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Los 12

Julian Trevelyan RA,British 1910-1988, The Plough; etching with aquatint on wove, signed, titled and numbered 115/150 in pencil,with a blind stamp to lower right,sheet: 49.3 x 62 cm, (framed)(ARR)

Los 1

Ben Nicholson OM, British 1894-1982, Paros II, 1967; etching on wove, signed, dated and numbered 50/50 in pencil, sheet: 42 x 38 cm, (framed)(ARR)

Los 53

Albert Hirschfeld,American 1903-2003,Lady with a Guitar; Barbra Streisand; Lena Horne; Liza Minelli and Joel Grey, 1975; Judy Garland;each etching on wove, (i) signed and numbered XII/XXX AD, image: 39 x 29 cm(ii) signed and numbered XII/X AD, image: 33 x 24 cm(iii) signed and numbered 32/100 in pencil, image: 32 x 50 cm(iv) signed and numbered AP VIII/XV, image: 35 x 35 cm(v) signed and numbered AD XIII/XXX, image: 39 x 29 cm(framed)(5)

Los 41

Brett Whiteley, Australian 1939-1992, Self Portrait, One Of A Dozen Glimpses, from Another Way Of Looking At Vincent Van Gogh 1888 - 1889, 1983; etching with aquatint on wove, signed and numbered 1/1 PP in pencil, printer's proof aside from the edition of 100, plate: 27 x 21cm, (framed) (ARR) 

Los 20

John Piper CH, British 1903-1992, Yellow Flowers [Levinson 392], 1987; etching with aquatint in colours on Vélin Arches wove, signed and numbered 21/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, plate: 41 x 55.5cm, (framed) (ARR) 

Los 5

Victor Pasmore CH CBE, British 1908-1998,Composition, 1985;etching and aquatint on wove, signed and dated in pencil and numbered 19/20 (XIX/XX), with the Vigna Antoniniana Stamperia d'Arte 2RC, Rome blind stamp (AA), sheet: 50 x 35.5 cm, (unframed) (ARR)

Los 144

Barbara Rae, British b.1943- Anasazi hunter; monochrome etching, signed in pencil, numbered 5/20, sheet: 51 x 65 cm, (unframed) (ARR) 

Los 1807

Salvador Dali (1904-1989) - 'Cervantes', etching on paper, bearing Templeton & Rawlings authentication certificate attached verso, plate dimensions: 12 x 17.5 cm, 48 x 42 cm, mounted, glazed and framed

Los 179

WILLIAM WYLLIE - an etching of Victory in Portsmouth Harbour, together with one other of warship by Wyllie

Los 892

Frederick Alfred Slocombe (1847-1920) - A late 19th century Frederick Alfred Slocombe etching titled ' Charlecote '. The etching depicting a bridge across a river, surrounded by tall trees. The painting being framed and glazed. Measures approx. 90cm x 60cm. 

Los 216

Wilfred Fairclough (1907 - 1996), etching, 'a Venice clown', signed in pencil, framed and glazed. H.35 W.39cm.

Los 68

A 20th century French School etching of a woman, indistinctly signed, framed and glazed. H.53 W.38cm.

Los 1201

(London), Hannah Humphrey, 10 June 1806. Handcol. etched caricatural print, 24 x 34 cm. Framed. Satirical print about beer; quassia was a South American plant that was promoted as a superior and tax-free substance for brewing beer instead of hops, and the etching shows major brewers in a celebratory procession. Very good condition; not inspected outside frame.

Los 1203

(1) An Attempt to swallow the World!! London, W. Holland, 6 April 1803. Hancol. etching, 33x 25 cm. A large-headed Napoleon stands with feet apart and hands on hips, a globe wedged in his mouth with Great Britain facing out towards the bespectacled figure of John Bull, who says 'I'll tell you what, Mr Boneypartee, when you come to a little spot I have in my eye, it will stick in your throat and choak you!' (2) John Bull shewing the Corsican Monkey! Ibid., Ackermanns, 3 Sept. 1803. Handcol. etching by Isaac Cruikshank after Woodward, 25 x 32 cm. A crowd gathers around Bull as he presents Napoleon, depicted here as a small monkey riding on the back of bear. Added: Gillray, J. Buonaparte, hearing of Nelson's Victory, swears by his Sword to Extirpate the English from off the Earth. Ibid., H. Humphrey, 1798. Handcol. etching, 34 x 25 cm. All framed. Some defects such as browning and stains, but overall in good condition. Not inspected outside frames. A nice collection of Napoleonic caricatural/ satirical prints. (total 3)

Los 1258

(Farmyard, Brabant). Etching and aquatint. 1892. Signed and dated in the plate bottom left and signed and numb. 33 in pencil lower margin. 18 x 124 cm (image), 25 x 33 cm (sheet). Van Wisselingh 404. 5th state. Browned, upper edge sheet damaged. (2) Achterkant van een schuur of Avond, Brabant. (Rear of a barn, or Evening. Brabant). Etching and aquatint. 1892. Signed and dated in the plate bottom left and signed and numb. 22 in pencil in lower margin. 12 x 16 cm (image), 25.5 x 32 cm (sheet). Van Wisselingh 402. Only state. W. orig. Van Wisselingh sales label. Browned. (total 2)

Los 1259

(Kneeling potato harvester). Etching and aquatint. Ca. 1908 (after a 1887 drawing). Signed and numb. IV in pencil in lower margin. 30 x 43 cm (image), 55 x 44 cm (sheet). On Japan paper. Van Wisselingh 461. 5th state. In good condition. (2) Staande schaapherder, leunend op staf (Shepherd standing, leaning on staff) Etching. 1886/1906. Numb. 28 in pencil bottom left. 25 x 18 cm (image), 39 x 52 cm (sheet). Van Wisselingh 447. 2nd state, printed in 1906 after the 1886 original. Foxed. (total 2)

Los 1261

Etching and aquatint. 1915-1919. Signed and numb. 5 in pencil in lower margin. 27.5 x 32 cm (image), 56.5 x 47 cm (sheet). Van Wisseling 494. Only state. (2) Sutter Street, San Francisco. Etching and aquatint. 1915-1919. Signed and numb. 1 in pencil lower margin. 27.5 x 32 cm (image), 43 x 37 cm (sheet). Van Wisseling 496. Only state. Some tape remnants lower margin. In good to fine condition. (total 2)

Los 1262

(Barn with fence in foreground, Brabant). Etching. 1892. Signed and dated in the plate on bottom left and signed and numb. 40 in pencil in lower margin. 15 x 19.5 cm (image), 25.5 x 32.5 cm (sheet). Van Wisselingh 403. 5th state. (2) Achterkant van een schuur of Avond, Brabant. (Rear of a barn, or Evening, Brabant). Etching and aquatint. 1892. Signed and dated in the plate bottom left and signed and numb. 50 in pencil in lower margin. 12 x 16 cm (image), 25.5 x 32 cm (sheet). Van Wisselingh 402. Only state. Sl. browned, rear of barn etching w. marginal browned line. In good condition. (total 2)

Los 1263

Etching and aquatint. 1905-1906. Signed and numb. 89 in pencil lower margin. 25 x 33.5 cm (image), 67.5 x 51 cm (sheet). Van Wisseling 445. 2nd state. In fine condition.

Los 1265

Etching and aquatint. 1900. Signed and dated in the plate and signed and numb. 79 in pencil in lower margin. 32 x 37 cm (image), 38 x 44 cm (sheet). Van Wisseling 418. Only state. Version w. Van Wisselingh printed below. Sl. browned, tape remnants lower margin.

Los 1268

Etching and aquatint. Ca. 1900. Signed and numb. 29 in pencil in lower margin. 28 x 31 cm (image), 50 x 65.5 cm (sheet). Van Wisseling 421. 4th state. Version w. Van Wisselingh printed below. Margins sl. foxed.

Los 1303

Drie en veertig etsen, negen litho's door hem uitgegeven ter gelegenheid van zijn zestigste verjaardag. Rijswijk, 1981. Deluxe ed., no. 69/200, incl. a signed etching printed by Piet Clement and a signed lithograph. Fine copy.

Los 1321

Etching, 1972. Titled in plate, signed in pencil lower margin right and 'proefdruk' in pencil lower margin left. Professionally framed under museum glass. 18 x 20 cm (image), 33 x 32.5 cm (total size). Good to fine condition.

Los 1348

Etching and aquatint. Signed and numb. 4/60 in pencil in lower margin. Image approx. 35 x 45 cm. Framed under glass (total size 51 x 59 cm). Margins foxed. Not examined outside of frame.

Los 1363

Etching. Signed in plate lower margin. Vereeniging tot Bevordering van Beeldende Kunsten, 1944. 24.5 x 22.5 cm (image). In frame under glass in passepartout (total size 43 x 28 cm). In good condition.

Los 1392

Col. etching, 35.5 x 42.5 cm. Titled and numb. 60/200 in pencil below the plate. -and a bifolium (sl. worn) on Peterdi by W. Lieberman, photo of Peterdi tipped-on to bifolium. Etching in excellent condition. (total 2)

Los 517

18th to early 20th cent. Var. sizes and techniques, some handcol. Incl. many views and some historical prints and portraits. Incl. a.o.: (1) Roghman, R. (1627-1692). "Buyten Haerlem". The 2nd etching from the series "Landschappen in de Noordelijke Nederlanden", publ. by C. de Jonghe, ca. 1660, mounted at left margin. Good copy on thin laid paper, w. narrow margins. Sm. hole affecting the number in lower margin. (2) View of the Korte Spaarne in Haarlem. Handcol. aquatint from Hill, Sketches in Flanders and Holland, London, 1816. (3) Lalanne, M. (1827-1886). "A Haarlem (Hollande)". Paris, Liénard in L'Art, 1878. Etching. 2 copies (one browned). (4-16) Lutgers, P.J. (1808-1874). Series of 13 (of 90) views from Gezigten in de Omstreken van Haarlem, publ. 1837-1844. (17) "De hoogste kunstwaarde, bron van verlichting en beschaving". Lithogr. portrait of Laurens Janszoon Koster and 2 children by W. van Wouw. Sm. defects. Very rare, probably a koppermaandagprent. Some duplicates. Sold as a collection of prints, not subject to return. (total approx. 90)

Los 550

Dresden, 1791. Etching col. in outline, 49 x 35 cm. Foxing, wrinkles, sm. tear in bottom left margin. Not inspected outside frame.

Los 6443

(1) Invitation card with original etching. Announcement for Jasper Johns Prints, held Oct. 15 to Nov. 12 1977 at Castelli Graphics New York. Single folded white card, 20 x 15.2 cm, 2 pp. Black etched image on front features John's work 'Numbers from 1st Etchings-2nd State 1967–69'. Light dent on lower right corner, top right corner with tiny bump, etching in mint condition. Very rare. (2) Jasper Johns at Leo Castelli, Jan. 8 - Feb. 2 1966. Large folding card printed gold on white. With horizontal fold. (3) Jasper Johns, Lead Reliefs, Castelli Graphics May 1969. Folding card, with unfortunate tear in front sheet. (4) Jasper Johns, Fragments - According to What, Castelli Graphics May 1971. (total 4)

Los 515

A black and white engraving River Stour Suffolk; a black and white etching "Porch Of The Church At East Bergholt Suffolk" etc.

Los 339

Frank H. Mason, pencil signed etching, "Abbey Ruins" in pine frame

Los 558

A SELECTION OF PAINTINGS AND PRINTS ETC, to include two Julia Midgley tennis themed pen and watercolour sketches, approximate sizes 28cm x 38cm, a Julia Midgley limited edition etching 'Encounter' 12/40, an E.M Purcell watercolour landscape, a Brenda Eddy watercolour depicting Helleborus Orientalist flowers, a Chartered Governance Institute crest mounted to a wooden shield shaped mount, reproduction Richard Lawrence 'Warwickshire Yeomanry Cavalry' prints, nine framed John Player 'Regimental Uniforms' cigarette cards, J. Gould exotic bird print 'Haematospiza Sipahi', other prints and an Edwardian oval mahogany wall mirror with banded inlay, approximate size 77cm x 49cm

Los 1777

Richard Beer, coloured etching with aquatints, 'St. Benet, Paul's Wharf', signed in pencil, 32/75, 65 x 45cm

Los 1707

J. Veyrassat after Rosa Bonheur (French, 1822-1899), drypoint etching, 'Un Relais', figure with two horses, signed in pencil, 13.5 x 22cm

Los 245

Manuel Robbe (French, 1872 - 1936) "Scene De Marche Aux Puces" - 1908 Aquatint & Etching. Pencil signed lower margin. DeLind Fine Art Gallery label verso. Image Size: 20.5 x 17 in. Overall Framed Size: 32.5 x 28 in. Framed behind glass.

Los 253

Hand Colored Etching M. Meriams Theatrum 17th Century European Naval Battle Scene Image Size: 10 x 13.5 in. Overall Framed Size: 20.5 x 23.75 in.

Los 254

Hand Colored Etching M. Meriams Theatrum 17th Century European Naval Battle Scene Image Size: 10.25 x 15 in. Overall Framed Size: 21.5 x 24.25 in.

Los 315

Frank Harding (British, 1935 - 1990)"London Bridge"Etching. Pencil signed and titled lower margin.Sight Size: 7 x 15 in.

Los 219

JOAN MIRO (1893-1983) Untitled Etching & Aquaint Hand Signed and Numbered in Pencil Edition 7/10 Image - 5" x 7", Sheet - 10" x 13"

Los 404

JOSEF ALBERS (1888-1976) Homage to the Square Screenprint on German Etching Paper Signed, Titled, & Dated 16" x 16"

Los 23

Ornate "Dague De Vertue", "Dague de "Pute", Women's self-defense dagger, France, mid-19th C. Very high quality and richly decorated dagger. The straight steel blade is decorated with etching and gilding. The figured guard and pommel are made of bronze and gilded. The spiral-shaped handle is made of steel, coated with silver and blue. The steel scabbard is covered with high-quality etched and gilded decor. PatternsIt is believed that such daggers were worn by prostitutes for self-defense. In fact, they were also used by middle-class and high-status women. . The very high quality of this dagger indicates that it was used by a woman of high position and income. A beautiful collectible dagger with a romantic history. Length 20 cm.

Los 73

A Shashka with scabbard and belt, silver, niello, engraving, Russia mid 20th century. A slightly curved steel blade with two fullers on each side. The left side of the blade is decorated with etching with a monogram under the Russian Imperial Crown. The handle is made of bone decorated with carvings, the silver fittings of the handle are decorated with engraving and niello. The scabbard is made of wood, covered with black leather, the silver fittings of the scabbard are decorated with engraving, niello and a bone insert with inlay. Leather belt with silver fittings decorated with engraving and niello. An interesting item for collecting and interior decoration. Length 96 cm.

Los 198

Engravings from works of deceased british artists, a folio together the Edinburgh Etching Club portfolio, etc

Los 3155

An 1803 pattern British Infantry Flank Officer's sword, the 77cm curved blade etched with stands of arms, having a pierced brass oval hilt with GR cypher, ribbed leather grip and lions head pommel, housed in a brass mounted leather scabbard, 91cm.Scabbard very dry, tip has been off and poorly repaired.Blade with areas of rust, rounded at tip, etching worn.Hilt solid.Grip is bare wood – no wire of fishskin.

Los 2406

After Pierre Auguste Renoir (1841-1919) - Le Chapeau Epingle, etching, signed in the plate, 12 x 8cm

Los 2383

Giovanni Battista Piranesi (1720-1778) - The Tomb of Nero, etching, from the Grotteschi (Grotesques) series first published circa 1747, 39.5 x 54.5cm

Los 483

Isabel Saul (1895 - 1982), Queen Elizabeth I, her patrons and other important figures from the period, hand-coloured etching heightened in gold, signed in pencil lower right, 39 x 34cm

Los 484

Boris O'Klein (1893 – 1985), three, comprising: Oh! Liberte Cherie, signed in pencil lower right and titled lower left, Tu Viens Beau Blond, signed in pencil lower right and titled lower left and Sex Appeal, titled in pencil lower right, each hand-coloured etching, each 21 x 49cm (3)

Los 533

Renato Bussi (italian, 1926 - 1999), Venice scene, limited edition etching, signed in pencil lower right, numbered lower left 55/80, label verso, 31 x 39cm and a collection of other pictures (7)

Los 539

Kathleen Caddick (British, b.1937), a pair: Snow on the Pennines and Houghton Mill, Cambridgeshire, each limited edition etching, signed in pencil lower right, title lower left and numbered 91/350, Christie's Contemporary Art paperwork verso, 52 x 64.5cm, Phil Greenwood, Hilltop, limited edition etching, signed in pencil lower right and dated '80, titled lower centre and numbered lower left 18/250, Christie's Contemporary Art paperwork verso, 62 x 49cm and other pictures , all framed and glazed (10)

Los 492

J Moia, The Garden Yard, watercolour, signed lower left, 28.5 x 41.5cm, titled on label verso and further inscribed Hampstead 1982, A Lambourg, Temple Mount, Old City of Jerusalem, hand-coloured etching, signed lower left and indistinctly inscribed lower right, 36 x 74.5cm, each framed and glazed and four other pictures (6)

Los 510

Ernest Stephen Lumsden (1883 - 1948), Asian scene with boats and figures, limited edition etching, signed lower centre, numbered 60/63 lower left, label verso for Wadsworth & Company, framed, H.Beckwith after E.Landseer, High Life, hand-coloured engraving, 27 x 20cm, framed and glazed, H.Beckwith after E.Landseer, Low Life, hand-coloured engraving, 27 x 20cm, framed and glazed and other pictures (12)

Los 596

Dan VAN SEVEREN (1927-2009), etching Untitled, numbered 6/25, signed and dated ‘86Dan VAN SEVEREN (1927-2009), ets Zonder titel, genummerd 6/25, getekend en gedateerd '8629 x 21 cm

Los 677

Johan TAHON (1965), etching Figure, 30/100, signed and dated 1997Johan TAHON (1965), ets Figuur, 30/100, getekend en gedateerd 199765 x 45 cm

Los 603

Jiri ANDERLE (1936), dry needle etching Voják, numbered 16/40, signed and dated ‘65Jiri ANDERLE (1936), droge naald ets Voják, genummerd 16/40, getekend en gedateerd '6549.5 x 29 cm

Los 293

Martin WALLAERT (1944), etching Woman, numbered e.a. and signedMartin WALLAERT (1944), ets Vrouw, genummerd e.a. en getekend46 x 39 cm

Los 578

Paul DELVAUX (1897-1994), etching ‘Dans la cellule génératrice’, numbered 28/30, signed and dated ‘73Paul DELVAUX (1897-1994), ets 'Dans la cellule génératrice', genummerd 28/30, getekend en gedateerd '7331.5 x 44 cm from the series Construction d'un temple en ruine à la déesse vanadé, Oeuvre catalogue Mira Jacob pag 148 n° 82uit de reeks Construction d'un temple en ruine à la déesse vanadé, Oeuvre catalogus Mira Jacob pag 148 n° 82

Los 778

Carl-Henning PEDERSEN (1913-2007), etching Untitled numbered 21/60, signed and dated 1991Carl-Henning PEDERSEN (1913-2007), ets Zonder titel genummerd 21/60, getekend en gedateerd 199168.5 x 44 cm

Los 601

Jiri ANDERLE (1936), dry needle etching Comme il Faut, numbered 24/30, signed and dated ‘69Jiri ANDERLE (1936), droge naald ets Comme il Faut, genummerd 24/30, getekend en gedateerd '6948 x 62.5 cm

Los 178

Jules DE BRUYCKER (1870-1945), etching Cathédrale de Rouen, numbered 49/125, signed and dated 1930Jules DE BRUYCKER (1870-1945), ets Cathédrale de Rouen, genummerd 49/125, getekend en gedateerd 193060 x 49 cm

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