Includes a gorgeous Mueck Cary condiment or toothpick holder with a rose repousse motif. The bottom is marked, M Sterling 503. It measures, 3"L x 2.5"W x 2.75"H. A Webster sterling silver saucer, marked sterling 6546, with the Webster Silver Hallmark sign, W with an arrow. It measures, 0.25"H x 4" dia. And a silver toned saucer with a grapevine motif and decorative etching. Sterling pieces weigh 46g and 28g. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. As is. Some tarnishing and scratches.
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78472 Los(e)/Seite
Collection of seven 19th and early 20th century watercolours being either landscapes or of sailing boats, some signed and all gilt framed and glazed (largest frame 43cm x 36cm) together with after Meissonier etching by L. Ruet, signed in pencil, framed and glazed and two further etchings (10)
Two Beatles vinyl LPs, viz: Please Please Me PMC1202, Mono, 4th pressing with runout etching XEX421-IN/422-IN in Ernest J Day & Co flipback laminate cover, original inner sleeve (vinyl VG+/cover VG) and With The Beatles PMC1206 mono 1st pressing, runout etching XEX-447-IN/448-IN in Garrod and Lofthouse Ltd flipback cover and original inner sleeve (vinyl VG+/sleeve VG+) and Meet the Searchers LP and a collection of 25 1960's 45rpm singles including The Beatles, Buddy Holly, The Fourmost, The Swinging Blue Jeans, etc, mostly in their original sleeves
Hesler / Ayres Lincoln Photograph (3) total items including a matte finish albumen photographic portrait after Alexander Hesler (Canadian, 1823-1895) mounted to a thick chipboard having ink inscription 'Copyright / Geo. B. Ayres / Phila' verso, Ayres (American, 1829-1905) having purchased Hesler's negatives in 1867, behind glass in a wood frame; together with an etching by Otto J. Schneider (American, 1875-1946) pencil signed lower right, matted behind glass in a wood frame having a label stating it is an artist proof before lettering with a damaged informational sheet verso as well as a photogravure copy after Alexander Gardner (American, 1821-1882) having etched border published by Reinthal & Newman, NY, behind glass in wood frame Property from: a Private Collector, Wilmette, Illinois Height: 8 1/4 inches, Width: 6 7/8 inches (board, Hesler / Ayres)Frame Size: 11 inches by 9 1/2 inches Condition: no damage to photograph noted, Schneider having toning and accretions to mat, insect damage to info sheet verso, after Gardner having toning and a few light smudges in margins, frames having light wear Disclaimers: not examined out of the frames Category: Fine Art > Photography Estimated Sale Time: 12:45 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8
After Rembrandt van Rijn (Dutch, 1606-1669) Lithograph A lithographic reproduction after a restrike of 'Beggars Receiving Alms' etching, matted under glass in a painted wood frame with an Oxford Art Gallery COA Property from: a Private Collector, Muncie, Indiana Height: 7 1/4 inches, Width: 5 3/4 inches (sight)Frame Size: 17 1/2 inches by 16 inches Condition: no damage to artwork noted, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:23 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Jim Dine (American, b.1935) 'The Bee' Charcoal Enhanced Etching and Aquatint 1982, pencil signed and #32/40 lower left, on a full sheet of Arches paper, float mounted within a black linen mat behind acrylic in a gold-tone and black lacquer wood frame, accompanied by Broder Gallery, Madison, WI COA, Ref D'Oench & Feinberg 115 Property from: a Private Collector, Middleton, Wisconsin Height: 21 3/4 inches, Width: 18 3/4 inches (image)Frame Size: 42 1/2 inches by 38 inches Condition: light smudges in margin at center lower edge, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:44 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
After Alexander Hamilton Wardlow (act.1870-1899), and Walter Alfred Cox (1862-c.1908), Eton - The 4th of June, Procession of the Boats, hand coloured etching, published Dickinson & Foster, London, c.1889, signed in pencil in margin by artist and etcher, image size 33.5cm x 51cm (13¼in x 20¼in), framed, together with a monochrome version (2).
Ronald Ronaldson, 1919-2015, Suffolk landscape, signed watercolour, 25 x 33cm, exhibition label for Chappel Galleries to reverse, together with Michael Chase, Walking in the Garden, Hidcote, etching 18/30 (2)Overall condition appears to be ok. The Ronaldson has some dirt under the margin. Both are framed, but dirty. Dirty having been removed from a local house clearance.
Edward Sharland (British, 1884 - 1967), four, comprising: Will's building Bristol, etching, signed in pencil lower right, 48 x 33cm, Chartres Cathedral, hand-coloured etching, signed in pencil lower right and titled lower left, 40.5 x 55.5cm, St Stephens Church, etching, signed in pencil lower right and titled lower left, 44 x 25cm, The Nelson Column, etching, signed in pencil lower right and titled lower left, 22 x 16cm and two other prints, all framed and glazed (6)
Phil Greenwood (British, b.1943), Going Home, etching and aquatint, titled lower left, signed lower right and numbered 29/150, 57 x 51.5cm, Wilfred R E Fairclough (1907 - 1996), two: Christ Church, Oxford, etching, signed in pencil lower right and dated 1961, 29 x 28cm and Magdalen Bridge & Tower, Oxford, signed in pencil lower right, 27.5 x 28.5cm, all framed and glazed
Nicolas Pitau the Elder (1632-1671), after Raphael, The Holy Family with John the Baptist and St Elizabeth (Madonna del Divino Amore). The Virgin sits at left looking at the Christ child who sits on her lap and blesses a kneeling St John the Baptist. Joseph stands in the background, etching and engraving (trimmed), corners laid on card, circa 1656-1671, 32x41cm (plate) 41x53cm (full card size), unframed.
Giulio Carpioni (Italian, Venice, 1613-1678), Earth, represented by Cybele seated at the base of a tree with fruits of the Earth before her. A cupid with flaming torch approaches and a stag and hound approach from the left, etching laid on inner mount board, trimmed, circa 1640-1660,15x10cm, framed and glazed (UV filtering glass)
HOOKER (JEREMY) & ACKROYD (NORMAN) Itchen Water, poems 1982, Winchester School of Art Press, 4to., limited edition (11/100), signed by the poet and the artist, comprising ten tipped in original etchings all signed and titled in pencil, and a loose additional etching similar, , Provenance: private collection Vale of Glamorgan.Comments: excellent condition.
Gillian E Hoare (20th Century) Portrait of three dogs: "Dusty, Buttons and Brail" Signed and dated (19)87, pastel, oval; Together with a pencil sketch of the racehorse "Crisp" by the same hand, signed and dated (19)77 and a limited edition coloured etching No. 4/75 after Henry Wilkinson, Retriever with a duck, signed in pencil; 50.5cm by 37.5cm, 39cm by 29cm and 27cm by 31.5cm respectively (3)
William Lionel Wyllie (1851-1931)Sailboats on choppy watersPencil signed etching, 35cm by 47cm; together with a further maratime print signed Wyllie and a Langmaide Thames view etching (3)Sailboats on choppy waters - overall good condition. Dust and debris trapped under glass. Sporadic small marks.Not examined out of the frame.
Pasternak (Boris) Doktor Zhivago [Doctor Zhivago], first trade edition in Russian, light occasional spotting and staining, light marginal toning, upper hinge slightly cracked, original olive boards, gilt-stamped with griffin crest to upper cover and spine, tear to upper joint head, ink stain to upper joint foot, spine ends and corners lightly bumped, very light foxing, Milan, Feltrinelli, [1958]; Doktor Zhivago [Doctor Zhivago], early reprint of first trade edition in Russian, crude ink annotations throughout, a few leaves dog-eared, a few marginal tears, hinges cracked, contents shaken with last few leaves slightly loose, original olive boards, spine ends lightly bumped, dust-jacket, upper flap joint slightly cracked, tear to lower flap, spine ends and corners slightly chipped, Milan, Feltrinelli, [1961]; Doktor Zhivago [Doctor Zhivago], reprint, frontispiece, a few ink annotations, lower hinge slightly cracked at head, original cloth, gilt, price label to lower cover, a few faint stains to covers, spine foxed, Moscow, 1989l; and 4 others, including 2 works on the forced repatriation of Cossacks at the end of WW2 and an etching of Matvei Platov, v.s. (7)
AFTER GABRIEL PERELLE FOUR VIEWS OF THE CHATEAU, PARK, AND GARDEN AT CHANTILLY Etching, mounted as three One inscribed 'A Paris chez N Langlois rue St Jacques a la Victoire' (lower left) Plate 22 x 32cm (8½ x 12½ in.) and smaller Unframed (3) These plates were engraved by Gabriel Perelle (1604 - 1677) and published as part of a large series of views of mostly France, titled Veues des belles maisons de France, by the Langlois and Mariette families in the 17th and 18th centuries. The works offered here include two plates which carry the address for Nicolas Langlois, (1640-1703). Only one complete set of this series has been offered at auction, a 1703 edition with all plates carrying the Langlois printed address. Both the Chateau and the gardens at Chantilly were designed by Andre le Norte (1613 - 1700).(This lot is offered without reserve)
Collection of four engravings Hedging and Ditching from Liber Studiorum by J.M.W. Turner, sepia etching with aquatint, 21 x 29cm (image); Mother and three children resting by Anthonie Watherloo, etching, 29 x 24cm (image); and two reproduction prints: Frederik Bloemaert - Farm Buildings, and Jan van der Velde - Landcsape Brewery (4)
Herbert Thomas Dicksee RE (1862-1942) 'The Alarm', a family of lions on the lookout,etching, hand-signed in pencil,published by Frost & Reed, 50 x 75cmProvenance:John Mathiesen & Co.Unexamined out of the frame, possibly on vellumOverall even golden colour and good condition.Impressed marks bottom left hand side (shown)Etching apparently highlighted particularly on the male lion (gum arabic or similar)Press mark visibleSigned in pencil "Herbert Dicksee" inside the press markPartial printed inscription across the top not clear "Published at 8 Clare St. Bristol, by Frost & Reed.......", underneath "Copyright 1918 by Frost and Reed Ltd (of Bristol England) in the United States of America" (shown)Labels to the reverse of the frame, one indistinct, the other John Mathieson & Co, Edinburghplease see further images
A folder of miscellaneous antique and later prints and a few drawings to include: Dubourg, Claudian Aqueduct, coloured aquatint, pub. 1820, watermark of J. Whatman 1816 Dubourg, The Queen returning from the House of Lords, coloured aquatint, published 1821 Bickham, Love Relaps’d, coloured 18th Century engraving;A 17th Century German engraving after Dietterlin, engraved by S. GlonerusThe Indian Guitar and its Scale, coloured engraving, published 181819th century photographs of Bethlehem and Ely CathedralJohn Fullwood, Maidenhead-on-Thames, etching, signed in pencil, and others
John D. Miller (1860-1903) after George Heming Mason 'The Milkmaid'etching and mezzotint, trial proof for the print published by P & D Colnaghi & Co., 188456 x 30cm Pl.; together with Robert Walker Macbeth (1848-1910) after George Heming Mason'Only a Shower'etching, trial proof for the print published by Arthur Tooth, 189039 x 74cm Pl.; and two further prints after Benjamin Williams Leader and Marcus Stone (4)
Three pieces of crystal with silverware, with a cheese dome with etching and a silver knob, ø20x15cm., various chips, a contoured glass with etching placed on a long silver foot with Biedermeier finish, 14.5cm. and a carafe with grinding and a silver collar. 23 cm. Various grades. In reasonably good condition.

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78472 Los(e)/Seite