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78475 Los(e)/Seite
•DAME ELISABETH FRINK (1930-1993) "Man", signed in pencil to the margin and numbered 48/100, printed at Kelpra Studio with their blind stamp, etching and aquatint in brown, plate size 8.5" x 7.75". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.
•DAME ELISABETH FRINK (1930-1993) "Horse", signed in pencil to the margin and numbered 8/100, printed at Kelpra Studio with their blind stamp, etching with aquatint in reddish brown, 8.25" x 7.75". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.
•DAME ELISABETH FRINK (1930-1993) "Strawberry Roan", signed in pencil to the margin and inscribed A/P, printed at Kelpra Studio with their blind stamp, artist proof etching with aquatint in brown, 1980, plate size 21.25" x 27.25". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.
A signed black and white photograph of Count Basie, a signed black and white photograph of Benny Goodman, a signed and inscribed photograph of Digby Fairweather, a pen and ink cartoon inscribed "With best wishes to Derrick Baxby from Wally "Trogg" Fawkes", a black and white reproduced photograph of jazz legends inscribed "Once In a Lifetime", a hand coloured etching inscribed "Humphrey Lyttleton", and one of "Monty Sunshine" together with an inscribed black and white photograph. Provenance: The Derrick Baxby Collection.
CHARLES BARTLETT (1921-2014); aquatint, "White Water" depicting an abstract seascape, signed in pencil lower right, titled 2/60, plate 34.5 x 46cm, and RICHARD BEER (born 1928); etching, "Stockport", signed in pencil lower right, titled 3/70, plate 60 x 37cm, both framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Fred Slocombe: an etching, deer in Windsor Great Park, another etching, Christmas Greetings from the Slocombe Family 1898, a coloured etching, figures on a quayside, signed Henry J Walker, Yeend King: a black and white engraving, "The Fold Yard", and a pair of oriental prints of figures and ducks
An etching or engraving produced by William Miller after J.M.W. Turner's painting 'The Shipwreck' together with a soft- ground mezzo tint etching titled 'The Monk' by William Strang (c.1886), an engraving by Thomas Cook of William Hogarth's Age of Vanity, card and a dry-point etching by George Labadie Piotell, signed by Piotell bottom left.
***Helen Bradley (1900-1979) - Coloured print - "Miss Carter and the family out on a walk by a lake", 15ins x 22ins, signed in full in pencil to lower right, in modern gilt frame and glazed, and Enzo Palazzotta (1921-1981) - Etching - "Romeo and Juliet", 8.75ins x 6.5ins, signed, inscribed and dated 1971, No. 25 of edition of 100, in modern gilt moulded frame and glazed
*Peter Godfrey Coker R.A. (1926 - 2004), series of artists proof etchings and aquatints with a frontispiece and description - The Parisian Suite, Le Pont au Change de la Fenêtre, Hôtel Châtelet, Paris, 1975, dedicated to Nicholas, September 2002: Cars crossing the Pont au Change (line etching), Chaos (hand-coloured line and aquatint), Gendarme facing the Quai de Gesvres (line and aquatint), Bus Stop, Châtelet (hand tinted line and aquatint), Bus Stop, Châtelet (line and aquatint), Pedestrians crossing the Quai de la Megisserie (hand-coloured line and aquatint), Double arch, towards the Boulevard du Palais (hand tinted line and aquatint), Double Arch, towards the Boulevard du Palais (line and aquatint), Configuration (aquatint) and Paris by Night (lithograph). Each signed in pencil and framed and glazed. Gainsborough's House Society Exhibition 2003 label verso
Valerie Thornton (1931 - 1991), aquatint and etching - 'Lavenham Church', signed and inscribed Artists Proof, image 40cm x 52cm, in glazed frame. N.B. Label verso for 'East Anglian Art Today' The Royal Institute Galleries, London CONDITION REPORT A little discolouration to margins where image meets mount, ghost of a horizontal stain top margin suggests an earlier framing scheme, or that the print has slipped in the mount, otherwise OK

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78475 Los(e)/Seite