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Los 477

John Hewitt Raft, 1996 30/100, signed, numbered, titled and dated in pencil etching from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 56.5cm x 76cm, unframed and Freya Payne (b.1968), Bruise, 30/100, signed, numbered and titled in pencil (in the margin), screenprint, lithograph and etching, 47.5cm x 69.5cm, unframed and Kate Whiteford (b.1952), In the Eye of the Beholder, screenprint, 58cm x 45.5cm (3).

Los 489

Antoni Tapies (Spanish, 1923-2012) Untitled from El Pendulo Inmovil, 1982 V/XXX, signed and numbered in pencil (in the margin) etching and resin in colours on Auvergne Richard de Bas paper 29cm x 39cm. Provenance: Adam Gallery, Bath, 2006.

Los 518

Julian Trevelyan (British, 1910-1988) Somnambulist II 1937, 1971 (Turner 55) from the Dream City series 1/20, signed, titled and numbered in pencil (in the margin) from the 1971 restrike for Leslie Waddington Prints Ltd. etching 15cm x 25cm.

Los 519

Julian Trevelyan (British, 1910-1988) Valentine 1936, 1972 (Turner 49) from the Dream City series 3/25, signed, titled and numbered in pencil (in the margin) from the 1972 restrike for Leslie Waddington Prints Ltd. etching 20cm x 25cm.

Los 520

Julian Trevelyan (British, 1910-1988) Stonehenge, 1961 (Turner 138) 32/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 60cm x 46cm, unframed. Provenance: Bear Lane Gallery, Oxford, 1963.

Los 521

Julian Trevelyan (British, 1910-1988) Towers and Oxen, 1961 (Turner 139) 7/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 50cm x 39cm, unframed. Provenance: Bear Lane Gallery, Oxford, 1963.

Los 522

Julian Trevelyan (British, 1910-1988) Florence at Night, 1965-66 (Turner 176) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Los 523

Julian Trevelyan (British, 1910-1988) Florence Panorama, 1965-66 (Turner 177) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Los 524

Julian Trevelyan (British, 1910-1988) Palazzo Pitti, 1965-66 (Turner 179) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Los 525

Julian Trevelyan (British, 1910-1988) Santa Maria Novella, 1965-66 (Turner 182) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Los 526

Julian Trevelyan (British, 1910-1988) Self-Portrait, 1965-66 (Turner 183) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 47.3cm x 35cm, unframed. Provenance: From the collection of the publishers.

Los 2436

An original etching by P. Sydney Cooper published/printed 1839, sheep in a barn

Los 2457

Eight various etchings by N Rawlins Mills, windmills, stream and lake/tree scenes, all 19th Century together with an etching by Ellingham, all signed in pencil (9)

Los 2497

Seymour Madon, Combe Bottom, etching, signed 11 cm x 15 cm approx. and another 'By Twickenham' 14 cm x 21 cm approx. framed (2)

Los 1

William Lional Wyllie, ‘Battle Cruisers on The Forth in 1916’signed artist’s proof – Dry Point Etching inscribed TRIAL PROOF & Pencil signed18” x 6.¾”

Los 10

William Lionel Wyllie,’27 – Knot Destroyers Boxer & Haroc’ signed in pencil – Dry Point Etching, label & inscription verso 7” x 10”

Los 11

William Lionel Wyllie, 'The Last Journey, The British Cruisers, H.M.S. Natal, Leaves Portsmouth Harbour With The Body of Mr Whitelaw Reid U.S. Ambassador’ signed in pencil – Dry Point Etching – Artist’s Proof 6” x 13”

Los 12

William Lionel Wyllie ‘Naval Action 1916, Fast Patrol Boat With Spotter Airship Above’ signed in pencil – Dry Point Etching – Artist’s Proof 9.¾” x 8”

Los 121

Lionel T. Crawshaw ‘Leaving Whitby for the Thames’ Etching depicting H.M. Barque Endeavour, signed and inscribed in pencil 8” x 11”

Los 127

A C19 etching with pencil signature & inscription – carthorses at work

Los 13

William Lionel Wyllie ‘H.M.S. Dreadnought’ signed in pencil – Dry Point Etching 8” x 11”

Los 15

William Lionel Wyllie ‘Shipping On The Clyde’ signed in pencil – Dry Point Etching 7.½” x 16”

Los 16

William Lionel Wyllie ‘Shipping On The Tyne – Newcastle’ signed in pencil – Dry Point Etching 9.½” x 15.½”

Los 18

William Lionel Wyllie ‘Jenkins Swatchway. Thames Barges Racing in the Thames Estuary at the Turn of the Century’ signed in pencil – Dry Point Etching – Artist’s Proof 14.¼” x 9”

Los 19

William Lionel Wyllie ‘Convoy War’ signed in pencil – Dry Point Etching 6.½” x 10.½”

Los 2

William Lionel Wyllie, ‘The British Fleet Entering Grand Harbour Valetta, Malta’ 1916 signed in pencil – Artist’s Proof – Dry Point Etching 15” x 6.¼”

Los 20

William Lionel Wyllie ‘Devonport’ signed in pencil – Dry Point Etching 4” x 13.½”

Los 21

William Lionel Wyllie ‘Warships on The Thames’ signed in pencil – Dry Point Etching 4” x 13.½”

Los 22

William Lionel Wyllie ‘Shipping – The Thames By The Tower Of London’ signed in pencil – Dry Point Etching 10.½” x 15.½”

Los 23

William Lionel Wyllie ‘Capital Ships Proceeding To Jutland With Spotter Plane’ signed in pencil – Dry Point Etching – Artist’s Proof 7” x 17”

Los 24

William Lionel Wyllie ‘Destroyers Off Gibraltar’ signed in pencil – Dry Point Etching 7” x 15”

Los 25

William Lionel Wyllie ‘H.M.S. Hood and Nelson Submarine’ signed in pencil – Dry Point Etching – Artist’s Proof 4” x 12”

Los 26

William Lionel Wyllie ‘Portsmouth Harbour’ signed in pencil – Dry Point Etching 4” x 8.½”

Los 27

William Lionel Wyllie ‘Naval Vessels, Valetta’ signed in pencil – Dry Point Etching 7” x 15”

Los 28

William Lionel Wyllie ‘Plymouth’ signed in pencil – Dry Point Etching 4.½” x 14”

Los 29

William Lionel Wyllie ‘The Atlantic Fleet Coming Into Portsmouth’ signed in pencil – Dry Point Etching 8” x 14”

Los 3

William Lionel Wyllie, ‘Destroyer & Submarine’ signed in pencil – Dry Point Etching

Los 30

William Lionel Wyllie ‘A Destroyer, Fast Patrol Boat and Yachts, Early 1920’s’ signed in pencil – Dry Point Etching – Artist’s Proof 13.¼” x 3.¾”

Los 31

William Lionel Wyllie ‘Naval Ships In Battle’ signed in pencil – Dry Point Etching 4.½” x 14”

Los 32

William Lionel Wyllie ‘H.M.S. Renown With The Duchess Of York On Board Leaving Portsmouth Harbour, with Early Flying Boats Escorting’ signed in pencil – Dry Point Etching – Artist’s Proof 12.½” x 5”

Los 33

William Lionel Wyllie ‘U.S. 6th Battle Squadron Firth of Forth’ signed in pencil – Dry Point Etching 5” x 14”

Los 33a

William Lionel Wyllie ‘Blackwall Reach’signed in pencil – Dry Point Etching – Artist’s Proof 13” x 7”

Los 34

Commander Rowland Langmaid RN ‘Old Portsmouth With Tower House (W.L.Wyllie’s home & studio) and King Edward’s Fort At Centre’ signed & inscribed in pencil – Dry Point Etching – Artist’s Proof 13” x 3”

Los 35

Commander Rowland Langmaid RN ‘The British Atlantic Fleet Early 1920’s, signed in pencil – Dry Point Etching – Artist’s Proof 14” x 6.½”

Los 36

Commander Rowland Langmaid RN ‘Portsmouth Harbour Entrance With H.M.S.Victory Moored In The Distance’ signed in pencil – Dry Point Etching – Artist’s Proof 13” x 3”

Los 37

Commander Rowland Langmaid RN ‘Escorting The Royal Vessel’ signed in pencil – Dry Point Etching 7” x 13”

Los 38

Commander Rowland Langmaid RN ‘Across The Bar’ signed in pencil – Dry Point Etching 7.½” x 13”

Los 39

Commander Rowland Langmaid RN ‘Battle Cruisers and Light Cruisers Steaming Down The Channel’ signed in pencil – Dry Point Etching – Artist’s Proof 3” x 12”

Los 5

William Lionel Wyllie, ‘Thames Vessels Tower Bridge’signed in pencil – Dry Point Etching 9” x 10.½”

Los 6

William Lionel Wyllie, ‘Flotilla of Naval Destroyers Putting To Sea’signed in pencil – Dry Point Etching 7.½” x 17”

Los 7

  William Lionel Wyllie, ‘Rigged Vessels on a Calm Sea’ signed in pencil – Dry Point Etching 5.½” x 12”

Los 8

William Lionel Wyllie, ‘Destroyers at Speed in Escort Duty First World War Convoy’signed in pencil – Dry Point Etching – Artist’s Proof 12.¾” x 4.¾”

Los 89

Dry Point etching – G.W Portsmouth Harbour 12/125 - unframed

Los 9

William Lionel Wyllie, ‘The British Fleet at Anchor in Spithead, 1914’ signed in pencil – Dry Point Etching – Artist’s Proof 9” x 4.½”

Los 1364

A William Tatton Winter coloured etching, Salisbury Market, signed in pencil, label verso, two artist's proof etchings, and a lithograph (4)

Los 175

LOUIS ICART (FRENCH, 1888-1950) 'Vitesse (Speed II)' Aquatint etching, signed, numbered 148 in pencil and with windmill backstamp. The image 32 cm by 62.5cm. CONDITION REPORT: Very minor foxing spots in one limited area particularly no other obvious damage.

Los 178

SIR FRANK BRANGWYN (1867-1956), 'OLD BRIDGE, ROME', signed in pencil, uncoloured etching. The plate 30.5cm x 35cm. CONDITION REPORT: Good condition with no obvious damage, modern frame with washline mount.

Los 179

SIR FRANK BRANGWYN (BRITISH 1867-1956), 'THE APSE OF ST. WALBURGH, FURNES' uncoloured etching, signed in pencil by the artist and with Fine Art Society Ltd label verso dated 1926. The plate 37.5 x 43cm. CONDITION REPORT: No obvious damage or losses. Recent mount but appearing original frame, backboard and label.

Los 448

William Lionel Wylie RA (1851-1931), Panoramic aerial view of London in the smog, unsigned, etching on paper, 15cm x 38cm

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