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Los 496

EUGENE BEJOT (1867-1931). 'Boulogne sur mer', signed lower left in pencil, etching, framed and glazed, 17 x 25 cm

Los 530

FRANK BRANGWYN (1867 - 1956). 'A Venetian Procession', signed in pencil lower right, etching, framed and glazed, 19 cm x 25 cm

Los 518

EDGAR L. PATTISON. 'A Moorish Gateway', coloured etching on paper, framed and glazed, signed in pencil, 20.5 cm x 25 cm

Los 475

EBERHARD VIEGENER (1890-1967). A self portrait, signed in pencil, coloured etching, 41 x 31 cm, together with another Viegener etching and another (3)

Los 520

HERBERT DICKSEE. Lions in a rocky terrain, Joseph and Mary beyond, etching on paper, framed and glazed, signed in pencil, 44 cm x 69 cm

Los 495

WILLIAM LEE HANKEY (1869-1952). An elderly lady sewing, etching, signed in pencil, framed and glazed, 23.5 x 17.5 cm

Los 392

A 20thC etching titled 'A Moveable Feast', marked as artist's proof, titled and signed indistinctly in pencil below, framed

Los 786

Ellsworth Woodward (American/New Orleans, 1861-1939), "The Courtyard", etching on paper, initialed "E.W." in plate lower left, pencil-signed, titled and inscribed "#22 - edition 75" lower margin, 10 in. x 8 in., sheet 15 in. x 11 in., framed

Los 783

Morris Henry Hobbs (American/New Orleans, 1892-1967), "'Pops' Whitesell, New Orleans", 1944, etching on paper, pencil-signed, titled, dated and inscribed "Ed/15" and "to Wayman Adams - with best wishes -" lower margin, sight 10 1/2 in. x 8 1/4 in., framed. Note: The photographer Joseph Woodson "Pop" Whitesell and the painter Wayman Adams were both from Indiana and maintained their friendship in New Orleans

Los 789

Eugene E. Loving (American/New Orleans, 1892-1967), "Iron Lace Balconies, Old New Orleans", etching, pencil-signed, titled and inscribed "Ed/200" lower margin, 10 in. x 7 1/8 in., sheet 13 1/8 in. x 9 3/8 in., unframed

Los 781

Morris Henry Hobbs (American/New Orleans, 1892-1967), "Submarine Garden", etching on paper, pencil-signed and titled lower margin, sight 7 1/4 in. x 4 1/4 in., framed. Provenance: Gift of Agnes Harmanson, Harmanson's Art and Book Store, 333 Royal St., New Orleans, LA

Los 473

John James Audubon (American, 1785-1851), "Sharp-tailed Grouse", Plate 382, hand-colored engraving with aquatint and etching, from The Birds of America, Havell edition, "J. Whatman/1837" watermark, sheet 25 1/2 in. x 34 1/2 in., unframed

Los 961

H. Alvin Sharpe (American/New Orleans, 1910-1982), "Little Theater, Old New Orleans", etching on paper, pencil-signed, titled and inscribed "ed. 100" lower margin, sheet 13 1/4 in. x 11 1/4 in., framed

Los 494

Louis Oscar Griffith (American/Indiana, 1875-1956, act. New Orleans, 1916-1917), "Luggers, Old Basin Canal, New Orleans", aquatint etching on paper, pencil-signed and numbered "40/100" lower margin, 9 3/4 in. x 11 5/8 in., sheet 14 in. x 16 3/4 in., unframed

Los 1537

MORTIMER MENPES (BRITISH, 1855-1938)Portrait of a young debutanteOil on canvas (unlined)Signed with initials MM24½ x 16½ inches (62 x 42 cm.)Enclosed in a gilt frameMortimer Luddington Menpes was born in South Australia. The family moved to England in 1875 and Menpes commenced his art training at The School of Art in London in 1878. He was a pupil of James McNeill Whistler (1834-1903) who taught him etching. He visited Japan in 1887 and was greatly influenced by Japanese art and design. He decorated his house in Chelsea in the Japanese taste. Menpes worked in South Africa during The Boer War. He also travelled to Burma, Egypt, France, Italy and Spain. He was a Member of The Royal Society of Painter-Etchers, The Royal Society of British Artists and The Royal Institute of Painters in Watercolours. Examples of his works can be found at The Tate Gallery, London; The Hunterian Gallery; University of Glasgow; and The Sheffield Art Gallery.

Los 817

After Thomas Rygl, Limited Edition etching 3/30, "War Machines". 45 cm x 61 cm. CONDITION REPORT: This lot is framed and glazed. The etching is in extremely good condition with no issues. The mount is also in good order and the frame simple and serviceable.

Los 903

Tracey Emin, Limited Edition etching, "No Substitute for Love", 86/300. 46 cm x 50 cm,. framed, signed and dated 2003 (see illustration). ARR

Los 958

A Japanese etching, Limited Edition 55/70, cats. 24 cm x 21 cm, framed, signed.

Los 989

William Lionel Wyllie, etching, "The Fifth Battle Squadron". 9 cm x 35 cm, signed in pencil.

Los 990

William Lionel Wyllie, etching, estuary scene. 17 cm x 37 cm, framed, signed in pencil.

Los 195

BORIS O`KLEIN (FRENCH, 1893-1985) 'oh! Liberte cherie', hand-coloured etching, titled in pencil lower left, signed in pencil lower right, 21cm x 49cm.

Los 541

Edward Hill Lacey (British, 1892-1967), Portrait of a young boy, etching, signed in pencil lower right, 6 7/8 x 4 15/16in. (17.5 x 12.5cm.).

Los 131

Edmund Blampied, RE (Jersey, 1886-1966), 'Fording the Stream', drypoint etching, Appleby cat. no. 36, c.1914, signed in pencil, 4 15/16 x 7 15/16in. (12.5 x 20cm.) , * Provenance: Duncan R. Miller Fine Arts, Jersey

Los 215

Pierre-Auguste Renoir (French 1841-1919), 'Sur la Plage a Berneval' , drypoint etching on cream laid paper, signed in reverse in the plate, c.1894, published after the artist's death in 1919 , 3¾ x 5 3/8in. (9.5 x 13.75cm.)

Los 133

Edmund Blampied, RE (Jersey, 1886-1966), 'Milking', drypoint etching, Appleby cat. no. 52, edition of 75, c.1919, signed in ink lower left, 8½ x 6½in. (21.5 x 16.5cm.).

Los 135

Edmund Blampied, RE (Jersey, 1886-1966), 'Fisherman's Pet', drypoint etching, Appleby cat. no. 87, c.1923, signed in pencil, 10 x 9 1/16in. (25.2 x 23cm.). , * Provenance: St Helier Galleries, Jersey, 'Blampied Exhibition April 1975

Los 229

Anton Lock (1893-1979), Horses in a moorland landscape, etching, signed 'Lock imp.' in pencil lower right, 12.5 x 17.75cm.

Los 132

Edmund Blampied R.E. (Jersey, 1886-1966), 'Come on Boys', drypoint etching, signed in pencil and signed and dated 1921 left lower corner of plate, edition of one hundred, 1921, 7½ x 11½in., * According to Campbell Dodgson, the plate was destroyed.,

Los 220

Claude Francis Barry (British, 1883-1970), Santa Maria della Salute at night, Venice, monochrome etching printed in dark blue-green, signed in pencil lower right, 12 x 14½in. (30.5 x 37cm.)

Los 127

Edmund Blampied RE (Jersey, 1886-1966), 'Below Stairs', dry point etching, signed in ink lower centre and numbered 21/100 lower left, framed, 10¼ x 7¾in. (26 x 19.7cm.). , * Provenance: Selective Eye Gallery, 1997 , * Condition: Lightly time stained in acid free mount. Good condition.

Los 115

Alfred George Wright (British, 1875-1967), etching of two men in a lobster boat off the Jersey coast, signed and dated 1934 in pencil, 6 7/8 x 9¾in. (17.5 x 24.75cm.), unframed; together with another by the same artist, 'The Cider Press', 6 7/8 x 9 7/8in. (17.5 x 25cm.); and one other unframed etching, unsigned. (3)

Los 134

Edmund Blampied, RE (Jersey, 1886-1966), 'The Forge', drypoint etching, c.1937, signed to plate only, inscribed 'The Forge' verso in pencil, 4 x 6¾in. (10 x 17.25cm.). , * This etching appears to be a very close 'mirror' image of the lithograph 'The Forge' executed in 1937, Appleby No. L.32, although smaller in scale.

Los 143A

Edmund Blampied (Jersey, 1886-1966), 'Noonday Rest', drypoint etching, c.1920, signed in ink to lower margin, from an edition of 100, 8 1/2 x 11in. (21.5 x 28cm.).

Los 694

William Wylie, sailing in the Solent, signed in pencil, etching, height 8.5 cm width 33 cm (P.L)

Los 698

William Wylie, battleships in estuary, signed in pencil, etching, height 9 cm width 30 cm (P.L)

Los 695

William Wylie, battleship in estuary, signed in pencil, etching, height 9 cm width 30 cm (P.L)

Los 699

William Wylie, racing yachts, signed in pencil, etching, height 9 cm width 30 cm (P.L)

Los 367

Lynette Hammant, 'Villa Balbinello' by Lake Como, signed & dated (19)83, artists proof etching, 19" x24"

Los 580

Alfred Charles Stanley Johnson (British, 1884-1966) Albi, France 1927, signed in pencil, etching, 30cm x 32cm

Los 328

‡ Bernard Leach (1887-1979) Beggar and Songbird etching on paper, framed signed in the print, paper gallery label, 5/25 in pencil 119.5 x 14.5cm. Provenance Sheila Harrison Fine Art. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 61 catalogue number 34 for an example of this print illustrated.

Los 331

‡ Bernard Leach (1887-1979) Harbour with Schooner, etching on paper, framed printed facsimile signature, paper gallery label, 5/25 in pencil 15 x 16cm. Provenance Sheila Harrison Fine Art. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 34 catalogue number 7 for an example of this print entitled 'West India Docks' illustrated.

Los 598

Kriegsmarine Officers Dress Dagger with Hanging Straps, good example of a German naval officers dagger with its original white celluloid grip, retaining the original grip wire. Eagle and swastika pommel top. Complete with its original deluxe pattern hammered scabbard with two hanging rings. Blade with standard etching and WKC trade mark to the base. Some surface pitting to the blade. Dagger is complete with its correct large and small type blue velvet backed hanging straps with gilt metal double lion head buckles and gilt metal clips. Some wear to the straps but overall a good example.

Los 164

JOSEPH W. SIMPSON, (British, 1879-1939), 'Punt Gunner Wild Fowling on an Expansive Lake', signed in pencil, uncoloured etching. 21.5 x 30cm.Provenance: Estate of Phillip Y. Davies, deceased. CONDITION REPORT: Grubby externally, the print itself showing no damage.

Los 762

Follower of Giovanni Benedetto Castiglione (Italian, 1609-1664) Satyrs with goats at a well in a classical landscape. oil on canvas 27 x 43cm (11 x 17in) Other Notes: This scene is also known through the etching by Giovanni Benedetto Castiglione (Italian,1609–1664) "Satyr reclining at the foot of a herm, goats at the right" in the Metropolitan Museum of Art, New York. Somewhat flattened and scrubbed.

Los 852

Cecil Charles Windsor Aldin, RBA (British, 1870-1935) ''What about a walkie ?" signed lower right "Cecil Aldin" and numbered 50/150 drypoint etching 16 x 22cm (6 x 9in) Framed. Some insects visible between the glass and the mount. Image clear and good. A little browning to the background.

Los 459

CHARLES FREDERICK TUNNICLIFFE (1901-1979), Farmyard, etching, signed in pencil, plate size 8 3/4" x 11 1/4", ebonised frame

Los 1521

Edgar Degas (1834-1917), Danseuse mettant son chausson, etching, 17.5cm x 11.5cm.Provenence: Sir John Gielguid, 1966

Los 1531

James Abbott McNeill Whistler (1834-1903), Little Putney Bridge, etching with drypoint, 13cm x 20cm.

Los 1547

Sean Henry (b.1965), Portrait study of a man, etching, signed with initials and numbered 2/25 in pencil, 59cm x 43cm. DDS

Los 167

JUDITH ROSENTHAL watercolour - still life, flowers in a vase, signed, 14.5 x 9 cms, ANTHONY EVANS limited edition (5/80) black and white print - street scene with chapel, signed in full, 21 x 28 cms and an etching - cloud scene, 12 x 16 cms

Los 1451

Peligy HinaekianSUN DANCEetching and aquatint,signed in pencil, andGlynn ThomasAGHIOS NICOLAOS, and HONFLEURcoloured etching, signed in pen

Los 1455

Max Brunning, head of woman in profile wearing a hat, drypoint etching, signed in pencil, plate mark, 13 x 19cm

Los 414

Anthony Gross (1905-1984) - Etching - "Village Encounter", (No. 1 of 50), 16ins x 21.5ins, column signed, titled and numbered in pencil, framed and glazed

Los 1698

Pablo Picasso, an original etching entitled ' Nu de Dos ', nude study, provenance: Templeton & Rawlings Ltd., Regent Street (not from the first signed and numbered edition), 14.5ins x 10.75ins, framed (damages)

Los 1649

Douglas Ion Smart, etching, figures and shipping on the river at towards Limehouse, signed in pencil, 5.5ins x 9ins

Los 1512

Vivian Sundaram, artists proof etching ' It was a Great Day, I ', signed and dated November '67, 9.75ins x 6.5ins, unframed

Los 1663

W.L. Wyllie, artist signed etching, Naval ships entering a continental harbour, 6.5ins x 14.75ins, framed

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