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Los 1

ALFRED DE BREANSKI, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure with sheep in a country landscape, 11” x 17”

Los 1

IN THE MANNER OF SIR FRANK BRANGWYN, BLACK AND WHITE ETCHING, Wartime subject, 14” x 13”

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R T COWERN, SIGNED AND DATED 1939 TO MARGIN, BLACK AND WHITE ETCHING, ‘The Valley of the Piare, Nr Sartocasfello’, 7” x 9”

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CHARLES W CAIN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Wild dogs by riverside and buildings, 14” x 9” 335-45

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JOHN CROME, BLACK AND WHITE ETCHING, inscribed ‘At Trowse’ (see gallery label verso), 8” x 7”

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BENJAMIN WILLIAMS LEADER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Extensive woodland landscape, 21” x 16”

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HARRY BECKER, WORKING DRYPOINT ETCHING, Cattle in landscape, 7” x 9”

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LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Distant view of a castle, 4” x 8”

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AFTER F BARTOLOZZI, BLACK AND WHITE ETCHING, Figures fighting with swords; Together with a small collection of FIVE HAND COLOURED POLITICAL CARTOONS, unframed, (6)

Los 1

JAMES PRIDDEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The Mill, Bibury’, 5” x 7” and INDISTINCTLY SIGNED, BLACK AND WHITE ETCHING, ‘The Grand Piazza, Venice’, 7” x 5”, (2)

Los 1

MORTIMER MEMPIES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The Three Keys Inn’, 5” x 9”

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WILLIAM DOUGLAS MACLEOD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Nomads in the Algerian desert, 8” x 14”

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AFTER W L WYLLIE, BLACK AND WHITE ETCHING, ‘Trafalgar, 21st October 1805’, 15” x 25”

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JEAN ANTOINE LINCK, ETCHING AND AQUATINT WITH APPLIED WATERCOLOUR, ‘A Glacier’, 13” x 19”

Los 1

Henry Wilkinson Pheasants in a field, Signed etching, 68/150 24cm x 33cm After L Thackeray Lithograph ‘The Canon’ A Billiard Match 29cm x 40cm (damaged) (2)

Los 1

Connett Eugene V [Editor] - Upland Game Bird Shooting in America introduction by Col. Lewis S. Thompson NY Derrydale Press 1930 1st edn deluxe end 45 of 75 copies with a signed etching by William Schaldach as frontispiece sm folio 249pp; illus by Lynn Bogue Hunt Edgar Burke Schaldach and others orig brown crushed full-morocco gilt panelled spine gilt with bird dog and gun vignettes and title between raised bands both boards lavishly decorated with gilt sporting scenes to each corner ills endpapers teg

Los 1

A SIGNED WATERCOLOUR of a bridge beside a stream, 10 1/2" x 14 1/2", together with an etching of a Cheltenham scene, 7 1/2" x 10 1/2"

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AM ETCHING OF A STONE COURTYARD, published 1930, 12 1/2" x 9 1/2"

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William Lionel Wyllie (1851-1931). Black and white etching with drypoint. 'Aground on the Medway'. Signed in pencil. 29cm x 41.5cm

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Pierre Auguste Renoir (1841-1919). Black and white etching. 'Sur la plage à Berneval'. Signed in the plate. 15cm x 10.5cm

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Pierre Bonnard (1867-1947). Black and white etching. 'Le Parc Monceau'. Signed in the plate. 35cm x 28cm

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William Walcot 3 1/2in. x 5 1/2in. (9 x 14cm) 'The Central Station, Neville Street, Newcastle' Drypoint etching, signed in pencil; with original mount embossed date 1922.

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William Walcot 5 3/4in. x 13 1/2in. (14.5 x 34.5cm) A bullfight - drypoint etching, signed in pencil.

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William Walcot 6in. x 6 7/8in. (15 x 17.4cm) A cathedral interior in Rome - drypoint etching, signed in pencil.

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William Lee-Hankey 8 3/8in. x 6 1/2in. (21 x 16.5cm) 'Contemplation' Drypoint etching, signed proof.

Los 1

Tom McGuinness 3 1/4in. x 4 7/8in. (8 x 12cm) 'Drillers' Colour etching, signed proof, 1977, unframed; together with a pen and ink drawing by Ian M. Hilliery 10 3/4in. x 8in. (27 x 20cm) A miner working with a pick Signed and dated 1984. (2)

Los 1

James Alphege Brewer (early 20th century), 'St. Paul's from Bankside', coloured etching, signed and inscribed in pencil, 13 x 12cm (5 x 4 1/2in), together with 'Homewards', etching by Antoine Maunier after Anton Mauve, signed in pencil by the engraver, 18.5 x 22cm (7 1/4 x 8 1/2in), and 'Philip baptising the Eunuch', engraving by John Browne (1741-1801) after J. and A. Both (3)

Los 1

Sir Francis Seymour Haden PRE (1818-1910), 'Egham Lock' and 'Henry Kelly's, Putney', two etchings, the latter with drypoint, both signed in the plate, 15 x 23cm (6 x 9in) and 11 x 18cm (4 1/2 x 7in) respectively, together with an etching of a family in a punt on a river, 13 x 39cm (5 x 15 1/2in) (3)

Los 1

After Percy Robertson 1869-. Black and White Etching. Windsor Castle from across the river. Signed in Pencil on mount.

Los 1

a hand-coloured etching by Gabriel Lory (1784-1846) depicting the Mikhailovsky Palace as seen from the garden signed in the plate in Latin G.Lory fec 1804 with further printed inscription in French plate size: 49 by 73cm. 19.25 by 28.75in.

Los 1

A Good Victorian Brass Oil Lamp the Column Support on Square Plinth Base Carrying Opague Pink Glass Reservoir. Globe with Floriate Etching and Plain Glass Chimney

Los 1

Louis Icart 'La biche apprivoise' (the tame doe), 1929, etching with colour, signed in pencil and numbered 18, 54 x 38.5 cm (excluding mount) in gilt frame

Los 1

William Lionel Wyllie (1851-1931) etching Downstream from London Bridge signed in pencil 11 x 7.5 ins.

Los 1

Douglas Ian Smart (1879-1970) three etchings Harbour scenes signed in pencil Largest 8 x 14 ins. and an etching by Grainger Smith.

Los 1

Tom Graham etching Study of a cat signed in pencil 8.5 x 6.5 ins. and another etching of cats 5.5 x 7 ins.

Los 1

Louis Thomson etching Vanishing Chelsea signed in pencil 9.5 x 5.5 ins. a Percy Lancaster etching and 3 other etchings.

Los 1

Herbert G. Hampton (Exh.1915-34) etching Peter Pan Kensington Gardens signed in pencil 10 x 6 ins.

Los 1

Eileen A.Soper (1905-1990) etching Children sledging signed in pencil 8 x 6 ins.

Los 1

Edward Hill Lacey two unframed etchings Spanish ladys signed in pencil Largest 10 x 6.5 ins. and a W.Strang etching of Toledo.

Los 1

Victor Marnier etching Maison et studio de Th. Rousseau 5.5 x 8 ins.

Los 1

4 Etchings Circa 1900 Pencil Signed by F Robson of churches various locations, etching 5" x 11" approx.

Los 1

James Gilroy, a hand coloured etching “The Pic-Nic Orchestra", published by H. Humphrey, St. James Street, 1802, 9 3/4" x 13 3/4", a hand coloured print “Ars-Muscia" published by H. Humphrey, 1800, 9" x 12 3/4", ebony effect frames (2).

Los 1

Hugh Paton (1853-1927), a black and white etching, a tranquil tree lined river scene, signed in pencil to the margin by the artist and inscribed “to Isabel with My Best Wishes", 8" x 12", composition frame

Los 1

Stanley Roy Badmin R.W.S., R.E. (1906-1989) "Wareham Common, Dorset"] Signed artist's proof, also inscribed with the title and the term “artist's proof", black and white etching, 13cm by 16cm (5in by 6 1/4in (pl)

Los 1

Charles Frederick Tunnicliffe R.A., R.E. (1901-1982) "The Stallion", Two Farmers with a Shire Horse beside a Tree, a Dog Nearby] Signed artist's proof, limited edition 2/75, black and white etching, 17cm by 22.5cm (6 3/4in by 8 3/4in) (pl)

Los 1

English School (19th century) "First Communication with the Natives of Prince Regent's Bay, as Drawn by John Sackheouse and Presented to Capt. Ross, Augt. 10th 1818"] Published in February 2nd 1819 by John Murray, Albemarle Street, London, a coloured aquatinted engraving, 27cm by 42cm (10 3/4in by 16 1/2in), unframed; together with a large quantity of etchings, engravings and other prints relating to naval and maritime subjects including: [" A First Rate Man of War, Taken from the Dockyard, Plymouth"] Drawn, etched and published by Robert Dighton, January 1809 also the name "Admiral Young" in ink on the margin, hand coloured etching, 27cm by 20cm (10 3/4in by 8in) (pl), unframed; ["Breaking Cover", Hunting Scene with Huntsmen and Hounds; "The Marquis of Anglesey Wounded Whilst Heading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18th 1815"; A Large Series of Various Military Figures Wearing Period 17th Century Costume, Giving an Explanation on How to Load a Musket, How to Perfo m with a Pike and Other Weaponry; Various Other Naval Subjects Showing Various Naval Dress and Costume; "View of the Memorable Victory of the Nile, Gained in August 1798 over the French by the British Fleet in Aboukir Bay"; "Representation of a Scene at a County Naval Free School, on Waste Land", taken from a drawing by S.H. Grimm; "Moscow by Francesco Bartolozzi W. Byrne, after J. Webber "The Death of Captain Cook"] Extensively inscribed and published 1st January 1784 at 312 Oxford Street and 79 Titchfield Street, London; other naval and military engravings, various sizes, unframed (a collection)

Los 1

Richard Dighton (1795-1880) "Passing a Mud Cart", the series entitled "A London Nuisance", Plate 1] Published by Thomas McLean, 26 Haymarket, London, hand coloured etching, 32.5cm by 25cm (13in by 9 3/4in), unframed laid down; ["A Heavy Fall of Snow", Plate 2"; "One of the Advantages of Oil over Gas", Plate 3; "A Pleasant Way to Lose an Eye", Plate 4; "One of the Advantages of Gas over Oil", Plate 5; "An Unlucky Hit", Plate 6] Set of six; together with a series of hand-coloured etchings after George Cruikshank (18th/19th century); ["Anglo-Parisian Salutations - Or Practice - Par Excellence!"; "Very Unpleasant Weather, or the Old Saying Verified "Raining Cats, Dogs & Pitchforks"!!!"; "The Piccadilly Nuisance!"; "Jealously"; "A Party of Pleasure"; " Radical Parliament!"; "An Election Ball"; "Dancing Dolls"; "French Musicians"; "Money Hunting"] Various sizes (a collection) s

Los 1

Herbert Thomas Dicksee R.E. (1862-1942) "Dandie Pup", a Study of a Seated Dandie Dinmont Pup] Signed artist's proof, also bearing the artist's initials and the date "1927" within the plate and inscribed on an old label verso, black and white etching, 25cm by 35cm (10in by 13 3/4in) (pl) *Provenance. With Edward L. Airey & Son, Railway Road, Blackburn.

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "St Paul's from Lambeth on the Thames"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Deptford on the Thames"] Signed artist's proof, inscribed "London Pubh. June 2nd, 1924 by R. Dunthorne & Son, 5 Vigo Street, W", also inscribed with the title on the reverse, black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Lightermen Working on their Barges through London Bridge"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 24.5cm by 37.5cm (9 1/2in by 14 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "London Bridge and St. Paul's from the Thames"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "London Thames Scene"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "London Bridge, Cannon Street, St Magnus the Martyr and Billingsgate"] Signed artist's proof, inscribed "London Bridge and Adelaide Building", also inscribed with the title on the reverse, black and white drypoint etching, 20cm by 40cm (8in by 15 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "London Bridge with Tower Bridge in the Background"] Signed artist's proof, black and white drypoint etching, 12cm by 32cm (4 3/4in by 12 1/2in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "HMS Victory in Portsmouth Harbour on Trafalgar Day"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 27cm by 20cm (10 1/2in by 8in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Scottish Fishing Fleet - Loch Fyne"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 21cm by 29cm (8 1/4in by 11 1/2in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Greenock"] Signed artist's proof, black and white drypoint etching, 17cm by 30cm (6 3/4in by 11 3/4in) (pl)

Los 1

William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "U.S. Fleet Visiting the Firth of Forth showing the Battleships: New York, Texas, Arkansas, Wyoming and Florida"] Signed artist's proof, inscribed with the title on the reverse, black and white drypoint etching, 10.5cm by 32cm (4in by 12 1/2in) (pl)

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  • 78475 Los(e)
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