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78472 Los(e)/Seite
Pennell (Joseph, and Elizabeth Robins). Lithography and Lithographers, some Chapters in the History of the Art, 1st edition thus, T. Fisher Unwin, 1915, 79 lithographic plates, original cloth-backed boards, light wear to headcaps and tips, folio, together with Pennell (Joseph), Etchers and Etching, Chapters in the History of the Art together with Technical Explanations of Modern Artistic Methods, 1st edition, New York: Macmillan and Co., 1919, 39 plates, offsetting, original tan buckram, folio, plus Pennell (Joseph, & Elizabeth Robins), The Life of James McNeill Whistler, 2 volumes, 1st edition, 3rd impression, Philadelphia: J. B. Lippincott Company, 1909, plates, top edges dyed yellow, others untrimmed, original cloth-backed boards, slightly rubbed and bumped, 4to, and approximately 30 others related to Whistler and his circle, including contemporary catalogues, various formats (35)
INDISTINCTLY SIGNED, EARLY 20TH CENTURY MONOCHROME ETCHING OF A MUTILATED CORPSE, signed in pencil lower centre, artist's proof and bears signature lower right, unmounted and unframed, approximately 50.5cm x 33cm, together with seven late 18th/early 19th century pencil sketches of landscapes and seascapes, sizes approximately 4.3cm x 7cm to 9cm x 15cm (8)
A collection of posters and etchings: Asimov, A lecture by Isaac Asimov at the Holiday Inn Birmingham, a restrike engraving of the swing after Fragonard, an etching signed Richard Wade, numbered 48/50, titled 'Farmyard', a screen print and reproduction print signed Pete Ling and an etching 'Cottage Gate' signed Norman Marcus (Quantity)
Frank Paton (1855 - 1909), signed etching - The Fisherman, also signed by Albert W. Holden, published 1884, another etching by James Hardy - young man with his terriers and rabbits, signed by Frank Paton, together with another pair of prints - 'Eight Above The Line' and 'Out Of The Hunt', each framed and glazed (4)
After Peter Paul Rubens, large late 18th / early 19th century oil on canvas - The Elevation of The Cross, in gilt frame. 165cm x 315cmN.B. This work is almost certainly taken from the etching carried out by Jan Witdoeck, being a mirror image of the original Rubens altarpiece triptych which is housed in Antwerp Cathedral CONDITION REPORT Significant areas of repair and probably more than one scheme of repair - includes repairs to tears and holes, some fragmentary paint losses, retouching, bitumisation and crackerlure, basically an imposing painting but with significant schemes of repair and faults. Total canvas size approximately 162cm x 315cm. Label is unrelated to painting storage depository label
Elisabeth Frink (British, 1930–1993), 'Anthony and Cleopatra', 1982, etching and aquatint, signed in pencil lower right, numbered 29/175, H.76cm W.55.5cm, together with certificate of authenticity from the RSC signed by Directors. Image depicts Helen Mirren and Michael Gambon in the RSC production.

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78472 Los(e)/Seite