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Los 257

Four prints, comprising an etching with aquatint of the Pavilion, sight 32.5 x 88.5cm.; `Chain Pier at Brighton during the late Tempest`, coloured etching with aquatint by J. Bruce, c.1824, 22 x 37cm.; `General View of Brunswick Square and Adjacent Buildings`, aquatint by M. Dubourg after C. A. Busby, published 1826, 26.5 x 73.5cm.; and `Pavilion at Brighton`, coloured engraving by Newton after Gardiner, published 1801, 16 x 35cm. (4). *CR Mixed condition; some creases and folds; some spotting, foxing, wear etc.

Los 414

Etching with engraving, c.1774, with the `Strada Felice` publication line lower right, central vertical fold as issued, unframed Image 38.5 x 59cm. Provenance: Formerly in the Collection of Auberon Waugh. *CR Image generally good; the margins with soiling and some wear; 12mm tear in lower margin.

Los 417

Aquatint with etching and engraving, printed in colour, 1971, signed, dated, titled and numbered 49/100, unframed 59 x 48cm. *CR Slight time toning and some pale foxing; small surface nic lower left.

Los 330

Etching, with plate tone, 1938, signed and numbered XXVIII in ink 27 x 23cm. Provenance: London, P. & D. Colnaghi & Co Ltd (label on backboard) * This is a view of the market square, Djema el Fna. The minaret of the Koutoubia Mosque dominates the skyline. *CR Good condition.

Los 342

Etching, printed in colours, signed, titled and inscribed `T.P.3` (trial proof?) 60.5m x 45cm.; with `Mushrooms`, colour etching with aquatint by Tessa Beaver, signed, titled and numbered 142/150, image 28 x 45.5cm. (2) * The Brunsdon etching may be a view at West Bay, Dorset. *CR Each in good condition.

Los 329

Etching, 1922, signed in pencil 13.7 x 10.9cm. * The sitter was the artist's first wife, Anais. `Un beguin` is a crush or infatuation. *CR Good condition; very slight time toning of the paper.

Los 284

Oil on panel 18 x 16cm. * The subject, sometimes entitled "Rehearsal of the Oratorio `Judith`", relates to the artist's etching of 1732 but the theme in oil is not known in the artist's oeuvre. Exhibited: Liverpool Gallery; Manchester Art Treasures Exhibition; The Guildhall Gallery, London (according to an inscribed label on the frame). *CR The paint surface starting to blister; needs a clean.

Los 333

Etching, 1910 or later 16.5 x 11cm. *CR A good impression; the paper time-toned.

Los 336

Etching, 1933, signed in pencil, from the total edition of 310 26.5 x 19cm. *CR Good condition; slight time toning of paper.

Los 335

Etching, 1933, signed in pencil, from the total edition of 310 19 x 26.5cm. *CR Good condition; slight time toning of paper.

Los 421

Etching with aquatint, 1973, printed by Studio Prints and published by Leslie Waddington, London, signed, titled and inscribed `Artist's Proof`, unframed 48 x 35cm. *CR A good impression; some minor surface blemishes and dome slight time-toning.

Los 344

Engraving with etching, printed in colours, 1976, signed, dated, titled and numbered 72/75 41 x 53cm. *CR A good impression; the apparent pale brown spotting appears in many impressions of this subject; some small white spots of foul biting or similar.

Los 2738

Hamerton, Philip Gilbert. Etching & Etchers. XXVI, 354 S. Mit 35 Original-Radierungen von und nach Appian, Callot, Daubigny, Delâtre, Dujardin, Haden, Hamerton, Jongkind, Lalanne, Palmer, Rembrandt, Waterloo etc. 26 x 18 cm. OLeinen (etwas berieben) mit ledernem, goldgeprägtem RSchild (dieses mit Schabspuren) VDeckeltitel sowie mit Ganzgoldschnitt. London, Macmillan, 1868. Seltene erste Ausgabe dieses wichtigen Werkes zur Geschichte der Radierkunst, verfast von dem englischen Maler-Radierer und Kunstkritiker Philip Gilbert Hamerton (1834-1891). Mit einer typographischen Widmung an Seymour Haden. Enthält u. a. folgende Original-Radierungen: A. Appian "Environs de Rix" (Curtis-Proute1 13, III/IV); Ch.-Fr. Daubigny "Le Bateau-Atelier" (Delteil 111, II); S. Haden, "Bit of River Bank" (Harrington 116, II); J.-B. Jongkind, "Moulins en Holland" (Delteil 14, I/II); S. Palmer, "The early Ploughman" (Lister 9, V/IX); Rembrandt, "Die drei Orientalen" (Seidlitz 118, II). - Papierbedingt durchgehend etwas vergilbt; Innengelenk angeplatzt.

Los 292

Markéta Prachatická, Czech, (1953-), an artists proof framed and glazed etching of a surrealist bird, signed, inscribed and dated. H.77 W.60cm.

Los 179

Sam Kaner (1924-1990), limited edition etching, signed, numbered and inscribed. mounted, unframed. H.35 W.29cm.

Los 250

A framed and glazed limited edition etching, sailing boats in an estuary, numbered and indistinctly signed in pencil. H.34 W.57cm.

Los 230

A limited edition etching; Reveries in the Rain, indistinctly signed and numbered in pencil, framed and glazed. H.64 W.78cm.

Los 243

A framed and glazed limited edition etching, Rooster, signed Ann Brunskill. H.63 W.48cm.

Los 241

A framed and glazed etching, signed and numbered, Roses and Lilac. H.67 W.56cm.

Los 176

Sam Kaner (1924-1990), a framed and glazed etching, female portrait, signed. H.51 W.43cm.

Los 172

Inge Clayton (1942-2010), etching, artist's proof, signed and titled in pencil, framed and glazed. H.39 W.48cm.

Los 170

Auguste Brouet (1872-1941), limited edition etching, signed and numbered in pencil, gallery label to the reverse, framed and glazed. H.40 W.53cm.

Los 1085

Jan Mankes (1889-1920)Horse, etching on pink paper, 11.5x16 cm

Los 1086

Jan Mankes (1889-1920)Nest of mice, etching 19.5x14 cm

Los 1087

Marius Bauer (1867-1932)Port of Smyrna, etching no. 101 by Van WIsselingh, 7x10 cm in a beautiful frame, outside size is 30x38 cm

Los 1049

Tjeerd Bottema (1884-1978)Church hallway in Katwijk aan Zee, color etching 40x30 cm, outside size is 66x51 cm

Los 1029

Jean Francois Millet (1814-1875)L 'Angelus, The Angelus, etching, signed in the plate, 44x51.5 cm, outside size is 69x75 cm

Los 24

Leonard Russel Squirrell, pencil signed etching "Framlingham Castle"

Los 1432

W ELLIS; etching, 'A South View of the City of Exeter', image 37 x 76cm, framed and glazed.

Los 1128

Julian Otto Trevelyan (1910 - 1988) RA, British artist and printmaker whose students included David Hockney, RB Kitaj and Norman Ackroyd, 'Camel Corps' 172/250, etching with aquatint, signed, 52x40cm, framed & glazed

Los 1131

Terry Frost (1915 - 2003) RA, significant British abstract artist, St. Ives School, 'Desire I' 19/25 etching, pencil signed, 53 X 51cm, framed & glazed with a book by Dominic Kemp ' Terry Frost Prints' - 'A Catalogue Raisonne'

Los 1117

Prunella Clough (1919 - 1999), 'Germinate' 1996, 5/25, etching, pencil signed and labelled verso for Flowers Graphics, 34x31cm, John Jones conservation frame

Los 1314

AN ART DECO WALNUT COCKTAIL CABINET, fitted with two glazed doors with geometric etching, flanking a fall front door, that's enclosing a fitted interior, above a single drawer and cupboard door, raised on cabriole legs, width 124cm x depth 34cm x height 118cm (condition report: general signs of wear and usage, two keys, other imperfections)

Los 309

MICHAEL LEUNIG (AUSTRALIA 1945) 'JONAH AND THE WHALE', an artist proof etching on paper depicting the Biblical story, signed and titled to the lower margin, approximate size 30cm x 37cm, frame size 56cm x 61cm, Condition Report: print is in good condition, dirty marks to the frame

Los 308

MICHAEL LEUNIG (AUSTRALIA 1945) 'THE BEAST IN THE NIGHTIE', an artist proof etching on paper depicting a fantasy creature, signed and titled to lower margin, approximate size 31cm x 34cm, frame size 55cm x 57cm, Condition Report: print is in good condition, hair trapped being the glass, dirty mark to the frame

Los 313

JOHN HOWARD (BRITISH 1958) 'PYRAMIDE DI BIRMINGHAM', a limited edition dry point etching depicting an industrial style landscape 6/10, signed titled and dated 1991 to lower margin, approximate size 43cm x 48cm, frame size 64cm x 68cm, Condition Report: spot of insect debris to the mount, paint of the frame is rubbed in places (artist resale rights apply)

Los 505

A SMALL SELECTION OF PAINTINGS AND PRINTS, comprising a Sue Howells watercolour of a scene in Barbados, initialled and dated (19)91, approximate size 15cm x 18cm, a Claire Davies pen and watercolour 'The Farm Sale' depicting figures attending a sale, an oil on board depicting a figure beside a swimming pool, signed and dated Simpson (20)08, approximate size 24cm x 36cm, a David Gay watercolour beach scene, an unsigned pen and watercolour depicting a garden pathway, an indistinctly signed Venetian scene dated 2015, a limited edition Ugo Baracco aquatint etching depicting a Venetian scene, an Erté poster published 1980 by Mirage Editions and a Steve McCurry print of Antarctica

Los 69

Francis Luis Mora (1874 - 1940) "Boy with Puppy" Etching. Pencil signed and titled in lower margin. Provenance: From the estate of the artist. Sight Size: 5 x 3 in. Unframed.

Los 70

Francis Luis Mora (New York, Connecticut, 1874 - 1940) "Boy with Apple" Etching. Pencil signed and titled in lower margin. Provenance: From the estate of the artist. Sight Size: 6 x 4 in. Unframed.

Los 76

John Taylor Arms (1887 - 1953) "From the Ponte Vecchio" Original etching. Pencil signed, dated 1925 and inscribed "To my friends Luis and Sonia Mora with affectionate regards John Taylor Arms" in lower margin. Provenance: From the estate of Francis L. Mora. Sight Size: 11 x 15 in. Overall Framed Size: 22 x 26 in. Framed behind glass.

Los 158

Francisco Jose de Goya (Spain, 1746 - 1828) "Que Valor!" - Plate 7 Etching and aquatint from Disaster of War series. Printed by Calcografia Nacional, Madrid Published by Real Academia de Nobles Artes de San Fernando Image Size: 5 7/8 x 8 in. Sheet Size: 8.75 x 10 7/8 in. Unframed.

Los 75

John Taylor Arms (1887 - 1953) "Shadows of Venice" Original pencil signed etching. Pencil signed and inscribed "To my friend F. Louis Mora, grateful and affectionately John Taylor Arms". Signed and dated in pencil lower right. Provenance: From the estate of Francis L. Mora. Sight Size: 10 x 11.5 in. Overall Framed Size: 18.5 x 19.5 in. Framed behind glass.

Los 30

After Pablo Picasso (1881-1973) Title: "Bethsabee" (Bathsheba), created 1966 Aquatint (etching) in color; margins intact Published by Atelier Crommelynck (Paris, France) Numbered (48/300) and signed in pencil "Picasso" in lower margin. Purchased from CenterArt Galleries (Honolulu, HI) in 1981. Plate Size: 10.25 x 14 3/8 in. Overall Framed Size: 24 x 27 in. Framed behind plexiglass. The grand tale of Bethsheba and King David dates back to biblical times, referenced mainly in the Hebrew Bible, but also the Christian Bible, and Qur'an as well. After catching a glimpse of the beautiful Bethsheba bathing, King David had fallen desperately in love, only to find her married to a soldier in his army currently fighting in battle. After ordering his death to legally wed Bethsheba, King David sends her a letter both proclaiming his sympathy and also his love. In this colorful and elegant scene by Picasso, we see Bethsheba reading this letter, in a graceful indifference that makes it unclear of both her thoughts and her feelings. Picasso renders the composition perfectly with a delicate balance of ruby reds and soft pinks and greens.

Los 71

Francis Luis Mora (1874 - 1940) "Navajo" Etching. Pencil signed and titled in lower margin. Provenance: From the estate of the artist. Image Size: 5 x 4 in. Unframed.

Los 155

Francisco Lucientes y Goya (Spanish, 1746 - 1828) "La Tauromaquia" - Plate 10 Drypoint Intaglio Etching on Paper. Charles V Spearing a Bull in the Ring at Valladolid. Plate Size: 9 7/8 x 13 9/16 in. Overall Framed Size: 14.75 x 18 in. Framed behind glass.

Los 96

Leonard Squirrell (1893-1979) Charcoal Etching of Notre Dame in Paris - 66x52cm

Los 335

Local Artist, A Signed Etching titled 'Winter Leek'. Framed Behind Glass. Size incl frame, Height: 56.8cm Width: 71.9cm

Los 287

Lionel Percy Smythe (British, 1839-1918), French Shrimpers, signed etching, image size 17cm x 29cm, framed and glazed.

Los 268

William (Will) Dyson (1880-1938), Thomas Carlyle or Alas! Nothing to Denounce, etching, signed and titled in pencil in the margin, image size 28cm x 21cm, overmounted and framed, together with two other monochrome prints, Sir William Nicholson (1872-1949), James Pryde, framed, and L. Michele Franklin (b.1958), Figure in the Landscape, limited edition 1/25 (3)

Los 289

Julian Williams (b. 1953), ‘Celebration after butchering the local cat’, etching, signed and titled in pencil, image size 7cm x 12cm, famed and glazed

Los 274

After Albrecht Dürer (German 1471-1528), The Cook and His Wife, etching, image size 10.5cm x 7.5cm, overmounted, glazed and framed.

Los 531

A D Y Cameron etching of Perth Bridge, signed bottom right, 18cm x 27cm, framed/ glazed, with a large modern gilt framed European street scene, signed 'Kuone', 11.5 x 16.5cm, in larger gilt frame (2).

Los 320

Rene Carcan, Le Grande Eclosion, engraved etching, 10/15, framed

Los 2225

A box of pictures including a metal Etching of Arkle, Charcoal drawing of Conway Castle, an Oil on board of a river scene and five floral paintings on glass.

Los 2136

Louis-Marin Bonnet (1736-1793), "The Little Farm", Etching and pastel, late 18th century, frame 12 1/2" x 15", an etching of "Cambridgeshire Ferry" by R.W. MacBeth (1848-1910), frame 17 1/4" x 12 1/2", and an etching of "Salisbury Cathedral from the River", signed in pencil by Maud F. Sharp, R.A., published 1944, 11 3/4" x 15 1/4".

Los 2097

A framed and mounted signed Etching titled 'The Butterwalk, Totnes' by Lewis Stant, on Artist Proof Warwick Galleries stamped paper.

Los 2211

An Etching in a maple frame of Barrington near Burford Gloucestershire.

Los 2150

An etching of Rembrandt studio, signed by P.A. Rajon.

Los 323

Mixed pictures - E G Turner - Mevagissey, watercolour, signed and dated 1944, 16 x 26 cm; View towards Portsmouth and Southsea, watercolour, 20 x 29 cm; Hugh Paton etching; Vuillard oil on card of Lancy, Geneva; Shepherd and flock on a country lane, landscapes, prints etc (9)

Los 348

After William Strang (1859-1921) - Potato lifting, etching, 25 x 17.5 cm to/w small silkwork study of wild cat, 19 x 22 cm (2)

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