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John Skinner Prout, R.I. (British, 1806-1876) 'Sydney Illustrated', Part I and Part IIlithographwith descriptive letter press by J. Rae. M, J.S. Prout & Co, Illustration Lithographic Establishment, O'Connell Street, Sydney, 1842Part I containing lithographic plates of Sydney Cove, Woolloomooloo Bay, Miller's Point, Port Jackson, Part II with ‘Note to subscribers’, a lithographed slip, tipped-in, Sydney Cove, The Lower Fall of Willoughby, Sydney from Mrs Darling's Point, with additional loose related printsplates 18.5 x 28cm, overall folio 43 x 28.5cm***CONDITION REPORT***Original wrappers heavily foxed, wrappers and pages foxed with creasing and folding to the edges and corners, part I with ten numbered pages, part II numbered up to page 22.Additional prints:- aquatint, Austrialian Aboriginal Native spearing a kangaroo, 18.5 x 25cm, title is in pencil- St Peter's Chuch and Parsonage, Cooks River N.S.W. printed and published by W. Baker, King Street, Sydney, with pencil note inscribed relating to the Collier Family vault being in the cemetery, sheet overall 25.5 x 40.5cm- lithograph by Prout of the Cathedral Church of St Mary, Sydney NSW, sheet overall 43 x 30cm, very tatty around the edges- etching by JC, of the Post Office, George Street, Sydney, sheet overall 29 x 52.5cm, title is inscribed in pencil, torn and creased around the edges- hand coloured engraving, 'Caffres, Aboriginies of Caffraria' by J, Chapman, published by Wilkes 1800, sheet 27 x 20.5cm, paper discolouredPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir William Russell Flint R.A., P.R.W.S. (British, 1880-1969) Reclining female nudedrypoint etchingsigned in ink12 x 17cm***CONDITION REPORT***Etching on paper, paper is slightly discoloured around the margins with some sign of light fox marks and light damp staining, signature is now faded, housed in a plain card mount and slim glazed frame, no labels or inscriptions verso. Visible sheet 15.5 x 19cmPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
PAUL DELVAUX (1897-1994)Sept dialogues,1971 Eau-forte. Essais de tirage. Exemplaire hors-commerce. Signée et justifiée. Timbre sec. Ed. Le soleil noir, ParisEtsen. Proefdrukken. Een off-price exemplaar. Getekend en verantwoord. Droog stempel. Ed. Le soleil noir, ParijsEtching. Test print. Exemplaire hors-commerce. Signed and justified. Dry stamp. Ed. Le soleil noir, Paris35 x 25,5 cm FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
JAMES ENSOR (1860-1949)L'auto da fé,1893 Eau-forte. Signée et datée dans la planche. Signée, titrée et datéeEts. Getekend en gedateerd in de plaat. Getekend, getiteld en gedateerdEtching. Signed and dated in the plateSigned, titled and dated7.8 x 11.5 cm (image)11.5 x 16 cmFramed'For further information on this lot please visit Bonhams.com
PAUL DELVAUX (1897-1994)Les mirroirs,1966 Eau-forte. Datée dans la planche. Signée et numérotée 45/50Ets. Gedateerd in de plaat. Getekend en genummerd 45/50Etching. Dated in the plate. Signed and numbered 45/5055 x 75.5 cm FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
JOAN MIRÓ (1893-1983)Le miroir de l'Homme par les bêtes,1972 Eau-forte et aquatinte. Signée et numérotée 42/200. Ed.Maeght, ParisEts en aquatint. Getekend en genummerd 42/200. Ed.Maeght, ParijsEtching and aquatint. Signed and numbered 42/200. Ed.Maeght, Paris43.7 x 31,5 cm FramedFootnotes:[LELONG 567]This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
JOAN MIRÓ (1893-1983)Passage de l'Egyptienne,1985 Eau-forte et aquatinte sur papier japon. Signée et numérotée EAEts en aquatint op Japans papier. Getekend en genummerd EAEtching and aquatint on Japanese paper. Signed and numbered EA60.2 x 42 cmFramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
GEORGES ROUAULT (1871-1958)Christ de profil from passion,1939 Eau-forte en couleurs. Signée et datée dans la planche. Titrée et datée au dosEts in kleuren. Getekend en gedateerd in de plaat. Getiteld en gedateerd op de achterkantColour etching. Signed and dated in the plate. Titled and dated on the back45 x 34,7 cm (image)32,7 x 22,6 (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
GEORGES MINNE (1866-1941)La madonne d'argent,1939 Eau-forte en noire. Signée et datée dans la planche. Titrée et numérotée 160/386 au crayon. Issue de l'édition des Contes d'Horace Van Hoffel numérotée 160/386. Editions des Artistes, BruxellesEts in zwart. Getekend en gedateerd in de plaat. Getiteld en genummerd 160/386 in potlood. Uit de editie van Les Contes d'Horace Van Hoffel genummerd 160/386. Editions des Artistes, BrusselEtching in black. Signed and dated in the plate. Titled and numbered 160/386 in pencil. From the edition of Contes d'Horace Van Hoffel numbered 160/386. Editions des Artistes, Brussels23 x 16 cm (sheet) 19 x 14.7 cm (image)FramedFor further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (born 1927)Sans l'écorce D,1991 Eau-forte et aquatinte en noir. Le tour en aquatinte en couleurs. Signée, annotée D, datée et numérotée 34/99Ets en aquatint in zwart. De wending in aquatint in kleuren. Getekend, geannoteerd D, gedateerd en genummerd 34/99Etching and aquatint in black. The aquatint in colour. Signed, annotated D, dated and numbered 34/9978.5 x 110 cmFramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (born 1927)Tison,2012 Eau-forte et aquatinte. Titrée, datée, signée et numérotée 16/99. Avec livre de Hélène Cixous. Numéroté 16/99. Signé par l'auteur et par l'artiste. Ed. Galilée, ParisEts en aquatint. Getiteld, gedateerd, getekend en genummerd 16/99. Met boek van Hélène Cixous. Genummerd 16/99. Getekend door de auteur en de kunstenaar. Ed. Galilée, ParijsEtching and aquatint. Titled, dated, signed and numbered 16/99. With book by Hélène Cixous. Numbered 16/99. Signed by the author and the artist. Ed. Galilée, Paris13.4 x 17.4 cm (image)21.2 x 22.7 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (born 1927)Sphinx au chapeau,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 3/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 3/35Etching and aquatint on Japon paper. The watercolour stencil. Signed, titled, dated and numbered 3/3565 x 97 cm (sheet)FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (born 1927)De toute part,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 1/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 1/35Etching and aquatint on Japon paper. The watercolour stencil. Signed, titled, dated and numbered 1/3565 x 97 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (born 1927)Rhizomes,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 17/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 17/35Etching and aquatint on Japon paperWatercolour stencilled on the reverse. Signed, titled, dated and numbered 17/3565 x 97 cm (sheet)FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
EDUARDO CHILLIDA (1924-2002)Aldikatu III,1972 Eau-forte et aquatinte. Signée et numérotée 33/75Ets en aquatint. Getekend en genummerd 33/75Etching and aquatint. Signed and numbered 33/7576 X 100 cmFramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Three Artworks by Different Artists to Include: 'Clare Bassett - 'Looking for Mr. Right', limited edition print in colour, signed, titled and numbered 6/15 in pencil below; Pauline Vennald? - 'View of Nympsfield (2), oil on canvas, signed and titled verso, 20.4 x 50.8 cm; together with Rosara Mahony? - 'Flight', limited edition drypoint etching, signed, titled and numbered 2/25 in pencil below, 8.6 x 23 cm, all framed (3)
Eight Framed Prints to Include: Henry Wilkinson (1921-2011) - limited edition drypoint etching in colours, 49/100, 22 x 32 cm; After Edmund Blampied (1886-1966) - Two Dogs Playing Music, signed in print 33 x 22 cm; Vincent Balfour Browne - limited edition print numbered 620/850 and blindstamped below, published by The Brotherston Gallery, 1978; a framed collection of miniature chromolithographs; together with two hunting prints: Signed Michael Lyne print, bearing 'H.D.E.' blindstamp lower left, 53 x 38 cm, published 1956 by Frost & Reed Ltd.; together with After J. Godly & H. Merke - 'Woodcock Shooting' and two other framed prints (8)
THREE FRAMED ARTWORKS: 20th Century Abstract - indistinctly signed and dated above, oil on board, 50 x 60 cm; After Hans Volkmann - 'Lord Seaham Boy', oleograph print, 50 x 40 cm, gilt frame; and William Monk (1863-1937) - 'Hampstead, May 98' etching, signed below in pencil, framed and glazed (3)
Twelve Miniature Prints to Include: Claire Dalby (b.1944) - Three limited edition signed etchings: 'he Stables at Nettlecombe' 24/150, 7 x 10 cm; 'Cottage Orne' 27/100; and 'The Gazebo, West Dean' 50/75, all titled, signed and numbered in pencil below, framed as a set; 'Sunday' etching in coloured 29/150 by Suzan; Heidelberg, Rhein Voyage 1989, etching 129/150; a photograph of Hong Kong in 1950 and others (12)
WARWICK WILLIAM LENDON (1883-1971) FOUR PAINTINGS AND ETCHINGS, comprising an abstract study of flowers in a vase reflected in a mirror, signed bottom right, oil on canvas laid on board, approximate size 59cm x 49cm, a portrait of a young man, signed bottom left, mixed media on paper?, approximate size 28cm x 23cm, a dry point etching 'La Andaluzia' depicting a study of a semi naked woman, signed and titled to lower margin and a limited edition dry point etching 'Dagnente from the rock of Arona, Lake Maggiore', signed, titled and numbered 3/5 to lower margin - stain to lower left corner
Fine sepia etching of "A Sheer Hulk" moored at low tide carrying a mast with three other ships in the background by George Stevenson. Signature, title and date engraved in plate on lower right: A Sheer Hulk, S. C., 1880. Sight size: 9.50"L x 7.60"H. Frame size: 12.10"L x 12.10"H x 0.75"W. Artist: George StevensonIssued: 1880Country of Origin: EnglandCondition: Age related wear. Vertical crease in center left.
Henry Ziegler (Mustang Rider) Grouping of detailed cowboy scenes. All etchings are signed Henry Ziegler or (Mustang Rider) and dated from 1935-1938. Sight sizes range from 10"H x 8.5"W to 4"H x 4.3"W.About the artist: HENRY ZIEGLER (1899 - 1968) Painter, illustrator, and etcher Henry Ziegler was born in Sherman, Texas. He studied at the Art Students League in New York, where he studied etching with Joseph Pennell and painting with William R. Leigh. He is best known for his western etchings, illustrations, and paintings. His commissions included a series of forty-nine etchings for the 1927 book Cowboy Stuff, published in a first edition of 12 copies and a trade edition of 500 copies in 1928. His etchings were exhibited at the art competition of the 1936 Summer Olympics in Berlin. Ziegler?s western etchings and monoprints were included in The Cowboy in American Prints, published in 1985 by Ohio University Press. His work is held in the collections of The Fine Arts Museums of San Francisco, the Great Plains Art Museum, Smithsonian Institution, National Portrait Gallery, and Georgetown University. Henry Ziegler died in New York City. Issued: 1889-1968Condition: Age related wear.
lot (4) with 3 lithographs printed in colors and an etching - each signed Jacques Jacob and dated 2004 and 2006 || JACOB JACQUES (1939 - 2014) lot (4) met 3 kleurlithos op 50 exemplaren met telkens de voorstelling van dansende personages, telkens getekend en gedateerd 2004 en een kleurets n° 6/30 : "Man met hoed" - getekend en gedateerd 2006

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78475 Los(e)/Seite