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Preisdatenbank abonnierenEngraving and Fine Art Printing, various to include WEST (L), Making an Etching, 1932, Gwen Raverat's copy, with her pencil signature to first leaf; HYDE (W), The Poetical Works of John Milton, Astolat Press, 1904; The Woodcut of Today, 1927; also - DODGSON (Charles), Alice's Adventures in Wonderland, 8th thousand, 1867, a little shaken, occasional staining, tears to spine; others
Six coloured satirical cartoons Dumourier dining in State at St James's, on the 15th of May 1793, etching by James Gillray, 32 x 37.5 cm; The Salute, named above in ink, 1797, etching, 30 x 40.5 cm; The Flushing Phantasmagoria, 1809, etching, 29 x 38; Extraordinary News, 1808, 26 x 42 cm; and two others later by Cruikshank
A Vintage Cheltenham Boys School Velvet Cricketing Cap, the cap embroidered with the dates 1932-1933 together with a swagger stick with a metal mount stamped Cheltenham College and a watercolour by J. Bateman entitled 'Cheltenham College Chapel' and an etching entitled 'The Chapel', both works framed and glazed.
Jennie Harbour (1893-1959). A Victorian Poet, etching with colour, published by Raphael Tuck together with Early Morn Portsmouth, an aquatint signed M Gordon Thompson; a snow covered winter landscape, gouache, unsigned, written in pencil verso Sevenoaks 47; a silkwork embroidery picture of heavy horses etc.
Peter Doig (b.1959), "Ski Lift" from Grasshopper, 1997, signed and numbered 5/35 in pencil in the margin (there were also 6 artist's proofs), on Zerkhall etching paper, etching, plate size 17 x 27cm.; 6.75 x 10.75in, sheet size 45.5 x 55.5cm.; 18 x 22in. Artists' Resale Right ("droit de suite") may apply to this lot.
Sir Frank Brangwyn R.A. (British, 1867-1956), Illustration for L'Ombre de la Croix - Shepherd, circa 1931, initialled in the plate, etching, plate size 7.5 x 6cm.; 3 x 2.5in. The text for L'Ombre de la Croix, written by the brothers Jerome and Jean Tharaud, was published by Editions Lapina, Paris, 1931, in two volumes, and was illustrated with 73 Brangwyn etchings. The book describes the lives of Jews in contemporary Europe and many of Brangwyn's illustrations appear to depict the town of Belz in Poland, which was a centre of pilgrimage. Brangwyn is not known to have visited Poland and current research suggests that a large proportion of the etchings were based on photographs. We are grateful to Dr. Libby Horner for her assistance.
A collection of various pictures, including an etching, entitled Ightham Mote House; together with three further etchings, a framed photographic print of a Lion, a pair of signed Baxter prints, a canvas print depicting two ladies drinking, a reproduction map of Staffordshire; together with one watercolour, signed indistinctly, etc
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