* After Archibald Thorburn, British 1860-1935- `Course Shooting`, publ. June 1st 1892 by Leggat Bros.; photogravure, signed in pencil, bears publisher, bears blindstamp `GDU` Printsellers Assoc., 44x63cm: Frank Paton, British 1856-1909- `Grouse, End of the Line`, after Archibald Thorburn, British 1860-1935, publ. July 10th 1889 by Leggatt Bros.; etching, signed by both the artist and printmaker in pencil, bears blindstamp `GDU` Printsellers Assoc., 40x57cm., (unframed) (2)
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LAURA KNIGHT, 4 ttls: MODERN MASTERS OF ETCHING LAURA KNIGHT, “The Studio”, 1932, 1st edn, obl, 4to, orig cl, ptd paper label; A PROPER CIRCUS OMIE, 1962, 1st edn, orig cl, d/w; THE MAGIC OF A LINE, 1965, 1st edn, orig cl, d/w; ON WITH THE SHOW, nd, orig pict laminated bds + CAROLINE FOX: DAME LAURA KNIGHT, 1988, 1st edn, 4to, orig cl, d/w (5)
Etching -- Cameron, D.Y. -- Rinder, F. D.Y. Cameron. An illustrated catalogue of his etched work. Glasgow: J. Maclehose, 1912. 4to, plates, original cloth, dust-jacket, upper board slightly damp-stained; Salaman, M.C. Modern masters of etching. 6 volumes in one: Brangwyn, Cameron, McBey, Meryon, Whistler, Zorn. London: The Studio, 1924-27. Oblong folio, green half morocco by The Atelier Bindery, t.e.g., slightly rubbed (2)
JAMES GILLRAY - `John Bull Taking A Luncheon`; all British Cooks Cramming Old Grumble - Gizzard With Bonne - Chere`, etching, hand coloured, 10 1/2" x 14 1/2"; seven John Doyle lithograph characters from the `H.B. Sketches` Series; Robert Dighton characters - `Mr Braham in the character of Orlando`; and one further titled `John Bull Arming` (10).
JAMES GILLRAY - `The Coming - On Of The Monsoons Or The Retreat From Seringapatam`, etching, hand coloured, 8 3/4" x 11"; another - `The Genies of France Nursing Her Darling`, Thomas Rowlandson `Procession of The Cod Company from St. Gile`s to Billingsgate`, hand coloured etching, 10 1/2" x 14" and six further characters, three unframed (9).
John Wells (1907-2000) Untitled signed John Wells, dated 1950 and numbered 8/25 in pencil in the bottom margin inscribed on the reverse `Michael from John August 1953` etching image size 17.25 x 12cm. Provenance:An exchange of work John Wells was born in London, trained as a doctor at University College Hospital. He learned to paint at evening classes at St Martins School of Art. From 1936-1945 he worked as a general practitioner for the Isles of Scilly. In 1945 he moved to Newlyn to pursue a full time career as an artist. Co-founder of The Crypt Group and The Penwith Society of Artists. He worked with Barbara Hepworth and exhibited regularly in London, the provinces and abroad. His works of geometric abstraction were influenced by Naum Gabo, Ben Nicholson and Barbara Hepworth. An exhibition at the Tate, St. Ives in 2007 celebrated the centenary of his birth.
Ben Nicholson (1894-1982) Untitled drypoint etching signed Ben Nicholson in the margin inscribed 2nd Proof image 20 x 15cm, unframed. Provenance:A gift from the artist Ben Nicholson was born in Denham, Buckinghamshire. His father was the painter Sir William Nicholson. He attended the Slade School of Art in 1910-11. In 1922 he had his first solo exhibition at the Adelphi Gallery, London and soon after painted abstract paintings influenced by Cubism and by 1927, inspired by Rousseau and early Folk Art, he had evolved a primitive style. He met Mondrian and Picasso who both had influences on his work. In 1939 Nicholson moved to St Ives with his wife Barbara Hepworth, the sculptor. They initially stayed with Adrian Stokes in Carbis Bay. Nicholson entered a period of painting landscapes and coloured abstract reliefs, and then linear abstract painting. He joined the St Ives Society in 1943 and in 1949 was a founder member of The Penwith Society. In 1951 Nicholson and Hepworth divorced and he left Cornwall in 1957.
Edward Ardizzone (British 1900-1979), Corseted woman and four nudes, ink sketch on the rear of a private view card, initialled in ink, framed and glazed bearing Sally Hunter Fine Art gallery label, numbered 5, exhibited Edward Ardizzone with his friends and relations , Sally Hunter and Patrick Seale Fine Art, December 1986; together with an etching after Frederick Slocombe (British, 1847-1920) entitled A College Walk , signed and titled in pencil, framed and glazed and a contemporary coloured floral still life print, indistinctly signed and inscribed Proof , framed and glazed (3)" The Ardizzone ink sketch 9.5cm x 20cm, the etching, 28cm x 18cm, the coloured print, 57cm x 80cm All in good condition, unexamined out of frames. View on auctionatrium.com

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78475 Los(e)/Seite