78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Expressionismus - - Erste Ganymed Mappe. 1921. Folge von 13 Graphiken. Verschiedene Techniken, mit Radierung, Lithographie und Holzschnitt, davon 1 Arbeit handkoloriert. Zusätzlich mit 1 Textblatt (Inhaltsverzeichnis). Verschiedene Papiere, alle chamoisfarben und mit dem Trockenstempel der Marées-Gesellschaft. Blattmaße von 23 x 32,5 cm bis 46 x 32,8 cm. 12 Arbeiten jeweils signiert, 1 Arbeit stempelsigniert (Slevogt). Je punktuell auf Unterlage und unter Passepartout montiert, dieses je mit blindgeprägter Nummerierung. Je lose in originaler Halbleinen-Flügelmappe. - Einige Arbeiten altersbedingt im Passepartoutausschnitt mit gleichmäßiger Bräunung, 1 Blatt etwas unregelmäßiger gebräunt (Motiv nicht betroffen). Vereinzelt verso geringfügig braunfleckig. Mappe leicht fleckig und gebrauchsspurig. Die Drucke ingesamt sehr stark im Abzug und kontrastreich. Vollständige, wohlerhaltene Mappenausgabe mit graphischen Meisterwerken des Expressionismus. Söhn, 116. - Eines von 200 Exemplaren. - Enthält: - Bernhard Kretzschmar, Der Fleischerladen - Max Beckmann, Bildnis Dostojewskis - Karl Hofer, Tänzerin - Max Slevogt, Nach der Dantebarke Delacroix' - Rudolf Grossmann, Der Alte Gärtner - Alfred Kubin, Stier auf der Alm - Adolf Schinnerer, Der Kinderhirte - Max Unold, Kinder auf der Strasse - Richard Seewald, Stadt - Rene Beeh, Der Bettler - Rudolf Grossmann, Die Grossmutter - Alfred Kubin, Jeremias - Lovis Corinth, Tiergarten. - Hg. Julius Meier Gräfe für die Marées Gesellschaft. München, R. Piper & Co., Verlag der Marèes-Geselschaft, 1921. - Die »Marées-Gesellschaft« wurde 1917 von Julius Meier-Graefe zum Andenken an den 1887 verstorbenen Künstler Hans von Marées gegründet. Die Erste Ganymed Mappe erschien zur Vorzugsausgabe des Dritten Jahrbuches der Marées-Gesellschaft. Portfolio with 13 signed prints. Various techniques, with etching, lithography and woodcut, of which 1 work hand-coloured. Various papers, all buff and with the dry stamp of the Marées Society. 12 works each signed, 1 work stamped (Slevogt). Each mounted under passepartout and loose in original half-canvas folder. - Some works in the mount with even browning due to their age, 1 sheet a little bit more discoloured (motif not affected). Sporadically a little bit brownish on verso. Portfolio a little stained. The prints in general very strong in impression and rich in contrast. Complete, well preserved portfolio. - With works of artist as listed above.

Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). Broken/ straight, broken aus: Grids, using straight, not-straight lines & broken lines in all their possible combinations. 1973. Radierung auf Papier. 26,9 × 26,9 cm (26,9 x 26,9 cm). Verso signiert und nummeriert. Gerahmt (ungeöffnet). Dort verso mit dem Label der Susan Sheehan Gallery. - Teils sehr schwache Braunfleckcen am Rand, diese unauffällig. Insgesamt in gutem Zustand. Kunsthalle Basel/ Kornfeld Cie, E6 a), 16. - Eines von nur 25 Exemplaren. - Hg. v. Parasol Press, Ltd., New York. - Druck bei Crown Point Press, San Francisco. 1 etching from: Grids, using straight, not-straight lines & broken lines in all their possible combinations. On paper. Signed and numbered on verso. Framed (unopened). There on verso with the label of the Susan Sheehan Gallery. - Partly very faint brown spots at margins, these unobtrusive. Overall in good condition. - One of only 25 copies. - Published by Parasol Press, Ltd, New York. - Printed by Crown Point Press, San Francisco.

Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). Straight/ broken aus: Grids, using straight, not-straight lines & broken lines in all their possible combinations. 1973. 1 Radierung auf Papier. 26,9 x 26,9 cm (26,9 x 26,9 cm). Verso signiert und nummeriert. Gerahmt (ungeöffnet). Dort verso mit dem Label der Susan Sheehan Gallery. - Guter Zustand. Kunsthalle Basel/ Kornfeld Cie, E6 a), 3. - Eines von 25 Exemplaren. - Hg. v. Parasol Press, Ltd., New York. - Druck bei Crown Point Press, San Francisco. 1 etching from: Grids, using straight, not-straight lines & broken lines in all their possible combinations. On paper. Signed and numbered on verso. Framed (unopened). There on verso with the label of the Susan Sheehan Gallery. - Good condition. - One of only 25 copies. - Published by Parasol Press, Ltd, New York. - Printed by Crown Point Press, San Francisco.

Jahrhundertwende - - Lovis Corinth. (1858 Tapiau - 1925 Zandvoort). Die Versuchung des heiligen Antonius. 1919. Radierung auf Velin. 24,3 x 30, 4 cm (40,4 x 52,6 cm). Signiert, bezeichnet u. mit Inv., Prägestempel links "KV". - Blatt durch das vorherigen Passepartouts leicht gebräunt, vereinzelte Braunfleckchen (Motiv nicht betroffen), verso mit Spuren der vorherigen Montierung. Spannende Komposition mit z.T. schönem Blattenrand. Schwarz 353, I. Beim vorliegenden Abzug der Platte handelt es sich um den Zustand I vor der Nachbearbeitung. Die Platte befindet sich im Besitz des Kunstvereins Dresden u. wurde in dessen Jahresmappe 1919 herausgegeben. Etching on wove paper. Signed, inscribed a. with inv., embossed stamp on the left "KV". - Sheet slightly browned by the previous mount, isolated brown spots (motif not affected), verso with traces of the previous mounting. Exciting composition with partly nice margins. - The present print of the plate is condition I, before the reworking. The plate is owned by the Kunstverein Dresden and was published in their annual folder 1919.

Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). Straight/ straight aus: Grids, using straight, not-straight lines & broken lines in all their possible combinations. 1973. Auf Papier. 26,9 x 26,9 cm (26,9 x 26,9 cm). Verso signiert und nummeriert. Gerahmt (ungeöffnet). - Vereinzelt mit wenigen schwachen Braunfleckchen am Rand. Insgesamt wohlerhalten. Kunsthalle Basel/ Kornfeld Cie, E6 a), 1. - Eines von nur 25 Exemplaren. - Hg. v. Parasol Press, Ltd., New York. - Druck bei Crown Point Press, San Francisco. 1 etching from: Grids, using straight, not-straight lines & broken lines in all their possible combinations. On paper. Signed and numbered on verso. Framed (unopened). There on verso with the label of the Susan Sheehan Gallery. - Isolated with a few faint brown spots at margins. Overall in good condition. - Published by Parasol Press, Ltd, New York. - Printed by Crown Point Press, San Francisco. - One of only 25 copies. - Published by Parasol Press, Ltd, New York. - Printed by Crown Point Press, San Francisco

Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). Straight/ straight, broken aus: Grids, using straight, not-straight lines & broken lines in all their possible combinations. 1973. Radierung auf Papier. 26,9 x 26,9 cm (26,9 x 26,9 cm). Verso signiert und nummeriert. Gerahmt (ungeöffnet). - Guter Zustand. Kunsthalle Basel/ Kornfeld Cie, E6 a), 5. - Eines von nur 25 Exemplaren. - Hg. v. Parasol Press, Ltd., New York. - Druck bei Crown Point Press, San Francisco. 1 etching from: Grids, using straight, not-straight lines & broken lines in all their possible combinations. On paper. Signed and numbered on verso. Framed (unopened). There on verso with the label of the Susan Sheehan Gallery. - Good condition. - One of only 25 copies. - Published by Parasol Press, Ltd, New York. - Printed by Crown Point Press, San Francisco.

Henri Matisse u.a.. (1869 Le Cateau - 1954 Nizza). Sammlung von mehr als 50 Arbeiten von Künstlern der klassischen Vorkriegsmoderne. Verschiedene Techniken, überwiegend (Farb-)Lithographie, Radierung (teils koloriert) sowie wenige Zeichnungen. Je auf verschiedenen Papieren. Blattmaße von 22 x 14 cm bis 75,5 x 55 cm. Teils (druck- bzw. stempel-)signiert, - datiert. Wenige m. typographischen Bezeichnungen m. Werksangaben. Teils punktuell, teils voll auf Unterlage montiert, teils unter Passepartout montiert. - Partiell mit Lagerspuren und Randläsuren, vereinzelt mit kleinen Braunfleckchen. Insgesamt in ordentlichem Zustand. Enthält u.a. Arbeiten von: - Henri Matisse - Alberto Giacommetti - Oskar Kokoscka - Emil Orlik - Rudolf Grossmann - Max Liebermann - Käthe Kollwitz - Edvard Munch - Marc Chagall - Williy Jaeckel - Giogio de Chirico - nach Salvador Dali - Gerhard Marcks - Hannah Höch- Jussuff Abbo - Harald Metzkes - Walther Klemm - Ottmar Starke - Frans Masereel - Rudolf Koch - Fritz Husman. Collection of more than 50 works by artists of classical pre- and post-war modernism. Various techniques, mainly (colour) lithography, etching (partly coloured) as well as a few drawings. Each on different papers. Partly (print- resp. stamp-) signed, - dated. Few with typographic inscriptions and indications of works. Partly spot mounted, partly fully mounted on backing, partly mounted under passepartout. - Partially with traces of storage and marginal tears. Overall in good condition. - With works of artists among others as mentioned above.

Surrealismus - - Salvador Dalí. (1904 - 1989 Figueras). Troilus und Cressida. 1968. Kaltnadelradierung auf chamoisfarbenem BFK Rives. 17,5 x 12,5 cm (37,5 x 27,8 cm). Signiert und bezeichnet "EA". Punktuell auf Unterlage montiert und im Passepartout freigestellt. - Gratige Radierung mit schönem Plattenrand. Michler/ Löspinger, 277 c. - Exemplar "Épreuve d`artiste" abseits der herkömmlichen Auflage. - Aus der Serie "Shakespeare I", 1968. Drypoint on buff BFK Rives. Signed and inscribed "EA". Mounted in spots on backing and exposed in passepartout. - Burr etching with beautiful platemark. - Copy "Epreuve artiste" off the edition. - From the series "Shakespeare I", 1968.

Bildhauer-Graphikkalender 1988. Mit Radierung, vernis mour und Heliogravüre, je auf schwerem Römerturm/ Zerkall. Blattmaße von 52 x 38 cm bis 75 x 54 cm. Je signiert, viele datiert und betitelt, einige nummeriert. Vollständig. Mit Spiralbindung und Prägedruck m. Kalenderangaben. - Sauberer, guter Zustand. Eines von 100 Exemplaren. - Enthält Arbeiten von: - Wolf Vostell - Günter Ohlwein - Volker Bartsch - Monika Hamann u.a.. Sculptor's graphic calendar 1988. With etching, vernis mour and heliogravure, each on heavy Roman tower/ Zerkall. Each signed, many dated and titled, some numbered. Complete. With spiral binding and relief printing with calendar details. - Clean, good condition. - One of 100 copies. - With works from artists as listed above.

Farfa (d.i. Vittorio Osvaldo Tommasini) (1881 Sanremo - 1964)o.T. 1962. Radierung auf BFK Rives-Bütten. 14,5 x 11 cm (26 x 19 cm). Signiert und nummeriert sowie in der Platte signiert. - Punktuell unter Passepartout montiert. Eins von XXV Exemplaren der Vorzugsausgabe. without title, 1962. etching on BFK Rives laid paper. 14.5 x 11 cm (26 x 19 cm). Signed and numbered and signed on the plate. - Mounted under passepartout. One of XXV copies of the special edition.

Fluxus Joseph Beuys (1921 Krefeld - 1986 Düsseldorf)Kopf H.B. 1982. Radierung auf BFK Rives gris (mit Wasserzeichen). 14,8 x 16,3 cm (38 x 28 cm). Mit dem Nachlassstempel, verso nachlassigniert und nummeriert von Wenzel Beuys (Sohn). - Im unteren weißen Rand mit Knick- und leichten Faltspuren, das Motiv nicht betroffen. Die Radierung schön gratig. Eines von 27 Exemplaren der Auflage h.c. - Aus der Suite "Zirkulationszeit" nach der Graphitzeichnung "o.T." von 1950. - Schellmann, 423 B. Etching on BFK Rives gris (with watermark). With the estate stamp, signed and numbered on verso by Wenzel Beuys (son). - In the lower white margin with crease and light fold marks, the subject not affected. The etching with nice burrs. - One of 27 copies of the edition hors de commerce. - Schellmann, 423 B.

Fluxus Joseph Beuys (1921 Krefeld - 1986 Düsseldorf)o.T. 1982. Photoradierung und Radierung auf chamoisfarbenem Fabriano (mit dem Wasserzeichen). 19,8 x 23,5 cm (50 x 35 cm). In der Platte signiert und bezeichnet "Museo Lecce Apulia". - Guter Zustand. Mit schönem Platten- und Schöpfrand. Schellmmann, 451. - Unnummeriertes Exemplar aus der Edition, die vom Piccolo Museo Edizioni, Lecce herausgegeben wurde. - Das Photo stellt Beuys in Preugia im April 1980 dar. Er war anlässlich der Eröffnung der Ausstellung Beuys-Burri dort und bezeichnete 6 Tafeln, die anschließend von der Stadt zur Gründung eines Museums für Moderne Kunst erworben wurde. Photo etching and etching on buff fabriano (with the watermark). Signed and inscribed in the plate "Museo Lecce Apulia". - Good condition. With beautiful plate and scooped margins. - Unnumbered copy from the edition by museo eidzioni, Lecce.

Manfred Hirzel (1905 - 1932)Set aus zwei Original-Graphiken. Dezember 1925. Je Radierung auf Papier. Blattmaße 19 x 15,5 cm und 24 x 16 cm. Je signiert und datiert. Je punktuell auf Unterlage und unter Passepartout montiert. - Beide Arbeiten etwas braun- und fingerfleckig. Insgesamt wohlerhalten. Über den jung verstorbenen Künstler ist nicht viel bekannt. Der in Polen geborene Hirzel wuchs in Berlin auf. Nachdem er Bekanntschaft mit den Berliner Künstlern Ludwig Meidner und Willy Jaeckel gemacht hatte, studierte Hirzel ab 1925 Kunst, u.a. unter Emil Orlik. Die Berlinische Galerie ist im Besitz eines Werkes des Künstlers. Set of two original prints. Each etching on paper. Each signed and dated. Each mounted in spots on backing and under passepartout. - Both works somewhat brownish and fingerstained. Overall in good condition. - Not much is known about the artist who died young. Hirzel was born in Poland and grew up in Berlin. After he had made the acquaintance of the Berlin artists Ludwig Meidner and Willy Jaeckel, Hirzel studied art from 1925, among others under Emil Orlik. The Berlinische Galerie owns a work by the artist.

Informel Emil Schumacher (1912 Hagen/Westf. - 1999 Ibiza)Motiv 8/1967. 1967. Aquatintaradierung auf cremefarbenem Bütten. 27,8 x 23,5 cm (53,5 x 39,5 cm). Signiert und nummeriert sowie mit dem Ketter-Trockenstempel. Punktuell unter Passepartout montiert. In den Ecken u. an den Rändern teils leicht knickspurig. Eines von 65 Exemplaren. Aquatint etching on laid paper in cream color. Signed and numbered and with the Ketter dry stamp. Mounted in spots under passepartout. - In the corners and at the edges partly slightly creased. - One of 65 copies

Informel Set aus 13 Arbeiten im Stil der Abstrakten und Informellen Kunst. Verschiedene Techniken, u. A. Lithographie, Radierung. je auf Papier. Teils auf Unterlage punktuell montiert und unter Passepartout montiert. Im Druck signiert bzw. monogrammiert sowie teils druckdatiert. Teils verso mit typographischen Werksangaben. - Lediglich vereinzelt mit leichten Gebrauchsspuren. Guter Zustand. U. A. mit Arbeiten von: - Fred Thieler - Pierre Tal-Coat - Maria Helena Vieira da Silva - Giuseppe Santomaso - Fritz WInter - Emil Schumacher. - Mit 10 Arbeiten aus dem Epitaph. Set of 13 works in the style of abstract and informal art. Various techniques, among others lithography, etching. each on paper. Partly spot-mounted on backing and mounted under passepartout. Signed and monogrammed in the print and partly dated. Partly with typographical indications on verso. - Only a few minor traces of storage. Good condition. - With works of artists among others as listed above.

Eduardo Chillida. (1924 - 2002 San Sebastian). o.T. (Hand). Radierung und Prägedruck auf chamoisfarbenem, genarbten Bütten. 19,8 x 12 cm (32,3 x 25 cm). - Signiert und nummeriert. Punktuell unter Passepartout montiert und unter Glas gerahmt. - Vereinzelt kleine Braunflecken. Im Passepartoutausschnitt gebräunt. Gratiger Abzug. Eines von 50 Exemplaren. Etching and relief printing on buff, grained laid paper. - Signed and numbered. Mounted in spots under passepartout and framed under glass. - Isolated small brown spots. Browned in the mount. Nice impression. - One of 50 copies.

Konkrete Kunst Marie Thérèse Vacossin (1929 Paris)Set aus 3 Graphiken. 1971 - 1979. Zwei Farbserigraphien auf glattem, festem Papier. Eine Radierung auf Bütten. Blattgröße von 21 x 21 cm bis 33 x 25 cm (56 x 37,5 cm). Je signiert, datiert und nummeriert bzw. mit "e.a." versehen. Zwei betitelt "Gris Rose" u. "Grain de Sable". Eines mit Trockenstempel versehen. Zwei Graphiken je eins von 15 Exemplaren. - Vacossin studierte zw. 1947 u. 1949 an der École nationale supérieure des Arts Décoratifs und zw. 1948 u. 1950 zusätzlich an der École du Louvre in Paris. 1956 zog sie nach Basel und gründete dort 1966 mit Marcel Mazar das Atelier Éditions Fanal, wo sie Graphiken vieler KünstlerInnen wie Aurelie Nemours, Nelly Rudin o. Gottfried Honegger druckten. Als Künstlerin ist sie v.a. an Problemen der Farbwahrnehmung in geometrischen Abstraktionen interessiert, sodass sie auch der Op-Art zugeordnet wird. Set of 3 prints. 2 colour serigraphs on smooth, strong paper. One etching on laid paper. Each signed, dated and numbered or marked "e.a.". Two titled "Gris Rose" and "Grain de Sable". One with a dry stamp.

André Masson (1896 Balagny - 1987 Paris)2 Arbeiten. Je 1974. Mit 1 Aquatintaradierung und 1 Radierung auf Velin. Blattmaße 57 x 45 cm bis 66 x 50 cm. Je signiert u. nummeriert. Verso mit Bleistiftannotation. - Im vollen weißen Rand teils etwas knick- bzw. druckspurig sowie schwach gebräunt. Enthält die Arbeiten: - Lunatiques - Femmes attaquées par des oiseaux. - Je eins von 50 Exemplaren. 2 works. 1 Aquatint etching and 1 etching on wove paper. Each signed and numbered. With pencil annotation at the back side. - At full white margin a little bit creased and a little bit brownish. - With works of the artist as listed above. - One of 50 copies.

A.R. Penck (eig. Ralf Winkler) (1939 Dresden - 2017 Zürich)Westerlebnisse. 1983. Aquatintaradierung auf Bütten. 29,6 x 49 cm (53,5 x 75,3 cm). Signiert und nummeriert. - Wohlerhalten, sauber und mit schönem Büttenrand. Eines von 35 Exemplaren. Etching and aquatint on laid paper. Signed and numbered. - Well preserved, clean and with beautiful deckle-edge. - One of 35 copies.

Joan Hernandez Pijuan (1931 - 2005 Barcelona)Set aus 3 Graphiken. 1985-89. Radierung und Aquatintaradierung auf Bütten (teils auf aufgewalztem China). Blattmaße von 28 x 38 cm bis 56,5 x 38 cm. Je signiert, datiert und nummeriert bzw. als "H.C." bezeichnet. Eins von 50 Exemplaren. Set of 3 prints. Etching and aquatint on handmade paper (partly on rolled-on China). Sheet sizes from 28 x 38 cm to 56,5 x 38 cm. Each signed, dated and numbered or inscribed as "H.C.". - One of 50 copies.

Russ. Avantgarde Michel Larionov (1881 Tiraspol - 1964 Fontenay-aux-Roses)o.T. (Profil). 1962. Radierung auf BFK Rives-Bütten. 14,7 x 11 cm (26 x 19 cm). Monogrammiert und nummeriert sowie in der Platte monogrammiert. - Punktuell unter Passepartout montiert. Eines von XXV Exemplaren der Vorzugsausgabe. Etching on laid paper. Monogrammed and numbered, also monogrammed in the plate. - Matted. - One of XXV copies of the special edition.

Set aus mehr als 15 Arbeiten. Inklusive 5 Originalen sowie Ausstellungskatalogen. 1986 - 1989. Verschiedene Techniken, u.a. Farblithographie, - radierung, Offsets sowie Kohlezeichnungen und Aquarell. Je auf Papier. Verschiedene Maße, von 20 x 13 cm bis 50 x 33 cm. Überwiegend signiert, teils datiert und nummeriert. - Teils mit leichten Lagerspuren oder wenigen Randläsuren. Insgesamt in ordentlichem Zustand. U.a. mit Arbeiten von: - Veit Hartmann - Klaus Zylla - Dagmar Ranft-Schinke - Steffen Vollmer - Klaus Hähner-Springmühl. Set of more than 15 works. Including 5 originals and exhibition catalogues. Various techniques, including colour lithography, etching, offsets, charcoal drawings and watercolours. Each on paper. Mostly signed, partly dated and numbered. - Partly with slight traces of storage or a few marginal tears. Overall in good condition. - With works of artists among others as listed above.

ZERO Otto Piene (1928 Laasphe/Westf. - 2014 Berlin)Sonne von Gelsenkirchen. 1964. Zinkätzung nach einer Gouache auf rötlichem Karton. 22 x 22 cm (40 x 48 cm). Signiert und datiert. Voll auf Unterlage aufgezogen. - Die Farbe gleichmäßig verblasst. Insgesamt in gutem Zustand. Rottloff, 2. - Unnummeriertes Exemplar einer Auflage von 100 Exemplaren. Zinc etching after a gouache on reddish cardboard. Signed and dated. Fully mounted on backing. - The colour evenly faded. Overall in good condition. - Unnumbered copie from a total edition of 100.

Fluxus - - Dieter Roth. (1930 Hannover - 1998 Basel). Set aus 5 Arbeiten. 1979. Je Kaltnadelradierung auf Bütten. Blattmaße je 29,6 x 22 cm. Je signiert "Heinrich Schwarz". Je von fremder Hand in Graphit nummeriert. - Schöne, kräftige Abzüge. Selten leichte Anschmutzungen im weißen Rand oder verso. Enthält: Komposition I bis IV. - Überarbeitung der ersten, 1977 erschienenen Serie, in welcher der Künstler die Arbeit "Heinrich Schwarz nach Albrecht Dürer 1514" von Horst Janssen persiflierte und mit "Heinrich Schwarz" signierte. 1979 überarbeitet Roth dieselben Zinkplatten und schafft die zweite Druckfolge. Set of 5 works. Each etching on buff paper. Each signed "Heinrich Schwarz". Numbered by another hand in graphite on verso. - Nice, strong impressions. Rarely slight soiling in the white margin or on verso. - With works as listed above.

Florence E Balshaw, a set of nine etchings, each signed or initialled, largest pl.16 x 10cm, four unframed; together with another unsigned etching, also unframed. (10)

FRANS WESSELMAN (DUTCH, B. 1953) (4)Study of a duck I; Study of a duck IIa pair, each signed and numbered 'Frans Wesselman' (in lower margin)etchingeach 11.5 x 14.5cmtogether with Teddy bear in borrowed hat, an etching by the same hand and Autumn cat, mixed media on paper by Jan Harbon(4)

DAVID BEN-SHAUL (ISRAELI, B. 1932) (4)Jerusalem Landscapesigned and numbered 'David B. S. 15/100' (in lower margin)etching10.5 x 13.5cmtogether with an etching of bathers, An abstract artist's proof of a nude figure and a print of a dog by other hands(4)ARRNo cracks to the glass good overall condition no foxing to the paper, some losses to the gilt frame towards the bottom 

An early 19th Century hand coloured etching "The Mother's Girl, Plucking a Crow, or German Flesh and English Spirit", framed and glazed, 25cm x 34cm

Luke Taylor, After P.De Horck 'The Pantry', evgraving, signed, 30.5 x 27cm, McTan Carter 'Baptistery of Canterbury Cathedral', signed etching. B Buchanan South Downs from Firle, signed etching, David Marshall watercolour and colour print. (5).

Franz Wimmer, 1892 Wien-1974, Jugend, Radierung, handsigniert, betitelt, num. 10/75, ca. 26x24cm, u.Gl., R. ca. 42x36cmFranz Wimmer, 1892 Vienna-1974, youth, etching, handsigned, titled, num. 10/75 approx. 26x24cm, under glass, frame approx. 42x36cm

Jutta Votteler, geb. 1959 in Ludwigshafen am Rhein, Wundersame Fahrt, Farbradierung, betitelt, handsigniert bez. e.a., ca. 53x44cm, PP,framed under glass ca. 93x74cmJutta Votteler, born 1959 in Ludwigshafen am Rhein, wondrous journey, color etching, titled, hand-signed, inscribed e.a., approx. 53x44cm, PP, framed under glass approx. 93x74cm

Klaus Fussmann, geb. 1938 Velbert, große Landschaft, Radierung, sign., bez. e.a., unter Glas gerahmt, Platte ca. 39x49cm, gesamt ca. 74,5x96 cmKlaus Fussmann, born 1938 Velbert, large landscape, etching, signed, inscribed e.a., framed under glass, plate approx. 39x49cm, total approx. 74.5x96 cm

Klaus Fußmann, geb. 1938, Hella K. in Gelb, Farbaquatintaradierung von 1975, signiert und num. 36/90, 60 x 60 cm, unter Glas, Rahmen ca.79x69cm, dieser besch.Klaus Fussmann, born 1938, Hella K. in yellow,color aquatint etching from 1975, signed and num. 36/90, 60 x 60 cm, under glass, frame approx. 79x69cm, this damaged.

Wolfgang Zelmer, geb. 1948 München, Studium an der Hampstead-School of Arts in London u. an der Academie Julian in Paris, hier: 'Musicatre', Instrumenten-Stillleben aus Klarinette, Trommel und Horn, symbolische Aufladung, subtile Farbigkeit, hintergründige Konstruktionszeichnungen, signiert u. bez., Ed. 41/95, Farbradierung, unter Glas gerahmt, 70x83 cmWolfgang Zelmer, born in Munich in 1948, studied at the Hampstead School of Arts in London and at the Academie Julian in Paris, here: #'Musica tre#', instrument still life ofclarinet, drum and horn, symbolic charge, subtle Colourfulness, background construction drawings, signed and inscribed, Ed . 41/95, color etching, framed under glass, 70x83 cm

Willi Kissmer, 1951-2018, Radierung, Rückenakt mit Tüchern, Rechts unten mit Stempelsignatur, verso mit Nachlass- Stempel von Willi Kissmer, Platte ca. 35x18,5 cm, gesamt ca. 50,5x32 cmWilli Kissmer, 1951-2018, etching, nude with towels, stamped signature lower right, verso with estate stamp of Willi Kissmer, plate approx. 35x18.5 cm, total approx. 50.5x32 cm

Salvador Dali, 1904-1989, Radierung, handsign., num. 78/250, unter Glas gerahmt gesamt ca. 52x43 cmSalvador Dali, 1904-1989, etching, signed by hand, num. 78/250, framed under glass, total approx. 52x43 cm

Shoichi Hasegawa, geb. 1929, 'cité imperiale', Farbradierung, 49/110, signiert, 33 x 27 cm, Verleger Gal. Edition RaphaelShoichi Hasegawa, born 1929, #'cité imperiale #', color etching, 49/110, signed, 33 x 27 cm,publisher Gal. Edition Raphael

Joan Miro, 1893 Barcelona- 1983 Palma, Aquatinta Radierung, 'Homme au balancier', handsigniert, Auflage 75 Exp., hier h.C, bezeichnet und handsigniert, altersbedingt stockfleckig bzw. Verfärbung, ca. 67.5 x 49.5 cm, unter Glas, RahmenJoan Miro, 1893 Barcelona- 1983 Palma, aquatint etching, #'Homme au balancier#', autographed, edition of 75 copies, here h.C, inscribed and autographed, age-related foxing or discoloration, approx. 67.5 x 49.5 cm, under glass, frame

British School (20th century) "Girl in a Mirror"Indistinctly signed, titled and numbered 13/50 in pencil, etching, 41cm by 23.5cm, together with K* R* Armand? (20th century)"Austrian Maize", Indistinctly signed and inscribed, 15.5cm by 9.5cm (2)

John Duffin (b.1965)"Ghosts of Fleet Street"Signed, inscribed and dated 2003, numbered 8/90, etching, together with two further etchings by the artist "Thames Bridges" and "Lost in the City" and a beach scene by Victoria White (4) (all unframed)

[s and 1970s] Willem de Kooning, Marc Chagall and others Multiple in an edition of 250 published on the occasion of the 300th anniversary of the Royal Academy of Art in the Hague, 1982. Three board boxes, each 12.5 x 18 x 3.5 cm, numbered A - 194, B - 914, C - 194, containing: 3 title leaves and 9 prints in various techniques by various artists, all sheets approx. 15 x 10 cm, all signed and numbered.Comprising: Marc Chagall (1887-1985) silkscreen; Willem de Kooning (1904-1997) lithograph; Pat Andrea (1942-) etching; Herbert Bayer (1900-1985) silkscreen; Kees van Bohemen (1928-1985) collaged silkscreen, Bob Bonies (1937-) silkscreen printed in blue and red on board; Herman Gordijn, (1932-2017) woodcut; W. Nobbe (1941-2005) lithograph; Richard Rogers (1933-2021) silkscreen. A rarely seen complete set in mint condition, all works protected by tissue paper.

William Westley Manning (1868-1954), continental landscape. Etching. Signed in pencil to margin. Framed and glazed. Image size 29.5 x 33cm. With an etching of St. Peter's, Rome by Charles Murray, framed and glazed, 17 x 26cm. (2)

Richard George Mathews (1870-1955), portrait of Anna Pavlova. Etching in colours. Signed in pencil to margin. Framed and glazed. Image size 36.5 x 32cm.

Joseph Mallord William Turner, R.A. (British, 1775-1851), The Stork and the Aqueduct, from Turners Liber Studiorum, etching on Whatman paper, bearing inscription to reverse of frame,18 x 24 cm.Provenance: produced posthumously from a plate created by Turner in his lifetime.

William Monk (British, 1863-1937), 'The Horse Guards', etching, signed in pencil lower right, framed and glazed, bearing label and inscription to reverse of frame, 17.5 x 25cm.

Francis Unwin (1885 - 1925), etching, Italian street scene, signed in pencil, plate 24cm x 34cm, framedEven paper discolouration, 1 fox mark in the sky

Jean Cocteau, etching, Le Bal, from an edition of 240 copies, 1953, plate 21cm x 15cm, framedA few tiny fox marks hardly visible, generally good

Robert Greenhalf, watercolour landscape, 29cm x 23cm, and coloured etching by the same artist, framed (2)Watercolour is in good condition, etching has light foxing in the margin

Jean-Francois Liegme (1922 - 1977), coloured etching, abstract, signed in pencil, plate 28cm x 19cm, framedLight foxing and paper discolouration, mount foxed and discoloured

Graham Clarke, coloured etching, Venezia "It's A Doge's Life On Grand Canal", signed in pencil, no. 357/400, plate 54cm x 68cm, framedPrint is in good original condition, frame is scratched on the edges with minor veneer chip

Circa 1900 London engraving The City Gates as they appeared before they were pulled down, Moor Gate, Aldgate, Bishops Gate, Cripplegate, Ludgate, Newgate, Aldersgate, Bridgegate Together with an etching of St James Palace and part of the City of Westminster Each framed and glazed Each picture size 19.5 x 31cm and 21.6 x 33.2cm Each overall size 33.3 x 44cm

David Muirhead Bone (1876-1953). Self Portrait of the Artist. Drypoint Etching, signed and dated in the plate. Plate size 15.5 x 12.8cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

James Abbot McNeill Whistler (1834-1905). Annie. Portrait of a little girl, seated. Etching, signed and titled in the plate. Note the sitter is Annie Harriet Haden (1848-1937), Whistlers niece and frequent model. Plate size 12.7 x 9.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Leonard Baskin (American 1922-2000). Theseus. Portrait, head of a man. Etching 1964. Signed and dated in the plate, hand signed lower right, numbered lower left. Plate size 29.5 x 18.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

John Buckland Wright (1897-1954). The Sultan. Etching. 1964. Titled and signed in the lower margin. Sheet size 31 x 19cm, plate 21 x 12.5cm.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Marcel Jacque (French 1906-1981). View of The House of Theodore Rousseau. Etching. 23 x 34cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

After Adriaen van Ostade (Dutch, 1610-1685), 'The Card Players', etching, framed and glazed, 8 x 8cm.

Thomas Ryder A Boy of Glamorganshire after Richard Westall. Coloured stipple etching. Published by S. Watts Feb. 1788. 20 x 16.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Theodore Rousseau (French 1812-1867). Chenes de Roche, Oak among boulders. Etching, 1861. Published in Paris by Gazette des Beaux Arts. 12.5 x 17cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Jack Hewer (1889-?). Top Withens Wuthering Heights. Etching. Limited edition 19/75. Titled and signed lower margin. Plate size 15 x 25cm. Note Top Withens farmhouse near Haworth was said to be the inspiration for the Earnshaw family home in Emily Brontes Wuthering Heights'.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.