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Dominic Winter Auctions
Los 24

*@Cameron (David Young, 1865-1945). Gloucester, 1931, etching and drypoint on laid paper, from the edition of about 88 proofs, signed in pencil, plate size 415 x 198 mm (16.3 x 7.75 ins), sheet size 488 x 310 mm (19.25 x 12.25 ins), together with Tewkesbury Abbey, 1915, etching and drypoint on laid paper, from the edition of about 98, signed in pencil, plate size 420 x 223 mm (16.5 x 8.75 ins), sheet size 485 x 284 mm (19.1 x 11.2 ins) Rinder 490, iii/iii & 457, vi/vi. (2)

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Dominic Winter Auctions
Los 25

*@Cameron (David Young, 1865-1945). Afterglow on the Findhorn, etching with drypoint on japan tissue, signed in pencil, plate size 230 x 202 mm (9 x 8 ins), sheet size 260 x 223 mm (10.2 x 8.8 ins) Rinder 399. (1)

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Dominic Winter Auctions
Los 26

*Hoyton (Edward Bouverie, 1900-1988). Virgil's Farm, 1926-28, etching on cream laid paper, signed in pencil, plate size 202 x 276 mm (7.9 x 10.9 ins), sheet size 310 x 438 mm (12.25 x 17.25 ins), together with Great Seaside Farm, No. 2, 1925, signed in pencil, one or two light spots, plate size 195 x 258 mm (7.6 x 9.65 ins), sheet size 310 x 445 mm (12.25 x 17.5 ins), plus Trevignano, 1927, etching on Van Gelder Zonen laid paper, signed in pencil, plate size 250 x 340 mm (9.8 x 13.4 ins), sheet size 383 x 526 mm (15 x 20.7 ins) The second and third works published in editions of 75 proofs. Provenance: Formerly in the collection of Neil Green, with his monogram inkstamp to lower right blank corner. (3)

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Dominic Winter Auctions
Los 27

*Tanner (Robin, 1904-1988). Lesser Celandine, 1943, etching on laid paper, an artist's proof impression, aside from the edition of 50 published by Penn Print Room in 1974, signed in pencil, additionally inscribed by the artist in pencil to lower margin '"Lesser Celandine": Impression on C18 paper printed in 1974 at Old Chapel Field Press.', plate size 116 x 137 mm (4.5 x 5.4 ins), sheet size 230 x 277 mm (9 x 10.9 ins) Garton 22 ii/ii. (1)

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Dominic Winter Auctions
Los 28

*Tanner (Robin, 1904-1988). The Meadow Stile, 1970, etching on thick wove paper, an artist's proof impression, signed in pencil, and additionally inscribed in pencil by the artist to lower margin '"The Meadow Stile" - Kington Langley. 1970.', plate size 200 x 149 mm (7.9 x 5.9 ins), sheet size 368 x 282 mm (14.5 x 11.1 ins) Garton 24 ii/ii. (1)

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Dominic Winter Auctions
Los 29

*Tanner (Robin, 1904-1988). August in Wiltshire, etching on thick wove paper, watermarked J Green & Son, the second of 6 artist's proof impressions, printed at The Old Chapel Field Press in March 1976, signed and dated in pencil, additionally inscribed by the artist in pencil to lower margin '"August in Wiltshire", 1976. Printed at The Old Chapel Field Press, Kington Langley, Wiltshire, March 1976.', plate size 237 x 296 mm (9.25 x 11.6 ins), sheet size 330 x 390 mm (13 x 15.3 ins) Garton 35 iii/iii. (1)

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Dominic Winter Auctions
Los 3

*Palmer (Samuel, 1805-1888). The Early Ploughman, 1861, etching on laid paper, a good impression of the eighth state (of 9), margins trimmed, plate size 167 x 253 mm (6.6 x 10 ins), sheet size 179 x 265 mm (7 x 10.5 ins), together with The Homeward Star, etching on laid paper (bearing watermark 'MILL'), the second state (of 4), plate size 133 x 190 mm (5.25 x 7.5 ins), sheet size 222 x 322 mm (8.75 x 12.75 ins) Lister 9, viii/ix & 14 ii/iv. (2)

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Dominic Winter Auctions
Los 30

*Griggs (Frederick Landseer, 1876-1938). Sarras, 1926-28, etching on cream laid paper, one of 84 impressions of the eighth state, signed in pencil, with stamped monogram of the Dovers House Press to lower margin verso, and numbered in ink 70, some light scattered spotting towards the right-hand side, plate size 194 x 284 mm (7.6 x 11.2 ins), sheet size 250 x 370 mm (9.8 x 14.5 ins) Comstock 35 viii/viii. (1)

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Dominic Winter Auctions
Los 31

*Griggs (Frederick Landseer, 1876-1938). The Almonry, 1925, etching on laid paper, signed in pencil, very light foxing and pale mount stain, inkstamp monogram of the Dovers House Press to lower margin verso, plate size 245 x 170 mm (9.7 x 6.7 ins), sheet size 298 x 194 mm (11.7 x 7.7 ins) Comstock 34, v/vii. (1)

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Dominic Winter Auctions
Los 32

*Griggs (Frederick Landseer, 1876-1938). St. Ippolyts, 1927, etching on laid paper, the second state (of 4), from the edition of 32 in this state, signed in pencil, and additionally inscribed lower left 'To Joan', some light discolouration and marginal spotting, inkstamp monogram of the Dovers House Press to lower margin verso, plate size 135 x 120 mm (5.25 x 4.75 ins), sheet size 172 x 148 mm (6.75 x 5.75 ins) Comstock 36, ii/iv. Provenance: This print was presented by the artist to Joan Ayling (1907-1993), a miniature painter, who studied at the Birmingham School of Art and the Slade School, and privately with F.L. Griggs, for whom she posed for the figures in his etching of Owlpen Manor (see lot 112). (1)

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Dominic Winter Auctions
Los 33

*Griggs (Frederick Landseer, 1876-1938). Cockayne, 1936, etching on laid paper, one of only 3 impressions of the fourth state, signed in pencil, a strong, rich impression, some pale scattered foxing, plate size 205 x 275 mm (8 x 10.8 ins), sheet size 265 x 378 mm (10.5 x 14.9 ins) (1)

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Dominic Winter Auctions
Los 34

*@Badmin (Stanley Roy, 1906-1989). Shepton Mallet, Somerset, 1930, etching on cream laid paper, from the edition of 50, published by Twenty One Gallery, a fine impression, signed, titled, and numbered 38/50 in pencil, additionally inscribed in pencil to lower margin 'Shepton Mallet Printed by S.R.B.', plate size 142 x 73 mm (5.6 x 2.9 ins), sheet size 240 x 150 mm (9.5 x 5.9 ins) Beetles 20. (1)

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Dominic Winter Auctions
Los 35

*@Badmin (Stanley Roy, 1906-1989). Oxfordshire Cottage, 1936, etching on cream laid paper, an artist's proof, aside from the published edition of 40 published by the Fine Art Society, signed, titled and marked A/P, plate size 107 x 158 mm (4.4 x 6.25 ins), sheet size 202 x 258 mm (8 x 10.2 ins) Beetles 40. (1)

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Dominic Winter Auctions
Los 36

*@Badmin (Stanley Roy, 1906-1989). The Abbey Barn, Doulting, Somerset, 1929, etching on wove paper, from the edition of 30, published by the XXI Gallery, signed in pencil, additionally titled and numbered 26/30 to lower margin, light mount stain, plate size 113 x 137 mm (4.5 x 5.4 ins), sheet size 197 x 240 mm (7.75 x 9.5 ins) Beetles 19. (1)

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Dominic Winter Auctions
Los 37

*@Brockhurst (Gerald Leslie, 1890-1978). Jeunesse Dor‚e, 1942, etching on laid paper, an impression from the 1st state (of 3), signed and marked 1st state in pencil, additionally inscribed by the artist to lower margin in pencil, 'Property of artist. G.L.B.', plate size 275 x 225 mm (10.75 x 8.75 ins), sheet size 350 x 280 mm (13.75 x 11 ins) Wright 79, i/iii. Fletcher 80 i/iii. (1)

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Dominic Winter Auctions
Los 38

*@Brockhurst (Gerald Leslie, 1890-1978). Viva, (Mrs. Bobby Hazleton Ross), 1929, etching on wove paper, from the edition of 111 proofs, published March 1929, signed in pencil, plate size 214 x 172 mm (8.4 x 6.75 ins), sheet size 345 x 265 mm (13.5 x 10.4 ins) Wright 63, viii/viii. Fletcher 63. (1)

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Dominic Winter Auctions
Los 39

*@Brockhurst (Gerald Leslie, 1890-1978). Nadejda, 1924, etching on wove paper, from the edition of 76 proofs, published 1924, signed in pencil, plate size 152 x 113 mm (6 x 4.5 ins), sheet size 282 x 219 mm (11.1 x 8.6 ins) Wright 47, ii/ii. Fletcher 47. (1)

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Dominic Winter Auctions
Los 4

*Haden (Sir Francis Seymour, 1818-1910). Shere Mill Pond II (Large Plate), 1860, etching with drypoint on laid paper, plate size 178 x 335 mm (7 x 13.2 ins), sheet size 208 x 254 mm (8.2 x 13.9 ins), together with On The Test, etching with drypoint on chine appliqu‚, a rich, dark impression, plate size 157 x 226 mm (6.2 x 8.9 ins), plus Kensington Gardens (Large Plate), 1859, etching on laid paper, a very good impression, plate size 205 x 128 mm (8 x 5 ins), sheet size 243 x 162 mm (9.6 x 6.3 ins), and 2 other etchings by the same artist: Sunset in Ireland & Newcastle-in-Emlyn, both on laid paper, the first with some light mount staining Harrington 38 (ii), 20, 28 (ii), 51 & 62. (5)

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Dominic Winter Auctions
Los 40

*@Brockhurst (Gerald Leslie, 1890-1978). Ranunculus, 1921, etching on cream wove paper, from the edition of 76 proofs, published September 1921, signed in pencil, plate size 201 x 152 mm (7.9 x 6 ins), sheet size 318 x 250 mm (12.5 x 9.8 ins) Wright 25, iv/iv. (1)

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Dominic Winter Auctions
Los 41

*@Cameron (David Young, 1865-1945). Arran Peaks, 1912, etching and drypoint on japan, a trial proof, signed in pencil, plate size 304 x 354 mm (12 x 13.9 ins), sheet size 320 x 480 mm (12.6 x 18.9 ins), together with The Tay, etching and drypoint on laid paper, signed in pencil, mount stained, and with overall toning and several spots, plate size 265 x 380 mm (10.5 x 15 ins), sheet size 317 x 470 mm (12.5 x 18.5 ins) Rinder 436, iv/vi. (2)

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Dominic Winter Auctions
Los 42

*Detmold (Charles Maurice, 1883-1908 & Edward Julius, 1883-1957). Long-Eared Bat, 1897, etching on imperial japan paper, initialled in pencil by both artists, and signed in full by E.J. Detmold, plate size 125 x 142 mm (5 x 5.5 ins), sheet size 233 x 306 mm (9.2 x 12 ins) Dodgson 9 (only state). (1)

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Dominic Winter Auctions
Los 43

*Griggs (Frederick Landseer, 1876-1938). Lanterns of Sarras, 1932, etching on laid paper, one of 25 impressions of the 3rd state, with the text of Wilfred Rowland Childe's poem A Gothic Rose etched below the image, signed in pencil, light mount stain, plate size 284 x 184 mm (11.2 x 7.25 ins), sheet size 472 x 330 mm (18.6 x 13 ins) Comstock 47 iii/iv. (1)

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Dominic Winter Auctions
Los 44

*@Brockhurst (Gerald Leslie, 1890-1978). Young womanhood, 1931, etching on wove paper, from the edition of 111 proofs, published July 1931, signed in pencil, a fine, rich impression, plate size 231 x 175 mm (9.1 x 6.9 ins), sheet size 400 x 267 mm (15.75 x 10.5 ins) Wright 70, vii/vii. Fletcher 70. (1)

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Dominic Winter Auctions
Los 45

*@Brockhurst (Gerald Leslie, 1890-1978). La Tresse, 1926, etching on wove paper, from the edition of 111 proofs, published October 1926, signed in pencil, a very good impression, remains of three gummed labels to top edge of the sheet, plate size 212 x 176 mm (8.3 x 7 ins), sheet size 327 x 256 mm (12.9 x 9.9 ins) Wright 56, vii/vii. Fletcher 56. (1)

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Dominic Winter Auctions
Los 46

*@Brockhurst (Gerald Leslie, 1890-1978). Adolescence, 1932, etching on wove paper, from the edition of 91 proofs, published December 1932, signed in pencil, a fine, rich impression, plate size 370 x 265 mm (14.6 x 10.4 ins), sheet size 455 x 342 mm (17.9 x 13.5 ins) Wright 75, v/v. Fletcher 75. (1)

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Dominic Winter Auctions
Los 47

*Tanner (Robin, 1904-1988). Hedge Flowers, 1936, etching on 18th-century laid paper, an artist's proof impression, aside from the edition of 12 published by Garton & Cooke, signed, and additionally inscribed to lower margin by the artist '"Hedge Flowers": Impression printed on 18th century paper.', plate size 232 x 162 mm (9.2 x 6.4 ins), sheet size 343 x 258 mm (13.5 x 10.2 ins) Garton 20. (1)

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Dominic Winter Auctions
Los 48

*Tanner (Robin, 1904-1988). The Cheese Room, 1978, etching on thick wove paper, an artist's proof impression, aside from the edition of 49 published by Robin Garton in 1978, signed and dated in pencil, additionally titled by the artist and dated to lower left corner, plate size 222 x 285 mm (8.75 x 11.25 ins), sheet size 320 x 415 mm (12.5 x 16.3 ins) Garton 38. (1)

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Dominic Winter Auctions
Los 49

*Tanner (Robin, 1904-1988). The Wicket Gate, 1977, etching on wove paper, an artist's proof impression, aside from the edition of 49 published by Robin Garton in 1978, signed and dated '78 in pencil by the artist to lower margin, '"The Wicket Gate". The gate at the entrance of Sydney's Wood, Kington Langley, used by the diarist, the Rev. Francis Kilvert.', plate size 172 x 167 mm (6.75 x 6.5 ins), sheet size 271 x 269 mm (10.7 x 10.6 ins) Garton 37 iii/iii. (1)

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Dominic Winter Auctions
Los 5

*@Cameron (David Young, 1865-1945). Ben Lomond, 1923, etching and drypoint on laid paper, from the published edition of approximately 80, signed in pencil, a rich, dark impression, light mount stain, plate 262 x 415 mm (10.3 x 16.3 ins), sheet size 323 x 473 mm (12.75 x 18.7 ins) Rinder 468 vi/vi. (1)

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Dominic Winter Auctions
Los 50

*@Brockhurst (Gerald Leslie, 1890-1978). Melisande, 1920, etching on cream laid paper, from the edition of 55 proofs published July 1920, signed in pencil, plate size 139 x 113 mm (5.5 x 4.5 ins), sheet size 295 x 235 mm (11.6 x 9.25 ins) Wright 7 ii/ii. Fletcher 7. (1)

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Dominic Winter Auctions
Los 51

*@Brockhurst (Gerald Leslie, 1890-1978). Fabian, 1921, etching on cream laid paper, from the edition of 76 proofs published February 1921, signed in pencil, plate size 175 x 125 mm (6.9 x 4.9 ins), sheet size 295 x 235 mm (11.6 x 9.25 ins) Wright 23, iii/iii. Fletcher 23, iii/iii. (1)

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Dominic Winter Auctions
Los 52

*@Brockhurst (Gerald Leslie, 1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs, published May 1932, signed in pencil, a strong, dark impression, 234 x 187 mm (9.25 x 7.3 ins), sheet size 365 x 255 mm (14.4 x 10 ins) Wright 72, vi/vi. Fletcher 72. (1)

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Dominic Winter Auctions
Los 53

*@Webb (Joseph, 1908-1962). Rat Barn, 1928, etching on laid paper, signed in pencil, and additionally titled lower left, some light toning and foxing, plate size 178 x 304 mm (7 x 12 ins), sheet size 235 x 343 mm (9.25 x 13.5 ins) Guichard 17. Meyrick (2007), illustration 11. Provenance: Formerly in the collection of Neil Green, with his inkstamp monogram to lower right corner. (1)

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Dominic Winter Auctions
Los 54

*@Webb (Joseph, 1908-1962). Dream Barn, 1929, etching on thick laid paper, signed and titled Dream Barn 1st State in pencil, a rich, dark impression, plate size 180 x 300 mm (7.1 x 11.8 ins), sheet size 266 x 405 mm (10.5 x 16 ins) Guichard 21. Meyrick (2007), illustration 12. (1)

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Dominic Winter Auctions
Los 55

*@Webb (Joseph, 1908-1962). Prison, 1930, etching on laid paper, signed, and titled Prison IInd State in pencil, plate size 178 x 303 mm (7 x 12 ins), sheet size 245 x 405 mm (9.7 x 16 ins) Guichard 27. Meyrick (2007), illustration 38. ^TAsylum, 1930-31, ^Detching on laid paper, signed, and titled Asylum 1st State in pencil, a very good impression, plate size 179 x 304 mm (7 x 12 ins), sheet size 233 x 352 mm (9.2 x 13.8 ins) ^NGuichard 27. Meyrick (2007), illustration 37. (1)

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Dominic Winter Auctions
Los 56

*@Webb (Joseph, 1908-1962). Asylum, 1930-31, etching on laid paper, signed, and titled Asylum 1st State in pencil, a very good impression, plate size 179 x 304 mm (7 x 12 ins), sheet size 233 x 352 mm (9.2 x 13.8 ins) Guichard 27. Meyrick (2007), illustration 37. (1)

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Dominic Winter Auctions
Los 57

*@Brockhurst (Gerald Leslie, 1890-1978). Yolande (Mrs Rushbury), 1920, etching on laid paper, signed in pencil, additionally inscribed in pencil to lower margin (apparently in the artist's hand) 'Yolande (Mrs Rushbury)', plate size 113 x 87 mm (4.5 x 3.5 ins), sheet size 310 x 193 mm (12.25 x 7.5 ins) with upper outer corner torn away, together with Z‚lie (Marguerite), 1920, etching on wove paper, from the only edition of 40 proofs, signed in pencil, plate size 113 x 86 mm (4.5 x 3.4 ins), sheet size 255 x 160 mm (10 x 6.25 ins), plus La Basquaise, 1920, etching on wove paper, signed in pencil, pale mount stain, plate size 114 x 89 cm (4.5 x 3.5 ins), sheet size 280 x 217 mm (11 x 8.5 ins) Wright 12, 13 & 18. (3)

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Dominic Winter Auctions
Los 58

*@Brockhurst (Gerald Leslie, 1890-1978). Anais I, 1920, etching on laid paper, from the edition of 55 proofs published in July 1920, signed in pencil, plate size 138 x 111 mm (4.4 x 5.4 ins), sheet size 235 x 188 mm (9.25 x 7.4 ins), together with Ph‚mie, 1923, etching on laid paper, one of 76 proofs published in 1924, signed in pencil, plate size 100 x 74 mm (3.9 x 2.9 ins), sheet size 270 x 200 mm (10.6 x 7.8 ins), plus Aglaia, 1926, one of 111 proofs published April 1926, signed in pencil, and additionally signed by the artist in ink to lower left, plate size 137 x 105 mm (5.4 x 4.1 ins), sheet size 290 x 215 mm (11.4 x 8.5 ins), each in card passepartout (with Craddock & Barnard pencil annotations) Wright 6, ii/ii, 42 ii/ii & 54 ix/ix. (3)

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Dominic Winter Auctions
Los 59

*@Brockhurst (Gerald Leslie, 1890-1978). The West of Ireland, 1928, etching on wove paper, one of 111 proofs of the final state, published July 1928, signed in pencil, a strong rich impression, plate size 122 x 145 mm (4.8 x 5.75 ins), sheet size 230 x 270 mm (9 x 10.6 ins) Wright 61 viii/viii. Fletcher 61. (1)

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Dominic Winter Auctions
Los 6

*@Cameron (David Young, 1865-1945). Joannis Darius, 1900, etching with drypoint on cream japan paper, signed in pencil, plate size 325 x 167 mm (12.6 x 6.6 ins), sheet size 394 x 229 mm (15.5 x 9 ins) Rinder 309 i/ii. (1)

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Dominic Winter Auctions
Los 60

*@Brockhurst (Gerald Leslie, 1890-1978). In The Wood, 1920, etching on cream laid paper, one of 106 proofs of the fifth state published December 1925, signed in pencil, plate size 139 x 102 mm (5.5 x 4 ins), sheet size 286 x 211 mm (11.25 x 8.3 ins) Wright 14 & 50, v/v. Fletcher 14 & 50. (2)

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Dominic Winter Auctions
Los 61

*@Brockhurst (Gerald Leslie, 1890-1978). The Black Silk Dress, 1927, etching on wove paper, one of 111 proofs published August 1927, signed in pencil, a fine, rich impression, remains of mount hinges to head and foot of extreme left blank margin, plate size 223 x 159 mm (8.75 x 6.25 ins), sheet size 375 x 270 mm (14.75 x 10.6 ins) Wright 58, ix/ix. Fletcher 58. (1)

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Dominic Winter Auctions
Los 62

*@Drury (Paul, 1903-1987). After Work, 1926, etching on laid paper, from the edition of 75 published by the XXI Gallery, a fine strong impression, with full margins, with several pinholes to outer edges, and one or two minor marginal losses, plate size 102 x 142 mm (4 x 5.5 ins), sheet size 167 x 208 mm (6.5 x 8.2 ins) Garton 20, viii/viii. One of Drury's finest etchings created while the artist was working alongside his close friend Graham Sutherland. (1)

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Dominic Winter Auctions
Los 63

*@Drury (Paul, 1903-1987). March Morning, 1933, etching on wove paper, signed in pencil, a very good impression, plate size 133 x 160 mm (5.25 x 6.25 ins), sheet size 206 x 232 mm (8.1 x 9.15 ins), with collector's stamp of T.P. Hoskins to outer margin verso Garton 30. (1)

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Dominic Winter Auctions
Los 65

*@Drury (Paul, 1903-1987). Nicol's Farm, 1925, etching on antique laid paper (with partial watermark), a strong impression, signed and dated in pencil, a few marks to margins, plate size 111 x 192 mm (4.25 x 7.5 ins), sheet size 216 x 250 mm (8.5 x 9.9 ins), stamped T.P.H. to outer margin verso, with owner's stamp of T.P. Hoskins to outer margin verso Garton 18. (1)

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Dominic Winter Auctions
Los 66

*@Drury (Paul, 1903-1987). Evening, 1925, etching on laid paper, from the edition of approximately 50 published by the XXI Gallery, signed and dated '25 in pencil, pinholes to outer margins, some light scattered foxing, and remains of gummed hinges to outer corners verso, plate size 75 x 100 mm (3 x 4 ins), sheet size 172 x 226 mm (6.75 x 8.9 ins) Garton 16, iii/iv. (1)

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Dominic Winter Auctions
Los 67

*@Drury (Paul, 1903-1987). September, 1928, etching on antique laid paper, signed and dated Paul Drury '28 fec. et imp., and additionally inscribed by the artist in pencil to lower margin 'No. 28. Old Japanese Paper. 'September'', a fine, rich impression, plate size 102 x 130 mm (4 x 5.1 ins), sheet size 163 x 204 mm (6.4 x 8 ins) Garton 24. (1)

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Dominic Winter Auctions
Los 68

*Sutherland (Graham, 1903-1980). Pecken Wood, 1925, etching on wove paper, fifth state (of 5), from the edition of 85, published by the XXI Gallery, signed and dated in roman numerals, plate size 138 x 188 mm (5.5 x 7.4 ins), sheet size 216 x 291 mm (8.5 x 11.5 ins), light mount stain Cooke, Graham Sutherland Early Etchings, 26, iii/iii. Man 24, v/v. Plate destroyed. (1)

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Dominic Winter Auctions
Los 69

*Sutherland (Graham, 1903-1980). Village, 1925, etching on laid paper, the third state (of 3), published by the XXI Gallery, signed in pencil, a strong, dark impression, trimmed to narrow margins, plate size 175 x 225 mm (6.9 x 8.9 ins), sheet size 193 x 248 mm (7.6 x 9.75 ins) Man 23. Cooke, Graham Sutherland Early Etchings, 25, iii/iii. Plate destroyed. (1)

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Dominic Winter Auctions
Los 7

*@Cameron (David Young, 1865-1945). Ca d'Oro, 1900, etching with drypoint on japan, some foxing, signed in pencil, plate size 278 x 202 mm (10.95 x 8 ins), sheet size 305 x 230 mm (12 x 9 ins) Rinder 310. (1)

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Dominic Winter Auctions
Los 71

*Sutherland (Graham, 1903-1980). St. Mary Hatch, 1926, etching on laid paper, watermarked Gen de Motret, signed in pencil, from the edition of 95, published by the XXI Gallery, plate size 125 x 183 mm (5 x 7.25 ins), sheet size 175 x 220 mm (6.9 x 8.7 ins) Man 26. Cooke, Graham Sutherland Early Etchings, 28, v/v. (1)

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Dominic Winter Auctions
Los 72

*Tanner (Robin, 1904-1988). The Old Thorn, 1976, etching on 18th-century laid paper, an artist's proof impression, printed by Robin Tanner at The Old Chapel Field Press, signed and dated in pencil, additionally titled and inscribed to lower margin 'This impression (on C18 paper) was printed for John Camfield at The Old Chapel Field Press, Kington Langley, Wiltshire. 1976', plate size 101 x 150 mm (4 x 5.9 ins), sheet size 192 x 247 mm (7.5 x 9.75 ins) Garton 34. (1)

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Dominic Winter Auctions
Los 73

*Tanner (Robin, 1904-1988). White Violets, 1973, etching on 18th-century wove paper, an artist's proof impression, aside from the edition of 150 printed for the Print Collectors' Club, signed in pencil, and additionally inscribed by the artist to lower margin 'Presentation Plate for The Print Collectors' Club. 1973. - This impression is printed on C18 paper. Artist's Proof, no. IX.', plate size 124 x 100 mm (5 x 4 ins), sheet size 196 x 155 mm (7.75 x 6.1 ins) Garton 28. (1)

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Dominic Winter Auctions
Los 74

*Tanner (Robin, 1904-1988). Christmas Greeting Card for 1929, etching on handmade paper, watermarked J. Green & Son, an artist's later proof impression, signed in pencil, additionally inscribed by the artist to lower margin 'This print - My Christmas Greeting Card for 1929 - is for John Camfield. July, 1976.', plate size 90 x 137 mm (3.5 x 5.5 ins), sheet size 233 x 181 mm (9.2 x 7.1 ins), together with Wiltshire Hedger, 1928, etching on wove paper, signed in pencil, additionally titled by the artist to lower margin in pencil 'Wiltshire Hedger: Final state. 1971.', plate size 100 x 149 mm (4 x 5.9 ins), sheet size 201 x 265 mm (7.9 x 10.5 ins), plus November, 1975, etching on antique laid paper, with hand and flower watermark, signed and dated in pencil, additionally inscribed with the title to lower margin by the artist, plate size 214 x 300 mm (8.4 x 11.75 ins), sheet size 315 x 403 mm (12.4 x 15.9 ins) Garton 10, 7, iii/iii & 3. (3)

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Dominic Winter Auctions
Los 75

*Tanner (Robin, 1904-1988). Wren and Primroses, 1935, etching on laid paper, one of a small number of artist's proof impressions printed in 1935, signed and dated in pencil, additionally title by the artist to lower left corner, plate size 94 x 113 mm (3.7 x 4.5 ins), sheet size 200 x 228 mm (7.9 x 9 ins) Garton 19. (1)

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Dominic Winter Auctions
Los 76

*Tanner (Robin, 1904-1988). The Gamekeeper's Cottage, 1928, etching on antique laid paper, an artist's proof impression, aside from the edition of 12 published by Garton & Cooke in 1982, a rich, dark impression, signed in pencil, and additionally inscribed to lower margin by the artist 'Artist's Proof. No. 2. Printed at Kington Langley, 1976. 'The Gamekeeper's Cottage'. First published, 1929. Plate partially reworked, 1975. This proof is of the Final (1975) State.', plate size 175 x 226 mm (6.9 x 8.9 ins), sheet size 270 x 328 mm (10.6 x 12.9 ins) Garton 8, iv/iv. (1)

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Dominic Winter Auctions
Los 78

*@Webb (Joseph, 1908-1962). Chepstow, 1928, etching on thick laid paper, signed, and titled Chepstow Ist State in pencil, a strong, dark impression, plate size 240 x 406 mm (9.5 x 16 ins), sheet size 285 x 457 mm (11.25 x 18 ins) Guichard 14. Meyrick (2007), illustration 6. (1)

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Dominic Winter Auctions
Los 79

*@Webb (Joseph, 1908-1962). Boxgrove Priory, Sussex, 1928, etching on laid paper, signed in pencil, old pinholes to extreme corners, head and foot of left margin restrengthened to verso, plate size 178 x 189 mm (7 x 7.4 ins), sheet size 295 x 231 mm (11.6 x 9.1 ins) Guichard 18. Meyrick (2007), illustration 8. Provenance: Ex collection of Neil Green, with his inkstamp monogram to lower right blank corner. (1)

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Dominic Winter Auctions
Los 8

*@Cameron (David Young, 1865-1945). The Chimera of Amiens, 1910, etching and drypoint on thin laid paper, signed in pencil, mount stained, plate size 244 x 182 mm (9.6 x 7.2 ins), sheet size 277 x 211 mm (10.9 x 8.3 ins), together with Harfleur, 1903, etching and drypoint on laid paper, signed in pencil, plate size 310 x 195 mm (12.25 x 7.7 ins), sheet size 337 x 205 mm (13.25 x 8.1 ins), plus The North Porch, Harfleur, 1904, etching and drypoint on laid paper, a trial proof, signed in pencil, plate size 376 x 189 mm (14.75 x 7.5 ins), sheet size 411 x 226 mm (16.25 x 8.9 ins) Rinder 415, 356, v & 360, i. (3)

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Dominic Winter Auctions
Los 80

*@Webb (Joseph, 1908-1962). The Great Bridge, 1929, etching on wove paper, signed, dated, and inscribed in pencil 'The Great Bridge, 1st state as published. To my dear friend F. De Courcy Grylls. 'The Murmuring Stream',' plate size 240 x 353 mm (9.5 x 14 ins), sheet size 320 x 445 mm (12.6 x 17.5 ins), together with The Glory Hole, Lincoln, 1933, etching on wove paper, signed and dated in pencil, additionally inscribed to lower margin 'The Glory Hole, Lincoln' 1st state, plate size 200 x 250 mm (7.9 x 9.9 ins), sheet size 272 x 330 mm (10.7 x 13 ins) G. 20 & 38. Meyrick (2007), illustration 14 & 21. (2)

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