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Los 2156
(See English version below)Elizabeth Peyton (Danbury, Connecticut 1965 – lebt in New York und Berlin). „Brunhilde + Wotan“. 2010Radierung auf Velin. 30 × 22,2 cm ( 11 ¾ × 8 ¾ in.). Signiert und datiert.Einer von 15 nummerierten Abzügen. [3849]Zustandsbericht: Ex. 4/15. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den Ecken mit Papierklebeband auf den Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elizabeth Peyton (Danbury, Connecticut 1965 – lives in New York and Berlin). ”Brunhilde + Wotan”. 2010Etching on wove paper. 30 × 22,2 cm ( 11 ¾ × 8 ¾ in.). Signed and dated.One of 15 numbered prints. [3849]Condition report: No. 4/15. In good condition. The sheet edges have no tears or losses. On the reverse at the corners mounted with paper tape on the support cardboard. Fine, harmonious overall appearanceWe charge 30% premium on the hammerprice.
Los 2167
(See English version below)Dieter Roth (Hannover 1930 – 1998 Basel). „Drei Engel“. 1966Radierung in Braun auf hellbraun gefärbtem Velin. 25,3 × 31,2 cm (52,5 × 78,5 cm) ( 10 × 12 ¼ in. (20 ⅝ × 30 ⅞ in.)). Signiert, datiert.Dobke 054.–Künstlerabzug. Eines von 75 nummerierten Exemplaren. Blatt 1 (von 11) der Folge: Unterhaltungsmusik I. London, Divers Press, 1969. [3710]Zustandsbericht: Ex. Kü[nstler] Ex[emplar] 66/75. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter dem Passepartout gebräunt. Partielle Schmutzspuren im Randbereich mit vereinzelten Schmutzspuren, sowie oben rechts ein Stockfleck. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig mit verblassten Wasserflecken. In den oberen Ecken mit Papierklebestreifen unter das Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Dieter Roth (Hanover 1930 – 1998 Basle). ”Drei Engel”. 1966Etching in brown, on light brown coloured wove paper. 25,3 × 31,2 cm (52,5 × 78,5 cm) ( 10 × 12 ¼ in. (20 ⅝ × 30 ⅞ in.)). Signed, dated.Dobke 054.–Artist's proof. One of 75 numbered copies. Sheet 1 (of 11) from the set: Unterhaltungsmusik I. London, Divers Press, 1969. [3710]Condition report: No. Artist copy 66/75. Sheet edges without tears or losses. Time staining under the mount. Partial marks in the margins with isolated soil marks, as well as a foxing in upper right. There are no repairs visible under ultraviolet light. Faded water stains on the reverse. Mounted under the mount with paper tape in the upper cornersWe charge 30% premium on the hammerprice.
Los 49A
An elongated shape agate bead pendant with applied gold fittings on both terminals, decorated with filigree depicting floral scroll motifs. The bead design suggests the origin of the “Dzi bead”. Although the geographic origin is uncertain, it is accepted that they are now generally known as “Tibetan beads”. The Dzi are stone beads worn as part of a necklace or bracelet. Many Asian cultures around Tibet prize Dzi as protective amulets and for positive spiritual benefits. Artisans used agate as the base stone and then embellished the bead's lines and shapes using ancient methods that remain unknown. Treatments may have included darkening with plant sugars and heat, bleaching and white line etching with natron, and protecting certain areas with grease, clay, wax or a similar substance. The number of "eyes" (circular designs on the stone), is considered to be significant. This bead displays the attractive repetitive symmetrical “nine-eyed” pattern. The item will be accompanied by a Gemmological report issued by an independent professional Gemmologist. Very Good Condition; Size: Size: L:55mm / W:16mm ; 19.5g; Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets.
Los 1016
Frank Henry Mason (Staithes Group 1875-1965): Steam Fishing Boat at Sea, watercolour signed 14cm x 26cm; an etching of Fishing Boats and a pair of unframed Carriage prints (4) Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 1018
Frank Henry Mason (Staithes Group 1875-1965): Scarborough and the Herring Fleet, dry point etching signed in pencil 23cm x 17.5cm Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 1019
Frank Henry Mason (Staithes Group 1875-1965): Scarborough from the South Cliff, dry point etching signed in pencil 21.5cm x 15cm Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 1020
Frank Henry Mason (Staithes Group 1875-1965): 'Mount St. Michael', dry point etching signed and titled in pencil 40cm x 55cm (unframed) Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 1034
Claude Hamilton Rowbotham (British 1864-1949): 'The Haunt of the Kingfisher, Bourne End', coloured etching signed and titled in pencil 9cm x 7cm; Albert T Pile (British 1882-1981): High Petergate York, etching signed and dated 1931 in the plate, together with four further engravings and a lithographClick here to view further images, condition reports, sale times & delivery costs for this lot.
Los 73
Edition Of 40 , Year- 2021 , Medium- Screen print on Hahnemühle - German Etching Stock 308gsm Fine Art paper, Signed and Numbered , Size- 40 x 30 cm , Condition Report- As New , SHIPPED FROM EUROPE A beautiful and sad new series called 'What A Waste.' The artist writes - 'As our seas fill up with unwanted rubbish, so our wildlife gorges on it and dies. Are we really this short-sighted.' Small Fry is a Dutch/British urban artist who has quickly developed a strong international following for his beautiful, sometimes funny, and often poignant, art.
Los 66
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass. Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.
Los 59
§ PABLO PICASSO (SPANISH 1881-1973) MAN IN HAT, 1914 Etching, ed. 470, with printed artwork details verso, published in the 1947 edition of Du Cubisme by Albert Gleizes and Jean Metzinter(image size 6.5cm x 5.5cm (2.5in x 2in))Footnote: Provenance: Purchased at Phillips, London, 19th and 20th Century Prints, 5 December 1983, Lot 50. Literature: Bloch 29; Geiser 42; Goeppert and Cramer 46. Exhibited: University of East Anglia, Norwich, Picasso: Sixty Years of Printmaking – an exhibition from the British Museum and other British Collections 12 October – 18 December 1993; Scottish National Gallery of Modern Art, Edinburgh, Picasso on Paper, 14 July – 23 September 2007, cat.14, repr. Colour p.43; This etching was made in 1914, but was not printed at that time. In 1947, artists Albert Gleizes and Jean Metzinger decided to publish a new, deluxe edition of their celebrated 1912 book, Du Cubisme and asked friends to provide illustrations. Etchings were provided by Duchamp, Laurencin, Picadia, Villon and Picasso. ‘In 1947 the reputation of the book was undisputed and the Compagnie Francaise des Arts Graphiques undertook to publish a new edition (they were encouraged perhaps by the success of the retrospective Le Cubisme 1911-1918 held at the Galerie de France in May 1945). The new edition contained a preface by Gleizes, an appendix entitled ‘1912-1946’ by Metzinger and 7 original engravings by Picasso, Metzinger, Laurencin, Gleizes, Picabia, Villon and Duchamp, as well as 4 engravings after Derain, Braque, Leger and Gris. Picasso’s contribution to the book was an early copperplate etching which dated from the time he had illustrated Max Jacob’s Le Siège de Jerusalem. This was L’homme au Chapeau, of which only 3 impressions had been printed by Louis Fort in 1930’ (Goeppert and Cramer, p.128). We would like to thank Patrick Elliott for his assistance in cataloguing the current work.
Los 2034
§ Julian Trevelyan RA (British, 1910-1988). 'Richmond Park', softground etching and aquatint from the 'London Parks Suite' (1969-1970). Signed titled and numbered 10/75 in pencil to margin. Printed in colours on TH Saunders wove paper by Studio Prints. Catalogue Raisonnee Turner, 234. Unframed. Image size 35 x 48cm. Paper size 59 x 77cm. Please note that artist resale right may also be payable on top of the hammer price for this lot, if sold above the threshold, up to a maximum of 4% (please visit www.dacs.org for more information).
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