Punch’s Pocket-Book, for 1873, 1874, 1875, 1877, 1878 (2 copies) & 1879, together 7 vols., each with hand-coloured folding frontis. and title, and wood eng. plts. by John Tenniel, Charles Keene and Linley Sambourne, a.e.g., orig. wallet-style full morocco, generally rubbed, and with some wear to vols. for 1873, 1878 and 1879 (especially the latter year), small 8vo, together with Leech (John), Follies of the Year, a series of coloured etching from Punch’s Pocket-Books 1844-1864, with some notes by Shirley Brooks, pub. Bradbury, Evans & Co., hand-coloured title, and twenty-one hand-coloured plates, occ. minor spotting, a.e.g., orig. red half morocco, gilt, rubbed and scuffed with a little wear to extrems., oblong 4to, plus Lemon (Mark), Mr. Punch: His Origin and Career. With a facsimile of his original prospectus, in the handwriting of Mark Lemon, printed by Jas. Wade, [1870], folding facsimile frontis., adverts at end, some soiling to frontis. and title, contemp. qtr. calf, rubbed, small 8vo. (9)
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Flint (Sir William Russell). Etchings and Dry Points, Catalogue Raisonné by Harold J. L. Wright, pub. Colnaghi, 1957, orig. dry point etching frontis, signed in ink below image by artist, numerous b & w illusts. throughout, t.e.g., contemp. pubs. blue cloth gilt, spine a little faded, 4to. Limited edition, signed in ink by artist, 85/135. (1)
* Etchings. De Jongh (Tinnus), Seven Weeks Point, Ladysmith, Cape, n.d., c.1930, uncoloured etching, signed and titled by artist in pencil below image, 225 x 275 mm, together with, Sweet (W.H.), [Lynmouth], n.d., c.1930, uncoloured etching, signed by artist in pencil below image, slight spotting and mount staining, 205 x 285 mm, plus Hawkins (H.C.), The Sea Gulls, n.d., c.1930, uncoloured etching on Japanese tissue, 90 x 110 mm, with another ten similar, various sizes and condition. (13)
![* Piranesi (Francesco). Veduta Dell’Anfiteatro Flavio Detto il Colosseo, [1810 or later], uncoloured etching, slight ma](http://lot-images.atgmedia.com/SR/10729/2860743/721-2012331111754_468x382.jpg)
A contemporary watercolour drawing by Keith Lawrence depicting a shop and cottages in Henley and inscribed verso `Backdrop Hart Street`, a late 19th century coloured etching after F. Hunter of Boulter`s Lock and another coloured engraving `Billiards` after E. .F Lambert all glazed in gilt frames
After John Sell Cotman (1782-1842) Landscape with a figure and dog in the foreground, donkeys in a lane nearby, possibly Mousehole Signed within the plate, inscribed on a gallery label verso John Sell Cotman drypoint, and with later inscription drypoint etching, 11cm by 16.5cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; And various other prints and engravings, one titled Miss Siddall drawing Rossetti, after the original by Dante Gabriel Rossetti, inscribed in ink within the plate Sept 1853, black and white print, 11.5cm by 17cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; a pair of painted over photographs entitled Harry King, The Queen`s Huntsman, Entered Service 6th May 1836, 1st Whip 1st January 1855, Huntsman 1st July 1866, Died 30th December 1871; another inscribed Charles Davis, Queen`s Huntsman, Feeder 1807, Whipper-In 1814, Huntsman 1824, Pensioned 1st April 1866, Died 26th October 1866, each 18.5cm by 13.5cm, arched tops; a photogravure by Annan & Sons, Glasgow; a photograph by Hughes & Mullins, Ryde, Isle of Wight, portraying Queen Victoria, seated three-quarter length, holding a parasol, bearing signature June 22nd 1897 and 1837-1897 (on the margin), 29cm by 21cm; and six other prints of Princess Eugenie engraved by H Linton, Louis Napoleon Boneparte, Louis-Philippe, Captain Sir Thomas B Thompson of the Leander, engraved by F Englehart after George Englehart, miniature painter to George III, Don Alphonso XII, and a stipple engraving of Maria Cosway by F Bartolozzi (11)
After Vincent Haddeley (20th/21st century) ``The Meet``, huntsmen and hounds with other figures in a parkland setting beside a stone lion Signed artist`s proof, limited edition print 191/200, 41cm by 64cm; Another print by Jenny King, 5/200, a large house beside a lake, a print of a pug dog on a chair, limited edition 117/850, another print signed Suzan and titled Pig Orchard, 27/250, a small etching of a cherub blowing a large horn inscribed Greetings and dated 1930, inscribed With Frank Emanuels, a photograph by Michael Bryant, 474/945, with extensive pencil inscription on the mount, with a brochure on Bryant`s photographs, and an oil on panel painting of a pug dog, indistinctly signed, possibly Neuburgen and dated 1895, unframed, 40cm by 24.5cm, various sizes (7)
After Samuel Palmer (19th century) ``The Rising Moon or An English Pastoral`` Black and white etching, extensively inscribed verso with the title and Etching, 1857, on India appliqué, signed Samuel Palmer inside the plate mark l.l., the 7th or 8th state (of 9), published as plate 10 `etchings for the Art Union of London by the Etching Club`, with margins, very fine atmospheric impression, 14.5cm by 22cm (pl) 146 x 222mm; And further etchings of cattle after Thomas Bewick, each inscribed with the artist`s name and his dates (1753-1828), also inscribed Hunter Middleton imp, 1944, each 7cm by 10cm (3)
W G DERRICK - Girl driving geese and turkeys down a country lane, etching, signed in pencil by the artist, with a pair of boy driving sheep; 18cms x 24.5cms; EDWARD CHERRY - Peter Pan in Kensington Gardens and Tower of London, etchings, pair, signed in pencil and a print of a Maltese Gateway (5)
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