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78472 Los(e)/Seite
Los 453
*Hardie (Martin, 1875-1952). Landscape with ruined abbey, etching on laid paper, signed in pencil, plate size 216 x 201 mm (8.5 x 7.9 ins), with margins, together with another signed etching by Martin Hardie of a cottage amongst trees along an estuary, dated in the image 1906, plate size 144 x 203 mm (5.7 x 8 ins) laid down on card, plus Percival (Harold), Marsh Hay, etching with drypoint, signed in pencil, plate size 17.5 x 25.2 cm (6.8 x 9.8 ins), sheet size 25 x 30.3 cm (9.75 x 12 ins), and another drypoint etching, depicting the gardens of a French chateau with figures descending into a gondola, indistinctly signed G. Barraud (?) (4)
Los 454
*Holmes (Kenneth, A.R.C.A., 1902-1994). The Aire Gap, Skipton, circa 1925, drypoint etching, published by James Connell in an edition of fifty proofs, signed in pencil to lower margin, plate size approximately 11.8 x 23.5cm (4.75 x 9.25 inches), mounted, together with Sharp (Miles Balmford, 1897-c.1981), The Demolition of Devonshire House, London, 1925, etching, signed, dated and inscribed to Kenneth Holmes in pencil to lower margin, plate size 17.8 x 26.3cm (7 x 10.25 inches), framed and glazed, plus Rhodes (Marion, 1907-1988), A Yorkshire Village, etching, signed in pencil to lower margin, plate size 24 x 36cm (9.5 x 14 inches), sheet size 28 x 41cm (11 x 16 inches) (3)
Los 455
*Jongkind (Johan Barthold, 1819-1891). Jet‚e en bois dans le port de Honfleur, 1865, etching on laid paper, printed by Delatre, Paris, and published by Cadart & Luquet, Paris, a good impression with plate tone, oval publisher's blindstamp to centre of lower blank margin, plate size 237 x 314 mm (9.3 x 12.4 ins), with good margins, framed and glazed (unexamined out of frame), with old typewritten label to verso, and additional printed label of Maurice Rousseau, Paris to verso Delteil 12 ii/iii. Melot 12 ii/iii. (1)
Los 458
*Lambert (Terence Henry, 1891-). Piccadilly Circus, etching on wove paper, a published proof signed in pencil, plate size 155 x 215 mm (6.1 x 8.5 ins), with margins, mounted, together with other various early 20th century British etchings, mostly signed, including Gerald M. Burn, Trafalgar Square, Cyril Grey, Berne Market Place, Hanslip Fletcher, St. James's Street, 1931, K. Vernon, Mercery Lane, Canterbury, a river landscape by John Fullwood, a large etching by Daniel Mordant after Eugene Carriere entitled La Famille, printed by Charles Wittmann, etc. (15)
Los 463
*Martin (Frank, 1921-2005). Montparnasse-Bienvenue, colour etching, signed, titled, and numbered 42 from the edition of 150 in pencil to lower margin, plate size 38.5 x 54 cm (15.2 x 21.25 ins), with margins, in excellent condition, framed and glazed, with Unicorn Gallery, Wilmslow, Cheshire label to verso (1)
Los 469
*Palmer (Samuel, 1805-1888). The Herdsman's Cottage, or Sunset, 1850, etching on laid paper, with partial watermark 'INES', the second and final state, some minor marks to margins, image size 97 x 76 mm (3.8 x 3 ins), plate size 124 x 117 mm (4.8 x 4 ins), sheet size 294 x 224 mm (11.6 x 8.8 ins) Lister E3 ii/ii. (1)
Los 415
Sale Item: ETCHING A DISTURBED INCIDENT(AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Los 464
Jonathan Gibbs, C20th, chalk and charcoal on linen, Abstract, 60 x 99 cm; After Vibert, pair of black and white etchings, Bucolic scenes; After Frank Carless, black and white etching Windsor Castle, signed in pencil, After G. Wright, set of 4 colour prints, equine interest & other sundry prints and a pair of decorative contemporary advertising posters, for Castrol Motor oil, 56 x 41cm, framed & glazed
Los 37
An assortment of five early 19th century hand-coloured political etching caricatures published by H. Humphrey, London to include 'An Old Maid on a Journey', Anacreontick's in Full Song', 'Blind Man's Buff', 'A Decent Story', 'Vices Overlooked in the New Proclamation' and three others 'Het Commit van Woodlyndende', 'Un Jeu Des Dames', 'Un Jeu des Ethecs' all framed and mounted, glazing missing on two (8)
Los 113
Sir Frank Short R.A., P.R.E., (1857-1945), "Kinver Edge and Black Country", signed lower right, watercolour framed. 20.5cm by 27cm. Note: Short originally trained as an engineer before pursuing a career as an artist after studying in London at South Kensington and the Westminster Schools of Art. He is best known as a master print maker specialising in mezzotint, aquatint and etching. He was however a gifted watercolourist, particularly later in life and the subject work probably dates from the period 1920-30. He exhibited at the Royal Academy between 1885 and 1904. He won two gold medals for engraving at the Paris Salon in 1889 and 1900. Soon after this he became a teacher of etching and was professor of engraving at the Royal College of Art between 1913 and 1924. He was elected a member of the Royal Society of Painter-Etchers and Engravers (now the Royal Society of Painter-Printmakers) in 1885, becoming its President between 1910 and 1938. Short was Master of the Art Workers' Guild in 1901and an Associate Member of the Royal Academy in 1906, where he became Treasurer in 1919 until 1932. He was knighted in 1911 and was elected a member of the Royal Institute of Painters in Watercolours in 1917.
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78472 Los(e)/Seite