James Street; hand-coloured etching, 25.5x36cm: James Gillray 1757-1815- "Visiting the Sick", publ July 28th 1806 by H Humphrey 27 Stt James`s Street; hand-coloured etching, 26x36cm: James Gillray 1757-1815- "The Phantasmagoria or a Review of Old Times", publ by T Williamson No 20 Strand London March 9th 1803; hand-coloured etching, 24.5x35cm: James Gillray 1757-1815- "Playing at Parts", publ May 15th 1801 by H Humphrey No 27 St James`s Street; hand-coloured etching, 25.5x36cm: Thomas Rowlandson 1756-1827- "The Parody or Mother Cole and Loader", publ April 10th 1784 by W Humphrey 227 Strand; hand-coloured etching, 24.7x35cm: William J Colland, publ March 1809- "Spectacles for Lottery Adventurers or John Bull`s Eyes open at last"; hand-coloured etching, 30x24,5cm: George Cruikshank 1792-1878- "Whitlock the second or another tarnish of British Valor", publ Sept 29 1808 by S W Fores 50 Piccadilly; hand-coloured etching, 24x34cm: H Humphrey 27 St James`s Street, publ Jan 1st 1800- "The French-Consular-Triumverate settling the New Constitution with a peep at the Constitutional-Pigeon-Holes of the Abbe Seiyes in the Back round"; hand-coloured etching, 35x24.2cm: Robert Isaac Cruickshank 1789-1856- "Frank and Free or Clerical Characters for 1825", publ August 1825 by J Fairbairn Broadway Ludgate Hill; hand-coloured etching, 24.5x34.6cm., (10)
Los 452
* Frank Brangwyn ARA RE 1867-1956- Figures by the steps to a temple; etching, signed with monogram within the plate, signed in pencil, 49x71cm: European School, early 20th century- Figures in a temple; etching, signed with initials `MB` within the plate, signed in pencil, 66x56cm., (2) (unframed)
Los 454
* Hendrik Golzius 1558-1617- "L`Enfant et le Chien", 1599; copper engraving, trimmed, 35x26.4cm: Jacques Callot 1592-1638- "Battaglia del re Tessi e del re Tinta FestaRapresentata in Firenze el Fivme d`Arno il di XXV di Lvglio 1619"; engraving, 1619, 22.3x30.5cm: Caroline Naudet, French 1775-1839- Two classical figures; engraving, bears inscription on the reverse, 30x20cm: After Dante Gabriel Rossetti 1828-1882- Portrait of a lady; red crayon over lithograph, 24.5x18cm: After Rembrandt van Rijn 1606-1669- "Three Oriental Heads, First Head, Full Face",1635; etching, 18x14cm: After Rembrandt van Rijn 1606-1669- "The Raising of Lazarus"; etching, 32x16.5cm: After Albrecht Dürer 1471-1527- "Joachim and Anna at the Golden Gate, 1509; reproduction print, trimmed 29.7x20.6cm: After Albrecht Dürer 1471-1527- "The Adoration of the Shepherds", from The Life of The Virgin; reproduction print, trimmed, 30.1x20.7cm: Luigi Rossini 1790-1857- "Veduta dell`Arco di Tito", 1819; etching with aquatint, 33.5x24cm., (a lot)
Los 459
* AMENDMENT: This lot no longer contains the Whistler reproduction print: Henri Jourdain 1864-1931- Cottage off the beaten track, publ L`Estampe Moderne 12 rue de Godot Mauzoi Paris, 1920; etching with aquatint printed in colours, signed in pencil, 48x63cm: After James McNeill Whistler 1834-1903- Study of a man, 1859; reproduction print, 22.7x15.7cm: British School, 19th century- "Breaking cover" publ Dean & Munday, 35 Threadneedle Street (according to label attached to verso), hand-coloured engraving, 19.6x26cm: Bernard, 19th century- "Paulmerie, Instrumens de Paulme", after Lucotte; engraving, 35x22.5cm., (4)
Los 474
William Henry Earp, British 19th Century- Mountain lake scenes; watercolour on paper, a pair, signed, 55x25cm., ea: English School 19th century- Figures by a boat on the shore; watercolour on paper, 16x22cm: A J Thornton, 20th century- Luxury barges and gondolas, Venice; watercolour on paper, a pair, signed, 36x134cm., ea: N Read, 20th century- Coastal scenes; watercolour on card, a pair, signed and dated, 25.5x18cm: 20th century- Harvesters; printed on fabric, signed, 29x24.5cm: J G Timsall, 20th century- Lion and Lioness; oil on canvas, signed and dated 1917, 50x65cm: British Provincial School 19th/20th century- Passage way, Spain; watercolour on paper, bears signature and date, 34x26cm: Edward Sharland fl.1911-1925- Street market scene; etching printed in colours with some hand-colouring, 48x37.5cm: English School, 19th century- Figure on country path; watercolour on paper, signed indistinctly, 23x30cm: Mid-late 20th Century School- Lake & mountain scene with caravan in foreground; watercolour on paper, signed indistinctly, 20.5x32cm., (13) (may be subject to Droit de Suite)
Los 476
Lorraine D Marianelli, American, 1917-2007- Futurist landscape; etching, signed and dated 75 within the plate, 19.4x24.8cm: together with a mixed technique print by the same hand, signed, inscribed and number 1/3 in pencil, 43.5x30.5cm: together four etchings, three mixed technique prints with hand colouring, a number of Indian hand printed in oil skeleton pipal leaf pictures, and reproduction prints, by and after different hands, (a lot), (unframed)
Los 479
John Brunsdon, British ARE b.1933- "Dunwich Heath"; aquatint printed in colours, signed in pencil and numbered 95/150, 22.5x30cm: Derek Mynott RBA NEAC 1926-1994- "Venice from the Udo"; lithograph printed in colours, signed in pencil and numbered 32/200, 32.5x52cm: Fernando Rangel, late 20th/early 21st century- "The 2nd at Quail West"; lithograph printed in colours, signed in pencil and numbered 14/125, 37.5x50.5cm: Charles Bartlett, British b.1921- "Stepping Stones"; etching and aquatint printed in colours, signed in pencil and numbered 21/50, 39.8x44.5cm, (4) (may be subject to Droit de Suite)
Los 527
Helen Hanson SBA, British mid-late 20th century- `Red Hot`; etching on handmade paper, signed, titled and numbered 3/100, 39.6x35cm: together with one other similar etching titled `Prima Donnaon, signed, titled and numbered 7/100, 35x39.6cm: After Antoni Tapies b.1923- Untitled Composition; lithograph in colours, 37.7x83.2cm: After Alexander Calder 1898-1976- `Olem Nozzi` (1976); lithograph in colours, 36.6x55cm; together with one other similar lithograph after the same hand titled `Nozzi` (1976), 37.1x55.2cm: After Alberto Giacometti, 1901-1966- `Atelier`; lithograph, 37x55cm: After Hans Hartung 1904-1989- Poster for the Musée National d`Art Moderne; lithograph in colours, 72x51cm., (7) (a lot) (may be subject to Droit de Suite)
Los 545
After Charles Méryon, French 1821-1868- "The Abside of Notre Dame Paris"; etching, signed with monogram within the plate, 15x26cm: Benjamin Thomas Pouncy, British b. circa 1750- d.1799- "Rydal Mere", "The Lower Water Fall at Rydall" and "View of Ambleside", after Thomas Farrington RA, publ 1st Jan1789 by W Byrne No 79 Titchfield St; hand-coloured engravings, three, 24.5x35.8cm., ea: After Henry Alken 1785-1851- "You can have no IDEA what a magnificent day I have had, at least a dozen falls and twice in the brook Oh it was a most magnificent day: be kind enough to LEND ME A HAT" from "Ideas Getting Home after getting into every thing but Hot Water", publ by Thomas McLean 26 Haymarket May 1st 1830; hand-coloured lithograph, in a maple veneered frame, 18.5x24.5cm: After Spy (Leslie Matthew Ward) 1851-1922- Untitled portrait of a gentleman standing full-length; chromolithograph, 33x18cm: Antoine Monay (Yvon), French, early-mid 20th century- Notre Dame, La Madelaine, View of the Seine, and The Arc de Triomphe, Paris; etchings, four, each signed, 13.5x19cm., largest: together with a further quantity of prints of Paris, pictures and reproductions by and after different hands, (a lot)
Los 552
Circle of Paul Sandby Munn 1773-1845- View of an Abbey ruin; watercolour, David Waterson 1870-1934- A figure on horseback under a stormy sky; mezzotint printed in brown, with extensive rocker and roulette work, presumably a unique impression, bears indistinct title verso, 40x52cm: William Strange, Scottish 1859-1921- Italianette courtyard; dry-point etching, signed in pencil, initialed and dated 1913: M C Robinson, 19/20th century- Extensive highland landscape; aquatint: Vincent Brooks, Day & Son Lith 1888- "Pembroke"; Rev Ernest John Smith 1888 (Rowing) publ by Vanity Fair, Jan 28th 1888, lithograph printed in colours, after Hay, 31x19cm: John Marshall, publ c.1821- "A Representation of Twenty One Beasts Commonly Seen in England; engraving publ 1821: Carlo Maratta 1625-1713- St John the Baptist; etching, 20.6x14.2cm: After Peter Candid 1548-1628- Teresa of Avuili`s Vision of the dove; engraving, trimmed: Dirck Stoop c.1610-c.1681- Ponies grazing; etching, signed within the plate, on laid paper, (A/F) (unframed) (a lot)
Los 596
Hermann Struck, German 1876-1944- View of Jerusalem; etching on paper, signed in pencil below the plate, inscribed indistinctly in the plate, 13.5x22cm: together with four other prints by the same hand - Views of Palestine; etchings on paper, all signed in pencil below the plates, 18.5x24.5cm., (max) (5) (mounted) (unframed)
Los 607
Edward Burrow, late 19th/early 20th century- "New Court Corpus Christi, from the Archway" publ WH Beynon & Co Cheltenham; etching, signed and dated 1898 within the plate, signed in pencil beneath the plate, 27.4x19.4cm: together with another etching by the same hand and publisher depicting "The Chapel Corpus Christi College Cambridge", signed within and beneath the plate, 26.8x19.2cm: Daniel Havell 1785-c.1826- "Magdalen College Entrance Gate" and "Botanic Garden", Augustus Charles Pugin: hand coloured engravings, 20.3x13.3cm & 19.5x13.1cm: together with three other hand coloured engravings of Oxford university by and after various hands, the set of 5 mounted in matching frames, (7)
Los 625
Brenda Hartill, British b.1943- "Spring Variations IV"; etching in colours, numbered 122/200, signed in pencil and dated `86, 59x20cm: together with one other by the same hand- "Rooftop London 1987"; six separate etchings in colours on the same sheet, all signed, first artist`s proof, 9x11.2cm (each)., (in matching frames) (2) (may be subject to Droit de Suite)
Los 641
Attributed to Alphonse Dupont, French 1994-1877- Venetian Canal; etching, blind stamp `The Academy of Art ltd, Birmingham`, signed, 30x21.4cm: Francesco Bartolozzi RA 1727-1815- "The Jealousy of Lord Darnley, Husband of Mary Queen of Scots. Alarmed at Observing Her Entertained and Delighted by David Rizzio", after G.B.Cipriani, publ according to Act of Parliament 19 April 1793, by Ann Bryer No. 5. Poland Street. Soho; stipple engraving printed in colours, oval, 26.5x33cm: Mark Dunford, 20th Century- `Fowey II`; acrylic on board, 42x30.5cm: together with two 20th Century reproduction prints, 37.3x54cm., (max) (5) (a lot) (may be subject to Droit de Suite)
Los 653
Michael Chaplin, British b.1943- `St. Martin, Picardy`, `Viaduct`, `Water Trough`; etching and aquatint, all numbered or artist proof, titled, signed and dated 80 or 81, 43.5x56.5cm (max) (3): Susan Jameson, British b. 1944- "Moonlight"; mezzotint in colours, numbered 1/200, titled, and signed, 30x40cm: Peter Matthews b.1942 - `Evening Sea`; etching and aquatint, numbered 20/50, titled, signed and dated `83, 38.5x48cm: Norman Marcus, 20th/21st Century- "Lower Wessex Lane, Pummer; serigraph in colours, numbered 33/60, signed and dated `76, 44.5x50.5cm: Kenneth Leech, 20/21st Century- "Meadow Covert"; lithograph in colours, numbered 12/150, signed, 40x48.2cm: Brad Fain, 20/21st Century- `Ashes of Autumn`, `Springtime Promise; serigraph in colours, both numbered, titled and signed, 84x60cm (max) (2): together with four other prints by the same or various hands, 20/21st Century; serigraph in colours, all numbered or artist`s proof and signed, 54.5x74.2cm (max)., (unframed) (13) (a lot) (may be subject to Droit de Suite)
Los 662
Lewis Christopher Edward Baumer RI 1870-1963- "Vicars daughter (meeting one of her class)"; pen and ink, signed, bears conversation in pencil beneath, 33.5x24.5cm, Note: Baumer was a caricaturist who worked for over fifty years for the British magazine `Punch`. He studied at the Royal Academy and Royal College of Arts, in 1921 he was elected a member of the Royal Institution: Wilfred Fairclough, RE 1907-1996- Two women walking on a cobbled street; etching, signed and dated 1988, 19.7x13cm: Richard Bertram Ogle fl. 1920-1929- "Bacchanalia, with Nymphs and Satyrs", oil pastel, 29x22cm: William Nicholson 1872-1949- "W.E Gladstone"; lithograph, 25.2x23.1cm: with another of Cecil Rhodes by the same artist, 24.2x23.1cm, (5)
Los 664
Sidney Kent, late 19th/early 20th century- Portrait of an elderly lady seated half-length turned to the right; black chalk, signed and dated 1905, 35x26.5cm: Follower of Charles Edward Wagstaff b.1808- The letter; hand-coloured engraving, in a gilt frame, 60x46cm: Circle of Walter Granville Smith 1870-1938- Figures sitting by a port; watercolour, tranquil street scene; oil on canvas, two, held in a shared mount, bears indistinct inscriptions, 19x16.5cm and 17.5x16cm: Scottish School, early 20th century- "Inverness"; watercolour: English School, late 19th century- River scene in autumn; watercolour: English Provincial School, late 19th/early 20th century- Family by the hearth; watercolour, 12x17.5cm.: Frederick C Lewis I 1775-1856- "His Grace the Duke of Wellington K G", after Sir Thomas Lawrence PRA, publ June 18th 1840, by Graves & Comp, Pall Mall, London; engraving with extensive mattoir work & mixed technique: John Browne 1741-1801- "The Watering Place", after P P Rubens, publ Dec 1st 1770 by John Boydell; engraving, 48x60.5cm: Axel Herman Haig 1835-1921- "The Interior of Burgos Cathedral"; etching, signed with monogram and dated 1889 within the plate, signed in pencil, bears label for Robert Dunthorne, 5 Vigo Street, London attached to the reverse of the frame, 70.5x47cm: William Sharp 1749-1824- The Assumption of The Virgin, publ by John Boydell 1785; engraving, 59x39cm: together with a collection of further 19th century engravings, mezzotints and chromolithographs: (a lot) (part unframed) (af)
Los 667
After Salvador Dali, Spanish 1904-1989- Allegorical Saints and Angels; lithographs printed in colours, a pair, both bear signature, 24x17.4cm., ea., (2): Mary Rudolph, 20th Century- `Maxine`s sister`; etching, signed and dated `70, titled and numbered 12/20, 22.3x30cm: Danielle Nasso, 20th Century- Labourer with basket on stick; pencil on paper, signed and dated 3.86, 31x25cm: David N`Lalia, 20th Century- `Bush Men after the Hunt, Namibia`; acrylic, signed, titled, 58x26.5cm: together with a 20th Century reproduction print, 29x21cm., (6) (a lot) (may be subject to Droit de Suite)
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78475 Los(e)/Seite